The Back of Beyond

"The Back of Beyond" - scene from the Fjallabak region, Iceland
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 24-08-2011 10:48 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 11.0 | Focal Length: 80.0mm (~129.6mm) | Location: Einbúi | State/Province: South | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

I haven’t posted any photos since the end of our USA trip, but I have, finally, got back to sorting out my Iceland photos from last year. I thought, therefore, I would share this shot with you. It’s from an un-named spot in the Fjallabak region. Fjallabak (pronounced fiat-la-back) means “back of the mountains”, which is delightfully literal in this case.

I love the various circular swirls which are a recurring feature in this image. I’m not sure whether they all have a common geological cause.

I also did an HDR version of a similar shot, which brought out more of the sky detail but reduced the nice smooth feel of the mountain shapes. However, the black and white conversion looks quite dramatic, and with a slightly different crop works quite well:


I need to do a bit more work on the HDR version – at full resolution there’s a bit of odd “banding” in the sky – but I think it looks promising.

Which do you prefer?

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Secret State – A Review

We’ve just finished watching Secret State, Channel 4’s latest attempt to capture the conspiracy thriller crown. It was good, but it could have been so much better. Edge of Darkness is safe for another few years…

There were some touches of genius. The plot, based on A Very English Coup cleverly wove in all our current bogeymen in a bang up to date tale featuring drone warfare, Islamic terrorists, toxic bankers, careless and callous petrochemical companies, electronic surveillance and the rest. Technology was exploited to help tell the tale, not as an end in itself. I also admired some of the direction, especially those scenes which placed Charles Dance’s Machiavellian character deliberately lurking in the background.

But ultimately it was all a bit unsatisfying. I’ve identified several reasons why, but the main reason was simply that it was too rushed. There’s clearly an optimum length for a conspiracy thriller on TV, and it’s about 6 hours run time. Edge of Darkness was 6 hour-long episodes, and so was State of Play. The first series of Homeland, was 10 episodes of about 40 minutes each (about 6.5 hours). There’s an upper limit as well: at around 8 hours Hunted was just too bloody complicated, and while a series of 24 runs much longer, at about 17 hours, they religiously change villains and threats twice a day, so we’re back to roughly the 6 hours duration for each “segment”.

By contrast, Secret State ran for less than 3 hours (ignoring adverts and the now mandatory review and preview segments), and it just wasn’t enough to properly develop the story. Instead of slowly developing understanding, you had key plot elements revealed as almost throw-away sound bites. Watching an off-air recording with Channel 4’s longer-than-American commercial breaks just increased the frustration.

In Edge of Darkness there’s a fascinating scene in which three senior policemen are waiting in a hospital for news of a suspect who chose to throw himself out of a window rather than face arrest. It runs for about 2 minutes, but the suspect’s condition, the police officers’ frustration, and the growing despair of the central character are all communicated with almost no dialogue. They act. Secret State had no time for such luxuries.

Secret State also had precious little time for character development. The central characters were all wonderfully cast, but most went nowhere – we learned nothing about them as people and little about their drivers, beliefs and agendas. Most also behaved true to the initial impression, rather than surprising us with unexpected heroism or villainy. Apart from the brilliant opening episode Charles Dance was particularly under-used.

I’m not convinced you need “Previously” segments in a four episode show. If you can’t follow something for four weeks, that’s a rather poor lookout. However it’s the “Next time” segments which really wound me up. These were full of spoilers, and totally un-necessary when the drama was already sufficiently suspenseful to make sure viewers returned. Surely the time would have been better devoted to addressing at least some of the hurried treatment?

A conspiracy thriller doesn’t need a happy ending, but it does need a satisfactory one, in which the dispositions of the main parties and issues is clearly portrayed. Secret State failed in this, with a hurried ending which left a lot of questions unanswered.

By contrast, the BBC’s best effort this year, Line of Duty followed the rules, and while it had a few annoying plot and character flaws, it ended up more satisfactory than the better plotted Secret State.

And finally, Of . It may be just coincidence, it may be the sincerest form of flattery, or an attempt to gain praise by association, but I’ve noticed that the best conspiracy thrillers all seem to have three word titles with a common middle word. I await State of Secrets or Secrets of State with anticipation – remember, you read it here first.

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Just Get on the Train!

I have decided that there are essentially two types of film or play, those which are about whether to get on the train, and those which are about how to get on the train. I don’t really like the former, but I love the latter.

OK, I know that not all films and plays involve trains, but enough do that this is a surprisingly powerful classification system.

A couple of years ago we went to see a performance of Chekhov’s Three Sisters. While I may be oversimplifying things slightly, most of the second act is the sisters talking about getting on a train. I forget the details, I think one wants to move away from the family to Moscow. I can’t even remember whether she actually gets on the train or not. Despite the fact that it was a good performance by several famous British actors, many of whose other work I love, I was bored out of my skull. Frances and I were both so affected by this, that we now have an in-joke reaction to any mention of Chekhov where one of us immediately says “just get on the —— train”.

But then I realised just how many of our favourite films do involve someone getting on a train. The key difference is that there is never any debate whatsoever about the need to do so. The challenge is how.

You may have to drive your Audi off a bridge (Transporter 3), jump from a helicopter (Under Siege 2, Broken Arrow, Unstoppable), shoot lots of bad guys first (3.10 to Yuma), jump from a camel (Sahara), talk the bad guys down (Pelham 123), jump from a car (Unstoppable, Octopussy), quietly murder some of the good guys (From Russia with Love), jump from another train (Unstoppable again, Indiana Jones and the Temple of Doom, Paddington 2, The Lone Ranger), hide in a mailbag (Live and Let Die), jump from a motorbike (Skyfall, Indiana Jones and the Dial of Destiny), run several Manhattan blocks and jump through the subway roof (Die Hard with a Vengeance), beam in (repeatedly) using a time machine (Source Code), jump from a horse (The Lone Ranger), claw into the back of the carriage with a Caterpillar digger (Skyfall again), jump from a hover-board (Back to the Future 3), couple up a car transporter (Fast Five), try and do a retinal scan from outside while the train is moving at speed, and you’re not really tall enough to reach the scanner (Mission Impossible 4), jump from a zipline tethered to the nearest alp (Captain America), lay the track as you go (The Wrong Trousers), jump into a boxcar while shackled to several other members of a chain gang (O Brother, Where Art Thou?), sneak onboard after clinging to the undercarriage (Octopussy again), jump from the subway platform (Safe, Captain Marvel, Skyfall yet again…), swing a ladder from another train (The Lone Ranger), extend a telescopic ladder from another train (Paddington 2), lasso the train while chasing it in a pump handcar (Due South, All the Queen’s Horses), jump from a bridge with a wolf in your arms (ditto), use your magnetic super-powers to latch onto the train as it goes past (X-Men Days of Future Past), leap between mine cars (Journey to the Centre of the Earth), sneak in inside a mine car full of explosive (A View to a Kill), jump from the platform of a picturesque station (Enigma), ride your motorbike off a mountain and then speed-fly with a parachute onto the train (Mission Impossible Dead Reckoning), sneak into a train with the Turkish Nationalist Army (The Water Diviner!).

If you’re undead, you might just jump from trees alongside the track (Abraham Lincoln, Vampire Hunter), but that’s really a getting off the train film, a completely separate genre. You get the picture, and I haven’t mentioned Speed, Batman Begins, UnknownGoldeneye, The Rock

So do you like stories about talking about getting on a train? Or those about doing it?

 

(Published June 2011, updated November 2012, July 2014, September 2014, August 2016, January 2017, April 2018, July 2018, September 2018, March 2019, January 2020, May 2020, June 2020, January 2021, January 2022, December 2023 as the list grows…)

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Keeping Current

One of the great frustrations with the iPad was that although it should have been a great blogging tool, between the limitations of available software and input processes, it just wasn’t. (See An Ideal Blogging Platform for my reflections after a couple of months of iPad ownership.)

The 10″ Note addresses all of those weaknesses, and may well become not only a primary content consumption device but also a primary platform for content creation. The available software is just better: I am writing this with the free WordPress apply for Android which just works, where the iPad version was very frustrating. Text input is quick with SwiftKey, I can multi-task with Chrome to look up previous posts, and I can easily find and add content from other sources, always a challenge in iOS land. This post has taken about 20 minutes, entirely on the Note.

I’d also like to bring your attention to a great app from Google called Currents. This takes RSS or similar feeds and turns them dynamically into an attractive “on-line magazine”. It works brilliantly with photo-rich feeds such as the photography blogs I read. Here’s what it does with “Thoughts on the World”:

image

I didn’t have to do anything with my existing feed to get this result. Currents doesn’t work in every case – if a blog starts every post with the same boring advert then it doesn’t have much to work with – but the hit rate is quite high. It is could also do with a way to mark items as read, which is a major omission. However overall Google seem to have another hit, and currently it’s free.

Blogs away!

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Time to Change My Tablets

As the iPad had reached 2 years old, without ever really ceasing to be a regular source of frustration, and as I’ve been very impressed with the Galaxy Note phone, last week I bit the bullet and purchased the iPad’s replacement, a 10″ Galaxy Note.

This wasn’t a trivial act as the 10″ Note is so new that the spec I wanted isn’t yet directly available in the UK. However I went to Buyspry.com of Maryland via eBay, who shipped a 32GB device to me via DHL, and between the two of them I had it in my hands in 4 days. Very impressive.

Setup was also remarkably pain-free. I switched it on, provided a few credentials, and it sat for about half an hour downloading and installing all the apps already on my 5″ Note. About 90% needed no further attention.

So I’m back to an intermediate computing device with a proper multi-tasking operating system with a shared, visible filing system. Hurrah! It has a proper fine-tipped, pressure-sensitive stylus, not a banana. Hurrah! Connect it to a PC and the filing system is just there as part of the PC’s storage. Hurrah! I can choose an intelligent, input mechanism and it works for all applications, in my case the almost psychic SwiftKey. Hurrah Hurrah!

I do prefer Android as an operating system. It’s great having an “active desktop” (to steal the Microsoft term) ?on which I can intelligently organise my applications with the mix of active information feeds. Multi-tasking is so much more 2012. And many of the applications are much more powerful. Yesterday I copied a Word document to the tablet, opened it in TextMaker, SoftMaker’s Word clone, viewed it exactly as on the PC, and marked it up using 100% Word compatible markup operations. Try that on your iPad!

Dislikes? Not many so far. The storage is slightly disappointing, only matching the iPad despite buying the maximum spec and a large micro SD card. However, I expect to waste a lot less on multiple unmanageable copies of files, and the Moore’s Law benefits have reflected instead into a much lower price. The proprietary USB connector is an Apple copy too far – why not just a standard mini-Based or micro-B? And that’s about it.

There are a few software challenges: I’m not sure I’ve found the ideal Twitter client, video player or image viewer yet, but I have functional solutions and the machine has only been in my hands a week. Solving those problems on the iPad took me about 8 months. In a couple of “edge” cases the iPad had a good “kitchen sink” multi-purpose app which will require a slightly more complex solution on the Note, but I can live with that.

So far so good. I’ll keep you posted.

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Bye, Bye, Albuquerque

Up, Up and Away! (Photo from pictage.com)
Resolution: 4501 x 3001

Day 15

Cold night. Perfect storm of badly fitted hotel windows, unusably noisy heater and no spare blanket. I haven’t been that cold since a night in the lodge at the top of the Tioga Pass. The Best Western Rio Grande Inn is definitely a notch down from the others on this trip.
However everything was forgiven when we drove to the airport with the sky full of balloons again.

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Evening Glow

Evening Glow
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 13-10-2012 19:15 | ISO: 1600 | Exp. bias: -2/3 EV | Exp. Time: 0.6s | Aperture: 9.0 | Focal Length: 38.0mm (~61.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM
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Up, Up and Away!

Balloons above Albuquerque
Camera: Canon EOS 550D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 13-10-2012 07:45 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/640s | Aperture: 8.0 | Focal Length: 80.0mm (~129.6mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

Day 13

4.30 start for the Balloon Fiesta! Sleep punctuated by police sirens (understandable in a large city) and train whistles (nope).

We’d just got settled at the park, and Albuquerque had the most dramatic thunderstorm. Balloons and wind don’t mix well, and lightning and propane are worse. No ballooning today. Fingers crossed for tomorrow.

Went to see Taken 2 in the afternoon – great film, but shades of wet holidays in Brighton.

To compensate for lack of balloons, had dinner at posh restaurant including Saganaki, a Greek dish which involves pouring Bacardi over Kasseri cheese and setting fire to it at the table. Excellent.

Photography 0/10
Ballooning 0/10
Shopping 2/10 (had to buy a case for all the other shopping)
Food 8/10

Day 14

Finally, the weather was in our favour, and today was a great success. Our balloon flight got airborne as part of the “mass ascension”. At the risk of using tired superlatives this was simply magical. I have done balloon flights before, and they are always fun, but nothing can compare with being part of over 500 hot air balloons lifting off together.

The Albuquerque setting is wonderful, with mountains and desert around as well as the town and river below you, and the photography opportunities were almost unlimited. The other great thing about Albuquerque is that when you land the locals all know the drill and are only too keen to help.

We have, however, discovered the nadir of New Mexican cuisine. The donut burger is a four-layered concoction of donut, burger, cheese and another donut. Neither of us was brave enough to try one.

Come the evening, come the evening glow, where the balloons are all inflated on the ground and lit from within using their burners, with a moderate degree of synchronisation. We were also entertained by a very good rock covers band, and the evening was capped off by an excellent firework display which had all 100,000 attendees ooh-ing and ah-ing like children.

We were impressed by the traffic management coming out, the Albuquerque police using all available roads inventively and getting us from car park to the other side of the city in 25 minutes.

Balloons 11/10
Photography 9/10
Food 4/10

 

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Back to Albuquerque

The Church of St. Francis at Rachos do Taos
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 11-10-2012 11:49 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 11.0 | Focal Length: 24.0mm (~38.9mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Day 12

Looking for hairdryer in Taos hotel found secret stash of MORE pillows!!!

After a couple of hours browsing in Taos we set off for Santa Fe via the famous “High Road to Taos”. First stop, the church of San Francisco di Asis in Ranchos do Taos. This is just as pretty as in the photos of Ansel Adams and Georgia O’Keefe, a natural target for artists of all persuasions.

The drive along the High Road was very enjoyable in bright sunshine. However our lunch target of Truchas turned out to be a bit disappointing with about 50 art galleries and no diner. The next town down the road, Chimayo, is only slightly better. They say that “man cannot live by bread alone”, but “art alone” doesn’t do it for me either.

We were also rather disappointed by a sign to “watch for roadside activity”, but apparently the artists can’t stretch to a bit of performance art.

The Santuario de Chimayo is a bit odd. At the risk of being slightly offensive the term “Catholic Voodoo” came to mind. I suspect this is best reserved for devout Catholics, but left us feeling a bit uncomfortable.

We also managed a quick stop in Santa Fe, but the historic centre is very busy and very expensive, and a bit of an anti-climax after the much more accessible towns we’d visited earlier.

Photography 7/10
Shopping 5/10
No large animals, despite promising “Elk Crossing” signs…

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The Road to Taos

Taos Pueblo
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 10-10-2012 15:56 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/50s | Aperture: 10.0 | Focal Length: 24.0mm (~38.9mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Day 11

Up at dawn to try and get golden hour light on the dunes – they are in shadow themselves in the evening. Lodge has world’s most powerful tap in world’s smallest basin. Oh well…

Irish contingent dressed in balaclava got it right – photography OK but it was bloody cold! However it does have to be admitted that walking on sand-dunes at 8,000 ft is not ideal exercise for an overweight bloke with dodgy knees.

Boring drive down to Taos, but the town and especially the Indian Pueblo really make up for it. The Pueblo is still lived in, but they also allow visitors and photography for personal use.

Nice dinner at Taos’ posh fine dining restaurant.

Note re Fonda Hotel Taos – to double size of room simply remove 4 super-sized leopard print cushions and 6 spare pillows!

Photography 8/10
Food 8/10
Large animal count 26 (by 10 am)

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… And Sand Dunes!

Sunset at the Great Sand Dunes National Park
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 09-10-2012 18:13 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/30s | Aperture: 9.0 | Focal Length: 31.0mm (~50.2mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Day 10

Drove East from Durango through the Rockies. Another almost 11,000 ft pass, but roads not as interesting as yesterday . At coffee stop we were almost forced to purchase two enormous slices of pie, of which more later.

We ended up at the Great Sand Dunes National Park. This is an amazing enclave of 40 square miles of full-on Arabian sand dunes, right in the middle of the Rockies. It’s pure photographic gold, with aforesaid sand dunes, mountains, trees in fall colour, dramatic dead trees and very much alive deer available in all required combinations.

Food slightly more of a challenge as the only eatery for about 30 miles has closed for the season. However sub sandwiches from the shop were not too bad, and aforementioned coconut and peach pies turned out to be absolutely superb, rescuing us from potential 3/10 danger.

Early start tomorrow to catch dawn on the dunes.

Photography 9/10
Food 7/10
Large animal count 20+

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Mountains, Trains…

On the Durango and Silverton Railroad
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 08-10-2012 09:42 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 8.0 | Focal Length: 85.0mm (~137.7mm) | Location: Durango Fire and Rescue Authorit | State/Province: Colorado | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Day 9

A very pretty steam train runs from Durango up to the mountain mining town of Silverton, 50 miles and 3,000 vertical feet away. You can spend a pleasant day on the return train trip, but the problem is that you won’t actually get any pictures of the train when you’re on it. We decided on a different approach, and drove to meet the trains, first at a point where the track crosses the road, and then at Silverton itself.

This worked brilliantly. We caught each of the two daily trains at each location, with the puffing loco and orange rolling stock pictured against Colorado Fall colours and the old buildings of Silverton.

The town is itself a great find – very photogenic with lots of fun shops housed in buildings which date back to the late 1800s, but clearly a community which “works” rather than slowly dying like other ghost towns.

Nice Elk burger for lunch, and a great drive over an 11,000 ft pass to get back to Durango.

Dinner in Diamond Belles Wild West Saloon. The food was fine and the costumed floozies both decorative and effective waitresses, but the vaunted gunfight was a bit of a washout.

Photography 7/10
Shopping 7/10
Food 7/10
Large animals 2

 

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