Category Archives: Photography

Myanmar Musings (What Worked and What Didn’t)

Scarf seller at Thaung Yoeu
Camera: Panasonic DMC-GX8 | Date: 15-02-2017 17:37 | Resolution: 3888 x 3888 | ISO: 1600 | Exp. bias: 0 EV | Exp. Time: 1/25s | Aperture: 9.0 | Focal Length: 33.0mm | Location: Thaung Yoeu ladies and pagoda ru | State/Province: Indein, Shan | See map | Lens: LUMIX G VARIO 12-35/F2.8

Well, I’m back! Apart from a mad dash the length of Bangkok airport which got us to our plane to the UK with only a couple of minutes to spare, the flights home were uneventful and timely. Here’s my traditional tail-end blog piece, with a combination of “what worked and what didn’t” and more general musings.

This was a truly inspiring photographic trip, with a combination of great locations, events and people to photograph. We had a very capable “leadership team” who got us to great locations in great light, and the Burmese people were only too happy to participate in the process. No praise can be too high for our local guide, Nay Win Oo (Shine), who is not only a great guide and competent logistician, but has a good feel for what makes great photography, and a real talent for directing the local people as models.

If I have a minor complaint, it’s the observation that the trip was largely focused on interiors and people to the occasional exclusion of landscapes and architecture. I had to declare UDI a couple of times to get a bit more of the latter subject matter in front of my lens. Bhutan was perhaps a better match to my own style, but that didn’t stop this trip being a great source of images.

Cameras and Shot Count

The Panasonic GX8 was the workhorse of the trip, and took approximately 3690 exposures. That’s about 20% higher than either Bhutan or Morocco, both of which were slightly longer trips, and reflects the more “interactive” nature of the photography, with a rather higher discard ratio than normal. As usual the total also includes raw material for quite a lot of multi-exposure images, mainly for 3D and panoramas. I expect to end up with 100-200 images worth sharing, which is about the norm.

I took around 84 stills on the Sony RX100, mainly “grab shots” from the bus, but it came into its own for video, and I have a number of great video clips, more than  on previous trips. I also took a handful of images using the infrared-converted Panasonic GX7, but whether due to the subject matter or the lighting they weren’t terribly inspiring.

I used my Ricoh Theta 360-degree camera several times, mainly in the markets and at the group mealtimes. I’m treating this as “found photography” – I haven’t had much of a look yet at what was captured, and will look forward to exploring the output over time.

My equipment all behaved faultlessly. I used all the lenses a reasonable amount, with the Panasonic 12-35mm doing the lion’s share as expected, but the 7-14mm, 35-100mm and 100-300mm all getting substantial use. I didn’t use the camera on my new Sony Experia Ultra phone, but its excellent GPS was a vast improvement over the Galaxy Note’s poor performance in Bhutan.

I also did not use the Panasonic GX7 which I was carrying as a spare, but was able to lend it as a complete solution to another member of the group when her Canon L Series zoom lens started misbehaving. Having been burned previously I always carry a spare everything, and that’s a lot easier with the diminutive Panasonic kit.

Human Factors

While technology was broadly reliable, human systems were more challenged. The combined effects of the intensive schedule and the expected risk of tummy bugs led to as fairly high attrition rate. At least half the group missed a shoot or a meal, and a couple were quite ill for a couple of days. I was lucky that my own “wobble” was brief and started within a quick walk of a five star hotel. I would advise most travellers to think in terms of “when” not “if”, and definitely avoid all uncooked food.

Hotels and restaurants were clean, and even out and about most washrooms were acceptable. Similarly temple areas were kept clean, with the fact that all shoes are removed at the entrance a clear contributor. The challenge is in the more general areas, especially in the towns and cities, where any surface you touch may also have been touched by many others. Money is a particular challenge. All you can do is to keep sanitising your hands, but also bags, cameras, wallets and other items which you may have to touch with dirty hands.

Our Burmese travel agents certainly did everything they could to reduce stress.  Once we arrived in Burma responsibility for our large luggage and travel documents began and ended with putting our bags outside the room at the appointed time. Then we just got on the bus, walked through the airport picking up a boarding pass as we passed Shine, and that’s about it! I could get used to travelling that way…

With someone else doing the “heavy lifting” (quite literally in the case of my case), you can get around with two phrases and 3 gestures:

  • Minga-la-ba, which is a polite “good day” exchanged between any two people who make eye contact. The choruses in the school and markets were fascinating! This can be used to cover a multitude of sins, and works very well as “please can I take your photograph?”
  • Che-su-ba, which means “thank you”. ‘Nuff said.
  • The smiley face and thumbs up, which work when you’re not close enough to use Minga-la-ba and che-su-ba.
  • A gesture consisting of the left hand held out at table level, palm up, with the right hand held about a foot above it, palm down. This is universally interpreted as “I would like a large Myanman beer, please” 🙂

Burmese Bizarre

Myanmar is a bit bizarre in a number of ways. Let’s start with the name. Myanmar (pronounce “mee…” not “my…”) is a relatively recent invention, and is not universally adopted. It doesn’t help that Aung San Suu Kyi (the popular and de-facto leader) tends to use “Burma” herself, and there’s no common adjective derived from Myanmar, whereas “Burmese” works, and is officially valid if it relates to the dominant ethnic group and language. It wouldn’t surprise me if “Myanmar” goes the way of “Zaire” and “Tanganyika”, and we’re all back to “Burma” in a few years.

The Burmese really do “drive on the wrong side of the road”. In another anti-colonial dictat a few years ago, one of the madder generals decided to change from the British practice, and instructed the country to drive on the right. On it’s own, that’s not a problem. It works fairly well for the Americas and most of Europe. However the Burmese are trying to do it with the same almost completely right-hand-drive vehicle supply as the rest of Asia and Australasia. So all of the drivers are unable to see round corners or larger vehicles in front, and every bus has a “driver’s assistant” who’s main job is to stop passengers being mown down by passing traffic as they disembark into the middle of the road!

At a daily level Myanmar is almost entirely cash-based, with effectively three currencies in circulation. Major tourist transactions are conducted in US Dollars. These must be large denominations and absolutely pristine – they may be rejected for a tiny mark or fold. Next down, most day to day transactions by tourists and the more wealthy are conducted in Kyat (pronounced “Chat”), in round units of 1000 Kyat (about 60p). 10,000K and 5,000K notes tend to also be quite tidy. Transactions with and between the poorer people are in tens or hundreds of Kyat and the money is quite different. It’s absolutely disgusting, clearly and literally passing through a lot of hands in its lifetime. It’s all slightly reminiscent of the two currency system in Cuba, but with one currency used two distinct ways.

Uniquely among the countries I have visited, Myanmar has no international GSM roaming. However we had good straightforward Wifi connectivity at reasonable speeds and without any obvious restrictions at all the hotels and in several other locations. I suspect this is a transitional state, as the enthusiastic adoption of mobile phones in the local population will inevitably drive a standard solution fairly rapidly.

One thing which did amuse me – one of the primary providers of Internet services is a company called SkyNet. Shine say’s they’ve all seen the films, so I’m assuming the founder is a Terminator fan…

The usual Asian approach of throwing people at any problem showed mixed results. Bangkok Airport is an enormous hub trying to run on small site processes which don’t scale just by adding people. The role of “bus driver’s assistant” does find employment for young lads with a helpful attitude but few exams. However we did have one very delayed meal where the problem seemed to be one of short staffing, despite a lot of people milling around the restaurant with nothing to do, most of the order taking, cooking and serving was being done by one or two individuals who were run ragged. It will be interesting to see how the approaches vary as the economy grows.

Guide books describe the food as “a rich fusion of unusual flavours” and “a repertoire of ingredients not found in any other cuisine”. Yeah, right. I’ll admit that I was being a bit cautious and avoided some of the more unusual fish and hot curry dishes, but basically it was Chinese or Thai food with a few local variations (more pineapple), alongside a number of Indian, Italian and Anglo-American favourites. One member of our group survived almost the whole trip on chicken and cashew nuts, and I’ll admit to a couple of pizzas!

To Sum Up

Lovely country, lovely people, great photos, but keep cleaning your hands and stick to the Chinese food (and beer)!

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Enlightenment

Inside the Painted Hall at Greenwich. HDR from 3 base images
Camera: Panasonic DMC-GX8 | Date: 25-03-2016 20:35 | ISO: 200 | Exp. Time: 1/80s | Aperture: 6.3 | Focal Length: 23.0mm | Lens: LUMIX G VARIO 12-35/F2.8

I have to confess, this post is a conflation of two fairly separate topics, and I struggled to find a common theme, but I think I’ve just about pulled it off. Apologies if you disagree.

I’m just working through some photos I took last year, including a trip to Greenwich. When I first started using the latest generation of Panasonic cameras and Capture One software, I publicly questioned whether we still needed HDR techniques. The answer, I have discovered, is still very much "yes", but maybe only in more extreme circumstances than in earlier years. The dynamic range between the day-lit buildings outside the Painted Hall, the splashes of direct sunlight inside, and the dark shadows away from that direct lighting was considerable, and no single image could cover them. To process this I took a series of images covering a 4 stop base range, and then applied Capture One’s highlight and shadow correction to them, squeezing probably another two stops in each direction, before feeding into Photomatix to merge into one. I’m pleased with the result, and happy that it justifies keeping those tools in my software "kit".

This post is also a bit of a test of another returning technical capability. I very much mourned the passing of Google Currents in 2012. If you don’t remember, this was a beautiful news and feed reader with two key capabilities: offline working, and presenting the headlines of available stories as a mix of text and highlighted images, in the idiom of a paper magazine. However, Google killed it off in favour of the brain-dead "News-stand" app which has neither of these features. At the time I struggled to find a replacement. Feedly offers roughly equivalent feed management capabilities and equally pretty content presentation, but it doesn’t work offline, which is a key capability for me, as I often catch up on news in low-connectivity environments. The available independent off-line readers were not a great bunch, but I settled on Press, which handled content caching very well but was never very inspiring in terms of the presentation of content, or its reading environment. For reasons I haven’t ascertained, it recently stopped displaying the headline images from my own feed, which is rather annoying.

I have occasionally tried to find a more complete replacement for Currents, and last night, 5 years on, I may finally have found one. It’s called Paperboy, and it may do the trick. Like Press, it runs on top of Feedly to allow common feed management across multiple apps, and it looks like it has similar offline capabilities, but the display and reading environment is much more like the lamented Currents. However, I need to check how it handles my own feed, and that means making sure I have a new post. So that’s the other purpose of this item.

I’ll let you know how it works.

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A "Found" Quadtych

Four supporting gargoyles at the Thimpu Dzhong, Bhutan
Camera: Panasonic DMC-GX7 | Date: 15-11-2015 14:54 | Resolution: 13696 x 3265 | ISO: 1600 | Exp. bias: 0 EV | Exp. Time: 1/200s | Aperture: 7.1 | Focal Length: 103.0mm | Location: Tashichhoe Dzong | State/Province: Thimpu | See map | Lens: LUMIX G VARIO PZ 45-175/F4.0-5.6

The blog has been looking a bit light on pictures recently. Meanwhile I’m beavering away trying to finish tidying up the Bhutan pics before I’m off to Burma in February. This morning I discovered a series of four similar close-ups on supporting "gargoyles" (I suspect that’s not quite the right term in the Bhutanese context, but close enough) which I never originally envisaged as a multi-shot combination, but which I think actually work quite well as a "quadtych" (which is exactly the right term, apparently).

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Night-Time Photography with the Sony RX100 Mk IV

The Pump House and End of Albert Dock, Liverpool
Camera: SONY DSC-RX100M4 | Date: 25-03-2025 08:48 | Resolution: 5718 x 3574 | ISO: 250 | Exp. bias: -0.7 EV | Exp. Time: 1/30s | Aperture: 1.8 | Focal Length: 8.8mm (~24.0mm)

Last night was crisp, clear, cold and very still – theoretically ideal conditions for photographing the lights at Albert Dock with reflections in the water. I couldn’t get out any earlier, but did manage to take my Sony RX100 with me on the way to a dinner meeting.

Unfortunately I was well past "blue hour" so there was no light whatsoever in the sky or its reflection. This presented a bit of a problem, in that it’s a real challenge to a camera’s dynamic range, and the tendency is to over-expose the highlights (lights). The RX100 also insisted in the longer views in defaulting to ISO 6400 (because of the low overall light levels), and in the cold I didn’t have the patience to fix this properly.

The result is that the best shots were those with a reasonable level of foreground light, like the one above. The image quality is excellent, as is the control of the highlights, especially considering it was taken on a small sensor camera in what would be low light by most standards. However I did have success with a couple of longer shots, typically where there was an illuminated building to lift the overall luminosity. The one below is a decent example.

The moral of the tale – try and get out a bit earlier, and set the auto-ISO limit a bit lower!

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Taking the All-Round View

Between the Echo Arena and Jury's Inn, Liverpool
Camera: RICOH THETA S | Date: 22-11-2016 18:11 | ISO: 800 | Exp. Time: 1/30s | Aperture: 2.0 | Focal Length: 1.3mm

Apologies if it’s been a bit quiet here recently, but I’ve been submerged under a tidal wave of new (to me) technologies, and it hasn’t left much space in this bear’s brain for blogging. In the last month or so I’ve had to get my head around OpenLDAP, C#, Java development (OK, I’ve done that before, but not for about 8 years), microservices, Java Server Faces, Primefaces, and that’s just for one client. The other’s been a bit quiet, but even there I’ve had to outline and prove the concept of how to interface with an external expert systems framework.

However, that hasn’t stopped me “investing” in a few new toys. After the Cornwall trip I decided that with my changing eyesight I needed an infrared camera with an electronic viewfinder, and commissioned the guy in the USA who supplied the Panasonic GF3 to source and convert a GX7. Setting aside a nearly two-week delay through customs, mainly due to ParcelForce insisting on sending the charge note by second-class post (grr…), this turned up very promptly and works beautifully. It does appear to be a bit more fussy than the GF3 regarding whether autofocus will work in low-contrast scenes, but as I’m not likely to be using it to capture fast-moving action that’s not a major issue.

More recently, I’ve also plumped for a 360 degree camera, the Ricoh Theta S. This is a fun little gadget about the size of a small chocolate bar, with a lens on each side, and takes a 360 degree panorama in a single click of the button. It will do both video and stills, but the latter is probably more immediately interesting from my viewpoint.

There are some interesting dynamics to using this device. Firstly, it’s a return to much more of a “click and wait” process, on a shorter timescale than but otherwise not dissimilar to film photography. You can use it tethered to a phone or tablet, but a much more natural way to use it is to look for an interesting scene, hold it above your head and click, then look later at what you captured. This requires a discipline of “pre-visualisation” as Ansel Adams called it, but with the variation that you can’t just focus on what’s in front of you, but also need to be aware of what’s behind, above and below as well. A line of subjects on the horizon won’t produce a very good 360 panorama if you have an ugly or boring sky, ground or scene behind you. My usual policy of “getting high” may work fairly well, although that will produce images with much of the interest below the horizon line.

On the other hand, you do get a fascinating opportunity for what I call “post exploration”. Having downloaded the images, you can explore round them, looking at details which were invisible to you at the point of clicking, and trying to find a perspective which makes an interesting shareable static image. I’m becoming quite fascinated by the “small world” perspectives like the above, but there’s a lot of scope to go back to a favourite image and explore it again.

This process does also mean that I’ve had to join the selfie culture. At best, there are going to be a lot of shots of my thumb and the top of my bald head. However there’s a temptation to hold the camera lower and include yours truly in shot, so you have been warned 🙂

Editing is a bit tricky, as so far I haven’t found very good tools for the PC. There are reasonable tools for the tablet, which provides a fast and flexible way to view and explore the image, but the two-way export process if you want to return a cropped image (like the one above) to the PC is a bit fiddly. My search continues.

I went for the Ricoh Theta S, a slightly more expensive option, as reviews promised better image quality. It’s not bad, but like most small-sensor point and shoots there’s not much dynamic range, and so far I’m getting a lot of shots with blown highlights and muddy shadows. If there was ever a device which would benefit from in-camera HDR then this is it. There may also be some settings to explore, but given the very simple user interface I don’t hold out much hope in that direction. If I really get into this I’ll just have to find a grand for a Panono…

If you’re viewing this on a phone or tablet, have a go at exploring round the following by sliding and twisting (I haven’t worked out how to enable pinch to zoom, but I’m working on it.) Please let me know what you think.

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Taking the Long View

Charlestown Harbour, Conrwall. Stitched from 6 pictures using Autopano Giga
Camera: Panasonic DMC-GX8 | Date: 25-09-2016 10:02 | Resolution: 17167 x 3410 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/800s | Aperture: 8.0 | Focal Length: 12.0mm | Location: Charlestown | State/Province: Charlestown, Cornwall | See map

I’m aware that I’m a slightly lazy photographer. I’m not a great one for pre-dawn starts or rushing out the minute the weather changes, and I do tend to walk around with a single zoom lens on my camera making the scene fit the lens rather than rushing to change it every shot. The other thing which can happen is I get "stuck" seeing lots of shots with a similar dynamic, rather than looking for variations.

On our recent trip to Cornwall, I kept on seeing potential panoramas, and made lots of them. A few, like this one, I’m quite pleased with, although others were middling. I took almost no 3D shots. A week later I was in Winkworth Arboretum, and I could only see potential 3D shots, almost nothing else.

This may not be a problem. There are plenty of people who focus their photography on a single subject and style, and try to become the real experts in that, like that German couple (Bernd and Hilla Becher) who just took low-contrast photos of water towers. However I do try to be more diverse, but don’t always succeed. I’m not sure what the cure is, or even whether a cure is strictly necessary. If I’m working on a more formal basis a shot list can help, but I think mainly I just need to spend more time shooting and training my eye to see the shots. Here goes…

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A Bit Stretched!

The Opera House in Prague: Kolor stitching 4 pictures | FOV: 131.87 x 47.47 ~ 24.87 | Projection: Mercator | Color: LDR
Camera: Panasonic DMC-GX8 | Date: 30-06-2016 21:35 | Resolution: 9183 x 3804 | ISO: 3200 | Exp. bias: 0 EV | Exp. Time: 1/25s | Aperture: 5.6 | Focal Length: 12.0mm | State/Province: Prague | See map

Apologies if there hasn’t been much activity on the blog lately. I’m deep into the invention of the expert system I wrote about previously, and that’s filling the relatively small brain of this bear, and not leaving much space for other creative activities. However, I am gently working on a couple of longer articles I hope to share with you soon.

Meanwhile, I am working here and there to catch up on the photographic backlog. Frances and I had a couple of days in Prague about a month ago, and predictably I took a fair few photographs. What was interesting was the dynamic of the type of shots: I did relatively little close-up or 3D photography, but the opportunity to generate big panoramas positively abounds, especially if, as I did, you get up to the top of several of the towers open to the public. I’ve recently switched my panoramic development to Kolor’s Autopano Giga, which coupled with Capture One makes the whole process very quick and painless, effortlessly adjusting and stitching even images taken with a moving camera (moving from the waist, rather than rotating the camera around its optical centre as per correct technique), and those requiring substantial perspective correction.

The attached was taken from a point where the main entrance of the opera house filled the frame, and the two sides stretched away from me down two streets orthogonal to each other. It was also taken late at night, hand-held by available light but the Panasonic GX8 has made a decent job of managing highlights even if the sky does fall away to black. I think it works.

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Creating 3D Images for On-Screen Display

There’s a significant dearth of information on the internet regarding how to create high-resolution 3D images for display on a suitable TV. While many of us regularly enjoy watching visually stunning 3D movies both in cinemas and also on television, if you try and research creating your own 3D images you are led either into the highly technical space of professional production, or at the other extreme you end up reading a lot of rubbish about squinting at pairs of postage-stamp images to "try and get a 3D effect".

While I don’t want to be unkind, the latter is completely out of touch with our target environment, a 3D-enabled large screen television. Such devices are now relatively common, and there ought to be a recognised process for creating suitable images for them. As it turns out, it’s perfectly possible and relatively easy to create stunning 3D images which will display at the full resolution of the target television. With a little discipline and practice you can do so reliably with any camera, and even hand-held.

Read my article to learn how.

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Does a Photograph Portray the Subject, or the Photographer?

Three youngsters in Cienfuegos
Camera: Canon EOS 7D | Date: 20-11-2010 18:54 | ISO: 200 | Exp. Time: 1/400s | Aperture: 11.0 | Focal Length: 15.0mm (~24.3mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Mike Johnston (no relation) over at The Online Photographer has recently run a number of articles discussing the extent to which the photographer adjusts the “look” of a photograph (see What Should a Photo Look Like?) His primary examples were a set from a recent New York Times online photo essay, Cuba on the Edge of Change.

While it’s a fine article, the photos, with one slight exception showing a bride on the way to her wedding, all portray a dark, crumbling, slightly grim Cuba. The following is a good example:

Image from New York Times, photographer not identified

There’s nothing wrong with this photo. Some might say it’s a very good image. However it has been deliberately selected, as have all the others in the article, to show and reinforce the image of a struggling, poor, backward Cuba which is the common American image of the country. The low-key lighting is part of this “story”, and the look of the photos has been adjusted to enhance that.

I went to Cuba in 2010. Yes, I saw decay, old buildings which had not been well repaired, and I certainly saw poverty. I did see a few, not many, people surviving by begging. But that’s not my enduring memory of the country, and doesn’t fit the best of my images. I saw a country full of happy, reasonably healthy and well fed people who were managing to stay cheerful in a difficult economic situation. My pictures are full of smiles, kids running around, and, yes, lots of bright colours and a high key look. That reflected the Cuba I wanted to portray.

The picture at the top more accurately portrays the Cuba I saw than the NYT one, but I’m a positive sort of chap, and I was on a very enjoyable holiday. I don’t know whether the NYT journalist and photographer (or photographers, it’s not clear) had had a worse experience, or were just trying to illustrate a narrative that was already in their minds, but I’m willing to bet the latter.

So to my mind the question is not “what sort of look do you want in your photos”? Your photos will reflect a composite of the subject, true, but also the photographer’s own outlook. Inevitably the photographs will be both taken and prepared coloured with the effects of that outlook just as much as, maybe even more than, the original beams of light.

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My Travel Page

The Devil's Garden, near Escalante, Utah
Camera: Canon EOS 350D DIGITAL | Date: 13-10-2007 15:08 | Resolution: 3468 x 2308 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 11.0 | Focal Length: 38.0mm | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Some things don’t scale. You start off doing something, but before you know it it’s outgrown its usefulness and needs to change. So it is with website design…

I started off with lists in a couple of places on this site of blogs or albums related to trips I’ve done. However as the list has grown they were getting a bit unwieldy  and out of step with one another. I have therefore practiced what I preach, and "re-factored" them to a new "index" page, at www.andrewj.com/travel

Take a look, and let me know what you think.

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Camera History Update

My camera fleet in early 2016 - note how the GX7 has gone from "almost smallest" to second largest
Resolution: 19440 x 3391

As part of a general tidy-up, I’ve updated my camera history page, with a new photo of the "fleet". It may amuse you, especially as the count has crept back up again! "Photography" is a combination of many separate hobbies, and I’m definitely engaged in the "buying and selling cameras" sub-division.

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Backing Up

On the caldera path, Firostephani, Santorini
Camera: Panasonic DMC-GX8 | Date: 04-10-2015 18:45 | Resolution: 4963 x 3722 | ISO: 500 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 7.1 | Focal Length: 15.0mm | Location: Santorini | State/Province: South Aegean | See map | Lens: LUMIX G VARIO 12-35/F2.8

Coming up with a reliable backup policy is a challenge as data volumes grow. My approach is as follows. On a weekly basis I do a full backup of the system disk of the more "volatile" PCs in our collection, plus a differential backup of the other disks. The best tool for full backups appears to be Acronis, but it has a brain-dead approach to partial backups, which cannot always be restored if you don’t have every file in the chain, and it’s just not reliable enough. I therefore also continue to use the venerable Windows ntbackup, even under Windows 10, as I still haven’t found a better option which supports a true "differential" model.

Every three or four months I then do a full backup of every disk in every PC, and re-set the baseline for the differential backups. That’s due for this weekend, and as a result I’m trying to finish processing images from some previous trips, so they will be fully backed up in their complete form. I have about 100 images from Santorini to process today, and then I get to a very neat breakpoint. I’m not sure whether such a deadline really helps, but at least it drives me to keep my photography backlog under control.

The picture above is mainly just to provide a bit of colourful cheer on a damp and windy February morning. Enjoy it!

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