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Hallelujah! High ISO Which Works!

The Fab 5, Barbados Reggae Festival 2010
Camera: Canon EOS 40D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 24-04-2010 03:38 | ISO: 3200 | Exp. bias: -1 EV | Exp. Time: 1/100s | Aperture: 6.3 | Focal Length: 190.0mm (~308.1mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

As followers of my photography will know, one of my pet subjects is indoor entertainment, photographed by available light. I like capturing memories of enjoyable events, I love the colours of interesting stage lighting, and I like the challenge of trying to capture some of the dynamic nature of a music or dance event in a static image.

By its very nature, this means working handheld in low light levels, typically with long lenses, which in turn means a genuine need for high ISO settings. Even if I can hand-hold my favourite 300mm lens at a shutter speed of 1/25s (which I can, just about, on a good day, thanks to Canon’s excellent image stabilisation technology), 1/25s of a second is just too slow to freeze moving performers. I have several pictures with nicely sharp backgrounds and blurry main subjects to prove this.

With my earlier DSLRs, ISO 800 was about the fastest speed which would deliver a usable image, and that in turn meant speeds of around 1/25s with my preferred lenses. By comparison, my newer Canons should theoretically be usable up to around ISO 3200, giving me a reasonable 1/100s shutter speed, but up until now I’ve always found the resulting images to be just too noisy.

However, I’ve finally found a combination of sharpening and noise reduction techniques which works, and I can do it entirely in Bibble, my RAW processor. The magic mix uses a Wavelet sharpening algorithm, three separate noise reduction algorithms (Wavelet denoise, Noise Ninja and “Pixie”, a hot pixel remover), and a black point adjustment to make shadow areas truly black.

This picture of the Fab 5 is from last year’s Barbados Reggae Festival, and was taken at a range of about 30m. What do you think?

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Not So Foul Bay

Sunrise at Foul Bay, Barbados
Camera: Canon EOS 40D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 16-04-2010 10:55 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/200s | Aperture: 7.1 | Focal Length: 35.0mm (~56.8mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

I just realised I haven’t posted anything to my photoblog recently, so here’s one I’ve just processed from Barbados last year. I’ve never worked out why Foul Bay has its name – it’s a lovely long stretch of clean unbroken sand, and often almost empty. However, at 6am on the morning I took this it was buzzing with people out for their morning exercise. Odd…

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Sunnier Climes

Sea Turtles, Folkestone Marine Park, Barbados
Camera: Canon PowerShot G10 | Date: 21-04-2010 14:45 | ISO: 125 | Exp. bias: 2/3 EV | Exp. Time: 1/160s | Aperture: 3.5 | Focal Length: 13.8mm (~63.3mm)

With Britain well and truly in the grip of Winter (where’s that global warming, then?), and more snow on the way, I thought this might cheer people up a bit!

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Cuba Travel Blog – Quick Update

If you want to read all my articles in chronological order, you can now do so at www.andrewj.com/blog/cuba.

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Cuba Photo Notes

Street vendor, Trinidad, Cuba
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 22-11-2010 17:35 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 8.0 | Focal Length: 300.0mm (~486.0mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

“Photographer’s paradise” is probably putting it far too strongly, but Cuba does provide easy access to a great range of material in almost every genre: fashion and international sports might be a bit of a challenge (unless you bring some glad rags with you :)), but everything else is well served.

That said, conditions are not always quite what you’d expect, so I thought it would be useful to round off my Cuba Travel Blog with a few observations on the photography itself, and some advice to potential photo trippers.

A large part of Cuban life plays out on the street, and much of the photography is therefore street photography, focused on the colourful people, cars and buildings. I must admit that before the trip I hadn’t fully realised that.

Now there’s nothing to stop you doing such photography with a full sized pro camera, lenses the size of baseball bats, and a 6′ tripod. A couple of my trip mates did precisely that. No-one takes much notice of tourists with big cameras, and you’ll be perfectly safe. However, it’s an awful lot to carry round all day, it will attract pestering, and some locations and subjects are now starting to charge a “big camera” premium, e.g. 2 Peso rather than 1 Peso admission, triggered usually when they see the tripod.

So I’d advise you to think about travelling a bit lighter. I don’t carry a tripod except when I know I’m going to be working in very low light, and try and have my camera in my hand rather than round my neck. I used my large backpack only when travelling: once at each location I decanted my kit into my ancient Tamrac shoulder bag. Although only 26x20x20cm I found that this could comfortably carry my prosumer DSLR with 3 zooms, a 25-33cl drink, tripod plate, table-top tripod, cleaning materials, filters, 1 cigar (unwanted gift :)) and some soap! To carry my tripod I used a dedicated tripod strap and slung it over the other shoulder.

At the risk of offending the photography gods, I don’t think a lot of the standard advice about the best light applies in photographing Cuba. The narrow streets are like slot canyons: you get good even light when sun is high, but at the ends of the day the streets are dark, or patchily lit with very high contrast unless the sun is directly in front of or behind the camera, each of which brings its own challenges. On the other hand the bright colours work well in any light, even in the middle of the day, although a polariser is usually helpful.

The after-sunset glow does bring up the colours on some subjects, and there are some night-time possibilities, but very much small vignettes rather than big vistas. There’s simply not enough street/building lighting for those. Don’t expect a picture of lights on the Malecon looking like the shore in Montreux or Morecambe!

If you’re one of those people who likes photographing decay, then Cuba is your oyster. Crumbling structures, rusty cars and badly patched paint and plaster abound. If, like me, you’re more of a “glass half full” person then the challenge to find and portray the current beauty is a bit greater, but not insuperable.

Entertainment, in the form of music, dance and art, is everywhere you go, and some of it is very photogenic. The entertainers don’t seem to mind having their photos taken as long as you make a donation when they pass the hat round. Lighting can be a challenge: at night or indoors you will often be right on the edge of high ISO and acceptable slow shutter speeds, and will have to use flash for any action. Any artificial lighting tends to be uneven and strongly coloured, with a tendency to blow out the red channel, so shoot RAW and expect to have to make substantial colour adjustments in your RAW processor.

I took about 90% of my shots with the Canon 7D and 15-85mm IS lens. Most of the rest were with the 70-300mm lens, and I can see the day coming when I don’t need a separate wide-angle zoom, but the 10-22mm did get used a few times. I also took a nice 50mm f1.4 lens, but found I wasn’t using it at all and sold it to one of my trip mates. I’m getting used to the weight of the 7D/15-85 combination, but it is a very heavy solid lump. You wouldn’t lose much capability with something like a Canon 550D and 17-85mm lens, which is what I took as my spare kit, or even something like a Leica or one of the new EVIL cameras.

Although I took most shots with the mid-range zoom, my 70-300 is still my favourite lens. Beyond its proven ability for action work and as a general telephoto, it’s probably the best lens for candid, long-distance portraits (3-20m range), like the one above. Optically it’s excellent, often compared favourably with Canon’s much bigger and costlier “L” zooms, but the small size and light weight, combined with very effective Image Stabilisation, mean that it’s much less obtrusive, and I can hand-hold it down to shutter speeds of a few tenths of a second. And who needs to do all this wandering about business, when you can take shots like the one above sitting at the bar with a Bucannero. 🙂

Make sure you take lots of film or memory. I took an average of 200 shots or 4GB / day. The keen street shooters in the party were filling in excess of 16GB / day!

Finally, I can heartily recommend Lee Frost of Photo Adventures as a tour leader. He got us to interesting places at the right times, led an enjoyable group, and everything under his control worked well. He really can’t be blamed for the Cuban failings on internet access and breakfast crockery :(. Recommended.

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Cuba Reflections

Sunset over the Malecon, Havana, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 23-11-2010 23:37 | ISO: 100 | Exp. bias: -2/3 EV | Exp. Time: 1/13s | Aperture: 16.0 | Focal Length: 15.0mm (~24.3mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’m safely back home with a load of photos to process, so this is just about my last post on Cuba. There’s probably one more to come on the technicalities of photography there, but I thought it would be good to round off my series of general impressions and “socio-economic observations”, if that’s not too pretentious a description of them! 🙂

  1. The people are very friendly, and are very happy to help if they can, especially if there’s a tip in the offing. However, as is often the case in planned economies there’s no real concept of customer service and little or no incentive to improve, or find real solutions to problems. One example was the fact that I had no internet service at two hotels, not because of any technical issue, but because they’d run out of the scratch cards with passwords, and would not restock for a week. Another was arriving at the Tobacco Museum at 11.00 to find that despite a headline “every 15 minutes” schedule, they were doing no tours between 10.15 and 12.00!
  2. Between the limited stock and the customer service issues, getting breakfast at a Cuban hotel a bit like a game of Dungeons and Dragons. Wrestle a magic glass from the keeper of the glasses, and you can ascend to the level of juice drinker. Seek the hidden coffee cup, and you may conquer the coffee machine, but only if it is replete with both dark and white liquids. They really should invest in a bit more crockery!
  3. Cuban drivers seem to have very poor lane control, and regard driving on the right as as sort of grand guiding principle rather than a tactical necessity. It’s really scary to be bombing (relative term) up the motorway and see a group of cyclists coming the wrong way on the same carriageway, but the bus driver didn’t appear to bat an eyelid.
  4. Lane control and the tap water aside, Cuba feels very safe. You can wander around freely, carrying an expensive camera, and at no time do you feel under any significant threat of direct crime or assault. There are no gangs hanging around on street corners. You may get pestered in some places, and if you left your wallet somewhere it might not be there when you came back, but it doesn’t feel like you’re at any risk of having a bag snatched or a pocket picked.
  5. There are lots of birds of prey circling everywhere, so clearly not too many chemicals in the food chain. This is a good thing, but may explain the patchy success of Cuban agriculture.
  6. There is an obsessive iconography of Che Guevara, which has displaced almost all other pictures and writing visible to the tourist. Che’s picture stares at you from every hoarding with a revolutionary slogan (that’s pretty much the only type), and from almost every T-shirt. Where they are selling postcards, there will be a rack of poor-quality colour cards of the views and famous buildings, and a rack of black and white 1950s images, about 95% of which are of Che. Pictures of even Fidel or Raoul Castro are few and far between. The only reading material in English on the island is biographies of Che Guevara, or the odd book of Fidel’s speeches.
  7. In Spanish the choice isn’t much wider! Havana must be the only airport where there are no newspapers or magazines for sale, just books about Che or Fidel, and a few other bits of communist propaganda.
  8. The music is almost uniformly excellent. The food is almost uniformly adequate but unexciting. There are exceptions (downwards) in both cases 🙁
  9. Writing a travel blog is a great idea, but only in a country where you can get on the internet!

And a few photographic statistics: 2074 shutter operations, 42GB of memory cards filled, about 970 images retained for further processing, and I hope to get around 100 which are good enough to stick on the web and bore people with at dinner! You have been warned. 🙂

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Smokin’

Flamenco dancers at the Hotel Sevilla, Havana, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 24-11-2010 03:41 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 5.0 | Focal Length: 44.0mm (~71.3mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve heard it all now – a flamenco version of “Smoke on the Water”! Richie Blackmore would approve. Excellent.

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An Uncomfortable Vision

Little girl, Trinidad, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 21-11-2010 18:40 | ISO: 100 | Exp. bias: 2/3 EV | Exp. Time: 1/10s | Aperture: 10.0 | Focal Length: 85.0mm (~137.7mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I took this picture almost on auto-pilot, and was immediately torn about whether to keep it, or delete it. Was I guilty of exploiting the little girl?

However, what happened next was interesting, and a tale worth telling. Another tourist approached the little girl, and offered a coin. Suddenly the girl’s mother appeared and grabbed the coin. As soon as the tourist had moved on, the girl was pushed back out into the window again. This obvious exploitation raises some uncomfortable questions, like whether that was really their home, or indeed was the woman really the girl’s mother? Or was this a Fagin-like exploitation of an innocent youngster in a convenient location on Trinidad’s main square?

Those of you who know me will realise that such tactics tend to back-fire dramatically with me. I decided to focus my gifts and tips on those who weren’t asking for anything. I gave away my last bars of soap on an “random acts of kindness” basis, to old ladies on the street. Just seeing their faces light up was reward enough. Much better.

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The Last Post?

Boy in a doorway, Trinidad, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 21-11-2010 20:25 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 10.0 | Focal Length: 80.0mm (~129.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Back to Havana, so I’ve managed to catch up a bit. However, even this took visits to two hotels to find one with working internet service! I hope you enjoy the mega update.

This will probably be my last update until I’m back home, but I will finish off the blog with a few miscellaneous observations, and hopefully another image you’ll like.

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Economic Anomalies, Part 2

Towel elephant, Hotel Sevilla, Havana
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 16-11-2010 20:39 | ISO: 200 | Exp. bias: -2/3 EV | Exp. Time: 1/25s | Aperture: 7.1 | Focal Length: 35.0mm (~56.7mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Two observations from the last few days:

Cuba has two currencies: the Convertible Peso, used by tourists and businesses which interact with tourists or trading partners, and the National Peso, used by Cuban Nationals for everyday activity. The buying power of the convertible Peso is dramatically higher than the other (there’s a 24:1 exchange rate, and some things can only be bought with convertible Pesos). Someone getting a reasonable number of tourist tips, like an old man with an interesting face in the square in Trinidad, can easily be getting significantly greater buying power than someone in a good, prestigious job solidly in the local currency sector. I don’t know whether the planned economy has a way of balancing out this anomaly, but it does seem problematic.

In Britain, hotel chambermaid is not regarded as a skilled job, with great linguistic or literacy demands. But every day in Cuba I have returned to my hotel room to find a delightful little greeting: the towels arranged into an attractive sculpture on the bed, and a hand-written note wishing me a pleasant stay or onward journey, as appropriate. The latter have invariably been written in clear, correct English, while most people you come into daily contact with have at most a few words of spoken English. This suggests that chambermaids in the big Cuban hotels must be better qualified than you might expect.

I wonder how this all works?

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That’s a Big Box!

Keen young man, Trinidad, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 22-11-2010 17:51 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 8.0 | Focal Length: 85.0mm (~137.7mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Shot of the day for Monday. Everyone else in the party was shooting over this little fella’s head at the cathedral, but I happened to glance down. Bingo!

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Character-Full Trinidad

Old Man, Trinidad, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 21-11-2010 23:30 | ISO: 400 | Exp. bias: -1 EV | Exp. Time: 1/60s | Aperture: 5.6 | Focal Length: 85.0mm (~137.7mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

It’s about 50 miles from Cienfuegos to Trinidad, along the coast, which takes over 2 hours on a very bumpy road. However the drive is worth it. Trinidad is a very pretty town: different architecture again – based on two storey terraced houses and cobbled streets, with the houses all painted wonderful pastel colours. The Hotel Cuevas in Trinidad is lovely – a very Caribbean style arrangement of individual chalets at the top of the hill outside the town.

Trinidad is more overtly tourist focused than the other places we’ve been, with almost every other house on a larger street or square turned into a little gallery or coffee bar, and a lot of the more colourful older people very much geared up to “a pose for a peso”. The downside is that the pestering is worse than elsewhere, except maybe around the Capitolio in Havana.

I do now have one cigar, forced on me by an itinerant vendor. I didn’t want the cigar, and he didn’t want a bar of soap in exchange, so honours are even! However, it’s a good prop to go with the hat (see previous post), so I’m now working even harder on my “Che Guevara” persona. You have been warned.

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