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Updates from Iceland…

The Harpa Concert Hall lit up for the Reykjavik Culture Night Festival, Iceland 2011
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 20-08-2011 22:55 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 25.0s | Aperture: 5.6 | Focal Length: 15.0mm (~24.3mm) | Location: Government Building | State/Province: Capital Region | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

From the Ministry of Odd Coincidences: I’ve been on four organised photography tours, and I’ve now been in the right place to witness marathons or “fun runs” on three of them. The latest was the annual Reykjavik Marathon. I wonder why this keeps occurring?

From the Health and Safety Executive: If you sit down at lunch and all the welds holding the seat to the chair legs suddenly fail, it isn’t necessarily because your wife is right and you’re overweight. It could simply be down to the fact that the chair has been out in one too many Icelandic storms and the restaurant should apologise to you instead of the other way around. The lesson: understand how to inspect a cracked weld for rust (and maybe lose a few pounds too! :)).

From the Department of Pointless Activities: If a restaurant has limited English reading matter, a two year old copy of Stuff really is probably worse than nothing. It’s quite scary how many of the new gadgets in that magazine have been, gone and already been replaced.

From the Icelandic Department of Culture (OK, they really exist, but why spoil a good format?): Reykjavik “Culture Night” is a fascinating thing to experience. Having seen the Marathon off this morning downtown Reykjavik was a bit dead, and I got a taxi over to the big shopping mall, and had lunch there. When I got back, Reykjavik was completely transformed, with almost the whole centre pedestrianised and every street corner sporting a burger/beer stand and live music. It looks like almost the whole Icelandic population has turned out, and I’m amazed that the country has that many musicians and PA systems.  It’s not even just music – one square was hosting a pole dancing competition! The only minor problem is that the area opposite my hotel has been given over to an Iron Maiden tribute band. They’re not without talent, but very loud…

I’m off now to sample some more of culture night. Hopefully I’ll be able to update you later with some pics of the fireworks.

… The remainder of Culture Night was a mixed bag. The big Jazz concert to start the Jazz festival was, to be as charitable as possible, “simply weird shit” (the uncharitable wouldn’t bother with “weird” :)).  However, once I gave up on that and went in search of a drink I found an amazing Christian blues band playing in the back of a tiny coffee house. The fireworks weren’t quite where everyone expected them, and by the time I’d moved and got the camera settings right I didn’t get many good shots. On the other hand, the lighting up of the Harpa concert building worked wonderfully, and I got a couple of decent shots, one of which is the image for today.

The guides arrive early Sunday, and then the landscape photography begins. Watch this space.

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Andrew’s Gone to Iceland – and Not Just for Fish Fingers!

The Hallgr�mskirkja and statue of Lief Eriksson in Reykjavik, Iceland
Camera: Canon EOS 550D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 19-08-2011 19:57 | ISO: 200 | Exp. bias: 1/3 EV | Exp. Time: 1/200s | Aperture: 11.0 | Focal Length: 26.0mm (~42.1mm) | Location: Íslenska Óperan | State/Province: Capital Region | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Well my Iceland trip has finally come round – I just hope it rewards the wait. As many of you will know I originally tried to do a trip to Iceland last year, but was stymied by a combination of volcanoes and economic uncertainty, which meant that there were insufficient other takers. This year things looked better, but it still took a couple of months of emails with the tour leaders before things were settled.

The waiting continued at the airport. The check-in and gate check processes were both interminable, with long queues which between them chewed up over an hour. Now it’s ten minutes past departure time, and I’ve just watched the baggage handlers unload a plane load of frozen fish from our hold, and only just start to load our baggage, one item at a time. I thought the aviation world discovered palletised baggage and freight about 40 years ago? I can see this flight running at least an hour late, and to think I rushed lunch because of the check-in delays…

I’m sitting in a plane with a seat pitch which makes Michael O’Leary’s plans to offer standing accommodation on Ryanair look half reasonable, and I’ve just scratched the back of my iPad quite badly on a very ill-designed “seat pocket” with near zero capacity and an exposed screw head just inside. Iceland Express is definitely at the EasyJet end of the scale.

At least I’m getting better at beating unreasonable baggage constraints, even if I did have to walk through check-in like John Wayne due to the lens down each trouser leg! Also I’ve discovered that if you can lift your camera bag with one finger they assume it’s light and don’t bother to check the weight. At last the weightlifting comes in useful.

… The flight was uneventful if a bit boring. There was no in-flight entertainment, and the noise levels were a bit too high to watch any video on my iPad. Oh well, thank goodness for Kindle and Angry Birds 🙂

The road from Keflavik to Reykjavik is flat and straight, with nothing much going on either side, but there are tantalising glimpses of more promising terrain in the distance. What is interesting is that you can see sunlight, cloud, dry weather and rain patches in the same vista. I see what they mean about waiting 5 minutes if you don’t like the weather here.

… Reykjavik looks a lot as I expected, clean and Scandinavian, although there’s almost a North East USA feel to some of the road and larger building layouts. After I settled in at the hotel I wandered down to the town centre, and got a couple of shots including this rather nice one of the Hallgrimskirkja and the statue of Lief Eriksson in front of it.

The daily cycle is going to challenge an early bird like myself. Sunset is after 9, and sunrise about 5. I was just starting to stir this morning and was rudely awoken by a party coming down the street, presumably having just been chucked out of a night club!

Oh well, I didn’t come here to rest. I have a free day in Reykjavik today, and the tour proper starts tomorrow. I’m going to try and update at least once a day – connectivity doesn’t seem to be a big challenge like it was in Cuba – so please check back soon.

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Don’t Rush to Judgement

Worker at tobacco farm, Vinales Valley, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 18-11-2010 15:52 | ISO: 800 | Exp. bias: -1 EV | Exp. Time: 1/250s | Aperture: 9.0 | Focal Length: 76.0mm (~123.1mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

As soon as I’ve downloaded a shoot from my cameras, I do a quick scan of the in-camera JPEG files, and usually mark about half of the images for deletion. Those which are irrecoverable go straight to the wastebasket, the rest go into an “others” file from which they will only be retrieved in exceptional circumstances.

When I first reviewed my day’s shooting from around Vinales, I nearly gave this shot that treatment. It’s not the clearest portrait I’ve ever done, and the low-contrast of the original meant it didn’t look worth much effort.

However something made me keep it in the “to process” group, and I’m glad I did. The trick was a small crop, and a simple curves adjustment to make the smoke almost white against the woman’s face. The increased contrast makes all the difference.

I’m a great believer in getting shots almost right in camera, when I can. However sometimes the image is hidden for want of a few simple adjustments, as it was in this case. It’s a salutary lesson to me to not be too harsh with my initial filtering.

 

Iceland beckons, and I’m going to repeat the Cuba experiment and try and publish a daily photo blog of my trip. Expect to hear from me again later this week.

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Street Life – Cuban Style…

Streetlife, Havanna, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 15-11-2010 17:17 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/15s | Aperture: 10.0 | Focal Length: 38.0mm (~61.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Just a quick update on the shots from my Cuba trip last year. This scene made me giggle at the time, and the photo amused me again. Does it work for you?

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The Challenge of Serenity

In the Chapel of Onzelievevrouw (Our Beloved Lady) Basilica in Maastricht
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 22-07-2011 17:16 | Resolution: 5160 x 3434 | ISO: 1600 | Exp. Time: 1/19s | Aperture: 5.59 | Focal Length: 17.0mm (~27.5mm) | Location: Mercure Maastricht Airport 3 | State/Province: Limburg | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Our Summer city break this year was a short trip to Maastricht in Holland. No, I didn’t have a treaty to sign, but it’s still a charming old European town, with great architecture and great shopping. The high point was the last live music event of our Summer, a concert fronted by the Dutch violinist Andre Rieu. We didn’t know quite what to expect, vaguely thinking about violin solos. What they actually provide is a bit like a Dutch “Last Night of the Proms”, performed outdoors, with musical inputs ranging from a South African gospel choir to the current Three Tenors. Andre Rieu is just a great showman (I could follow much of what he was saying even though I don’t speak Dutch), and seems to treat his beloved Stradivarius a bit like other “front men” treat their tambourine or harmonicas – mainly something to keep the hands busy!

Talking about things beloved, the photo is from the Chapel of Onzelievevrouw (Our Beloved Lady) Basilica. The chapel is an “island of serenity” in a bustling town, and many of the visitors stop to pause here. Apparently they get through roughly 1000 candles a day…

I really wanted to capture this photographically, but the challenges are substantial. Firstly, the dynamic range demands HDR. Even allowing the candle flames themselves to blow out the range must be 14 stops from the candle bodies to the shadows, and I didn’t just want a white stripe across a black background 🙂 Flash would be completely unacceptable killing both the beautiful reflective mood, and also the very subtle lighting I was trying to capture. Using HDR gets to the next problem: movement. Not only are people coming and going all the time, but of course the camera flames themselves are moving. It wouldn’t be acceptable to use a tripod, and I didn’t have mine anyway. All these place a lower limit on the shutter speed, and require a fairly high “working speed” to capture the few moments when the other people are motionless.

This wouldn’t matter in a typical outdoor situation or even a well lit interior, but away from the candle tips the light levels in the Chapel are very low. At ISO 1600 I was looking at f/5.6 and 1/20s for the “nominal” exposure. That’s more or less the limit of my lens, and I wouldn’t want a much wider aperture for this scene in any case. This in turn implied a challenging 1/5s shutter speed for the “+2” shot. I didn’t want to crank up the ISO any further, as the noise would be unworkable in an HDR image.

Several attempts later, this was the best result. This Japanese couple paused just long enough to give me a nice composition without human movement. For some reason I can’t get a high-quality result using all three frames – I must have moved the camera between frames slightly more than the software’s limits – but the nominal and “-2” exposure combined well in Photomatix Pro using the exposure fusion method. Although there’s not quite as much shadow detail as I hoped for I think it works, but it also illustrates the limits of current digital photography.

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Image Stabilisation – Know Your Limits?

Ceiling detail from the Teatro Tomas Terry, Cienfuegos, Cuba
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 20-11-2010 17:48 | ISO: 800 | Exp. bias: -2/3 EV | Exp. Time: 1/13s | Aperture: 5.0 | Focal Length: 140.0mm (~226.8mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

I’ve blogged previously on the other merits of Canon’s wonderful EF 70-300mm f/4-5.6 IS USM lens, but not really its image stabilisation characteristics. This shot from Cuba shows how good the lens is in that respect. The above is an interior detail from the Teatro Tomas Terry in Cuba, shot handheld in very low available light, at 140mm and with a 1/13s shutter speed. I’m very happy with its sharpness. Some of this may be down to my own steadiness, but it does seem that I can genuinely go to speeds 10 times slower than the traditional “1 over the focal length” rule. I’d be interested to hear what other people have found with similar lenses.

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Low Cost Geotagging Using Bibble

I decided a while ago that it would be useful to “geotag” my photographs, i.e. to automatically record the location from which each is taken and add that to each images’s metadata. As my next photographic trip is to Iceland and I rate my chance of correctly remembering and spelling all the Icelandic names as about 0%, this could be very useful.

I looked at commercial solutions, but they have several drawbacks, including the need to carry at least one more gadget, and some questions about how they would fit with my photographic workflow. Then I realised that I could achieve a similar result using just my new mobile phone and some low-cost software which can integrate neatly with my Bibble-based workflow. Read how my solution works in this article.

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Back to Cuba!

Nice old green car under dappled light on the Malecon in Havanna, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 15-11-2010 16:00 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 3.5 | Focal Length: 15.0mm (~24.3mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Not literally, unfortunately, but I’m finally getting on top of my shots from last November’s trip, and I thought I’d share some of them with you. Here’s one I rather liked of a green car under dappled light on the Malecon, the broad street and walkway which runs through central Havanna.

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Ask A P’liceman

I think it was Will Hay who popularised the notion of added value timekeeping and navigational services from the forces of law and order. This doesn’t always work.

On Barbados recently, we were trying without much success to find Fisher Ponds Great House, a widely-recommended ex plantation house, now dining experience. This was not well signposted, and although we knew we were probably less than a mile away, we were getting progressively more lost.

Deciding to swallow my male pride, I spotted a police car heading towards us, and flagged it down. My request for directions drew an unusual reply: “sorry sir, I’m looking for that myself”. 🙂

Fortunately at this point Tonto rode to the rescue, in the form of a young lad on a bicycle, who when asked did know the way. So I followed the lad, and the cop followed us. At least, he did up to the point where he saw a sign and took the initiative. We followed the youngster, who directed us to the proper gate and earned $2. We were amused to see the policeman waiting at the locked back gate.

So if you want to know the way, don’t ask a p’liceman – find a bright lad on a bike!

– Posted using BlogPress from my iPad

Location:Beachy Head Dr,Bel Air,Barbados

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Barbados Portfolio Update

Coral on a shipreck in Carlisle Bay
Camera: Canon PowerShot G10 | Date: 26-04-2009 18:20 | ISO: 100 | Exp. Time: 1/200s | Aperture: 3.2 | Focal Length: 6.1mm (~28.0mm)

I’ve just managed to catch up with some of my shots from recent trips to Barbados, and in particular I’ve added some wildlife, sports, entertainment and underwater shots I’m quite pleased with. Have a look and let me know what you think.

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Don’t Pose, Please, Just Act Natural

Iguana at the Barbados Wildlife Park
Camera: Canon EOS 40D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 20-04-2010 20:36 | ISO: 200 | Exp. bias: -1/3 EV | Exp. Time: 1/125s | Aperture: 5.6 | Focal Length: 300.0mm (~486.5mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

Those who follow my photography blog will know that my preferred technique for taking portraits is to use my 70-300mm lens towards the long end of the zoom range. It only works as long as the subject is effectively frozen by the available shutter speed, but for a static subject that can be as low as about 1/20s, relying on a combined steady head and image stabilisation technology to keep things sharp.

This technique works for pretty girls, character-full old men, and, as this shows, for those who might not take direction even if you wanted to provide it!

So if you see an interesting face, but it’s some way off, hold the camera steady and go for it. The results may be better than you expected.

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Red Roof Reflections

St. Nicholas Abbey, Barbados
Camera: Canon EOS 40D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 20-04-2010 17:16 | ISO: 200 | Exp. bias: -2/3 EV | Exp. Time: 1/125s | Aperture: 11.0 | Focal Length: 17.0mm (~27.6mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

As my “photographic eye” develops, I find I’m noticing much more readily the colour of light, and how it can be modified by things both inside and outside the scene. This shot of St. Nicholas Abbey on Barbados is an interesting case in point. The porch has a flat roof, and that flat roof is obviously painted red to match the railings and guttering. We can’t see it directly, but its effects are very dramatic. I’ve boosted the colour saturation slightly to make this work on the web, but only slightly – the pink glow was immediately obvious as we looked back to take this shot.

St. Nicholas Abbey, despite its name, was never an Abbey, but a plantation house. It’s recently been revived, and sits at the hub of a busy farming and rum distilling business. It’s also an interesting example of the challenges of architectural re-use. It was built from a set of plans developed and used for a similar manor house in England. These were faithfully followed, including all the fireplaces and chimneys. In nearly 400 years Barbados has never had a day cold enough for any of the fires to be lit!

In Agile development, the mantra is that you don’t build features you don’t need, but I’ve rarely seen a discussion on what to do if those features come “free with the design”. Re-using an established design has significant benefits, particularly if the architectural effort comes at a significant cost (which was obviously the driver for the decision about St. Nicholas Abbey). Tailoring that design to omit features you don’t need will have a cost, and a risk that by doing so you break some other capability. For example, chimneys tend to be built very strongly, and often have an important structural role in a building. On the other hand, building features which won’t be used is also costly. If you can’t find exactly the right design pattern, you will have an interesting decision – whether to change it, or whether to follow it regardless.

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