Buttons Or Switches? Buttons Are Better!

My Canon 7D, like the 40D before it, has a feature I love and would find it hard to relinquish – three fully programmable custom modes, right on the mode dial. This makes it possible to sort out the myriad of settings in a flexible modern camera, and quickly get to a sensible starting point for a given type of shooting, and then, equally importantly, back to normal mode, without forgetting something important. My four main shooting modes are:

  • Normal: Aperture priority, default auto focus, single shot, auto white balance
  • C1: HDR / bracketing – like my normal mode, but with my standard two stop exposure bracketing and high frame rate multi shot on the shutter
  • C2: Action – shutter priority, tracking auto focus using the central zone, highest frame rate multi shot shutter control
  • C3: Panorama (manual everything) – manual exposure and white balance, defaulted to sensible “landscape” settings

This works brilliantly. Unfortunately in Canon’s marketing strategy it’s classified as a “professional” feature and not available (or only partially implemented) on their lower models. When I found myself a couple of weeks ago at the top of a mountain in Cortina D’Ampezzo with the 550D in “landscape” mode and then saw some interesting birds of prey I couldn’t set up quickly enough to get the shots.

Now I have two “enthusiast” cameras from Panasonic, the GH2 and the new GX7. To Panasonic’s credit, both have three custom modes. (The GX7 actually has five, but three main ones.) However, comparison of the cameras has thrown up an interesting issue. Like the Canon 7D the GX7 sets everything via buttons (and the general-purpose dials). Almost all settings are gathered up and remembered for the custom modes, and then presented back to the user via the very informative viewfinder displays.

The GH2 is different. Many of its settings are controlled on dedicated mechanical switches. While this may appeal to some photographers, it actually causes me two problems. Firstly on such a tiny camera the graphics for the switch positions are so small I can’t always read them accurately with my glasses on (my norm out of doors). Worse, it means they can’t participate in the custom modes. You end up with a situation where either the switches setting is just not memorised, or the physical position and the memorised one are in conflict. I think Panasonic default to the former, but it’s not 100% clear.

I’m not advocating putting a camera’s settings all on the menu – that doesn’t work well either except on very small or much simpler cameras. The 7D and GX7 both have enough buttons to dedicate to the main settings, and that’s correct.

So I think there are three important lessons in ergonomic design of enthusiast/professional cameras:

  1. Fully programmable custom modes are good, arguably essential,
  2. Dedicated controls for the main settings are also required, but:
  3. These should be buttons, not physical multi-position switches (see point 1)

And I suspect the GX7 is rapidly establishing itself as my preferred “carry round” camera. Now where’s the Capture One support?

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From Bergamo to Verona

Inside the Torre dei Lamberti, Verona
Camera: Panasonic DMC-GH2 | Date: 03-09-2013 15:41 | Resolution: 4752 x 3168 | ISO: 1600 | Exp. bias: 0 EV | Exp. Time: 1/30s | Aperture: 8.0 | Focal Length: 14.0mm | Location: Arche Scaligere | State/Province: Veneto | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Day 3

Ghastly first hour driving from Bergamo to Breschia along the motorway, with heavy traffic, narrow lanes and roadworks frequently eliminating the minimal existing room for manoeuvre. We got off as soon as possible and drove gently towards Verona on the old road around the edge of Lake Garda. Slightly slower, but dramatically more pleasant.

This did mean approaching our hotel via the centre of the small town where it’s located. They really don’t expect you to do that, and signage was almost non-existant.

The name Hotel Antico Termine (=”old terminus”) summoned up an old station abandoned by Beeching-like cuts. The old station building was exactly as expected, but not the fact that the line is still very much in use, with high speed trains thundering through every few minutes. Oh well…

We still managed a relaxing afternoon by the pool, but it wasn’t quiet ๐Ÿ™ At tea time we set out for Verona, which turned out to be unexpectedly easy, between a very direct back road from our hotel, and a very good recommendation on car parks.

Excellent food at a gourmet restaurant recommended by Pauline, resplendent in the name Il Cenacolo, or “The Last Supper”.

Back at the hotel discovered some more failings. The rooms have mirrors and lights, unfortunately not in the same corners. One power socket does not suffice to charge a modern set of gadgets. Oh well…

Food: 9/10
Roads: varied from 1/10 to 6/10
Hotel: 3/10

Day 4

A surprisingly good night’s sleep, as our room was at the opposite end of the hotel from the railway, and we’re used to the odd train noise at night at home. However breakfast was a complete failure – we got down just after 9 and there was nothing left but cake! Not even a jug of water. There was one waitress trying to replenish supplies, but facing a full, large hotel just couldn’t keep up. We packed for the day, and headed into town, where the guy at the local sports bar had some warm pizettas and nice coffee. Then back into Verona.

We spent the day gently wandering around Verona’s shops and tourist centres. The ancient arena is fascinating, and we watched the stage crew installing the most enormous set for that evening’s performance of Aida. It might have been nice to try and get tickets, but the performances run until about midnight and we had a long drive the following day. Maybe next time.

I downloaded an excellent little book for the Kindle app on my phone entitled “Verona in One Day”. Despite the odd linguistic oddity (e.g. “ewe” for the second person) it did what it said on the tin and routed us round the “must dos” in an efficient way. Meanwhile Frances was doing well on shopping, although I have seen rugby scrums less energetic than the almost competitive purchasing going on at her favourite Italian blouse shop, where one woman attempted to grab a blouse Frances was already paying for! (Frances would not be beaten…)

Photography: 6/10
Shopping for F: 7/10
Shopping for A: 0/10 (almost no men’s stores, and nothing I was looking for)

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Unexpected Support

Quick update on the support position for the Panasonic GX7. Phase One won’t commit themselves on Capture One support. It looks like the DNG converter is the best Adobe are going to do. I also haven’t yet managed to track down updates for some utilities like ExifTool, although they may exist.

Then last night as an idle thought I tried the RAW processing app I have on my Galaxy Note tablet, PhotoMate. It worked first time with the GX7 images! Nice.

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Getting Ahead of the Curve

The majority of my camera purchases have been somewhat “behind the curve”, to the extent that I’ve purchased some just before the announcement of their replacement. However for my latest purchase I’ve gone right to the other end of the spectrum.

I placed my order for the Panasonic GX7 the day it was announced, and have been waiting only moderately patiently for it to turn up, which finally happened on Friday. Why? I think mainly because I have been suffering “new gadget withdrawal”, especially after the disappointment of my Olympus TG2 in April, and the lack of anything appealing from Canon.

It will now be interesting to see how long I have to wait for effective software support. Neither Capture One nor Adobe Camera Raw support it yet. The camera comes with a copy of the ghastly SilkyPix, but personally I’d rather have my teeth drilled. Fortunately Adobe have released some support via their DNG converter, and the in camera JPEGs are pretty good, so if I do get any really wonderful shots in the next month or so I’m not completely stuck.

First impressions? It’s very small, a definite size down from the GH2. I hold my larger cameras gripped firmly by the right hand with the left for additional support and zooming. The GH2 is a bit small for this, but it just about works. However the GX7 is too small altogether, and in addition the lug for the strap pokes out in just the wrong place to dig into the soft part of my hand. I hold the diminutive Canon S95 pinched between thumb and forefinger of my right hand for shooting, with the middle finger of the right hand providing bracing and operating the zoom. The GX7 is a bit big for this, but it may be the right approach, especially when I can work two handed. I’ll have to experiment.

Otherwise all the controls fall to hand and work quite intuitively – the provision of a front control wheel allowing the rear one to be dedicated to exposure adjustment suits my shooting style well and is a dramatic improvement over the GH2.

Based on early reviews I expected the viewfinder to be both larger and clearer than the GH2. I can’t see any real size difference, and it’s still a notch down from a large DSLR like the Canon 7D, but it is almost as clear as a good OVF. Another definite improvement.

Dislikes? Another bloody proprietary USB connector, and it’s different to the GH2. This just gets worse, and any designer who thinks it might be vaguely acceptable should be taken out and shot. This one is so unique that I can’t currently source a spare cable anywhere obvious! However, as it is compatible with the also-new LF1, I hope that it does at least represent the new standard for Panasonic…

Auto ISO is a bit surprising, defaulting rapidly to ISO 6400. It remains to be seen whether this can be justified by the quality of the raw files at that level – the JPEGs are OK, but maybe not as good as I hoped. — CORRECTION — I’ve just had a look at some of the in-camera JPEGs on the PC, and at ISO 3200 they are superb, at ISO 6400 they are really perfectly usable for anything short of fine art, and I would not be ashamed of the ISO 25600 results for an important “memory shot”. It remains to be seen what can be done with the RAW files, but so far, so good.

It looks like the GX7 shares one of the GH2’s failings – the apparent quality when reviewing images in camera is very misleading, and usually pessimistic, something my Canon’s don’t suffer from.

Overall a promising start. I’ll keep you posted.

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Back to Italy!

Sunset on the Piazza Vecchio, Bergamo
Camera: Panasonic DMC-GH2 | Date: 31-08-2013 17:17 | Resolution: 5111 x 3195 | ISO: 160 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 11.0 | Focal Length: 14.0mm | Location: Excelsior San Marco Hotel | State/Province: Lombardy | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

For 2013 we’ve come back to Northern Italy. It’s a place we both love. Frances has long harboured a desire to visit Verona, and I wanted to revisit the Dolomites through which I took a fleeting drive many years ago, so we built both into a short loop from Milan.

Photographically this is an experiment, as for the first time for about 6 years I’m travelling without my full-sized Canon camera. Unfortunately the new Panasonic GX7 didn’t turn up in time, so the primary tool will be my existing micro four thirds GH2, with the Canon 550D as backup.

Day 1

Travel from Heathrow to Milan works flawlessly, a good start. Hire car is an Alfa Romeo Giulietta, with a 2l turbo diesel engine, which should be fun.

Short drive to Bergamo, and found hotel after minor panic. Parking in square behind hotel behind big doors in shopping arcade, just like in The Italian Job.

After settling into the hotel, we went to explore the old town of Bergamo Alto, (= “high”). There’s a funicular railway to the main town, and a second one which I thought went down the other side. Wrong. It’s a long way to the top of the hill on foot! However, had wonderful meal in restaurant recommended by our friends Pauline and Filece (who happens to be an Italian restauranteur).

Note to self: just because restaurant has Pizzeria in name doesn’t mean it is not posh and I shouldn’t arrive soaked after walking a mile up a steep hill!

Food: 9/10
Hotel: 10/10
Map reading of funicular railway: 1/10

Day 2

Further exploration of Bergamo. The low town is mainly big Lombardy bank offices and modern shops but worth a wander. Hotel Capello d’Oro is right in the centre. Bergamo Alto is the real tourist centre. We had a great lunch at the cafe run by the Bergamo micro brewery – excellent stouts and bitters completely contra to normal expectations of Italy.

We did all the normal tourist sights, then headed back to the hotel for a quiet coffee break. After that we headed out for dinner, to find the main square setting up for a big festival. Dinner, a club sandwich, was a bit disappointing, but the free rock concert was very good, we enjoyed watching the glamorous Italian ladies, and I got another pint of the local brew. Very good ice cream too.

Bergamo really is the home of beautiful people. We followed one young couple with three very young children, she in a spotless white linen dress, he in beige trousers and pale green polo shirt matching his suede shoes. I don’t have toddlers, but if I did I would probably go around in a level 4 hazmat suit, visor down.

Note to Italian musicians: pop music really does work better in English.

Beer: 9/10
Music: 7/10
Tourist stuff: 7/10
Fashion: 10/10

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Balloon Fiestas – The Awards

Lift off of the mass ascension at the Bristol Balloon Fiesta 2013
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 10-08-2013 19:16 | Resolution: 3076 x 4613 | ISO: 200 | Exp. bias: 2/3 EV | Exp. Time: 1/80s | Aperture: 8.0 | Focal Length: 42.0mm (~68.0mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

We are becoming quite the connoisseurs of balloon fiestas (unless fiesta is its own plural :)). Following on from Northampton 2008 (0 balloons) and Albuquerque 2012 (over 500 balloons) we’ve now added Britain’s biggest festival on Bristol, which featured a great balloon display this weekend, including a mass ascent on Saturday night of more than 100 balloons.

Bristol’s economic model is interesting. It’s a “free” festival, which means in practice that they have to pack in lots of punters eating lots of burgers and taking lots of rides on the funfair to break even on costs. The result was a relatively crowded and sparsely entertained afternoon, but capped by first a very exciting mass ascension, and then, when the balloons returned, by a beautifully choreographed synchronised inflation and evening glow set to a great soundtrack.

Balloon fiestas are all different, and to articulate the differences, here are our Balloon Fiesta Awards.

Best Mass Ascension: Albuquerque 2012. 500 balloons and we were part of it!

Best Entertainment (No Balloons): Northampton 2008. I don’t know whether they were expecting problems with the star attractions, but the organisers in Northampton put on an excellent day’s entertainment regardless, with stunt riders, motorcycle display teams, and an attempt on the YMCA mass singing record! Bristol was about aerial displays, but very patchy. The non-appearance of the spitfires left a big hole in the afternoon’s events. Interestingly the Albuquerque model is completely different – it’s about the balloons, and everything essentially shuts down after the morning events, and restarts for the evening about 4pm.

Best Balloon Packing: Bristol 2013. We couldn’t believe how many balloons inflated simultaneously from such a tiny field. I was a bit scared to see the baskets of balloons just taking off scraping across the canopies of those still inflating, but no obvious damage was done.

Best Traffic Management: Albuquerque 2012. The Albuquerque police took traffic management very seriously, closing or re-routing feeder roads onto and off the freeway, and the car parks were well marshalled going as well as coming. From the last bang of the fireworks to our hotel room on the other side of the city – 25 minutes!

Worst Traffic Management: Bristol 2013. The Bristol police and organisers did not make such a good job of it. We spent two hours waiting to exit the car park… From the last bang of the fireworks to a (closer) hotel – 2.5 hours!

Best Weather for a Mass Ascension: Albuquerque 2012. Sunny, warm, and a blue sky to provide a nice backdrop to the photos.

Worst Weather for a Mass Ascension: Albuquerque 2012. OK, the balloons didn’t actually fly on the Thursday. Balloons and wind don’t mix. Propane tanks and lightning strikes really, really don’t mix!

Best Night Glow: Bristol 2013: Credit where it’s due – this was superbly done. The balloons were inflated in synchronisation to music, and then the burns to light the balloons were also synchronised with the soundtrack. Brilliant.

They were all fun, and I recommend the experience wholeheartedly, but every experience will be different.

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Capturing the Setting Sun

Angel Peak, New Mexico. HDR panorama from 15 originals.
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 04-10-2012 18:48 | Resolution: 5184 x 3456 | ISO: 800 | Exp. bias: -4 EV | Exp. Time: 1/320s | Aperture: 10.0 | Focal Length: 28.0mm (~45.4mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve been catching up with some of the outstanding shots from our USA trip in 2012. One of the most successful days of the whole trip in photographic terms started in the fascinating Bisti Badlands, and ended on a short rim drive opposite Angel Peak. The scenery there would be stunning in many conditions, but we were treated to a dramatic sunset, with the sky on fire in certain directions.

Unfortunately, however, the best sky colour was opposite to the most dramatic scenery, which raised a dilemma about what to capture, and how. Most of the shots of the sunset itself are very nice, but have a relatively boring foreground. I’ve ended up favouring a couple of compromises.

The top shot is composed from 15 original frames, processed first in Capture One, then converted in Photomatix to 5 HDR images which were in turn stitched together in Pano Tools Assembler. The dynamic range across the scene was very high, and unfortunately the most interesting areas of the scene, the sunset and Angel Peak itself, are quite widely separated with the intermediate area somewhat less interesting. Although I’ve gone for a fairly “natural” look I’m not sure it doesn’t still look a bit “processed”.

The other compromise is a more traditional one. I call the image below “Tree on Fire”. It’s lit by the setting sun, but there’s not much colour in the sky. My first attempt at this, immediately after the trip, wasn’t very satisfactory as I ended up with a very oversaturated image which had insufficient detail and areas of blank colour. Re-processing in Capture One with its excellent highlight recovery I’ve managed to keep the deep red colour but get the detail of the tree back. A tighter crop than my first go has also improved matters. I’m now quite fond of this one.


Let me know what you think.

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World War Z – One from the Ministry of Strange Coincidences…

I’ve just posted my review of World War Z – The Book. In it, I liken the book to a science fiction version of “The World At War”. Now here’s the real oddity – the book of The World at War was written by Mark Arnold-Forster. The new film is directed by Marc Forster. Co-incidence, or what???

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Review: World War Z – The Book

An Oral History of the Zombie War, By Max Brooks

"The World At War" with Zombies!

Christopher Tookey’s review of World War Z the movie made me decide two things simultaneously: I did not want to spend £20 on going to see the film, but I did want to read the book. Having done so, I’m very glad I did.

The book takes the simple concept of “a plague of zombies”, and tries to tell the story of a modern, global human struggle to first survive and then fight back and retake the world. To do this the author, Max Brooks, adopts the unusual but highly effective device of a series of interviews with key witnesses: soldiers, survivors, leaders, administrators and political or social commentators.

The book is as much about the socio-economic upheaval of such a happening as it is about how zombies behave. Given the concept of “flesh eating zombie”, the emerging story then reflects a very modern understanding of virology, military capabilities, human behaviour and geopolitics.

The interview-based structure really resonated with me, although initially I was slightly puzzled why. Then the penny dropped. This is “The World at War”, adapted for science fiction. I am a great fan of that 1970s epic documentary, told largely through interviews with soldiers, survivors, leaders… The author doesn’t explicitly acknowledge that influence, but once you see it, it’s obvious.

I haven’t seen the film yet, but based on the trailer and reviews it sounds like the screenwriters have thrown away this wonderful structure in favour of a much more simplistic linear narrative focused on a few central characters. If so, that’s an enormous shame.

For an intelligent, inspiring tale which will keep you turning the pages you won’t do much better.

Categories: Reviews and Thoughts on the World. Content Types: Adventure, Book, Fiction, and Science Fiction.
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Canon EOS 70D: Cynical, Substantial or Stepping Stone?

I am trying to work out what to make of the announcement of Canon’s new 70D. For those of you who haven’t caught up yet, Canon have finally, after four years, upgraded their APS-C sensor technology, yesterday announcing their new “prosumer” model. This will have a 20.2 MP sensor, whose main achievement is innovative autofocus technology in live view or movie mode.

In optical viewfinder mode the camera will fall back to an autofocus scheme based on (but slightly downgraded from) the 7D, and the announcements have been oddly quiet on the topics of image quality and dynamic range, arguably weak spots of the current 18MP sensors.

Now part of me says that any improvement is welcome. I had started mentally drafting a blog post worrying about whether Canon had effectively abandoned the middle ground – at least I don’t have to complete that. I had been waiting for a real upgrade to my 7D and 550D for so long I almost ordered the new camera as a reflex action. And the combination of a feature set similar to the 7D in a smaller and lighter chassis might hit a sweet spot for me in practical terms.

But apart from being lighter and newer, I’m not convinced the camera has anything to offer me. In terms of feature set, it’s still definitely a downgrade from the 7D, and a poor successor to the 40D and 50D. The new autofocus will probably be brilliant for video, but of limited value in the types of photography for which I use the 7D.

I don’t do much video, and on the rare occasion that I might my tool of choice is probably the Panasonic GH2. I do use Live View, but only really to extend my reach (e.g. shooting over crowds), for “sneaky shots” and the occasional tricky manual focus task. 90% or more of my 7D shots are through the viewfinder, ensuring visibility in all lights, and stability down to very low shutter speeds. I suspect the vast majority of stills photographers using Canon DSLRs are similar.

The new generation of Canon cameras may therefore be at best a “stopgap” upgrade, particularly if image quality is no better than now. However, I’m not completely despondent. I think the camera is actually something else altogether – it’s actually a “stepping stone” to something completely different.

Canon have “form” in this area. The 50D was a similar “stepping stone” between the excellent but relatively low-res 40D and the 7D/60D (high resolution, split by functionality). The 70D looks suspiciously like enabling technology for a whole new generation of Canon cameras.

The cameras I think, and really hope, will emerge will look like this:

  • An electronic viewfinder fully replacing the optical one
  • Body shape and size similar to the 7D/70D (which works very well), but hopefully much lighter because of all the moving parts which can be dumped. There will also be at least an XXXD version with its familar control set
  • APS-C sensor, hopefully with a step up in image quality and dynamic range from the 7D’s sensor
  • EF-S lens mount, so we can carry on with all the existing Canon glass

It’s important that the “full size” version is “full functionality” with dual axis level, multiple custom settings, built-in GPS etc. (7D replacement). If necessary for marketing purposes there can be a “reduced functionality” version like the 60D as well.

In other words, I’m now really waiting for something which looks like an APS-C, EF-S mount GH2/OMD. If they’d announced that yesterday I would have bought it sight unseen.

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Iceland Album Now Online!

0811 7D 6859
Camera: Canon EOS 7D | Date: 21-08-2011 16:56 | ISO: 200 | Exp. Time: 1/160s | Aperture: 10.0 | Focal Length: 28.0mm (~45.4mm) | Latitude: N 64°19'34.82" | Longitude: W 20°7'28.19" | Altitude: 218 metres | Location: Gullfoss | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve finally posted my complete album from the 2011 Iceland Trip! Please look inside and let me know what you think…

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A Delightful Little Surprise

Waterfalls at Veldivnathraun, Iceland
Camera: Canon PowerShot S95 | Date: 24-08-2011 19:02 | Resolution: 3648 x 2736 | ISO: 200 | Exp. bias: -1/3 EV | Exp. Time: 1/1000s | Aperture: 3.2 | Focal Length: 10.7mm | Location: Hrafntinnuhraun | State/Province: South | See map | Lens: Canon EF-S 10-22mm f/3.5-4.5 USM

I’ve just finished processing the photographs from my 2011 trip to Iceland! I’ll get the best up on my site over the next week or so. At least I’ve avoided the second anniversary of the trip…

There was a wonderful little twist in the tail. I was processing the last few shots, most of which were taken on my Canon 7D, and the very last were a couple of shots taken walking away from one of our locations, when the sun suddenly hit the waterfalls just right. I assumed that these were also from the 7D, but the filename and data tell a different story. These were taken on my diminutive Canon S95. Not bad, huh?

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