Category Archives: Photography

Into the (Infra)Red

From The Crane, Barbados. Taken with the infrared-converted Panasonic GX3
Camera: Panasonic DMC-GF3 | Date: 15-04-2015 14:33 | Resolution: 4202 x 2626 | ISO: 160 | Exp. bias: 0 EV | Exp. Time: 1/4000s | Aperture: 3.5 | Focal Length: 14.0mm | State/Province: Christ Church | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Last Summer I purchased a Panasonic GF3 which had been converted to infrared photography. Like with many gadgets, there’s a period where you play with the funky effects, and I quite like the way you can get a really deep blue sky if you do a "channel swap" on the processed image. However I have now established its milieu, and that’s dramatic black and white shots of either partially cloudy skies, or graphic vegetation.

To help with this, I now have it set up to record RAW+JPG, with the picture style set to monochrome. The in-camera results may be slightly different from where the processed image ends up, but they are a decent guide.

Processing is very simple: you just use the "Color Sensitivity" mode of Capture One’s Black & White tool. This is a classic channel mixer, but one in which the channels have a dramatically different effect to on a full-spectrum original. Red affects sky shadows and midtones. Yellow controls the sky and reflected highlights. Blue controls the tone of foliage with some effect from Cyan. Counter-intuitively the green and magenta mixers have almost no effect whatsoever! I now have a sensible starting point for images like the above set up as a preset, but the sliders will usually need a tweak to get the tonal balance right, and some global levels and curves tweaks may also sometimes be needed.

I’m very pleased with the image quality. The image is lower resolution than some of my others for two practical reasons: the GF3 only has a 12MP sensor, and that an older design, and infrared light simply can’t resolve the same detail as blue with its much shorter wavelengths. In practice, however, neither of these are an issue. I bought the camera after reading an article by Ctein, who complained about "hot spotting" through some Micro Four Thirds lenses. I’ll accept that I’m not as critical as he is, but I’m extremely pleased with the results from the inexpensive Panasonic 14-42mm power zoom lens. There’s slightly more visible vignetting at the widest setting than in a colour picture, but otherwise I can’t see much wrong with this.

Now I just need some more "graphic vegetation"!

View featured image in Album
Posted in Barbados, Photography, Travel | Leave a comment

Edge of Silence

We’ve just finished our 30th anniversary viewing of Edge of Darkness. I must now have seen the series at least 10 times, but in this case familiarity breeds respect. Like the best Shakespeare play or Verdi opera the series rewards repeated study, and every time we notice something new about the story, the production, or both.

I’ve noticed before how Edge of Darkness has such an unforced pace, with space for the actors just to act. This time I consciously observed the phenomenon. In the first episode, after Emma’s death, there’s a period of about 20 minutes where Craven is grieving and the other policemen trying to help him deal with it. There are perhaps half a dozen lines of dialogue. In the 5th episode, where Craven and Jedburgh break into Northmoor, there are no more than a couple of hundred lines of dialogue in total. In over 50 minutes. Yet in both cases your attention is held completely, and there’s never a sense that the pace should be even slightly quicker.

This was also the first time I had watched it on a big screen, but at its original 3×4 aspect ratio. Now 3×4, especially with 1980s slightly grainy video, doesn’t suit expansive vistas or dramatic special effects. It does suit portraits, much better than wider presentations. What I noticed on this viewing was how Martin Campbell and his team really exploit this, filling the screen from corner to corner with one or two faces. It was powerful in the days of 20" TVs, but really punches through on a 50" set.

Yet again our understanding of the politics and personalities deepened. When I first saw the series, I wasn’t sure that Harcourt and Pendleton were the good guys. This time, I started to appreciate some glimmers of humanity in Grogan, the chief villain. Maybe by the 20th viewing we’ll understand him as well.

It’s slightly odd that the BBC chose to repeat the series last year rather than on this anniversary. 30 years on Edge of Darkness is still unmatched as a conspiracy thriller,  and deserves some celebration.

Posted in Photography, Reviews, Thoughts on the World | Leave a comment

A Visitation

Hedgehogs in our courtyard
Camera: Panasonic DMC-GH4 | Date: 09-05-2015 21:29 | Resolution: 3833 x 2555 | ISO: 3200 | Exp. bias: 0 EV | Exp. Time: 1/40s | Aperture: 2.8 | Focal Length: 100.0mm | Caption: Hedgehogs in our courtyard | Lens: LUMIX G VARIO 35-100/F2.8

Great excitement chez nous last night. The security lights went on and we spotted not one but two hedgehogs snuffling around in the courtyard. Fortunately they stayed round long enough to get a few photos.

The security light provided good illumination, but kept on switching off (as it’s supposed to), so Frances ran around to wave at it and switch it back on. What was very funny was that each time the light came on, the hedgehogs froze mid-snuffle for about 10 seconds, just as portrayed in Over the Hedge, but which we’d never seen before in reality.

I spotted another one later on when I got up for a glass of water, so hopefully these welcome visitors will become a regular feature.

View featured image in Album
Posted in Photography, Thoughts on the World | Leave a comment

A Failure of Curation

Odd captioning practices at The Photographers Gallery
Camera: Canon PowerShot S120 | Date: 05-04-2015 15:48 | Resolution: 3945 x 2630 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 3.5 | Focal Length: 10.4mm

We visit a lot of photography exhibitions. The majority are inspiring or thought-provoking, and well worth the effort of the photographers, the presenters, and the attendees.

Along the way there has been the odd disappointment: sometimes we just don’t connect with the material, on other occasions we have felt that the volume or quality of the work hasn’t justified a high entrance cost. On one occasion an exhibition presented such a biased left-wing viewpoint that I felt desperate for the injection of some balance.

However today we had a new experience – an exhibition based on a good volume of high quality work, at a great location, which failed abysmally due to comprehensive incompetence in curation.

The offending exhibition was Human Rights, Human Wrongs at The Photographers Gallery. The piece was meant to chart the path of human rights since the Universal Declaration in the 1940s, drawing from a large archive of reportage. It failed.

The main problem was the complete absence of any organising principle. With the occasional exception of sequential shots of the same event, there was no attempt to group items by location, subject, date or photographer. It was just a confusing "bunch of stuff". At times the confusion seemed almost wilful – two related, well explained pictures from Vietnam together on a wall, but separated by a wholly unrelated picture from Chad.

The curators provided copies of original notes on some of the images, but these were presented in tiny type well below the average eye line, underneath the photos. To ensure there was no chance of even this being readable the images had thick frames spotlit from above, so half of each caption was adequately lit, and half in deep shadow. In any event there was no attempt to present any context, explanation or information about what happened next – unless the photographer wrote this on the back of the original you were on your own.

The caption typist had clearly lost the will to live with the highly structured but low information content approach, and even managed to mis-spell "Untitled".

Even the choice of content felt random. There were lots of good pictures of American Civil Rights events in the 1960s. Fine. Plenty of pictures of Martin Luther King Jnr, a portrait of JFK and a nice picture of Nixon with Coretta King. Good. But why have a blurry picture of Lee Harvey Oswald but none of Johnson, Bobby Kennedy or Malcolm X?

The supposed light relief afterwards, pictures of horses on the American prairies, didn’t work either, with captions in about 8pt type several feet away from the related shot, and the beautiful animals captured against wilfully ugly backgrounds.

The Photographers Gallery has a great new location, but they don’t seem to know what to do with it. This is an abuse of our human right to a decent exhibition!

View featured image in Album
Posted in Photography, Thoughts on the World | Leave a comment

Positively On Fire…

Winter light on the pampas grass, chez nous
Camera: Panasonic DMC-GX7 | Date: 11-01-2015 10:45 | Resolution: 4592 x 3064 | ISO: 320 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 5.6 | Focal Length: 45.0mm | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

Apologies, my first blog post of the New Year really should have wished you all the very best for 2015. Please accept this as a pseudo-first post, with said wishes.

I also just wanted to post this shot from yesterday. A low winter sun, passing clouds and unusually upright pampas grass for January combined to generate this remarkable light pattern. As we were just going out of the door this is a grab shot taken leaning out of the bedroom window, but I think the result worked. I hope it’s an omen for things being “on fire” (in a good way) in 2015.

View featured image in Album
Posted in Photography, Thoughts on the World | Leave a comment

Monochrome, Sort Of…

Flower display at Clifton Hall House, Barbados
Camera: Panasonic DMC-GX7 | Date: 16-04-2014 19:20 | Resolution: 3123 x 3123 | ISO: 3200 | Exp. bias: -66/100 EV | Exp. Time: 1/8s | Aperture: 8.0 | Focal Length: 12.0mm | Lens: LUMIX G VARIO 12-35/F2.8

I’m making use of my new Windows MacBook to catch up with photo processing, including a few shots from our trip to Barbados last year. One of the things I particularly love about the Caribbean are the splashes of colour from the various flora, and I’ve noticed that an increasing proportion of my photos are nice flowers.

This display appealed because it’s all related shades of red, pink and brown. This makes it almost a “monochrome”, even though there’s no black, white or grey in sight!

Barbados has an interesting little tradition that people throw open some of the larger or historically significant private houses to visitors a few days each year. Clifton Hall House had fallen into disrepair, but was recently bought up and renovated by a Massimo Franchi, an international lawyer and sports agent (Scottish, despite the Italian name). He personally made us very welcome, and after our tour of the house we spent a happy hour on the veranda discussing our shared interests, plumbing and DIY with him! Nice bloke, lovely house.

View featured image in Album
Posted in Barbados, Photography, Travel | Leave a comment

What Camera Should I Buy?

Just Brilliant:

Posted in Photography | Leave a comment

New Toy, New Challenges

Infrared image, combining filtering approaches
Camera: Panasonic DMC-GF3 | Date: 08-09-2014 15:26 | Resolution: 4000 x 2672 | ISO: 160 | Exp. bias: -66/100 EV | Exp. Time: 1/125s | Aperture: 7.1 | Focal Length: 14.0mm | Lens: LUMIX G VARIO 12-35/F2.8

I’ve just got a new toy, a Panasonic GF3 converted for infrared imported from the USA. I went for the 590nm filter which admits a fair bit of the visual spectrum for the popular “goldie” look, and which makes sure that the cameras metering and display work fairly unaffected. The challenge is that to get the best results you have to swap the red and blue channels in processing, and the only software which does that straightforwardly is full PhotoShop, which I don’t and don’t want to use.

However, I realised that I can combine the camera with the Hoya R72 filter, which passes only true infrared light above 720nm wavelengths. This instantly converts the camera to a true infrared system with monochrome output, which Capture One handles perfectly. The above is an example of how this works.

I’m just at the start of learning this fascinating technology. I may find that it’s a gimmick which doesn’t justify carrying around the extra kit (although as the GF3 shares batteries and lenses with my GX7 this is minimal), but it may help to develop my vision in an interesting way. I’ll keep you posted…

View featured image in Album
Posted in Micro Four Thirds, Photography | Leave a comment

Auto Everything? Not Quite…

The school, Merzouga, Morocco. Stitched from three originals
Camera: Panasonic DMC-GX7 | Date: 17-11-2013 11:11 | Resolution: 1920 x 1280 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/500s | Aperture: 8.0 | Focal Length: 24.0mm (~49.0mm) | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

A friend asked me a few weeks ago about how I get such depth of colour in my images, and whether it was related to using automatic modes on my cameras. I had to explain about shooting RAW and correcting exposure and colour during development of the final image. That’s most of the answer, but as always it’s not quite as simple as that…
Most of the time I do trust my cameras to do most of the work. Well over 95% of the time I shoot in either aperture priority mode (if the subject is not moving much) or shutter priority (if it is). I also use auto focus almost exclusively. I may move the focus point around a bit, but more often I tend to use the old SLR trick of focusing with the subject centred and the shutter button half pressed, and then recomposing.

I do adjust the camera’s auto exposure if necessary, usually by dialling in some exposure compensation, or adjusting the metering mode if the conditions are tricky (such as a concert), but I only worry if the automatic exposure is at least a stop out, assuming I can correct anything less in RAW development. However I’m finding that the metering of the latest Panasonics is accurate enough and the development latitude sufficient that the requirement to meddle is reducing. That said it’s very important to me to have a quick and easy adjustment Indepedent of the primary exposure controls, and annoying that Canon have inexplicably complicated this on the S120 compared with the S95.

I usually leave the camera to decide the ISO setting and white balance. With the latter it’s easy to correct the rare mistakes in RAW development, and too easy to get it wrong manually.

Very rarely I go manual, typically when I’m planning some sort of multi shot technique such as a stitched panorama and I need to be sure of consistent behaviour across the source images. It’s no longer required for HDR as all my cameras now do accurate, fast auto bracketing, but it can be required for panoramics or focus blending.

So on my Canon 7D and the 40D before it I had custom mode 3 set to “manual everything”, which worked well for panoramas from Italy to Iceland. It was perfectly possible to replicate the same on the Panasonic GX7 and GH4, so I did. Gotcha! Whereas “sunny” white balance is a good default for most outdoor photos on the Canons, for reasons I don’t entirely understand it’s not a good default choice on the Panasonics, and can produce some downright weird results. The above shot from Morocco required a lot of correction from an almost blue starting point, even though it was a bright sunny day.. The only thing I can think of is that the cameras are thrown by the effect of the polarising filter, but that’s not something I’ve seen before.

It looks like the best approach is to set auto white balance, but then apply a fixed manual value when generating the JPEGs to stitch. I may not yet be using “auto everything”, but it’s just come a step closer.

View featured image in Album
Posted in Photography | Leave a comment

Looking Down Dark Alleys…

An alley in the Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 12-11-2013 10:11 | Resolution: 3086 x 4114 | ISO: 250 | Exp. bias: -33/100 EV | Exp. Time: 1/60s | Aperture: 8.0 | Focal Length: 29.0mm | Location: Museum of Marrakech | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

I’m finally getting round to the first pass (!) on my Morocco photos. Work, my app development and the slow release of Capture One support for the Panasonic GX7 have all got in the way.

Here’s one from our second day in the Medina. We spent a lot of time peering down dark alleys, waiting to see if we could catch someone walking through a patch of light. It’s rather like shooting in a slot canyon – the position and the nature of the light changes incredibly quickly, and within about 10 minutes this light had disappeared. However while the light was right our patience was rewarded by the appearance of this nice Moroccan lady.

I continue to be amazed by the image quality of the GX7, and how Capture One handles it. Without adjustment this was almost a two-tone image of blown highlights and black shadows. Just using the “HDR” sliders of Capture One fully recovered almost all the highlight areas, and brought the detail in the shadows up to a level I like. That’s about all that was required.

More as they emerge from the shadows.

View featured image in Album
Posted in Morocco Travel Blog, Photography, Travel | Leave a comment

All Change… (part 2)

Fairies at the bottom of our garden - a focus blending test
Camera: Panasonic DMC-GH4 | Date: 16-07-2014 19:45 | Resolution: 4608 x 3072 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 5.6 | Focal Length: 13.0mm | Lens: LUMIX G VARIO 12-35/F2.8

My transition from Canon cameras to a lighter micro four thirds system is proceeding rapidly. In the last two weeks I’ve sold off the Canon 550D and Panasonic GH2, which both moved very quickly, my Panasonic flash and my CF cards, as everything is now SD based. Interestingly some Canon lenses are so far proving harder to shift. No-one loves the 15-85mm lens – I guess that like me others have uncovered its weaknesses including weight and uneven focus performance. Fortunately if all else fails the excellent Wex Photographic have offered me a trade in price which will cover a replacement flash for use with the Panasonics.

I will be sad to see the back of the Canon 10-22mm and 70-300mm IS lenses. As I’ve stated many times on this blog the latter was always a firm favourite: optically excellent, fast and accurate to focus and with very effective image stabilisation. Hopefully the second hand market shares my view.

Update: yes it does. My 7 year old 70-300mm sold within 3 hours of listing it! It’s just the 15-85mm which is unloved. 🙁

I do feel slightly ambivalent about moving from the Canon system: like the end of any lengthy relationship it’s difficult to be certain, and I’ve been a Canon SLR user for almost 30 years. There’s also nothing wrong with the Canon system per se, it just stopped being what I wanted to use. By pure coincidence on the day I sold the 550D The Online Photographer posted an article essentially reaching the same conclusion, that Canon products are no longer “fun”, and I have to concur. Canon have waited too long to replace their APS-C systems and weighted the originals too heavy.

At least from a high point of 7 cameras in the house I’m down to a slightly more sensible 3.

I have now had a chance to give the Panasonic GH4 a good workout on action photography, and it seems to deliver. It is blazingly fast, especially if you use the electronic shutter, but for best results you need to pay careful attention to shutter speed and auto focus mode. The “follow focus” mode is probably great for dogs and kids, but relatively slow. Continuous focus works well, and is probably good for trying to capture the peak action with a subject moving quickly towards you. However for most moving subjects the trick seems to be using single shot auto focus, tracking the subject and holding the button down. If there’s a lot of transverse movement then electronic shutter move will generate some “rolling shutter” effect, but nothing like the GX7.

Battery life is also impressive. I’ve taken about 1000 frames already, but I think I’m still on the first charge! I was getting through 3 batteries a day with the GX7 in Morocco.

I also love the fact that I have a genuine choice of lenses. The Lumix X G Vario 12-35mm f2.8 is without doubt the best standard zoom I have ever used, and only weighs about 300g, but the tiny 14-42mm power zoom loses little in effectiveness, and is not much heavier than a lens cap… I have now used my sale proceeds to order the X 35-100mm lens so I will also have the same choice in moderate telephoto.

I did toy with the idea of getting another tilt/shift lens, but instead I’ve invested in a copy of Helicon Focus, and I’m going to use focus blending when depth of field adjustments on a standard lens are simply not enough. The example above shows this should work well.

However, enough about kit. I now need to get out and make some images. If the Panasonic kit supports that as well as or better than its Canon predecessors I will be doing well.

View featured image in Album
Posted in Photography | Leave a comment

That’s Better!

Detail from statue at St. Pancras station
Camera: Panasonic DMC-GX7 | Date: 31-12-2013 12:40 | Resolution: 4322 x 2431 | ISO: 1600 | Exp. bias: -66/100 EV | Exp. Time: 1/40s | Aperture: 4.5 | Focal Length: 20.0mm | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

After the less than excellent photo on the previous post, here’s one I’m quite pleased with. We did a trip to The British Library and St. Pancras Station on New Year’s Eve. Here’s a fascinating detail from the great statue at the entrance to the station.

View featured image in Album
Posted in Photography | Leave a comment