Category Archives: Morocco Travel Blog

Morocco Portfolio Uploaded

1113 7D 5736
Photographer: Andrew Johnston | Camera: Canon EOS 7D | Date: 17-11-2013 15:32 | Resolution: 5184 x 2916 | ISO: 800 | Exp. Time: 1/400s | Aperture: 8.0 | Focal Length: 29.0mm (~47.0mm) | Latitude: N 31°6'43.40" | Longitude: W 3°59'14.09" | Altitude: 771 metres | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve just finished processing my shots from Morocco, and have uploaded the portfolio to my album. In addition, there are several new panoramas you should notice at the top of my web pages. Take a look at www.andrewj.com/album/Morocco

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Man at Work

Metalworker in the Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 11-11-2013 15:15 | Resolution: 3070 x 4093 | ISO: 1600 | Exp. bias: -1 EV | Exp. Time: 1/15s | Aperture: 8.0 | Focal Length: 38.0mm | Location: Museum of Marrakech | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Another low-contrast shot from the Marrakech Medina, which didn’t look promising out of the camera, but I think works well after processing. This was at a much shorter range than the "bread" shot of last week’s post, but the cloud of dust and sparks from the active grinding wheel had much the same effect. I turned Capture One’s clarity slider up almost to maximum to try and cut through the haze a bit, with an almost "painterly" result. I think it works…

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A Laser-Like Focus?

Market Traders, Marrakech
Camera: Panasonic DMC-GX7 | Date: 10-11-2013 17:20 | Resolution: 3067 x 3067 | ISO: 200 | Exp. bias: -66/100 EV | Exp. Time: 1/400s | Aperture: 8.0 | Focal Length: 77.0mm | Location: Djemaa el Fna | State/Province: Marrakech-Tensift-Al Haouz | See map | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

I suspect we all have something which can attract our attention, like a missile locking onto a homing beacon, even against significant background noise. With Frances, it’s shoes. With me, it’s bread!

There was a scene in the excellent, but very complicated, Belgian conspiracy thriller, Salamander which demonstrated this. Set in a Belgian monastery, in the foreground the central character is discussing the case with his brother, formerly a policeman but now a monk. They are trying to work out who has covered up doing what to whom, and how. In Flemish, so we’re getting this through subtitles. Even by the standards of the rest of the series it’s very, very complicated.

A monk wheels a trolley through the background, destined for the refectory. I go, "Ooh, that’s nice bread"! That breaks our chain of thought and we have to go back about a minute…

I can’t remember, but I think the same happened here. This was taken across the big square in the Marrakesh Medina, through a lot of cooking smoke and dust. The original has almost no contrast, and is quite indistinct. However Capture One has worked its magic and I think it now works. What attracted my eyes in the first place? Guess…

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Abstract from the Erg Chebbi

Abstract, Erg Chebbi, Sahara
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 17-11-2013 15:59 | Resolution: 4557 x 3418 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/125s | Aperture: 11.0 | Focal Length: 70.0mm (~113.4mm) | State/Province: Meknès-Tafilalet | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM
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Dark Shadows

Rock formation in the Dades Gorge, Morocco
Camera: Panasonic DMC-GX7 | Date: 15-11-2013 16:30 | Resolution: 4594 x 2871 | ISO: 1600 | Exp. bias: 0 EV | Exp. Time: 1/320s | Aperture: 8.0 | Focal Length: 175.0mm | See map | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

I’m finally getting around to processing the remaining shots from my Morocco trip in 2013!

I had parked a number of shots from the Dades Gorge, because we were shooting almost into the setting sun, and they were either hazy, or very low in contrast and the in-camera JPEGs look almost "blown out". However it was right to hold these back until I could exert the full capability of Capture One on the RAW files. Here is one where to get the best effect I’ve really had to deepen the shadows, but I think it works, bringing out not only the shapes of the rocks, but also their shadows on one another.

Let me know what you think.

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Looking Down Dark Alleys…

An alley in the Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 12-11-2013 10:11 | Resolution: 3086 x 4114 | ISO: 250 | Exp. bias: -33/100 EV | Exp. Time: 1/60s | Aperture: 8.0 | Focal Length: 29.0mm | Location: Museum of Marrakech | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

I’m finally getting round to the first pass (!) on my Morocco photos. Work, my app development and the slow release of Capture One support for the Panasonic GX7 have all got in the way.

Here’s one from our second day in the Medina. We spent a lot of time peering down dark alleys, waiting to see if we could catch someone walking through a patch of light. It’s rather like shooting in a slot canyon – the position and the nature of the light changes incredibly quickly, and within about 10 minutes this light had disappeared. However while the light was right our patience was rewarded by the appearance of this nice Moroccan lady.

I continue to be amazed by the image quality of the GX7, and how Capture One handles it. Without adjustment this was almost a two-tone image of blown highlights and black shadows. Just using the “HDR” sliders of Capture One fully recovered almost all the highlight areas, and brought the detail in the shadows up to a level I like. That’s about all that was required.

More as they emerge from the shadows.

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Morocco – Did I Need Two Camera Systems?

Blacksmith at work, Marrakech
Camera: Panasonic DMC-GX7 | Date: 11-11-2013 15:29 | Resolution: 4592 x 3064 | ISO: 1600 | Exp. bias: -1 EV | Exp. Time: 1/40s | Aperture: 8.0 | Focal Length: 35.0mm (~72.0mm) | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Here’s the list of the main kit I took to Morocco:

  • Canon 7D body
  • Canon 550D body
  • Canon lenses: 15-85mm,  17-85mm, 70-300mm, 10-22mm (The 550D and 17-85 were basically “spares”, although both got a small amount of use.)
  • Panasonic GX7 body
  • Panasonic lenses:14-42mm (power zoom), 14-42mm (kit lens, spare),  45-175mm, 100-300mm
  • Olympus lenses: 12mm f/2, 9-18mm
  • Gitzo GT1540 tripod with Gitzo ball head
  • Around 96GB each of SD cards and CF cards
  • Three battery chargers and one or two spare batteries for each camera
  • Polarising filters in each of the following sizes, and protective UV filters in almost all: 37mm, 46mm, 52mm, 58mm, 67mm, 72mm, 77mm
  • Lens hoods for most, but not all of the lenses
  • Remotes for both systems, including an intervalometer for the Canons (ironically the GX7 has one built in) and an adapter cable because the Canons have different connectors
  • Shoulder bag for around town and tiny bag for GX7 as well as my large backpack for travelling and the desert trip

While I liked the flexibility of this selection, I would be the first to admit that it meant carrying more than ideal in terms of both weight and value. It’s also almost in danger of becoming my standard kit for any trip, which is vaguely ridiculous. However it’s not obvious how or even whether I should pare it down for a future similar trip.

Firstly, apart from the spare Micro Four Thirds normal zoom, each lens and all three bodies saw real use (although I could realistically have substituted either of the others for the only outing of the 550D and 17-85mm lens). However following my experiences in Cuba and Iceland I wouldn’t forego carrying a spare body for the “main” camera and a spare mid-range zoom, although by carrying two different “systems” I doubled up both elements on this trip.

I don’t think there’s a single shot I took with either Canon I couldn’t have taken with the GX7, but that might not have been true if there was more fast action, and I might have got one or two shots I missed if I had had the 7D with its fast performance and 6X standard zoom ready in my hand. The Canon lenses are definitely a bit more resistant to flare, but in most cases I didn’t find that an insuperable problem with the MFT kit. Whether the Panasonic batteries would have lasted the desert trip and frozen night shoots is an unknown, but the third party batteries for the Canon weren’t great either.

Conversely I definitely got several shots on the GX7 which exploited the GX7’s unobtrusive nature, silent operation, the wide aperture of the Olympus f/2 lens or the remarkable reach of my new 100-300mm lens. These I might not have got with the Canon.

As I’ve said before, the Panasonic GX7 is the ideal camera for wandering around in towns, or exploring cramped interiors like those of the older buildings in Morocco. I’ve read other reviews which liken it to a smaller Leica rangefinder, and if that’s true then I finally “get” the rangefinder aesthetic. Where it scores over other such cameras is that it is not limited to one mode, but moves seamlessly from point and shoot (composing on the rear display), or “twin lens reflex” (using the same panel tilted), through rangefinder and on to a high performance shooting mode best described as “mini DSLR”. I find myself increasingly using all those modes, whereas with my previous cameras live view has been only for situations where I genuinely can’t reach the viewfinder.

I also find myself using the multiple aspect ratios as a positive composition aid, and the live preview as a visual exposure guide in a way I have not done before.

The sheer physical size has an impact on subjects. In our financial argument with the snake charmers one of them went through our group saying “you have big camera, you have big camera…”. He got to me, raised his finger, and stopped dead. Something similar happened a couple of times.

Could I have managed with just the Canon kit? Probably, but I would have had to work harder, both physically and to get what I wanted from some of the subjects.

Could I have managed with just the Panasonic (with my GH2 as “spare body”)? Yes, but I would have been a lot more nervous about the desert trip. I happily sat on camel back with the 7D bouncing in the saddle. At one point I dropped the 7D in the sand from several feet up, but just dusted it off and carried on. That might have been a more serious incident with the smaller cameras.

The solution might be to extend my micro four thirds kit with a weatherproof lens and body, such as the Panasonic GH3 and 12-35mm lens. Morocco wasn’t that hard on kit, although I didn’t know this beforehand, and that pairing would have managed fine in the desert.

Unfortunately the harshness of a location is something which is hard to predict on a first visit: Iceland was much harder on equipment and even some of my heavyweight Canon gear did not survive – the wear on smaller cameras would probably have been unacceptable.

The alternative view (although it’s from Kirk Tuck, a man who changes his cameras almost as often as I change my socks) is that we just accept that the cost of smaller, lighter kit is that we wear it out more quickly, and that this fits with the gradual obsolescence due to technical advances. While I partly buy this argument, I’m not keen to completely wreck and write off equipment, and it brings the risk of a trip where both the primary and spare equipment die before the end. That would be a real disaster.

So for now I have moved one step closer to travelling light (or at least light-er). For trips to “easy” destinations I may be prepared to go MFT-only. For more physically challenging locations, if there will be a lot of fast action, or if I need the visual impact of a “big” camera I take the Canons. For trips with a mix of both, I remain a beast of burden.

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Morocco – What Worked and What Didn’t

Berber at prayer, Erg Chebbi
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 17-11-2013 15:50 | Resolution: 4700 x 2938 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 8.0 | Focal Length: 300.0mm (~486.0mm) | See map | Lens: Canon EF 70-300mm f/4-5.6 IS USM

As a tail piece to my Morocco blog, and as a service to anyone else considering a photo trip there, here are a few notes on what worked, what didn’t, and how you might increase your own chance of a successful outcome.

What Worked…

This was the second trip I have done with Lee Frost of Photo Adventures (who also ran my Cuba expedition). He works hard to make sure you have a good time, with a balanced itinerary which gets you and your camera in front of lots of great subjects with a good chance of decent light. He’s also a fun and inspiring group leader and tutor. You just have to learn that he will always want “just one more shot” when the customers have all had their fill! Highly recommended.

Lee partners with someone who manages the local logistics, and on this occasion it was his regular co-leader in Morocco, Carolyn Hunt of Journeys Elite. Carolyn is a specialist in tailor-made Moroccan trips, and this reflected in faultless arrangements plus the ability to smoothly handle minor problems and variations. She was also a fun member of the group, and as a photographer in her own right understood our requirements well. Another strong recommendation.

Plumbing and toilets! I had some concern that toilet facilities might be a challenge, but completely needlessly. The Moroccans have a simple system that pretty much every cafe, hotel or other roadside stop has toilets which are freely available to use for a small donation from non-customers. Pretty much without exception these were in good order and spotlessly clean, often well above the standard of the British equivalent. (However, see note about showers in the “didn’t” section…)

The roads were all pretty good, well surfaced and with a capacity reasonably matched to the traffic (although I accept that I was seeing this in the low season). However it has to be observed that Moroccan drivers have a nasty habit of not worrying about which side of the road they use until an impact is imminent, and cyclists and moped riders are as much a menace as anywhere. While I would have been fairly comfortable driving outside Marrakech, I couldn’t have coped with either the poor signage in the larger towns, frequently only in Arabic, or the amazingly frequent speed traps and police checkpoints. Fortunately we had an excellent driver, Mohammed, who took all this in his stride, and was always happy to help in any way.

Morocco has very good telecoms services. My mobile worked everywhere, even in the middle of the desert. There was also free Wifi at almost every stop, although the speed varied substantially (and was not obviously correlated to distance from a major centre). I did have an odd problem that I couldn’t reliably send mail via my own SMTP server, but webmail worked fine.

It makes a welcome change to report that all my camera kit worked reliably and survived, although my Canon gear is going to need a very careful clean after the desert trek (and see note below about batteries).

I’m extremely pleased with the Panasonic GX7. This is the perfect camera for wandering around towns, whether they are packed or abandoned, and for taking high quality photos without the visible and audible imposition of a full-sized DSLR. It also makes brilliant high definition video, even in minimal light. At its limits it may not quite match the speed or the stabilisation of the Canon 7D, but I was not often left wanting. I do need to confirm its higher-ISO capabilities when Capture One support arrives, but the initial indications are good.

I’m also very pleased with the Panasonic Lumix 100-300mm lens. This fist-sized lens is pin-sharp and can pull details out of scenes which would demand major cropping with even huge lenses on full frame or APS-C cameras. It also stabilises well to cope in quite limited light. I now have hand held shots of the Moon filling half the frame, revealing detail which my eyes alone have never seen.

All that said, my Canons also had a key role. It was absolutely the right choice to take the 7D into the desert, where its heavier build and better sealing reduced worries substantially. If your trip covers a similar range you may also need a composite solution. I also used every lens except the “emergency spare” Panasonic 14-42mm zoom. I’m going to write a separate blog about how I might do a similar trip with a single camera system.

Much of the photography was in dark alleys or “open interiors”. This is very similar to outdoor photography in slot canyons and similar locations. Light is often best in the middle of the day, but changes rapidly. Inside the Kasbahs it takes on wonderful warm colours after being reflected from different surfaces. However overall light levels will often be low, and be prepared for very high dynamic ranges if you have a mixture of direct and indirect light. I got good use from my wide angle fast prime lens (f/2, 24mm-e), and took HDR bracket sets in several cases.

Morocco is dusty, and even out of the desert keeping optics clean is a challenge. My solution is a sacrificial UV filter for every lens, which I am prepared to replace after the trip. First indications are that I will have to do so for the two “standard zooms”, but the others will survive for another day. I have noticed a little vignetting on shots taken with the Canon 15-85mm when I had both UV and polarising filters in place, but this should be fairly easy to fix in the RAW processing, and it looks like the other lenses were fine. I also followed Lee’s suggestion to wrap cameras and lenses in plastic bags for the desert trip. There’s no way to tell how necessary this was, but it seems like a sensible precaution.

The food was a little repetitive and had a very high bread content (which I like but is not good for my waistline). However it was usually fresh, well cooked and tasty.

Cerberus, my invention to support multiple charging points from a single socket and cable worked very well, although I have realised that it can be further developed to also power my laptop from the same source. I have found a suitable C8 adapter for £3 on eBay, which will improve things further for the next trip.

For Geologging I now use Ultra GPS Logger by Holger Kasten. I have worked with the developer to optimise this excellent piece of software, and the results from this trip seem to be very effective.

French really is the best language with which to interact with the Moroccans. It helps to have the standard pleasantries in Arabic (yes, no, thank you etc.), and you occasionally find someone with usable English, but French is the right solution. Unfortunately mine was very rusty, and only started to work effectively at the end of the trip, but c’est la vie…

What Didn’t…

My precautions against the Caliph’s Revenge were ineffective. I avoided salads, kept my hands clean, drank only bottled water, and still suffered. My companions were fine. Go figure…

Showers – this is maybe slightly unkind, as every hotel had a device which produced a spray of water, usually at a reasonable temperature. Unfortunately almost without exception the mount on the wall was either absent, broken or, in an impressive display by the most expensive hotel, mounted so high that it both restricted the flow and ensured that what did come out flooded the entire room!

The haggling associated with some activities was unpleasant. It left a bad taste in the mouth to have a good shooting session and then end it with an argument about money. It doesn’t help that in the more popular areas some tourists and photographers are being more generous, which is pushing expectations up. Strangely this seemed to be much less of an issue south of the Atlas – whether this was due to a difference in culture or just less tourism is hard to judge.

If possible, try and agree a price for everything beforehand, and be prepared to walk away if the price is not right. I was successful in getting the price I wanted for all my souvenir purchases by this tactic.

Photographically I only had one problem. Both my spare Canon 7D battery and one I borrowed from Lee died very quickly in the cold of the desert nights. It might be significant that they were both cheap 3rd party ones – original Canon batteries and my Panasonic batteries for the GX7 seemed to fare better.

While you don’t go on a photographic holiday to lie in every morning, it would be nice to get the odd opportunity, and Lee usually obliges. However Morocco didn’t – 24×7 cockerels, mezzuins calling at 5 am and sub-zero temperatures all made their contribution! Oh well…

Conclusion

Morocco is an inspiring feast for the eyes, and a great photographic destination. With some planning, basic preparations and sensible precautions it’s not a hard one either. Enjoy it.

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First Attempt at a Star Trail

Star Trail over Erg Chebbi, Morocco (stacked from 32 originals of 2 mins duration)
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 18-11-2013 03:19 | Resolution: 5184 x 3456 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 120.0s | Aperture: 4.0 | Focal Length: 20.0mm (~32.4mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve tried processing my star trail shots from Morocco, and the results are better than I expected. The above is from my first night in the Erg Chebbi. With a full moon the foreground is perhaps a bit overexposed, but otherwise this has worked quite well. I was slightly off on my aim, but at least I got the pole star (just) in shot!

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Back to Marrakech

Hillside town in the High Atlas
Camera: Panasonic DMC-GX7 | Date: 20-11-2013 16:57 | Resolution: 4592 x 2583 | ISO: 640 | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 7.1 | Focal Length: 109.0mm (~226.0mm) | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

The final day of the trip was mainly a long, hot drive over the two mountain ranges between N’Kob and Marrakech. Unfortunately I was on the left side of the minibus, and the sun carefully matched the gentle rotation of our dominant direction of travel to beam in through my window the whole time 🙁

The first snow of the year had left the highest peaks of the Atlas peppered in white. Most of our route still looked pretty dry and dusty, but at the top of the pass there were a few white patches in sheltered corners. It’s been a hot year and the locals are really looking forward to some precipitation, which looks like it is finally about to arrive.

We had a pleasant end to the drive with a couple of shots of the mountains and hillside villages in nice light, then arrived back in Marrakech after dark. We went to eat at a restaurant we had also visited last week, and amused the waiter by all ordering the same thing, thanks to a strong recommendation from those who had it last week.

My flight back to London is relatively late in the day, but my plan for a lie-in was scuppered by the local Mezzuin starting his calls at 5 am! On a positive note this meant I was able to have a final breakfast with my companions from the trip.

I’m now sitting by the pool bringing my blog up to date, and should be able to finish my first pass on the photos before lunch and setting off to the airport. Unfortunately I have to admit that it’s not really warm enough to just be in a T shirt, but I’m on holiday in a hot country, so I’m determined to try…

Overall it’s been an excellent experience, travellers’ tummy notwithstanding. It’s just sad it’s come to an end.

The photography was as good as expected, possibly better as we got more people shots than I was expecting. In total I made about 3,100 exposures, split as follows: Panasonic GX7 2308, Canon 7D 747, Canon 550D 37 (plus a few by Carolyn trying it out as a possible upgrade for her 350D). Around half retained after first edit, so hopefully at least a couple of hundred “keepers”.

I’ll finish off with my traditional “what worked and what didn’t” hints and tips soon.

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Starting Back

Pool at the Kasbah Imdoukal, N'Kob, Morocco
Camera: Panasonic DMC-GX7 | Date: 19-11-2013 18:05 | Resolution: 4592 x 3064 | ISO: 1600 | Exp. bias: 0 EV | Exp. Time: 1/15s | Aperture: 2.8 | Focal Length: 12.0mm (~24.0mm) | Lens: OLYMPUS M.12mm F2.0

After a very cold start (see previous post) we had an early start and trekked the short distance across the remainder of the Erg Chebbi. At the edge we said goodbye to the camels and transferred to a couple of 4x4s, which were driven expertly if slightly scarily across the flatter sand to Khemliya where we spent an hour photographing and filming some local musicians.

The Panasonic GX7 continues to impress, capturing faultless, stable high-definition video in almost no light. This morning it worked well in a dim interior, and last night it captured the entertainment by the light of just a small camp fire. (Sample video to follow.)

Then we returned to the auberge in Merzouga for a shower and early lunch, and sadly started the long drive back to Marrakech. The route takes us down the south side of the Jbel Saghro, which is even hotter and drier than the northern side, essentially a rocky desert with very sparse cultivation.

We ended the day in N’kob, a small town essentially just at a crossroads between routes across Morocco. We’re staying at the rather pleasant and beautifully renovated Kasbah Imdoukal (Berber for “friend”) . Tomorrow we complete the drive back to Marrakech.

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Shooting Camels

Yussef, Yussef and unnamed model (the dark hairy one)
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 18-11-2013 11:12 | Resolution: 5184 x 3456 | ISO: 200 | Exp. bias: 2/3 EV | Exp. Time: 1/50s | Aperture: 10.0 | Focal Length: 65.0mm (~105.3mm) | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

It may be the middle (OK, edge) of the Sahara, but it’s bloody freezing. I’m currently lying in all my clothes, in my sleeping bag, under a heavy Berber blanket, with my cheche on my head, but it’s so cold my eyes can’t focus properly on my phone, and my hands are having trouble operating the stylus, although in fairness the restrictions of the sleeping bag contribute to that!

We had a dawn start yesterday, and were treated to some great light on the dunes. The only problem was getting up them. The camels make it look easy, but if you have dodgy knees and very small feet for your weight you’re lucky if you achieve three steps up for every two you slide back.

After a late breakfast we went shooting camels. Not literally, I hasten to add – I wouldn’t dream of doing such a thing. I have decided that I like camels. The ones we have been working with seem to be remarkably docile, gentle creatures, rather like tall, strong, lumpy sheep. Our guide Yussef posed with several, and then one for close ups. This animal had a real personality, and seemed to have a model’s instinct, moving quickly between and then holding different poses, some just nice, some really hilarious.
After a long lunch break we set off again over the dunes. Late afternoon was another great light show, with ripples in the sand and small shrubs providing foreground interest against the swirls and curves of the larger dunes and a deep blue sky.

The second Berber encampment was really rough. Oh the disappointments of electric light and flushing toilets… After dinner our guides and camel handlers entertained us with drumming and Berber folk tunes. One was unmistakably the same tune as “Ma Baker” by Boney M, which raises an interesting question: which came first?

I had another go at my star trails, but I suspect that a combination of problems will have affected the results. Firstly in attempting to compensate for the moonlight I may have underexposed the starts, and secondly the battery died from cold sometime relatively early in the night. I just have to wait and see.

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