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Back to Italy!

Sunset on the Piazza Vecchio, Bergamo
Camera: Panasonic DMC-GH2 | Date: 31-08-2013 17:17 | Resolution: 5111 x 3195 | ISO: 160 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 11.0 | Focal Length: 14.0mm | Location: Excelsior San Marco Hotel | State/Province: Lombardy | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

For 2013 we’ve come back to Northern Italy. It’s a place we both love. Frances has long harboured a desire to visit Verona, and I wanted to revisit the Dolomites through which I took a fleeting drive many years ago, so we built both into a short loop from Milan.

Photographically this is an experiment, as for the first time for about 6 years I’m travelling without my full-sized Canon camera. Unfortunately the new Panasonic GX7 didn’t turn up in time, so the primary tool will be my existing micro four thirds GH2, with the Canon 550D as backup.

Day 1

Travel from Heathrow to Milan works flawlessly, a good start. Hire car is an Alfa Romeo Giulietta, with a 2l turbo diesel engine, which should be fun.

Short drive to Bergamo, and found hotel after minor panic. Parking in square behind hotel behind big doors in shopping arcade, just like in The Italian Job.

After settling into the hotel, we went to explore the old town of Bergamo Alto, (= “high”). There’s a funicular railway to the main town, and a second one which I thought went down the other side. Wrong. It’s a long way to the top of the hill on foot! However, had wonderful meal in restaurant recommended by our friends Pauline and Filece (who happens to be an Italian restauranteur).

Note to self: just because restaurant has Pizzeria in name doesn’t mean it is not posh and I shouldn’t arrive soaked after walking a mile up a steep hill!

Food: 9/10
Hotel: 10/10
Map reading of funicular railway: 1/10

Day 2

Further exploration of Bergamo. The low town is mainly big Lombardy bank offices and modern shops but worth a wander. Hotel Capello d’Oro is right in the centre. Bergamo Alto is the real tourist centre. We had a great lunch at the cafe run by the Bergamo micro brewery – excellent stouts and bitters completely contra to normal expectations of Italy.

We did all the normal tourist sights, then headed back to the hotel for a quiet coffee break. After that we headed out for dinner, to find the main square setting up for a big festival. Dinner, a club sandwich, was a bit disappointing, but the free rock concert was very good, we enjoyed watching the glamorous Italian ladies, and I got another pint of the local brew. Very good ice cream too.

Bergamo really is the home of beautiful people. We followed one young couple with three very young children, she in a spotless white linen dress, he in beige trousers and pale green polo shirt matching his suede shoes. I don’t have toddlers, but if I did I would probably go around in a level 4 hazmat suit, visor down.

Note to Italian musicians: pop music really does work better in English.

Beer: 9/10
Music: 7/10
Tourist stuff: 7/10
Fashion: 10/10

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Capturing the Setting Sun

Angel Peak, New Mexico. HDR panorama from 15 originals.
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 04-10-2012 18:48 | Resolution: 5184 x 3456 | ISO: 800 | Exp. bias: -4 EV | Exp. Time: 1/320s | Aperture: 10.0 | Focal Length: 28.0mm (~45.4mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve been catching up with some of the outstanding shots from our USA trip in 2012. One of the most successful days of the whole trip in photographic terms started in the fascinating Bisti Badlands, and ended on a short rim drive opposite Angel Peak. The scenery there would be stunning in many conditions, but we were treated to a dramatic sunset, with the sky on fire in certain directions.

Unfortunately, however, the best sky colour was opposite to the most dramatic scenery, which raised a dilemma about what to capture, and how. Most of the shots of the sunset itself are very nice, but have a relatively boring foreground. I’ve ended up favouring a couple of compromises.

The top shot is composed from 15 original frames, processed first in Capture One, then converted in Photomatix to 5 HDR images which were in turn stitched together in Pano Tools Assembler. The dynamic range across the scene was very high, and unfortunately the most interesting areas of the scene, the sunset and Angel Peak itself, are quite widely separated with the intermediate area somewhat less interesting. Although I’ve gone for a fairly “natural” look I’m not sure it doesn’t still look a bit “processed”.

The other compromise is a more traditional one. I call the image below “Tree on Fire”. It’s lit by the setting sun, but there’s not much colour in the sky. My first attempt at this, immediately after the trip, wasn’t very satisfactory as I ended up with a very oversaturated image which had insufficient detail and areas of blank colour. Re-processing in Capture One with its excellent highlight recovery I’ve managed to keep the deep red colour but get the detail of the tree back. A tighter crop than my first go has also improved matters. I’m now quite fond of this one.


Let me know what you think.

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Iceland Album Now Online!

0811 7D 6859
Camera: Canon EOS 7D | Date: 21-08-2011 16:56 | ISO: 200 | Exp. Time: 1/160s | Aperture: 10.0 | Focal Length: 28.0mm (~45.4mm) | Latitude: N 64°19'34.82" | Longitude: W 20°7'28.19" | Altitude: 218 metres | Location: Gullfoss | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve finally posted my complete album from the 2011 Iceland Trip! Please look inside and let me know what you think…

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A Delightful Little Surprise

Waterfalls at Veldivnathraun, Iceland
Camera: Canon PowerShot S95 | Date: 24-08-2011 19:02 | Resolution: 3648 x 2736 | ISO: 200 | Exp. bias: -1/3 EV | Exp. Time: 1/1000s | Aperture: 3.2 | Focal Length: 10.7mm | Location: Hrafntinnuhraun | State/Province: South | See map | Lens: Canon EF-S 10-22mm f/3.5-4.5 USM

I’ve just finished processing the photographs from my 2011 trip to Iceland! I’ll get the best up on my site over the next week or so. At least I’ve avoided the second anniversary of the trip…

There was a wonderful little twist in the tail. I was processing the last few shots, most of which were taken on my Canon 7D, and the very last were a couple of shots taken walking away from one of our locations, when the sun suddenly hit the waterfalls just right. I assumed that these were also from the 7D, but the filename and data tell a different story. These were taken on my diminutive Canon S95. Not bad, huh?

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Improved Capture

Fisherman casting net on Gibb's Beach, Barbados. Developed with Capture One 7
Camera: Canon EOS 40D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 23-04-2008 21:58 | Resolution: 3233 x 2155 | ISO: 200 | Exp. bias: -2 EV | Exp. Time: 1/40s | Aperture: 20.0 | Focal Length: 17.0mm (~27.6mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Following on from the last post, I thought I’d pop up an example to highlight the improvements possible through just the right choice and use of software. The picture above was taken back in 2008, on my old Canon 40D. As soon as I’d taken it I knew that I had a great latent image, but the very high dynamic range was a real struggle. The original in-camera JPEG is long gone, but the following version with no adjustments shows the problem: the sun and its reflections are completely blown out, and the automatic metering has substantially under-exposed the darker parts of the scene:

My original development using Bibble 4 was a partial success. I could recover some of the colour in the sky (although obviously not the sun itself), and I could reveal some of the shadow detail, although the fisherman himself was never much more than a very dark silhouette. However, this was at the cost of substantial colour noise in the mid-tones, such as the breaking waves, and some very odd banding around the sun:

Onscreen this image works fairly well, but I could never get a satisfactory print, and it was rejected for stock use because as a thumbnail it just looks like a dark splodge. Successive versions of Bibble didn’t do much better, so much so that I’ve kept the Bibble 4 version as the best compromise.

Enter Capture One, and with relatively little effort I get the results shown at the top. I much prefer this version: you can see some detail even in the darkest area of the fisherman’s body, and the overall feel is not so markedly “low key”. There’s also very little noise. I haven’t tried printing it yet, but I suspect there won’t be many problems.

Oddly when I showed these to Frances she still preferred the Bibble version, because she felt it portrayed the mood better. However, I’m definitely going for the Capture One version. Which do you prefer?

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Back to the ‘Fray

Monochrome HDR shot of the "Ugly Pond" and stormy sky beyond
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 24-08-2011 10:43 | ISO: 100 | Exp. Time: 1/250s | Aperture: 10.0 | Focal Length: 30.0mm (~48.6mm) | Location: Einbúi | State/Province: South | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Oh well… The annual pilgrimage to the sun has come and gone, and it’s back to the ´fray. (I assume that “fray” is a contraction of “affray” – is that correct?)

Updates to my web site are almost complete. As a salutary lesson to others in a similar position, what I had hoped would be a few weeks’ work turned into something which chewed up most of my “development” time for over three months. However I now have a site which works well on almost all devices (although there are a couple of outstanding oddities and the style sheets still need tweaking for phones with relatively low resolution screens, such as older iPhones). I’m hoping my “lessons learned” will make interesting reading to anyone with a similar challenge, and I’m also confident that future changes will be easier to achieve.

I’m also hoping to get back to blogging on other topics, which have been neglected a bit in recent times. If you have any preference on topics then please let me know.

Most of my recent posts have been book reviews, and I thought the blog needed a picture at the top, hence the above. I’ve been processing some outstanding photos from my Iceland trip, and I was rather taken with this one, which is another HDR monochrome development from three originals processed using Photomatix. What do you think?

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Fixing Holes

Fixing a Hole: Iceberg on the Jokullsarlon glacial lake, Iceland
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 27-08-2011 11:08 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/40s | Aperture: 10.0 | Focal Length: 100.0mm (~162.0mm) | Location: Jökulsá | State/Province: East | See map | Lens: Canon EF 70-300mm f/4-5.6 IS USM

I’m making decent progress rolling out my new design to the website, but apologies if you’re waiting for some more interesting content!

I’ve now got to the “fiddly” stage, making sure that the new theme works on the slightly more tricky pages. Basically a process of “fixing holes”. I’ve also been processing a few more of my photos from Iceland, and I thought this one a neat echo of my other activities!

Please let me know how you get on with the new look website, and particularly if there are any problems on particular devices or browsers…

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Photographing Waterfalls

Gullfoss, Iceland, up close and personal
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 23-08-2011 11:02 | ISO: 100 | Exp. bias: 1 EV | Exp. Time: 1/100s | Aperture: 5.6 | Focal Length: 85.0mm (~137.7mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

I’m afraid I don’t subscribe to the received wisdom that waterfalls should be photographed with long exposures which capture the flow as a sort of silky mush. That might work for gentle trickles in dappled glades, but if you’re looking at something like Iceland’s mighty Gullfoss you (or at least I) want to somehow capture the power of the flow. However, just setting a fast shutter speed, pointing the camera straight on and freezing the motion doesn’t always work either.

I took around 100 shots around Gullfoss. I’m only really happy with a handfull, but yesterday I discovered this one which I think really works. Although I’ve labelled it “up close and personal” it was actually taken from further away than some of the others, but I like the pattern of flows and rocks revealed in the portrait orientation. I also think that the 1/100 shutter speed gets a pretty good balance between “flow” and “power”, although it’s a lot faster than some would go for. What do you think?

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USA 2012 – Technical Review

Fireworks at the Albuquerque Balloon Fiesta 2012. (Genuine single exposure - only slight crop and exposure adjustments applied.)
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 13-10-2012 20:05 | ISO: 200 | Exp. bias: -2/3 EV | Exp. Time: 8.0s | Aperture: 11.0 | Focal Length: 22.0mm (~35.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Or, “What Worked and What Didn’t”

As usual, I tried to take a few notes regarding the more “technical” aspects of our holiday, which may be useful to others planning a similar trip.

One spectacular success was having Laurent Matres’ Photographing the Southwest in Kindle format, with a synced copy on my Galaxy Note phone. On our previous Arizona/Utah trip I missed a couple of the “best shots” because I didn’t refer to Matres’ notes, and at other times we did follow his directions but it was a bit painful lugging quite a heavy book around. The Kindle version solved both those problems, and the Galaxy Note is sufficiently large to be quickly readable, and to render the book’s images clearly and attractively.

It was definitely the right decision for us to hire a convertible. I drive a drop-top in the UK, and we both loved buzzing around with the sun on our faces and the wind in our hair (well, OK, that’s maybe more one for Frances to comment on… :)). However, we seemed to be in a tiny minority driving a soft-top in New Mexico and Colorado, and the rental choice was not good. I’m not sure of the reason, whether the locals are afraid of getting too much sun in the Summer or insufficient weather protection in the Winter, but of course that doesn’t stop us in wet, windy Britain…

We eventually went to Dollar (whereas my first choice would usually be Hertz), and got a Ford Mustang. I can’t fault Dollar’s friendly, efficient service, and would use them again. I can find some fault with the latest-model Mustang, which seems to have definitely regressed compared with the versions I previously drove in the mid-naughties. In particular luggage space seemed to be smaller than I remember, there was very little in-cabin storage, and the CD player wouldn’t play files in WMA format, which put paid to a lot of our music. However, the worst failing was a weird speedometer display cramming an optimistically large speed range into the top half of a small dial, with the result that it can’t be read to an accuracy better than about 5 mph. That doesn’t fit well in a country where a 5 mph error is often enough to earn a speeding ticket. Useless.

Complaints aside, the Mustang did the job, and helped bring us back with a decent tan.

Another trick which worked again was raiding a Radio Shack on the first day and purchasing a can of compressed air. The worst equipment challenge in the American SouthWest is dust, and being able to blow everything clean each day is a real boon. Now all I have to do is find out if I can do the same in Morocco this year…

Cameras

Including our phones we took five cameras this year, which may seem excessive, but each found a genuine use playing to its strengths, and justified its place in the luggage. As usual, the real workhorse was the Canon 7D. Out of a total of about 2050 exposures,1652 (or over 80%) were on the big beast. I have eventually mastered its ergonomic shortcomings, and extensive practice means that its operation is now quite intuitive. I know and can confidently predict its results, which are still better than those from the Panasonic GH2. OK, it’s still an enormous lump and the 15-85mm lens is not the sharpest optical tool, but it works.

The Canon 550D’s main role is as a backup body, offering the same sensor and lens compatibility as the 7D for half the price and weight. However, it came into its own for our balloon trip, where I wanted to carry a lightweight kit which still supported my beloved 70-300mm IS lens. The 550D, 70-300 and 17-85 did the job beautifully. As a result the 550D took 221 shots.

We also carried the Panasonic GH2 and its three lenses. Its main role was as Frances’ camera when she wanted to take her own shots, but I also used it as a lightweight “carry and forget” camera to have with me during shopping trips, evening sorties and similar. It has to be admitted that the 550D and a single zoom lens could also do this, but with less ultimate flexibility and at a higher weight. Having the GH2 along also provided further redundancy should my Canon long or wide zooms pack up, always a consideration given last year’s two lens failures. We took 172 shots on the GH2.

On a less positive note GH2 battery life is not good. A charge is genuinely only good for about 100 shots, and to add injury to insult Panasonic now effectively prevent the use of anything other than their own full price batteries, at £50 a pop or higher. Neither Canon suffers either limitation. It’s not a critical problem, but does place some boundaries on the Panasonic’s role.

We both took a few shots on our phones as well (I took 4 on the Galaxy Note), mainly of things we wanted to share immediately with specific friends. However, I certainly wouldn’t advocate one practice I saw – a lady whose husband was having the “trip of a lifetime” in the cab of the Silverton-Durango railroad, and she was trying to capture his arrival using just the camera on an iPad!

The Gitzo tripod paid its fare with the low light photography at the balloon fiesta, but otherwise saw very little action. I rely more and more on the combination of modern cameras’ performance at medium-high ISO, and the effective combination of my steady hand and Image Stabilisation. As the Americans say, “your mileage may vary”, but I now just assume that I will work hand-held if the sun is up or I need to move around.

Given the extremely photogenic subjects, and a lot of fairly friendly lighting, my hit rate was pretty high, especially for the more static subjects. After an initial edit I still have about 1200 frames worth processing, and I expect to end up with about 200 worth showing to someone else. Cutting this down to about 100 which find their way to my blog and tablet may be a challenge.

Overall a wonderful trip, and very successful source for photography. Roll on the next one!

 

A very Happy New Year, and all the best for 2013!

 

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The Back of Beyond

"The Back of Beyond" - scene from the Fjallabak region, Iceland
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 24-08-2011 10:48 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 11.0 | Focal Length: 80.0mm (~129.6mm) | Location: Einbúi | State/Province: South | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

I haven’t posted any photos since the end of our USA trip, but I have, finally, got back to sorting out my Iceland photos from last year. I thought, therefore, I would share this shot with you. It’s from an un-named spot in the Fjallabak region. Fjallabak (pronounced fiat-la-back) means “back of the mountains”, which is delightfully literal in this case.

I love the various circular swirls which are a recurring feature in this image. I’m not sure whether they all have a common geological cause.

I also did an HDR version of a similar shot, which brought out more of the sky detail but reduced the nice smooth feel of the mountain shapes. However, the black and white conversion looks quite dramatic, and with a slightly different crop works quite well:


I need to do a bit more work on the HDR version – at full resolution there’s a bit of odd “banding” in the sky – but I think it looks promising.

Which do you prefer?

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Bye, Bye, Albuquerque

Up, Up and Away! (Photo from pictage.com)
Resolution: 4501 x 3001

Day 15

Cold night. Perfect storm of badly fitted hotel windows, unusably noisy heater and no spare blanket. I haven’t been that cold since a night in the lodge at the top of the Tioga Pass. The Best Western Rio Grande Inn is definitely a notch down from the others on this trip.
However everything was forgiven when we drove to the airport with the sky full of balloons again.

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Evening Glow

Evening Glow
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 13-10-2012 19:15 | ISO: 1600 | Exp. bias: -2/3 EV | Exp. Time: 0.6s | Aperture: 9.0 | Focal Length: 38.0mm (~61.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM
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