Category Archives: Photography

Looking Down Dark Alleys…

An alley in the Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 12-11-2013 10:11 | Resolution: 3086 x 4114 | ISO: 250 | Exp. bias: -33/100 EV | Exp. Time: 1/60s | Aperture: 8.0 | Focal Length: 29.0mm | Location: Museum of Marrakech | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

I’m finally getting round to the first pass (!) on my Morocco photos. Work, my app development and the slow release of Capture One support for the Panasonic GX7 have all got in the way.

Here’s one from our second day in the Medina. We spent a lot of time peering down dark alleys, waiting to see if we could catch someone walking through a patch of light. It’s rather like shooting in a slot canyon – the position and the nature of the light changes incredibly quickly, and within about 10 minutes this light had disappeared. However while the light was right our patience was rewarded by the appearance of this nice Moroccan lady.

I continue to be amazed by the image quality of the GX7, and how Capture One handles it. Without adjustment this was almost a two-tone image of blown highlights and black shadows. Just using the “HDR” sliders of Capture One fully recovered almost all the highlight areas, and brought the detail in the shadows up to a level I like. That’s about all that was required.

More as they emerge from the shadows.

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All Change… (part 2)

Fairies at the bottom of our garden - a focus blending test
Camera: Panasonic DMC-GH4 | Date: 16-07-2014 19:45 | Resolution: 4608 x 3072 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 5.6 | Focal Length: 13.0mm | Lens: LUMIX G VARIO 12-35/F2.8

My transition from Canon cameras to a lighter micro four thirds system is proceeding rapidly. In the last two weeks I’ve sold off the Canon 550D and Panasonic GH2, which both moved very quickly, my Panasonic flash and my CF cards, as everything is now SD based. Interestingly some Canon lenses are so far proving harder to shift. No-one loves the 15-85mm lens – I guess that like me others have uncovered its weaknesses including weight and uneven focus performance. Fortunately if all else fails the excellent Wex Photographic have offered me a trade in price which will cover a replacement flash for use with the Panasonics.

I will be sad to see the back of the Canon 10-22mm and 70-300mm IS lenses. As I’ve stated many times on this blog the latter was always a firm favourite: optically excellent, fast and accurate to focus and with very effective image stabilisation. Hopefully the second hand market shares my view.

Update: yes it does. My 7 year old 70-300mm sold within 3 hours of listing it! It’s just the 15-85mm which is unloved. 🙁

I do feel slightly ambivalent about moving from the Canon system: like the end of any lengthy relationship it’s difficult to be certain, and I’ve been a Canon SLR user for almost 30 years. There’s also nothing wrong with the Canon system per se, it just stopped being what I wanted to use. By pure coincidence on the day I sold the 550D The Online Photographer posted an article essentially reaching the same conclusion, that Canon products are no longer “fun”, and I have to concur. Canon have waited too long to replace their APS-C systems and weighted the originals too heavy.

At least from a high point of 7 cameras in the house I’m down to a slightly more sensible 3.

I have now had a chance to give the Panasonic GH4 a good workout on action photography, and it seems to deliver. It is blazingly fast, especially if you use the electronic shutter, but for best results you need to pay careful attention to shutter speed and auto focus mode. The “follow focus” mode is probably great for dogs and kids, but relatively slow. Continuous focus works well, and is probably good for trying to capture the peak action with a subject moving quickly towards you. However for most moving subjects the trick seems to be using single shot auto focus, tracking the subject and holding the button down. If there’s a lot of transverse movement then electronic shutter move will generate some “rolling shutter” effect, but nothing like the GX7.

Battery life is also impressive. I’ve taken about 1000 frames already, but I think I’m still on the first charge! I was getting through 3 batteries a day with the GX7 in Morocco.

I also love the fact that I have a genuine choice of lenses. The Lumix X G Vario 12-35mm f2.8 is without doubt the best standard zoom I have ever used, and only weighs about 300g, but the tiny 14-42mm power zoom loses little in effectiveness, and is not much heavier than a lens cap… I have now used my sale proceeds to order the X 35-100mm lens so I will also have the same choice in moderate telephoto.

I did toy with the idea of getting another tilt/shift lens, but instead I’ve invested in a copy of Helicon Focus, and I’m going to use focus blending when depth of field adjustments on a standard lens are simply not enough. The example above shows this should work well.

However, enough about kit. I now need to get out and make some images. If the Panasonic kit supports that as well as or better than its Canon predecessors I will be doing well.

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That’s Better!

Detail from statue at St. Pancras station
Camera: Panasonic DMC-GX7 | Date: 31-12-2013 12:40 | Resolution: 4322 x 2431 | ISO: 1600 | Exp. bias: -66/100 EV | Exp. Time: 1/40s | Aperture: 4.5 | Focal Length: 20.0mm | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

After the less than excellent photo on the previous post, here’s one I’m quite pleased with. We did a trip to The British Library and St. Pancras Station on New Year’s Eve. Here’s a fascinating detail from the great statue at the entrance to the station.

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All Change…

Low light long distance action test of the Panasonic GH4
Camera: Panasonic DMC-GH4 | Date: 08-07-2014 20:21 | Resolution: 1475 x 983 | ISO: 2000 | Exp. bias: 0 EV | Exp. Time: 1/200s | Aperture: 5.6 | Focal Length: 300.0mm | Lens: LUMIX G VARIO 100-300/F4.0-5.6

Since I got the Panasonic GX7 I’ve been thinking about whether I could switch entirely from the big Canons to smaller cameras. Two things were stopping me: the GX7’s poor performance with action, and the fact that occasionally I need a more rugged camera, and neither of my existing Panasonics has any real sort of environmental protection. However with the announcement of the Panasonic GH4 there was a potential solution to both these challenges on the horizon, and I was gently thinking about getting one later in the year.

That was before last Friday, when out of the blue a close friend asked me “are you selling your Canon 7D”? He’d managed to dunk his in the Winter floods, and fancied buying a second-hand replacement of known provenance to tide him over until either the 7DII has arrived or the new Nikon D8100 has come down in price a bit. Of course, my answer had to be “yes”, especially when I established that Wex Photographic now have the GH4 as a stock item.

So on Sunday I started selling off my Canon kit, and on Monday the GH4 arrived. First impressions?

  • Same superb stills quality with static subjects as the GX7. Panasonic say that the two sensors are slightly different, and the RAW files are very slightly larger (by about 0.5% in each dimension) but I’m damned if I understand why as otherwise things seem to be identical.
  • It’s a nice size, very slightly larger than the GH2 and GX7, and fits very nicely in my hands.
  • It feels like a “professional” camera, capable of taking the odd splash or minor knock without problems. With the 12-35mm lens on it’s officially splashproof and dustproof, although just as with the 7D I’ll probably still put it in a rain cover in very harsh conditions. Also I suspect we won’t be auctioning off 50 year old examples held together with sticky tape, unlike a few Leicas of note…
  • It has a great electronic viewfinder, which really is not much different from using an optical one. However I’m not convinced that the colours in in-camera JPEGs completely match the viewfinders, which I thought was supposed to be one of their strengths.
  • The ergonomics and haptics are an improvement on the GH2 in some respects, but have ended up as a bit of an odd mix of physical switches, physical buttons and soft buttons or menu choices. Some are an odd compromise – there’s still a physical switch for focus mode, but you have to switch between “single shot” and “follow focus” in the menu system, which is very poor. Overall I much prefer the cleaner model of the GX7, but when I get the programmable elements of the GH4 set up to my satisfaction things may be better.

It’s too early to judge action performance. The frame rate seems to be as high as promised, but I haven’t yet been able to confirm whether the autofocus does the job. I tried shooting some dogs and rabbits last night, but in very low light, which meant even at ISO 6400 I was wide open on my lenses and at too low a shutter speed. The above was probably the best, but certainly won’t be submitted for any competitions. More practice required!

At least I won’t be struggling with software. After the long wait for GX7 Phase One delivered Capture One support on Monday, a few hours after the camera was in my hand. No complaints there…

Watch this space, and eBay if you want a lightly used GH2 or Canon 550D!

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Busy Bee…

Busy bee in the Loseley Park gardens
Camera: Panasonic DMC-GX7 | Date: 25-05-2014 15:12 | Resolution: 3274 x 3274 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/500s | Aperture: 8.0 | Focal Length: 35.0mm | Location: Loseley House | State/Province: England | See map | Lens: LUMIX G VARIO 12-35/F2.8

I’m sorry things have been quiet on the blogging front recently. I got back from my very restful holiday in Barbados expecting to take some time to find new work. Within two hours, before I could do anything, I had a query out of the blue from an ex-colleague I hadn’t seen for 10 years, and I was back under contract in a couple of days. (OK, technically that qualifies as “some time”, but you know what I mean…) I can’t say too much, but it’s a very exciting web- and service-based initiative in the automotive sector, which is new to me. It’s very interesting, but hard work between learning a new business, sorting out a problem project, and travelling backwards and forwards between the UK and Germany.

Hopefully normal service will be resumed when things settle down, but no sign yet!

Between last weekend’s storms, Frances and I managed to capitalise on the one sunny and dry session to visit Loseley Park. I took the Panasonic GX7 and the Lumix G Vario 12-35mm/F2.8 lens. This is far and away the best “normal” lens I have ever owned. Despite its relatively small size it really is just like a series of high quality prime lenses in a single box, sharp at all lengths and apertures and with vanishingly little aberration, even before processing. If and when I get a Panasonic GH4 the pairing will also provide me with a “rainproof” micro four thirds kit.

Photographing other busy bees at work requires a bit of patience, as they are constantly on the move, and I had my share of blank frames! However when I did get the subject in frame and in the focus zone, the hit rate was fairly high. Even though the 12-35mm is not a dedicated macro lens, you can see individual pollen grains on the bee’s back, which can’t be bad.

Enjoy these, and I hope you are busy enough, but not too busy.

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The Achilles Heel

"Reverse Lartigue" at the Barbados Guineas 2014. And no, that's not the name of the horse, although it would be a good one!
Camera: Panasonic DMC-GX7 | Date: 28-04-2014 21:01 | Resolution: 3713 x 2476 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/250s | Aperture: 5.0 | Focal Length: 35.0mm | Lens: LUMIX G VARIO 12-35/F2.8

As regular readers will know, I’ve been very impressed with the Panasonic GX7, which is a remarkably capable little camera. It did the bulk of the work on my Morocco trip, and I have seriously been considering whether we have got to the stage yet where I could operate with just a Panasonic system and get rid of the big Canon kit which works well but is so heavy. The main question mark has always been over the Panasonic system’s ability to handle action. Unfortunately I can now confirm that this is not something the GX7 does very well.

As a deliberate experiment I took the Panasonic GX7 and GH2 rather than the Canon 7D and 550D on our latest trip to Barbados. (I did take the Canon S120, which is turning out to be a very capable little camera, but that’s a separate story.) For pictures of buildings and flowers, the GX7 works well, and as already established, in very low light conditions or where a “small” camera has a practical or psychological advantage it betters the large cameras. Then we took it horse racing…

I was prepared for the moderate frame rate of around 5fps, which while slower than the Canon 7D is a reasonable match for most other cameras. The slight lag of the electronic viewfinder was also expected, but is not a major problem and would be mastered with a bit of practice.

Beyond that, however, the GX7 displays two very different failure modes depending on how you operate the shutter.

With the traditional mechanical shutter in use, the cycle is as follows. First the shutter closes, and the camera resets the sensor. Then the shutter opens for the required time, exposing the whole sensor. The shutter closes and the camera reads the sensor, then the shutter opens, and the camera updates the display/EVF, metering and focus. In burst mode as soon as everything is stable the cycle starts again. The trouble is that the autofocus is either insufficiently quick or insufficiently accurate to hold a moving target, and the “miss” rate is very high, exceeding 50% in my tests so far.

The GX7 also offers an electronic shutter mode, in which the mechanical shutter stays open, continuously driving the display, metering and autofocus, and to take a shot the camera resets the sensor, and reads the data after the required exposure time. For some purposes where the subject is essentially static, like an HDR bracket or trying to capture a changing portrait expression, this works very well. However with a moving subject it fails miserably. The problem is that the camera resets, exposes and reads the sensor progressively, starting from the top and working down, and takes over 1/10s to do so. If during this the subject has moved you get an effect I have termed “The Lartigue” as it resembles the “leaning back” look common in action photos from Jaques Lartigue and other early 20th century pioneers of motion photography. Track the subject, which is something Lartigue and his contemporaries could not easily do, and the result is a “Reverse Lartigue” – see example above.

Oh well… I always knew that this would be a stretch, and taking the GX7 to a sporting event was a deliberate experiment with some risk of failure. Also I’m setting the bar very high by comparing with a Canon 7D, which despite being a five year old design is still near the top of the class in this respect. I did get a few decent shots, but the conclusion is that the 7D stays for now, and gets an outing at least when I know the subject is action. What will be very interesting is to repeat the experiment with the new Panasonic GH4. Watch this space…

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Getting Ahead of the Curve – Final Update?

Picadilly by the light of the video wall, Canon S120 wide open with both aperture and zoom
Camera: Canon PowerShot S120 | Date: 08-02-2013 17:07 | Resolution: 4824 x 3015 | ISO: 250 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 1.8 | Focal Length: 5.2mm

When I purchased my Panasonic GX7 on the day of release, I did expect there to be a slight delay in getting software support (see here), but I got frustrated when no fewer than three versions of Capture One came and went without it.

However my patience has finally been rewarded with V7.2.1. This not only delivers full support for the GX7, but has also dramatically upgraded the support for my equally new Canon S120. This produces RAW files which at the wide end of the zoom have very dramatic geometric distortion, so strong it was impossible to correct manually, but in the new version the built-in C1 support corrects them perfectly, with neither geometric nor chromatic aberration evident even at pixel peeping levels.

While I’m still slightly peeved about the time it took (a grand total of 6 months!), I’m very impressed with the results.

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That Was Quick…

The Beech Avenue near Kingston Lacy - Mono version
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 28-02-2014 14:55 | Resolution: 5184 x 3456 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/30s | Aperture: 10.0 | Focal Length: 180.0mm (~291.6mm) | See map | Lens: Canon EF 70-300mm f/4-5.6 IS USM

OK, here’s the black and white version. A couple of interesting challenges here. To get enough contrast I had to take the yellow component in the mix right down to zero, and also go for a much “darker” look overall (as otherwise the white patches of lichen on the trees were overwhelming). What do you think?

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Remember When There Was Something Called Dark and You Couldn’t Make Photographs?

Detail from the side of Salisbury Cathedral
Camera: Panasonic DMC-GX7 | Date: 25-03-2025 08:47 | Resolution: 3214 x 4286 | ISO: 3200 | Exp. bias: -33/100 EV | Exp. Time: 1/13s | Aperture: 4.5 | Focal Length: 25.0mm | See map | Lens: LUMIX G VARIO 12-35/F2.8

Sadly, this isn’t my own quote, but it is very apposite. I decided to break my journey back from Kingston Lacy in Salisbury, and took a quick walk before dinner down from my hotel (apparently the longest continuously operating hostelry in the world!) to the cathedral. I popped the Panasonic GX7 with its new 12-35mm lens over my shoulder, and I’m glad I did. The cathedral is floodlit, although not to excess, and I caught it when there was just a hint of blue left in the rapidly darkening night sky.

In the past a photo like the above could only have been created with a tripod and patience. No more. The GX7 produces fine quality at ISO 3200,and the stabilisation of the lens allows it to be hand-held down to about 1/10. I didn’t even have to exploit the f/2.8 aperture, which would have given me another stop. Essentially we have now reached the point where if I can see something, my newer cameras can photograph it.

Next time, photography through the lens cap! 🙂

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Ansel Would Be Proud?

The Beech Avenue near Kingston Lacy
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 28-02-2014 14:55 | Resolution: 5184 x 3456 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/30s | Aperture: 10.0 | Focal Length: 180.0mm (~291.6mm) | See map | Lens: Canon EF 70-300mm f/4-5.6 IS USM

I had a day off today from work, chasing contracts and Android development, to focus on photography and writing. The core was a workshop with the famous and venerable landscape photographer Charlie Waite, at the even more famous and venerable Beech Avenue near Kingston Lacy.

It was a good group, and we had an excellent day of discussion about photography, how we do it, why we do it, and what we need to improve. Unfortunately as for so many others this Winter the weather let us down, and we managed a grand total of about one hour on location, getting buffeted by strong winds, pelted by rain and battling a combination of ambient temperature and wind chill which together netted out the wrong side of freezing. I ended up using the same gear and clothing as I was using at the top of Kerlingfjotll (“Bitch Mountain”) in Iceland – not what I was expecting from the Dorset Beech Avenue.

I went prepared for intensive activity, with a total of about 48GB storage across two cameras, or enough for well over 1500 shots. I took…  34, including about half a dozen “technical test shots”. Ansel Adams used to complain that 35mm film photography was in danger of leading to an excess of quantity over quality of photography. Had he survived to see digital, while he would undoubtedly have mastered the technology quickly and effectively himself, his concerns about quality vs quantity would have multiplied manifold! At least today I kept the quantity down.

Quality did suffer a bit. I had hoped after Charlie’s pep talk to go out with camera tripod mounted and take a slow, considered approach to photographing the avenue. Instead i took a series of fairly hurried “grap shots” mopping everything down between shots. Inevitably the rain has also reduced contrast and clarity of the trees in the distance.

However I’m not unhappy with this shot. The composition is exactly what I wanted, I like the tonal range (although ironically I’ve actually toned down the saturation!), and clarity is OK, if not perfect. I might try a black and white version as well…

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Getting Ahead of the Curve – Update

Birmingham Bull Ring and St. Martin's Church - ISO 3200
Camera: Panasonic DMC-GX7 | Date: 10-12-2013 21:25 | Resolution: 4523 x 3016 | ISO: 3200 | Exp. bias: -1 EV | Exp. Time: 1/20s | Aperture: 5.0 | Focal Length: 14.0mm | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

When I bought the Panasonic GX7 on the day of release I realised there might be a short delay before it was fully supported by third party software. A few weeks on and there was support from Adobe and some unexpected sources, but no sign from Phase One. Fortunately the in-camera JPEGs are absolutely excellent and I cheerfully blazed away in Morocco while waiting patiently.

Come December my patience was wearing thinner, with three months’ RAW files ready and others stacking up. I took to checking daily for new Capture One updates, and was finally rewarded on Monday by the release of v7.1.6. That was the first good news.

To my frustration, the release notes stated that the GX7 support was “provisional”, although Phase One had managed to deliver full support for pretty much every other recent new camera. The primary limitation seems to be the lack of any lens correction, even manual, which is a rather substantial issue for a micro four thirds camera. Any shots taken with the wide ends of my zooms will have to wait… That’s the bad news.

</moan>

There is, however, some really good news. The image quality is simply superb, much better than I have been able to achieve with Adobe Camera Raw, and a dramatic improvement on all my other cameras at high ISO. Images are essentially noise-free at ISO 1600, and not much worse at ISO 3200, suggesting I was unnecessarily pessimistic limiting myself to 1600 in Morocco. At ISO 6400 there’s a bit of noise, but essentially correctable. I would probably choose to use a lower sensitivity for something critical, but for general use it’s absolutely fine, as long as I don’t try to pull the shadow exposure too far. I might even be brave enough to use 12800 in a pinch.

So my Christmas present from Phase One may be arriving in instalments, but it’s looking really good for the latest compact system cameras.

The above shot gives you an idea of what can be achieved, and is also suitably seasonal. My very best wishes to all my readers, and hope that we all have a successful and satisfying 2014.

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Morocco – Did I Need Two Camera Systems?

Blacksmith at work, Marrakech
Camera: Panasonic DMC-GX7 | Date: 11-11-2013 15:29 | Resolution: 4592 x 3064 | ISO: 1600 | Exp. bias: -1 EV | Exp. Time: 1/40s | Aperture: 8.0 | Focal Length: 35.0mm (~72.0mm) | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Here’s the list of the main kit I took to Morocco:

  • Canon 7D body
  • Canon 550D body
  • Canon lenses: 15-85mm,  17-85mm, 70-300mm, 10-22mm (The 550D and 17-85 were basically “spares”, although both got a small amount of use.)
  • Panasonic GX7 body
  • Panasonic lenses:14-42mm (power zoom), 14-42mm (kit lens, spare),  45-175mm, 100-300mm
  • Olympus lenses: 12mm f/2, 9-18mm
  • Gitzo GT1540 tripod with Gitzo ball head
  • Around 96GB each of SD cards and CF cards
  • Three battery chargers and one or two spare batteries for each camera
  • Polarising filters in each of the following sizes, and protective UV filters in almost all: 37mm, 46mm, 52mm, 58mm, 67mm, 72mm, 77mm
  • Lens hoods for most, but not all of the lenses
  • Remotes for both systems, including an intervalometer for the Canons (ironically the GX7 has one built in) and an adapter cable because the Canons have different connectors
  • Shoulder bag for around town and tiny bag for GX7 as well as my large backpack for travelling and the desert trip

While I liked the flexibility of this selection, I would be the first to admit that it meant carrying more than ideal in terms of both weight and value. It’s also almost in danger of becoming my standard kit for any trip, which is vaguely ridiculous. However it’s not obvious how or even whether I should pare it down for a future similar trip.

Firstly, apart from the spare Micro Four Thirds normal zoom, each lens and all three bodies saw real use (although I could realistically have substituted either of the others for the only outing of the 550D and 17-85mm lens). However following my experiences in Cuba and Iceland I wouldn’t forego carrying a spare body for the “main” camera and a spare mid-range zoom, although by carrying two different “systems” I doubled up both elements on this trip.

I don’t think there’s a single shot I took with either Canon I couldn’t have taken with the GX7, but that might not have been true if there was more fast action, and I might have got one or two shots I missed if I had had the 7D with its fast performance and 6X standard zoom ready in my hand. The Canon lenses are definitely a bit more resistant to flare, but in most cases I didn’t find that an insuperable problem with the MFT kit. Whether the Panasonic batteries would have lasted the desert trip and frozen night shoots is an unknown, but the third party batteries for the Canon weren’t great either.

Conversely I definitely got several shots on the GX7 which exploited the GX7’s unobtrusive nature, silent operation, the wide aperture of the Olympus f/2 lens or the remarkable reach of my new 100-300mm lens. These I might not have got with the Canon.

As I’ve said before, the Panasonic GX7 is the ideal camera for wandering around in towns, or exploring cramped interiors like those of the older buildings in Morocco. I’ve read other reviews which liken it to a smaller Leica rangefinder, and if that’s true then I finally “get” the rangefinder aesthetic. Where it scores over other such cameras is that it is not limited to one mode, but moves seamlessly from point and shoot (composing on the rear display), or “twin lens reflex” (using the same panel tilted), through rangefinder and on to a high performance shooting mode best described as “mini DSLR”. I find myself increasingly using all those modes, whereas with my previous cameras live view has been only for situations where I genuinely can’t reach the viewfinder.

I also find myself using the multiple aspect ratios as a positive composition aid, and the live preview as a visual exposure guide in a way I have not done before.

The sheer physical size has an impact on subjects. In our financial argument with the snake charmers one of them went through our group saying “you have big camera, you have big camera…”. He got to me, raised his finger, and stopped dead. Something similar happened a couple of times.

Could I have managed with just the Canon kit? Probably, but I would have had to work harder, both physically and to get what I wanted from some of the subjects.

Could I have managed with just the Panasonic (with my GH2 as “spare body”)? Yes, but I would have been a lot more nervous about the desert trip. I happily sat on camel back with the 7D bouncing in the saddle. At one point I dropped the 7D in the sand from several feet up, but just dusted it off and carried on. That might have been a more serious incident with the smaller cameras.

The solution might be to extend my micro four thirds kit with a weatherproof lens and body, such as the Panasonic GH3 and 12-35mm lens. Morocco wasn’t that hard on kit, although I didn’t know this beforehand, and that pairing would have managed fine in the desert.

Unfortunately the harshness of a location is something which is hard to predict on a first visit: Iceland was much harder on equipment and even some of my heavyweight Canon gear did not survive – the wear on smaller cameras would probably have been unacceptable.

The alternative view (although it’s from Kirk Tuck, a man who changes his cameras almost as often as I change my socks) is that we just accept that the cost of smaller, lighter kit is that we wear it out more quickly, and that this fits with the gradual obsolescence due to technical advances. While I partly buy this argument, I’m not keen to completely wreck and write off equipment, and it brings the risk of a trip where both the primary and spare equipment die before the end. That would be a real disaster.

So for now I have moved one step closer to travelling light (or at least light-er). For trips to “easy” destinations I may be prepared to go MFT-only. For more physically challenging locations, if there will be a lot of fast action, or if I need the visual impact of a “big” camera I take the Canons. For trips with a mix of both, I remain a beast of burden.

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