Review: The One Man

By Andrew Gross

Decent Thriller but with Annoying and Unnecessary Timeline Errors

Overall this is a cracking WWII thriller, set around the concept of an Allies break in into Auschwitz to rescue a specific prisoner who holds information vital to the Manhattan Project. Andrew Gross has done a great job of capturing the horror and brutality of life in the labour camp, in the constant shadow of the mass exterminations. He weaves into this some believable characters including a Polish Jew who had successfully escaped from occupied Europe, and is then prevailed upon to return to carry out an almost impossible mission, and his nemesis in the form of a side-lined Abwehr Colonel.

Both the set up of the situation and key players in the first half of the book and the suspenseful execution in the second ploy keep hold your attention turning pages right until the conclusion. The core material seems to have been well researched and is based on some well-documented history including Neils Bohr’s daring escape from the Nazis, and Denis Avey’s extraordinary excursion from the Auschwitz POW camp into the death camp to establish a first-hand record of the horrors.

It’s therefore a great shame that this is to some extent spoiled by a number of frustrating and wholly unnecessary errors in the timeline. Other reviewers have observed how the timelines for the key characters don’t quite “add up”. Beyond that there are completely incorrect factual references. The camp commandment goes to a meeting in May or June 1944 with Heinrich Himmler, fair enough, and Reinhard Heydrich, which would be a bit more of a challenge as he was assassinated in June 1942. The central character observes preparations for D-Day, counting the Stirling bombers out and back in again, and is pleased to benefit from the “newly introduced” Mosquito for the mission. The Mosquito was introduced in late 1940, and the Stirling was almost entirely eclipsed by the Lancaster and Halifax after 1943. Why add these incorrect references, when the book would have been fine without those details altogether?

I enjoyed this story, and will probably read some more of the author’s work, but it did leave me feeling a bit annoyed, and for no good reason.

Categories: Reviews. Content Types: Adventure, Book, Fiction, and Historical novel.
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The Colour Nazis

Once upon a time, not so long ago, there was a movement obsessed with removing colour, especially those whose skin colour or religious preference was different to their own. This went to great extremes, caused the greatest of all wars, and we are all aware of the terrible atrocities done as a result. It is one of the horrors of our current time that those beliefs, which we thought had been consigned to history, seem to be getting some renewed attention and following.

If faced with political extremism, the predominantly liberal groups who control and shape our technology would typically be horrified and opposed. However at the same time they are forcing on us fashions and design paradigms which in their own way are just as odious, impacting the richness of our experience, and limiting rather than improving our ability to interact with technology.

I refer, of course, to the Colour Nazis. The members of this movement probably don’t think of themselves that way, and if forced to adopt a label would choose something much more neutral, but it is becoming apparent that some of their thinking is not that different.

This is not the first time I’ve complained about this. In 2012 I wrote “Tyranny of the Colour Blind, or Have Microsoft Lost Their Mojo?”. The trouble is that things are getting worse, not better. Grappling with Office 2016 I’m coming to grips with some really dramatically stupid decisions which can only be explained by a Nazi zeal to remove the colour from our technological interactions.

Here’s a quick test. Find Open, Save and the Thesaurus in Office 2003:

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Now let’s try Office 2010:

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Not too bad. The white background actually helps by increasing contrast, and the familiar splashes of colour still draw your eye quickly to the right icons, although the Thesaurus is a bit anonymous. Now let’s try Office 2016:

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The faded grey on a grey background colour scheme has wiped out most of the contrast, and you’d be struggling to make these out if you have ageing sight in a poor working environment. The pale pastel yellow of “Open” is still just recognisable, but the “Save ” button has turned to a weird pale purple, and the Thesaurus is completely anonymous. I’d have to go hunting by hovering over each and reading the tooltip. (Before anyone shouts, I know I’ve used an add-in menu here to get a like-for-like comparison, but all this is equally true for the full-sized ribbon controls.)

Now let’s look at a really stupid example. One of Word’s great strengths is the ability to assemble and review tracked changes from multiple reviewers. In Word 2010 each will be assigned a distinctive colour, and I can very quickly see who’s who:

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OK that works well. Let’s see what they’ve done in Office 2016:

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WTF! One place where colour has a specific role as an information dimension, and they’ve actually taken it away. In the document the markup does use some colour, but in the form of a few pale pastel lines. Instead the screen is cluttered up with the name of the author against every single change, which makes it unreadable if multiple authors have made changes to a single page.

I am always among the first to remind designers not to rely on colour, as it doesn’t work well for about 8% of the population, or in some viewing conditions. But that’s no reason to remove it. Instead you should supplement it (e.g. make icons both distinctive colours and shapes), or allow the users a choice. Word 2016 should allow me to choose whether to use colour or explicit names in markup balloons, and I wouldn’t be having this rant.

There is apparently a name for this fad, “Complexion Reduction” (see Complexion Reduction: A New Trend In Mobile Design by Michael Horton). The problem is that its advocates seem to have lost sight of some key principles of human-computer interaction. One of these is that for normally-sighted people there’s a clear hierarchy in how we spot or identify things:

  1. Colour. If we can look for a splash of colour, that’s easiest. That’s why fire extinguishers are red, or the little red coat was so poignant in Schindler’s List.
  2. Shape / position. We manage a lot of interactions by recognising shapes. That’s why icons work in the first place. We even do this when the affordance supplies text as well. If you’re a native English speaker and reader you will inevitably have tried to move a door the wrong way, because “PUSH” and “PULL” have such similar shapes, and your brain tries shapes first, text second.
  3. Text. When all else fails, read the instructions. That’s not a joke, it’s a real fact about how people’s brains work. If I have to go hunting in a menu or reading tooltips, then the designer has failed miserably.

Sadly I don’t know if there’s any way to influence this. These decisions are probably being made by ultra-hip youngsters with ironic beards and 20 year old eyes who don’t really get HCI. I’d just like one of them to read this blog.

Addendum — May 2019

So the hierarchy for interactions is first colour, then shape, then text.

So please could someone explain to me why the latest versions of Android have also decided to force almost all application icons into a uniform shape (circular on my Sony phone, a rounded rectangle on my Samsung tablet) with exactly the same background colour?

On my phone, all the main Google apps now have icons which are white circles with tiny splashes of the same four colours. The Sony apps (including the main phone functions) are white circles with small icons, using the same pale blue, within them. To add an extra spice, the launcher I use occasionally moves the icons around, if I add a new front-page app or the labels change.

My poor brain has no chance whatsoever. I open my phone, and then have to READ labels to make sure I’m opening the right app. Hopeless!

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Microsoft : Busy Fixing What Ain’t Broke

There’s an interesting, but intensely annoying, behaviour by the big software companies, which as far as I’m aware has no parallel in other areas of production for consumer consumption. We’ve all been used, since the mid-20th century, to the concept of "planned obsolescence" to make us buy new things. While you might argue that this is not great in terms of use of resources, it’s accepted by consumers because the new thing is usually better than the old one. There might be the odd annoyance (as captured by Weinberg’s New Law, on which I’ve written before), but by and large if I buy a new camera, or car, or TV there are enough definite improvements to justify the purchase and any transition pain. In addition I only usually have to make a change either because the old thing has reached the end of its economic life, or the new thing has a new feature I really want.

It’s not that way with core software, and especially Microsoft products (although they are not the only offenders). The big software providers continue to foist endless upgrades on us, but I can’t see any evidence of improvement. Instead I can actually see a lot of what is known in other trades as "de-contenting", taking away useful capabilities which were there before and not replacing them.

Windows 10 continues to reveal the loss of features which worked well under Windows 7, with unsatisfactory or no replacements. I mourn the loss of the beautiful "aero" features of Windows 7 (with its semi-transparent borders and title bars)  and a number of other stylistic elements, but there are some serious functional omissions as well. I couldn’t work out why my new laptop kept on trying to latch onto my neighbour’s Wifi, rather than use my high powered but secure internal service, and discovered that there’s now no manual mechanism to sort WiFi networks or set preferences. There is, allegedly, a brilliant new automated algorithm which just makes it automatic and no bother to the user. Yeah, right. Dear Microsoft, IT DOESN’T ***** WORK. Fortunately in the way of these things I’m not the only one to complain, and literally in the last couple of weeks a helpful Belgian developer has released a tiny utility which replaces the ability to list and manipulate the WiFi networks known to a Windows 10 machine (https://github.com/Bertware/wlan10). That’s great, and the young man will be receiving a few Euros from me, but it shouldn’t have to be this way. By all means add an automatic sequencer to the new system, but leave the manual mechanism as well.

However, my real object of hate at the moment is Microsoft Office. Since I set up the new MacBook with Windows 10 it’s never been entirely happy with the combination of versions I want to use: Office 2010, plus Skype for Business 2016. (Well actually I’d really prefer to use Office 2003, but I’m over that by now :)) I’ve had the odd problem before, having to install Visio 2016 because Visio 2010 and Skype/Lync 2016 keep breaking each other. I’m not sure how that’s even possible given the "side by side" library architecture which Microsoft introduced with Windows XP, but somehow they managed it, and they clearly don’t care enough about the old versions to fix the issue.

I could live with that, but a couple of weeks ago more serious problems set it. There was an odd "blip", and then OneNote just showed blank notebooks with the ominous statement "There are no sections open in this notebook or section group". That looked like a major disaster, as I rely on OneNote both to organise my work and to-do lists on a daily basis, and as a repository of notes going back well over 10 years. However a quick check online, and on other devices revealed that my data was fine. I lost a good chunk of a working day to trying to fix the problem, including a partial installation of Office 2016 to upgrade to OneNote 2016. That’s a lot more difficult that it should be, and something Microsoft really doesn’t want you to do. Nothing worked. By the end of the day I was so messed up I did a system restore to the previous day, hoping that would restore my system state and fix the original problem. At first glance this appeared to fix Office, although OneNote was still showing blank notebooks. However I then had a moment of inspiration and went online to OneDrive.com, and clicked the "edit in OneNote" option. This magically re-synced things, and got my notebooks re-opened on the laptop. Success?

Unfortunately not. Things seemed OK for a few days, but then I started getting odd error messages, and things associated with Outlook and the email system started breaking. Apparently even a complete "System Restore" hadn’t completely restored the registry, and my system couldn’t work out which version of Outlook was installed. An office repair did no good, and eventually I decided to bite the bullet and upgrade to Office 2016. Even that wasn’t trivial, and took a couple of goes but eventually I got there, and my system is now, fingers crossed, stable again.

And that would be fine if Office 2016 was actually a straightforward upgrade from its predecessors, maintaining operational compatibility under a stable user interface, but that’s where I came in. The look and feel, drained of colour and visual separation, is in my opinion poorer than before but I’ll probably get used to it. I’ve got an add-in (the excellent Ubit Menu) which gives me a version of the ribbon which mimics the Office 2003 menus, and which I also used with Office 2010, so I can quickly find things. But what that can’t do is fix features which Microsoft have just removed.

Take Outlook for example. I really liked the "autopreview" view on my inbox folders. Show me a few lines of unread emails, so I can both quickly identify them and, importantly, scan the content to decide whether they need to be processed urgently and if any can just be deleted, but hide the preview once I’ve read them. Brilliant. Gone. I have multiple accounts under the same Outlook profile, which is how Microsoft tell you it’s meant to work, and in previous versions I could adjust the visual properties of the folder pane at the left so I could see all the key folders at once. Great. Gone. Now I’m stuck with a stupid large font and line separation which would be great if I was working on a tablet with my fingers and a single mail account, but I’m not. Dear Microsoft, some people still use a ****** PC and a mouse…

Or take Word. Previous "upgrade" Office installations carefully preserved the styles in the "Normal" template, so that opening a document in the new version preserved its layout. Not this time. I’ve had to go through several documents with detail page layouts and check each one.

None of this is a disaster, but it is costing me time and money and it wouldn’t be necessary if either Microsoft didn’t keep forcing us to upgrade, or if they made sure to keep backwards compatibility of key features. It’s also not just a Microsoft problem: Adobe and Apple are equally guilty (witness features lost from recent versions of OSX, or the weird user interface of Acrobat XI). The problem seems to be that the big software companies don’t seem to have a business model for just keeping our core software "ticking over", and they confuse change with improvement, which is proving to not be the case now that these systems are functionally mature and already do what people need them to do.

I’m not sure what the answer is, or even if there is an answer. We can’t take these products away from the companies, and we don’t want them to become moribund and abandoned, gradually decaying as changes elsewhere render them unusable. Maybe they need to listen harder to their existing customers, and a bit less to potential "captures", but I’m not convinced that’s going to happen. Let the struggle continue…

Posted in Agile & Architecture, PCs/Laptops, Thoughts on the World | 1 Comment

Conversion Challenges

I have an interesting challenge, as one of the projects I am working on want to stop their environments to save costs, but I need ongoing access to the data. I have a dump from an Oracle database, but I need to convert to SQL/Server which is much more portable. The solution looks like an excellent little product from "Intelligent Convertors", who have a whole suite of these tools. I’ll try it and let you know how I get on.

Intelligent Converters - software to convert MS Access, DBF and Oracle databases to MySQL and vice versa, PDF to Word, PDF to HTML, PDF to text

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A Bit Stretched!

The Opera House in Prague: Kolor stitching 4 pictures | FOV: 131.87 x 47.47 ~ 24.87 | Projection: Mercator | Color: LDR
Camera: Panasonic DMC-GX8 | Date: 30-06-2016 21:35 | Resolution: 9183 x 3804 | ISO: 3200 | Exp. bias: 0 EV | Exp. Time: 1/25s | Aperture: 5.6 | Focal Length: 12.0mm | State/Province: Prague | See map

Apologies if there hasn’t been much activity on the blog lately. I’m deep into the invention of the expert system I wrote about previously, and that’s filling the relatively small brain of this bear, and not leaving much space for other creative activities. However, I am gently working on a couple of longer articles I hope to share with you soon.

Meanwhile, I am working here and there to catch up on the photographic backlog. Frances and I had a couple of days in Prague about a month ago, and predictably I took a fair few photographs. What was interesting was the dynamic of the type of shots: I did relatively little close-up or 3D photography, but the opportunity to generate big panoramas positively abounds, especially if, as I did, you get up to the top of several of the towers open to the public. I’ve recently switched my panoramic development to Kolor’s Autopano Giga, which coupled with Capture One makes the whole process very quick and painless, effortlessly adjusting and stitching even images taken with a moving camera (moving from the waist, rather than rotating the camera around its optical centre as per correct technique), and those requiring substantial perspective correction.

The attached was taken from a point where the main entrance of the opera house filled the frame, and the two sides stretched away from me down two streets orthogonal to each other. It was also taken late at night, hand-held by available light but the Panasonic GX8 has made a decent job of managing highlights even if the sky does fall away to black. I think it works.

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Fashion Makes Doing IT Harder

I’m about to start building an expert system. Or maybe I might call it a "knowledge base", or a "rule based system". It’s not an "AI", as at least in its early life it won’t have any self-learning capability, but will just take largely existing guidance from master technicians, and stick some code behind it to deliver the right advice at the right time. Expert system is a good term, or so I thought…

It’s a while since I built a rule engine, and I’ve never truly designed an expert system before, so I thought it might be a good idea to do some reading and understand the state of the art. That’s when the the trouble started. My client recommended a book on analysis for knowledge based systems, which I managed to track down for 1p + postage (that should have warned me). I got through most of the introduction, but statements such as "these new-fangled 4GLs might be interesting" and "we don’t hold with this iterative development malarkey" (I paraphrase slightly, but not much) made me realise that the "state of the art" documented was at least a generation old. The book has a few sound ideas about data structure, but pretty much everything it says about technology or process is irrelevant.

Back on Amazon, and I tried searching for "expert system", "knowledge base" and "rule based system". That generates a few hits, but nothing of any substance younger than about 12 years old, nothing on Kindle, and prices varying dramatically between a few pence and the best part of £100, both indications of "this is an old, rare book" and neither tempting me to make a punt. It doesn’t help that the summaries tend to be a list of technologies I’ve never heard of, and few seem to be focused on re-usable concepts and techniques.

OK, I thought. There’s obviously just a new term and I don’t know it. Wikipedia wasn’t much help, observing that the term "expert system" has largely gone out of use, and offering two opposing views why. Either expert systems became discredited and no-one does them any longer (I don’t believe that), or they just became "business as usual" (quite possible, but a good reason why you might write a book about them, not the opposite). No indication of the "modern" term, and few recent references.

Phone a friend. I emailed a couple of friends both of whom are quite knowledgeable in a breadth of IT topics hoping that one of them might say "Oh yes, we now just call them XXX". Nope. Both suggested AI and one suggested "cognitive computing", but as I’ve already observed, that’s a fundamentally different topic. Beyond that both were just suggesting the same terms I’d already tried.

Googling a practical question such as "rule based systems in .NET" produces a few hits and suggests that the state of technology support is pretty good. For example, Microsoft put the "Windows Workflow Foundation" into .NET in about 2008, and this includes a powerful rule engine which is perfectly reusable in its own right. So the technology is there, but again there’s not much general information on how to use it.

This appears to be a case where fashion is getting in the way. If something works, but is not "in", then authors don’t want to write about it, and editors don’t actively commission material. If the "thing" is something where the technology has improved, but not in a "sexy" way, then it goes unreflected in deeper or third party literature. Maybe that explains why Oracle seem driven to rename all their technologies every couple of years, it’s their way of attracting at least a modicum of interest even if it does confuse the hell out of developers trying to work out what has changed, and what really hasn’t.

So be it. I’m going to build a rule-based expert system knowledge base, and I don’t care if that’s not the modern term. It’s just frustrating that no-one seems to have written about how to do this with 2015 technology…

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Does Your Broadband Beat a Carrier Pigeon?

There’s a famous quote "never underestimate the bandwidth of a station wagon full of tapes bowling down a highway". Musing on this I decided to try and estimate the bandwidth of a carrier pigeon, given modern storage technology. According to Wikipedia, a racing pigeon can maintain about 50 miles an hour over moderate distances. So let’s feed our pigeon, strap a 64GB micro SD card to each leg, and send him from Bristol to London,which should take about 2 hours.

128GB in 2 hours is roughly 1GB/minute, or say 160 Mbps (megabits per second). That’s about the effective transfer rate for USB 2, and is getting on for Gigabit LAN speed. It’s about 50 times faster than the best I get from BT Broadband, and probably over 100 times faster than the sustained broadband bandwidth over a week, which is about how long 128GB would take to transfer. Plus remember that that’s the download speed, and upload is another factor of ten slower…

Now I would be the first to admit that there are some limitations to the "pigeon post" architecture, especially in terms of range. The latency also precludes chatty protocols. But in terms of sheer transfer bandwidth Yankee Doodle Pigeon has "broadband" beaten hands down!

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Going Greener!

Going Greener - the E Class Respray Event!
Camera: Panasonic DMC-GX8 | Date: 03-05-2016 10:19 | Resolution: 4935 x 3084 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/100s | Aperture: 8.0 | Focal Length: 12.0mm | Lens: LUMIX G VARIO 12-35/F2.8

After talking about it for over a year, I decided that my transport needed to be “greener”, and finally bit the bullet on the respray. This is “Vivianite Green”, actually an official Mercedes colour in the late 90s, but for some reason Mercedes seem to have almost completely abandoned cheerful colours in their factory output. Hopefully I can be a small part of rectifying that deficiency. Put your sunglasses on!

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Review: All Tide Up

By Alex Cay

Another great farce

Like it’s predecessor, Man Up!, this is a knock-about farce based around the capable but somewhat cursed sports agent, Patrick Flynn. This time the key protegé is a nymphomaniac Russian tennis player, but otherwise the cast of gangsters, hit-men (& -women) and scam artists hasn’t changed much. So much the better for that. Several of the key characters miraculously make it through from the first book to the second, and if you want to understand how then you first need to read the author’s even more farcical short story Icy Hot.

This style of comedy writing is difficult to pull off, and can mis-fire, but Alex Cay seems to have it off pat. The body count continues to be high, but sometimes (not always) with a slapstick element which invokes a lighter cartoonish tone. The sex scenes are moderately graphic, but provide both the prime driver for several of the female characters and a fair element of the humour. However as long as you are comfortable with a fairly adult style then you will enjoy and frequently laugh out loud at this outlandish tale.

It’s always encouraging when someone takes note and acts on a review. The author personally asked me to review his first book, and I happily did so noting that I’d like to see a change of location, fewer detailed American sports references, and a couple of stylistic tweaks. He has delivered on all those requests, and that makes the book all the more readable. Thanks for listening, Alex!

A great holiday read. I look forward to the next instalment.

Categories: Reviews and Thoughts on the World. Content Types: Adventure, Fiction, and Humour.
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Review: The Eerie Silence

Searching for Ourselves in the Universe, By Paul Davies

Enjoyable and intriguing review of the state of SETI

This book is a review, at the 50 year point, of the Search for Extra-Terrestrial Intelligence (SETI), and a consideration of how it may evolve in the future, by the scientist who heads several of its key committees. It’s a wide-ranging discussion which provides some answers for Enrico Fermi’s great challenge (“Where is everybody?”), and prompts the reader to consider how much we really know given how much our knowledge has advanced and changed since SETI was established in the early 1960s.

The early part of the book is focused on the current evidence for other forms of intelligent life, considering what we know of its genesis, the evidence (or rather profound lack thereof) for any second start either on earth or in the solar system, and whether evolution will naturally or regularly produce intelligent, scientific and technical species. Here Davies takes a fairly negative view, although he acknowledges that we have simply failed to uncover evidence from our earth-based viewpoint, and that “absence of evidence is not evidence of absence”.

The latter part looks at the potential forms of a “galactic diaspora”, accounting for our vastly increased knowledge of alternative information carriers, information systems, machines  and engineered probes including the conventional, the biological and those based on nano-technology. Again there’s no evidence yet, but this section explains that alien signals or probes might just be too different, or too small, for us to detect. The conclusion is that we need SETI to avoid being athropocentric, and especially not “1960s radio astronomer centric”.

The final chapters explain the current state of preparation for First Contact (which seems to consist mainly of international committees sending telegrams to each other, and may not be up to the arrival of city-sized spaceships over the capital cities of the UN Security Council :)). The author also discusses what form of messages we should choose if and when we do send any ourselves. The assertion that only key mathematical and physical theorems are guaranteed to bridge all scientific species is a sound one, but maybe misses the point that the Pioneer plaques and similar are just as much an expression of our humanity to ourselves as a serious attempt to communicate with minimum ambiguity.

While the book is inspiring and thought-provoking, it’s also a bit frustrating in places. Davies asserts correctly that the Earth is progressively becoming “radio silent” to long-distance observers, but blames this entirely on the move to put major long distance communication channels into cables. A more complete explanation is that our world is full of vastly more wireless communication that 50 years ago, but as we adopt spread-spectrum and encryption technologies and get better at using low power and highly directed signals the “overspill” into space is much more difficult to detect. Similarly he presents an explanation of Galactic Inflation I haven’t read before (the absence of magnetic monopoles), but fails to present the more common justifications.

In considering alterative technologies Davies binds himself with our current science, despite the fact that there is significant evidence (the failure to unify General Relativity and Quantum Physics, the lack of any real explanation for Dark Matter and Dark Energy) that there are things about the Cosmos we just don’t understand, and which an alien civilisation (or a future humanity) may exploit. While Davies correctly advises against wishful thinking, it would be prudent to accept that just as our own understanding has changed vastly in the last 100 years, it will likely change again in the future, perhaps opening up valid options for, for example, super-light speeds.

However, those criticisms aside, this is an enjoyable, intriguing and well worth-while book. In the final few pages Davies himself observes that there is a contention between the official views of Davies the relatively cautious scientist and Davies the philosopher, human being and SETI enthusiast, and some of the challenges come from presenting and navigating those different viewpoints, which overall is done very well. I thoroughly enjoyed this book, and recommend it.

Categories: Reviews. Content Types: Book, Physics & Cosmology, and Science.
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Creating 3D Images for On-Screen Display

There’s a significant dearth of information on the internet regarding how to create high-resolution 3D images for display on a suitable TV. While many of us regularly enjoy watching visually stunning 3D movies both in cinemas and also on television, if you try and research creating your own 3D images you are led either into the highly technical space of professional production, or at the other extreme you end up reading a lot of rubbish about squinting at pairs of postage-stamp images to "try and get a 3D effect".

While I don’t want to be unkind, the latter is completely out of touch with our target environment, a 3D-enabled large screen television. Such devices are now relatively common, and there ought to be a recognised process for creating suitable images for them. As it turns out, it’s perfectly possible and relatively easy to create stunning 3D images which will display at the full resolution of the target television. With a little discipline and practice you can do so reliably with any camera, and even hand-held.

Read my article to learn how.

Read the full article
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Review: Influx

By Daniel Suarez

Enjoyable romp, but largely familiar plot

Daniel Suarez is billed as the new Michael Crichton. While a few of his novels have come onto my radar, this is the first I have read. Based on this showing there’s a great deal of promise, but the fairly derivative nature of the plot suggests that at least for now the pure inventiveness of Crichton has yet to be matched.

The basic precept is this: imagine that many of the key inventions we have been patiently awaiting for the last 50 years – controlled fusion, quantum computing, reliable cloning, a generic cure for cancer – have actually been found, but are hidden from the world at large. What warped power and societal structures would that drive? It’s a great precept, although here it’s turned into a recognisable and predictable plot, with a heroic inventor on the run, while dark forces try to suppress inventions on behalf of the status quo. In some ways it’s reminiscent of Chain Reaction, and by pure coincidence I had also just read Catalyst by Boyd Morrison, which while markedly less futuristic tells a similar tale.

My other slight gripe is that this suffers in a few places from “techno-babble”, short sections which appear to just be a dumping-ground for a large number of technical terms, which just about boil down to “magic”. I know the author is trying to establish the BTC’s technological superiority, but that’s adequately done by the more detailed examples in the main flow of the text.

That said, this is a clever piece, challenging preconceptions and frequently, even literally, turning them on their heads. As a techno-thriller it’s well written, keeping the reader’s attention fully engaged from the first page, and I will certainly be reading more of Suarez’s books.

Categories: Reviews. Content Types: Adventure, Book, Fiction, and Science Fiction.
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