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On the Road to Mandalay

Novice Initiation, Mandalay, Burma
Camera: Panasonic DMC-GX8 | Date: 13-02-2017 13:45 | Resolution: 3007 x 4009 | ISO: 400 | Exp. bias: -33/100 EV | Exp. Time: 1/60s | Aperture: 6.3 | Focal Length: 16.0mm | Lens: LUMIX G VARIO 12-35/F2.8

Lie in.  🙂 Until 5.35. 🙁

After breakfast we go to Bagan airport and got the flight to Mandalay, which took 25 minutes ground to ground, followed by a bus drive of well over an hour through the city to the hotel.

Late morning consists of a trip to the Maha Muni Temple in central Mandalay. This is a splendid golden construction, but I am reminded of Noel Coward’s famous song about Mad Dogs and Englishmen when I nearly burn my feet walking around the outer courtyards. The central area under the pagoda is an open grid of columns and arches, with highly polished tile floors which generate great light and reflections.

The Maha Muni is a busy place, with constant comings and goings by pilgrims, monks, nuns and lots of local visitors as well as tourists. Playing "catch a monk", trying to photograph a monk well-positioned against the background is entertaining and quite challenging. One of the primary activities is for young novice monks and nuns undergoing initiation – most Burmese children spend at least a few weeks in training as a standard part of education. I get a great shot of a tiny princess preparing for her initiation, and a rather fetching smile from a pretty older novice who passes us in her group.

Lunch is pizza in the back of the Mercedes showroom next to the hotel. Unexpected. Delicious.

In the afternoon we head for the U Bein bridge, the longest teak bridge in the world. Unfortunately we hit bad traffic. Mandalay is a busy city of around 1.5M people, most of whom seem to be simultaneously on motorbikes, and the traffic does seem to be subject to random delays, especially around the frequent and poorly managed roadworks. It doesn’t help that the good hotels are near the old Royal palace to the east of the centre, but the airport and most attractions are to the west.

The bridge provides another "good game" (shades of Bruce Forsyth) – attempting to catch a couple of locals, ideally monks, perfectly positioned between the bridge uprights without any other people in shot, while working from a rowing boat at extreme zoom range in the middle of the lake. I prove to be quite good, not sure why.

Fingers crossed for a decent nights sleep tonight.

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Cheerfully Manic

"Cheerfully Manic" - outside the market, Nyaung U, Myanmar
Camera: Panasonic DMC-GX8 | Date: 12-02-2017 12:13 | Resolution: 5184 x 2920 | ISO: 200 | Exp. bias: -66/100 EV | Exp. Time: 1/400s | Aperture: 7.1 | Focal Length: 15.0mm | Lens: LUMIX G VARIO 12-35/F2.8

Sunday. We started the day very early (again!), with a pre-dawn shoot at one of the temples, which ended with watching the balloons take off in the rising sun.

After breakfast we went into Bagan’s main market town (Nyaung U as Bagan city is in the middle of the archaeological zone and very restricted in development) for some market photography and what would be described as "retail therapy" if there was any element of choice or relaxation in it, which there wasn’t. I got a few items with a bit of an elephant theme for fun.

I would describe Nyaung U as “cheerfully manic” – a lot going on, but not as frantic as a larger Asian city like Kathmandu, for example. In sharp contrast to Yangon the main mode of transport seems to be the motorcycle. The number of attractive women riding around without helmets with their waist-length hair almost in the oily bits is quite large, but they seem to be sufficiently practiced to avoid the obvious problems.

It’s not easy to capture "cheerfully manic" in a photo. I’m not sure whether the above does the trick.

After lunch I got another hour in the sun, which was almost but not quite without incident. You would think that the accumulated engineering skill of the human race would allow repeatable design of items such as the sun lounger, but apparently not. The Burmese design looks superficially similar to the western one, so much so that you could be forgiven for assuming that moving the back support beyond its final notch would just lay the bed flat. Unfortunately this is not the case – in the Burmese design this action disconnects the bed from the back "feet", turning the lounger into a see-saw with its centre of gravity (net of an adult human) outside its base. I watched with a combination of amusement and horror as the elderly gentleman beside me attempted said adjustment, and was then gently deposited head-first onto the pool deck. Fortunately no harm was done, but honestly. Gravity 1, human mechanical sympathy 0.

After that we had another hour scheduled for photographing dimly-lit temple interiors, but I declared UDI and went off to photograph the exteriors in late afternoon light. We finished up an another temple where you could get onto the roof to watch the sunset, a bit of a heaving mass of humanity but we got a few decent shots regardless.

We have another early start tomorrow (although not quite as bad as the last couple of days) and fly to Mandalay.

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Brilliant Balloons, Terrific Temples, and a Hip-Hop Heffalump!

Balloons over Bagan, Burma
Camera: Panasonic DMC-GX8 | Date: 11-02-2017 07:06 | Resolution: 3888 x 5184 | ISO: 640 | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 7.1 | Focal Length: 105.0mm | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

There’s a pattern starting to emerge for this trip: late meals, short sleeps, and then amazing visual experiences which make it all worthwhile. After a somewhat slow dinner last night and a very early alarm this morning I woke with a bit of trepidation, but I shouldn’t have worried. This was going to be a hard day to top.

The reason for this morning’s early start was a balloon flight over Bagan. This is an area of a few tens of square miles with roughly 4,000 ancient temples and pagodas, many of which date back to the 11th Century AD, although some are later. Most are in very good repair, although some have been clumsily restored in recent years, and ironically it was those which were badly damaged in an earthquake last year – the older unrestored ones weathered the ‘quake without problems. The balloon flight drifts gently over the area, allowing you a unique bird’s eye view of the temples and the landscape, juxtaposed with the other balloons in the air at the same time.

This was my fourth balloon flight, and quite possibly the best yet, even given that the last one was a mass ascent at the Albuquerque Balloon Fiesta in 2012, itself a magical experience for different reasons. Our flight today lasted over an hour, and included both high vantage points, but also drifting over the fields at a height where we could have picked some of the produce. The air was a bit hazy at first, but as the sun came up the contrast improved and I think I have some magical shots.

We had two breakfasts: a glass of champagne at the landing site, then back to the hotel for some more traditional fayre. After that we were out again, to visit one of the temples. I had misunderstood the instructions, and didn’t take my tripod, which was a bit of a challenge given that we were photographing inside by available light… However necessity is the mother of invention and I got some unique shots using the altar and my camera bag as a base, using the camera’s timer to fire the shutter without any shake. I’m very pleased with the results.

After lunch we had a couple of hours to ourselves. I spent mine by the pool, drinking what has to be one of the best pina coladas I have drunk in recent years. In the Caribbean they have taking to making such drinks with a pre-made mix which doesn’t taste of much. In Bagan they had clearly liquidised some real pineapple chunks, and the results where excellent.

4pm rolled through, and we set off to a "mystery event". Our Burmese guide, Shine, had rounded up some local villagers to act as models: "local people doing local things" as Steve Pemberton might describe it. I’m not quite sure the young lad who was playing the novice monk quite understood things, but the old ladies realised quite rapidly that they could earn money just sitting in the sun smoking cheroots, balancing baskets on their heads and so on, as long as they didn’t collapse into hysterics. Shine oversaw the whole thing, directing the action through a megaphone like a budding Steven Spielberg, and a great time was had on both sides.

The penultimate stop was the top of a temple facing into the sunset, and we got some great shots of the local architecture bathed in end of day light. Then it was on to our dinner appointment, which included a cabaret. After the dimly-lit fiasco of "Bhutan Culture Night", I had relatively low expectations, but it was brilliant. The dance moves and costumes were fairly traditional, but the well-lit stage and fairly modern "fusion" music certainly weren’t, and the better for it. I have some great shots and video. The pretty ladies and handsome young men performing traditional routines were fine, but I’m afraid the evening’s prize has to go to the elephant dance, performed by a couple of blokes (probably) in a pantomime elephant costume, to what can best be described as "hip hop". Hilarious, and almost worth the price of the trip on its own.

The only problem with today is that I don’t know how Clive, Phil and Shine can top it…

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Posted in Myanmar Travel Blog, Travel | 4 Comments

Early Starts

Detail, Shwedagon Pagoda, Yangon, Myanmar
Camera: Panasonic DMC-GX8 | Date: 10-02-2017 07:27 | Resolution: 3888 x 3888 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/1300s | Aperture: 7.1 | Focal Length: 218.0mm | Lens: LUMIX G VARIO 100-300/F4.0-5.6

Just in case there’s any risk of our body clocks getting back in line, we have a 5am start to return to Swedagon Pagoda before sunrise. This is essentially a reverse of last night, with the buildings initially under artificial light and then in the morning "golden hour", but with the significant benefit that it’s very quiet, with only locals and dedicated pilgrims and photographers, until well after 8.

I realise that I’m tending to take a lot of the same shots as last night, and force myself to just sit on some steps with the 100-300mm lens mounted, and train my eyes again to look for details rather than the "big picture". However, I’ve come to the conclusion that I don’t "see" in the traditional 70-200mm range. I’m happy trying to capture big vistas with wide-angle lenses, up to the short telephoto range, and then looking for details at what most people would regard as extreme telephoto, but I take relatively few shots in the middle. That’s something I need to work on.

After breakfast we have a couple of hours to ourselves, which I spend on sorting out emails and getting the blog running, then we’re off again, on one of the many separate flights which comprise this trip. We stop for lunch at a Chinese restaurant which has an impressive menu but where the waiters’ English skills are less comprehensive. I order a small portion of roast duck, but what turns up appears to be almost a whole bird. Glad I didn’t order the large portion!

The flight up from Yangon to Bagan is uneventful. Despite having much less in the way of paperwork and jet engines, Air KBZ runs promptly to time… We are now staying in a hotel with the wonderful name of the Amazing Bagan Resort!

Another dawn start tomorrow, just in case. This time it’s our balloon trip over the plains of Bagan. More tomorrow. For now, here’s a picture of two nuns meditating – peace be with you!

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In the Air Again!

Detail from the Shwedagon Pagoda, Yangon, Myanmar
Camera: Panasonic DMC-GX8 | Date: 09-02-2017 17:35 | Resolution: 3764 x 3764 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/320s | Aperture: 5.6 | Focal Length: 15.0mm | Lens: LUMIX G VARIO 12-35/F2.8

I’m off on my travels again – another photographic trip with Light and Land, this time to Myanmar (formerly Burma).

Having recently downloaded a copy of Canned Heat’s Greatest Hits I was tempted to call this blog “On the Road Again”, but that’s not correct for this trip. It appears that outside the main centres Myanmar’s roads are pretty non-existent (despite managing to host a very good Top Gear special a few years ago), and most of the medium as well as long-range travel on this trip will be by air, hence the title. However we’ve not got off to the best of starts, and I’m hoping that’s not an omen…

Things start on Tuesday, the day before travel, when I received a flurry of emails late in the morning explaining that my outbound flight to Bangkok is being rescheduled by 3 hours, and as a result I’d be on a rather later connecting flight to Yangon (formerly the Burmese capital of Rangoon). That isn’t too much of a trial, as Frances is able to re-arrange to accommodate the later drop-off, and it means that we avoid rush hour on the M25. As a result we have an easy trip to the airport and arrived in plenty of time. At check-in I meet Julia, who was also on the Bhutan trip, and it is no great hardship having a natter and looking at photos over lunch. Unfortunately when we get to the gate, things started to look a bit more problematic, and it becomes clear that there are going to be further delays. We finally get away about an hour and a quarter later than the rescheduled time.

The flight is smooth and uneventful, apart from sleep being impossible due to the old lady next to me listening to the entertainment that I could hear her film soundtrack from her headphones, with mine on (and I’m quite deaf)!

The process for dealing with a delayed, full A380 at Bangkok airport is a number of Thai Airways employees scattered throughout the terminal, each with routing instructions and meal vouchers for a subset of the passengers. I am beginning to wonder how this can work, when the second person I ask for directions turns out to have my name on her list, and my lunch voucher. Impressive, or just good luck??

The flight to Yangon is rostered onto an airbus A330, capacity over 300, despite the fact that there are only a handful of passengers who only just outnumber the crew. Loading takes about 5 minutes, and is complete a good quarter of an hour before departure time. However that doesn’t stop departure being delayed by a further 25 minutes, for no reason which was ever explained to us. I’ve come to the conclusion that Thai Airways regard the clock as a broad guideline rather than anything more. Oh well, if you can’t face these things with reasonable equanimity you shouldn’t be doing international travel…

Arrival in Myanmar was straightforward, and it was good to meet up with the rest of the group, and particularly Clive Minnit and Phil Malpas, the group leaders. This will be the third of Clive and Phil’s trips I’ve been on, and I have great expectations based on the previous ones. It takes a while to get across Yangon – it’s a busy city of a similar size and population to London, and there’s a fair amount of traffic at rush hour – but it was noticeably different from the mania often portrayed of this part of the world, and which I experienced in reality in Kathmandu. There’s none of the milling bikes, mopeds and overcrowded buses. Yangon seems to be “London busy” rather than “Asian busy”, if that makes sense. It will be interesting to see how Mandalay compares.

We only have about half an hour to unpack the cameras before setting out again, and I’m starting to feel somewhat ragged, but that all evaporates when we got to the Shwedagon Pagoda. This is actually a “pagoda complex” over several acres, where the huge central golden pagoda has been progressively surrounded by hundreds of other pagodas, temples and shrines. We arrive just as the sun was starting to paint these fascinating structures in late afternoon light, and stay until an hour after sunset, by which time everything is artificially lit. The enormous difference from Bhutan is that the Burmese don’t mind you photographing inside the temples, and you’re free to photograph them as well as long as you don’t actually disturb someone’s meditation. Talk about a “target rich environment”!

I’m slightly stunned by the wealth of visual information, and not quite sure where to start, so these two images are just a taster. More tomorrow!

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A "Found" Quadtych

Four supporting gargoyles at the Thimpu Dzhong, Bhutan
Camera: Panasonic DMC-GX7 | Date: 15-11-2015 14:54 | Resolution: 13696 x 3265 | ISO: 1600 | Exp. bias: 0 EV | Exp. Time: 1/200s | Aperture: 7.1 | Focal Length: 103.0mm | Location: Tashichhoe Dzong | State/Province: Thimpu | See map | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

The blog has been looking a bit light on pictures recently. Meanwhile I’m beavering away trying to finish tidying up the Bhutan pics before I’m off to Burma in February. This morning I discovered a series of four similar close-ups on supporting "gargoyles" (I suspect that’s not quite the right term in the Bhutanese context, but close enough) which I never originally envisaged as a multi-shot combination, but which I think actually work quite well as a "quadtych" (which is exactly the right term, apparently).

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A Splash of Colour

Detail from the Tiger's Nest Resort, Paro
Camera: Panasonic DMC-GX8 | Date: 13-11-2015 07:20 | Resolution: 5343 x 3339 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/500s | Aperture: 9.0 | Focal Length: 107.0mm | Location: Tigers Nest Resort | State/Province: Paro | See map | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

No deep philosophical observations today, but with the weather swinging between cold and misty, and mild and murky, I thought it would be nice to brighten things up a bit. I’m working through the remaining shots from Bhutan, before another planned trip in the New Year, and this shot from our arrival on the first day cheered me up a bit. I hope it also works for you.

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Does a Photograph Portray the Subject, or the Photographer?

Three youngsters in Cienfuegos
Camera: Canon EOS 7D | Date: 20-11-2010 18:54 | ISO: 200 | Exp. Time: 1/400s | Aperture: 11.0 | Focal Length: 15.0mm (~24.3mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Mike Johnston (no relation) over at The Online Photographer has recently run a number of articles discussing the extent to which the photographer adjusts the “look” of a photograph (see What Should a Photo Look Like?) His primary examples were a set from a recent New York Times online photo essay, Cuba on the Edge of Change.

While it’s a fine article, the photos, with one slight exception showing a bride on the way to her wedding, all portray a dark, crumbling, slightly grim Cuba. The following is a good example:

Image from New York Times, photographer not identified

There’s nothing wrong with this photo. Some might say it’s a very good image. However it has been deliberately selected, as have all the others in the article, to show and reinforce the image of a struggling, poor, backward Cuba which is the common American image of the country. The low-key lighting is part of this “story”, and the look of the photos has been adjusted to enhance that.

I went to Cuba in 2010. Yes, I saw decay, old buildings which had not been well repaired, and I certainly saw poverty. I did see a few, not many, people surviving by begging. But that’s not my enduring memory of the country, and doesn’t fit the best of my images. I saw a country full of happy, reasonably healthy and well fed people who were managing to stay cheerful in a difficult economic situation. My pictures are full of smiles, kids running around, and, yes, lots of bright colours and a high key look. That reflected the Cuba I wanted to portray.

The picture at the top more accurately portrays the Cuba I saw than the NYT one, but I’m a positive sort of chap, and I was on a very enjoyable holiday. I don’t know whether the NYT journalist and photographer (or photographers, it’s not clear) had had a worse experience, or were just trying to illustrate a narrative that was already in their minds, but I’m willing to bet the latter.

So to my mind the question is not “what sort of look do you want in your photos”? Your photos will reflect a composite of the subject, true, but also the photographer’s own outlook. Inevitably the photographs will be both taken and prepared coloured with the effects of that outlook just as much as, maybe even more than, the original beams of light.

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My Travel Page

The Devil's Garden, near Escalante, Utah
Camera: Canon EOS 350D DIGITAL | Date: 13-10-2007 15:08 | Resolution: 3468 x 2308 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 11.0 | Focal Length: 38.0mm | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Some things don’t scale. You start off doing something, but before you know it it’s outgrown its usefulness and needs to change. So it is with website design…

I started off with lists in a couple of places on this site of blogs or albums related to trips I’ve done. However as the list has grown they were getting a bit unwieldy  and out of step with one another. I have therefore practiced what I preach, and "re-factored" them to a new "index" page, at www.andrewj.com/travel

Take a look, and let me know what you think.

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Backing Up

On the caldera path, Firostephani, Santorini
Camera: Panasonic DMC-GX8 | Date: 04-10-2015 18:45 | Resolution: 4963 x 3722 | ISO: 500 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 7.1 | Focal Length: 15.0mm | Location: Santorini | State/Province: South Aegean | See map | Lens: LUMIX G VARIO 12-35/F2.8

Coming up with a reliable backup policy is a challenge as data volumes grow. My approach is as follows. On a weekly basis I do a full backup of the system disk of the more "volatile" PCs in our collection, plus a differential backup of the other disks. The best tool for full backups appears to be Acronis, but it has a brain-dead approach to partial backups, which cannot always be restored if you don’t have every file in the chain, and it’s just not reliable enough. I therefore also continue to use the venerable Windows ntbackup, even under Windows 10, as I still haven’t found a better option which supports a true "differential" model.

Every three or four months I then do a full backup of every disk in every PC, and re-set the baseline for the differential backups. That’s due for this weekend, and as a result I’m trying to finish processing images from some previous trips, so they will be fully backed up in their complete form. I have about 100 images from Santorini to process today, and then I get to a very neat breakpoint. I’m not sure whether such a deadline really helps, but at least it drives me to keep my photography backlog under control.

The picture above is mainly just to provide a bit of colourful cheer on a damp and windy February morning. Enjoy it!

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A Surprisingly Tricky Subject

Stitched panorama of stitched panorama at the enttrance to the Rinpung Dzong
Camera: Panasonic DMC-GX8 | Date: 13-11-2015 11:21 | Resolution: 1920 x 1440 | ISO: 1600 | Exp. bias: 0 EV | Exp. Time: 1/13s | Aperture: 5.6 | Focal Length: 12.0mm (~24.0mm) | Lens: LUMIX G VARIO 12-35/F2.8

This really shouldn’t difficult. The image above is from the entrance to the Rinpung Dzong, in Paro. It’s a series of pictures of Buddhist deities which have been painted on bits of cloth, glued to the wall, and joined at the seams. Yes, it’s a stitched panorama. So why was it so difficult to make a photographic stitched panorama of it?

I set the camera to appropriate manual settings (to make sure that exposure was constant), faced each panel in turn, and when no-one was in shot took a picture. I then developed the JPEGs with exactly the same settings in Capture One. There was good overlap between the images, and as by definition it’s a series of images with a visible seam it ought to be straightforward to stitch images back together.

There seem to be two main challenges. Firstly as far as I can see all automatic stitching software assumes that the camera is roughly static, whereas I was shooting in a long thin tunnel, and moved the camera to face each subject. This is a well-established shooting technique, but seems to have minimal software support. Second, despite the manual exposure the resultant images vary significantly in brightness, and it looks like the camera was doing some measure of adjustment for the tricky lighting.

In the end I "went manual", importing the pictures as four layers in PhotoShop Elements, hand tweaking their position and geometry using free transforms, and then using the technique of painting the layer masks to choose exactly which elements of each image are visible in the final shot. The result isn’t perfect, but probably "good enough". In the meantime I’ve bitten the bullet and invested in some new stitching software which is supposed to cater for "moving camera" combinations, and we’ll see if it can make a better attempt.

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Bhutan: What Technology Worked, and What Didn’t

"Willow Pattern" - view from the Dolchula Pass cafe, with the infrared Panasonic GF3
Camera: Panasonic DMC-GF3 | Date: 17-11-2015 10:24 | Resolution: 2612 x 3918 | ISO: 160 | Exp. bias: -33/100 EV | Exp. Time: 1/400s | Aperture: 6.3 | Focal Length: 14.0mm | Location: Dochu La Pass (3150m) | State/Province: Punakha | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Bhutan isn’t especially demanding on equipment. If your style of photography is similar to mine you will need a wide range of focal lengths, from ultra-wide (for when there’s limited space in front of a large building) to long telephoto (for inspecting details of the landscape). Outside light is usually very powerful, but inside you will rapidly need some combination of high ISO, fast lenses and a tripod. If anything the greatest challenge is the relatively harsh, direct lighting during the day (when the temples and Dzongs are open), and you will need to watch for flare and the effects of polarisation.

Dust can be a bit of a challenge, especially on or near the roads. It does tend to get everywhere, even inside filter pouches for example, but a filter will protect your lens, and other kit will just need a careful dust down. My excellent Hoya high-transmission 58mm polarising filter picked up a small scratch, but that’s a small price for providing both its optical services and protecting the lenses.

Shot Counts

The scores are in, and the shot counts are as follows:

  • Panasonic GX8: Almost exactly 3,000 shots. Quite a lot of those are for "multi shot" images, including 3D for the first time this year
  • Panasonic GX7: About 100 shots, plus video of "culture night"
  • Sony RX100 mk IV: About 364 stills, plus quite a few short video clips

Overall the totals are very similar to Morocco, albeit with a different camera mix. It looks like I’ll have about the normal 50% discard count, and end up with around 100-200 images which I want to show people, which is fine.

Panasonic Cameras

The Panasonic cameras have worked well. The GX8 is fast and produces great image quality. Its viewfinder is large and bright (although I have to acknowledge that the Fuji XT1 is even nicer), but does seem to be more sensitive to white balance changes than previous models. This means that you may see a bit of a red or brown cast on the live image in some cases, which doesn’t affect the captured image but can be slightly off-putting. It wouldn’t surprise me if this attracts a firmware change at some point.

Handling of the GX8 is good, but the viewfinder and controls are just different enough from the GX7 that you can’t just leave a different lens on the older body and switch quickly back and forth between them.

Even though it packs a much bigger battery than the GX7 battery life is still only moderate. I never used more than 3 per day, but that could have increased if we had done significant action shooting, so my purchase of a total of 4 was probably justified.

Bags

The National Geographic Africa Medium Backpack is an excellent device for carrying equipment between locations. It meets the most miserly airline carry-on restrictions, but easily swallowed my 15“ laptop, tablet, 4 Panasonic bodies, 8 lenses including the 100-300mm, a small flash and various odds and ends.

Unfortunately it’s pretty bloody useless as a working bag on location. The only way to extract kit is to take it off completely and lay it flat on the ground, getting it and then you filthy, and the whole process is very fiddly. Luckily I had allowed for this and fitted one of my Lowepro Nova shoulder bags (the 180 AW) into my hold luggage. This has room for the main body and lenses, the infrared GF3 and bits & pieces with room over for a small water bottle.

Sony RX100 Mk IV

First impressions of the Sony RX100 mark IV are excellent. It is fast, with almost DSLR-like autofocus, and the image quality is superb – more or less a match for my Panasonic cameras at moderate ISOs. My camera has had a "baptism of fire" being used mainly to try and get grab shots from a moving bus, so maybe not exactly a fair test, but has delivered decent results albeit with some misses. Although the EVF is small, and does seem to need quite regular re-adjustment against my glasses, it is clear and perfectly usable in a way which wasn’t true of the Panasonic GM5 I tried.

The handling is a bit fiddly, but I wouldn’t subscribe to some of the complaints I have read in internet interviews. However it is far to easy to accidentally change shooting mode, and the other problem I have had is accidentally pressing the power button instead of the shutter, and switching the camera off at just the wrong moment. If you have the camera at arms length in a tricky shooting position, the feel of the two controls is just not different enough.

Battery life is limited, although no worse than other cameras with a similar sized battery (like the Canon S120). Sony’s insistence on in-camera charging is annoying, and I’ve now purchased a third party charger and spare batteries from Germany.

I tried carrying my camera just in my trouser pocket, where it fits well. However it rapidly picked up a number of small scratches on the rear screen. Nothing fundamental, but a real annoyance on a brand new, expensive little camera. This seems to be a vulnerability of Sony cameras, with one of the other members of the group suffering a similar problem with his A7. I’m hoping that I can fit a screen protector to restore the original appearance, and am now carrying the camera in a small cloth pouch which came with a Metz flashgun.

Other Notes

One other annoyance is that I changed my phone earlier this year from a Samsung Galaxy Note 2 to a Note 3. The older Notes had very good GPS, getting accurate fixes quickly in most conditions. The Note 3 has a useless GPS, taking time to get a good fix even at the top of a mountain under cloudless skies! As a result my GPS track has a couple of annoying gaps in it, and I’ve had to do a lot of manual work and fix it, which has never been necessary on previous trips.

At the same time, my Note 10.1" tablet seems to have suddenly lost most of its battery capacity, and is only good for about 4-5 hours, not long enough for some of the flights on this trip. I am seriously thinking of a shift in loyalties.

 

Overall a few annoyances, but I managed to travel quite light, and unlike some trips there were no major problems. That’s a refreshing change.

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