Category Archives: Morocco Travel Blog

Into the a Sahara – Sort Of…

Monochrome in Gold. (Unmodified in-camera JPEG)
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 18-11-2013 16:19 | Resolution: 3456 x 2304 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 11.0 | Focal Length: 85.0mm (~137.7mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

The “entertainment” last night is best glossed over – lots of drumming but no real way to distinguish any part from any other – a 10s repeating loop would be much the same.

We woke up to quite a strong wind, kicking up a dust off the dunes. Only limited photo opportunities, and some concern for the trek later in the day. We went up to the local village and wandered around for a while, then had both excellent photography and a very nice lunch (a “berber pizza”) at the Nomad Depot, essentially the local carpet emporium. Dick succumbed to the sales speil, and will be going back to Norway two rugs heavier.

After lunch we chucked the kit and ourselves onto 8 camels and set off into the Erg Chebbi, a small “sand sea”. Sods Law – after 7 days of cloudless skies we had substantial cloud cover, so battling the light for photography, but at least the wind had dropped. Fate smiled on us with a couple of breaks in the cloud to provide a few decent shots, but no star trails for us tonight!

At the end of the trek, we reached the Berber encampment. Just in case the enormity of this achievement is not appreciated, I should disclose that one of the camel handlers then walked home for the night!

I’m now sitting by a camp fire, with a beer, waiting for dinner, so all’s right with the world.

Update, Morning.

Sleep was better than feared, worse than hoped for. During the night the clouds cleared and at one awakening I set the camera up for a star trail set. However as it was a full moon I’m not expecting the best results. We’ll see.

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Getting Covered

Goatherd tending her donkey, Todra Gorge, Morocco
Camera: Panasonic DMC-GX7 | Date: 16-11-2013 11:17 | Resolution: 3596 x 2397 | ISO: 1600 | Exp. bias: -33/100 EV | Exp. Time: 1/160s | Aperture: 6.3 | Focal Length: 122.0mm (~253.0mm) | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

We had a dawn start to photograph the town of Tineghir from a panoramic overlook. It’s suddenly very cold – not much above freezing first thing. The angle of the light was again a challenge, but I got some good shots of back-lit palm trees and layers of haze.

After breakfast we went a bit further up the Gorge du Todra. The gorge itself is not easy to photograph, but we had good luck with goat-herds bringing their flock to the river, and with the vendors who now line the tourist section. One of those was very hospitable, and happy to pose for us. He then persuaded us to look at the cheches – Arab head scarves – and we all bought one. I went for a very elegant cobalt blue (resisting the temptation of a dramatic orange or pink ;)), and the rest of the group followed suit, so we’ll all match in the desert tomorrow.

After that we set out on the road, heading through the Jbel Saghra mountains to Merzouga where we’ll head off on camelback into the Sahara. The drive wasn’t terribly interesting, but we were treated to a nice sunset over the mountains, and have been promised entertainment with dinner, although that will be for another blog.

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Kicking Up Some Dust

Kicking up a dust! In an abandoned kasbah in Ait Ben Haddou
Camera: Panasonic DMC-GX7 | Date: 14-11-2013 15:57 | Resolution: 4592 x 3064 | ISO: 200 | Exp. bias: -1 EV | Exp. Time: 1/60s | Aperture: 2.5 | Focal Length: 12.0mm (~24.0mm) | Lens: OLYMPUS M.12mm F2.0

Still in Ait Ben Haddou, after a quick trip to the top of the hill and back we found ourselves back in the kasbah museum. Someone had the idea of kicking up some dust to illuminate the strong shaft of light coming in through one of the windows. We then spent a happy if dusty hour photographing this, and each other in a variety of lights and poses. Photographers are easy to keep amused!

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Exploring Ait Ben Haddou

Mother and daughter, Ait Ben Haddou
Camera: Panasonic DMC-GX7 | Date: 14-11-2013 14:45 | Resolution: 4218 x 2812 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 5.0 | Focal Length: 49.0mm (~101.0mm) | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

Dawn start to photograph Ait Ben Haddou lit from the East by the rising sun. This is a very familiar view to viewers of a certain class of film.

We spent the morning mainly exploring the interiors of a couple of abandoned kasbahs – large multi-storey fortresses / homes again built around a central courtyard, but with the added challenge here of being built into a steep hillside. The light inside was fascinating, like in a slot canyon, with the interiors lit by small shafts of light reflected off other walls, being coloured rich reds and golds in the process. I finally made my Olympus 12mm f/2 pay its way, as the perfect lens for the cramped conditions and low light levels.

After lunch we set off to photograph a Moroccan family Lee had worked with before. The youngest daughter is very pretty, but I actually preferred my shots of the mother and older daughter, above.

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Over the Mountains

Roadside scene, Tizi-n-Tichka Pass
Camera: Panasonic DMC-GX7 | Date: 13-11-2013 12:15 | Resolution: 4504 x 3003 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/1000s | Aperture: 6.3 | Focal Length: 275.0mm (~571.0mm) | Lens: LUMIX G VARIO 100-300/F4.0-5.6

On Wednesday we moved off from Marrakech, up over the Atlas mountains. Quite a long drive, made even longer by a couple of factors. Firstly a bus full of photographers will stop repeatedly to shoot every pretty hillside village. Second the Caliph’s Revenge, or whatever they call the local travellers’ tummy caught up with me and I had to request a couple of extra stops at short notice!

The views from the top of the Tizi-n-Tichka pass were quite dramatic and will make a good panorama.

I must stop making eye contact with the roadside vendors. I’m now the proud owner of a rather pretty geode, and a very complete trilobite fossil which I didn’t set out to purchase!

At the end of the day we arrived at Ait Ben Haddou, a very picturesque old town which will be immediately familiar to those who have seen films like Gladiator, Kingdom of Heaven or Prince of Persia. Exploring it is Thursday’s job.

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The Water Seller

Water Seller, Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 12-11-2013 11:03 | Resolution: 4592 x 3448 | ISO: 400 | Exp. bias: -33/100 EV | Exp. Time: 1/60s | Aperture: 8.0 | Focal Length: 32.0mm (~64.0mm) | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

The friendly water seller.

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Day Three – Gardens, Snakes and Haggling

Snake Charmer, Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 12-11-2013 16:41 | Resolution: 3653 x 3064 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/640s | Aperture: 5.6 | Focal Length: 45.0mm (~93.0mm) | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

I’m falling behind a bit with my blog, not for any technical reason, but simply because the days of this trip are so packed they leave little time for anything except sleep.

Day three was also spent in Marrakech. We started by returning to some of the more “active” souks, hoping to re-create some shots of the dyers from one of Lee’s previous trips. Unfortunately the key players were initially not ready, and then various other people got involved trying to arrange themselves a cut of the fee, and in the end we walked away. To compensate we then found another beautifully lit alleyway, and terrorised the locals for half an hour photographing the comings and goings. After that we found a willing water seller who was remarkably tolerant as we photographed himself every way we could think of.

The middle of the day was spent at the Majorelle Gardens, founded by a famous 19th century artist and rescued in the 20th by Yves St Laurent. These are beautiful, calm tropical gardens full of charming yellow and blue buildings and pottery. Very pleasant – a perfect antidote to the bustle of the Medina.

After a leisurely lunch we headed back to the centre to photograph the main Kotubia Mosque, and then some very entertaining snake charmers.

The only problem with photographing people in Morocco, and we experienced it three times that day, is that there’s no concept of a fixed or “fair” price, and there is always an awkward haggling session at the end of the interaction, where the subjects demand an excessive fee, while we try and offer something which while modest by British standards frequently represents an average Moroccan daily wage.

It’s the same if you want to buy something, and you rapidly long for fixed, advertised prices!

However, while this may be unpleasant, it does seem to be very much part of the culture, and a small price to pay for such magical photographic opportunities. Now I just need to stop making eye contact with the vendors…

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A Career in Modelling?

In the streets of the Medina, Marrakech
Camera: Panasonic DMC-GX7 | Date: 11-11-2013 09:25 | Resolution: 2528 x 3256 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 5.0 | Focal Length: 12.0mm (~24.0mm) | Lens: OLYMPUS M.12mm F2.0

Well not me, obviously! 🙂 Mind you, our guide for our second day in Marrakech, Mohammed, was even more generously padded than yours truly, so maybe it’s not the barrier you might think. Within half an hour we had him hiding in doorways, walking in the light, walking in the shadows… He pointed out that when he got out of bed he wasn’t expecting to take up modelling – we pointed out that now he’s a model he can refuse to get out of bed at all!

With Mohammed to find the way, we had a very enjoyable day wandering through the souks. From outside you don’t realise just how large an area they cover, or how many specialisms are represented. There is, for example, a souk just dedicated to slippers, or another to lamps. The best are those where the artisans are practicing their craft, like the metalworkers. For a small donation they will weld and grind while you photograph, so hopefully I have some shots with interesting showers of sparks.

Morning coffee was in a charming dar, a traditional guest house built around a central courtyard with a water feature. (A riad is similar but larger and has a garden.) The idea is that these are “like paradise”, and photographically this one certainly delivered. The steep walls were covered in intricate carvings, and in addition the owner was using it as a gallery of modern art.

The afternoon was full of more souks, topped by watching the sun go down over the main square and photographing the increasing bustle by the light of the stalls.

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Exploring the Souks

Moroccan drummers in the Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 10-11-2013 17:41 | Resolution: 4592 x 3064 | ISO: 200 | Exp. bias: -66/100 EV | Exp. Time: 1/640s | Aperture: 7.1 | Focal Length: 264.0mm (~548.0mm) | Lens: LUMIX G VARIO 100-300/F4.0-5.6

A gentle first morning, waiting for the others to arrive, but by lunchtime we were assembled. It definitely works well for me arriving slightly early and having time to sort myself out.

After introductions and a leisurely lunch, we got straight into the trip, with a visit to the Medina, the old centre of Marrakech. This is built around a large central square, which fills through the afternoon with a variety of vendors and performers, and then south of this you get into the souks, the warren of tiny streets filled with market stalls and busy artisans.

Everywhere you point your eye or your camera is a feast of visual opportunities – beautiful displays, bright colours, fascinating produce. The majority of the vendors seem happy or at least tolerant with photographers, although you have to respect those who say “no photos”, and you do hear the odd grumble about people who just want to take photos and not buy.

The Panasonic GX7 is an excellent choice for this sort of photography – it’s largely ignored if I have it in silent mode and with the tiny 14-42mm zoom, especially standing next to my co-venturers who are all using big Nikons or Canons, the latter with big white lenses. I’m still pretty unobtrusive (at least on the camera front, you know me) with the jewel-like 45-175mm lens, but the new 100-300mm does attract more attention. To offset this it’s a great lens, sharp, quick to focus and with wonderful contrast. The shot of the two drummers, above, was taken right across the square.

Also on the kit front, I’m very pleased with another little invention. “Cerberus” is a gadget which takes one power input and presents three “figure of eight” plugs, ideal for charging camera batteries and my Samsung phones. If you don’t get the reference, Cerberus was a three headed dog in Greek mythology.

The hotel room does have that stupid system where the power goes off when you leave, which makes charging during the evening a challenge. This is maybe more forgivable than in an expensive Midlands “business” hotel, but still annoying. (Update – you can get round it here by leaving your Costa points card in the slot – solved!)

It seems to be impossible to take a shower without completely flooding the bathroom. I have tried varying the relative position of the shower head, the little glass door, and me, but so far to no avail.

Oh well. Looking forward to another intensive day in the centre tomorrow.

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Off to Morocco

Restaurant Courtyard, Marrakech
Camera: Panasonic DMC-GX7 | Date: 09-11-2013 22:03 | Resolution: 4592 x 3064 | ISO: 3200 | Exp. bias: 0 EV | Exp. Time: 1/10s | Aperture: 5.6 | Focal Length: 14.0mm (~29.0mm) | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Well the Morocco trip is finally here. In the words of Magna Carta (the band, not the power sharing document) “I’m sitting in an airport lounge, waiting for a plane.” The weather at Gatwick is completely grey and depressing, but that will hopefully make the sunshine the other end even more welcome. One minor disaster so far – I’d carefully saved up my Costa points for a free coffee and cake, but there is no longer a Costa in the Gatwick North Terminal. Oh well – time to explore the other retail opportunities…

Damned retail opportunities! Now several hundred pounds lighter, and one new lens heavier. At least this was a more or less planned purchase – one I was already eyeing for my micro four thirds kit, and significantly less money with the VAT off. What is impressive is a lens smaller than my standard Canon zoom which reaches the equivalent of 600mm. It will be interesting to see how it performs compared with the brilliant Canon 70-300mm.

My kit for this trip is bit of an experiment. For the towns, I’m going to try and operate just with the Panasonic GX7. However I don’t want to risk wrecking it in the desert, so I’ve also brought the Canon 7D for the later stages. Poor camel…

Another experiment which isn’t really succeeding is having my boarding pass on my phone. Great idea, but… Firstly, you still have to go to BA’s silly little check in machine, because now they want you to print your own checked baggage tag, not something you can do at home. Then every time you need your boarding pass you have to get your phone out, take it out of the cover, swipe in your personal security gesture, swear and swipe it in correctly, and then reverse the process. It wouldn’t be so bad if this was limited to points like getting on the plane, but you now have to do this to buy a bottle of bloody water! Paper pass for me next time. 🙁

Later…

It makes a change not starting one of these travelogues with a complaint about the flight, but BA absolutely spot on today, followed by OK ride in through the suburbs of Marrakech. The Hotel Dellarosa looks fine. Now to find out about food.

Morning…

Decent night’s sleep, albeit punctuated by occasional loud air conditioning compressors, and a local cockeral running 24×7. Got up at cock crow!

Slight problems posting blog: there are apparently two versions of the continental power socket, and my laptop cable is compatible with the other one; then Adobe insist on me buying another Photoshop Elements licence for my travel laptop, then it looks like Microsoft are going to pull the same trick, but fortunately that seems to go away.

With my first blog posted, I’m off to try and change some money, and then purchase a plug! Lee and the others arrive at lunchtime, after which serious photography begins.

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