Author Archives: Andrew

Waterfalls, Waterfalls…

The twin waterfalls at Haifoss. Taken lying on my front, camera held in front of me out over the edge.
Camera: Canon EOS 7D | Date: 23-08-2011 14:09 | ISO: 100 | Exp. bias: -2 EV | Exp. Time: 1/60s | Aperture: 10.0 | Focal Length: 10.0mm (~16.2mm) | Location: Fossalda | State/Province: South | See map

With the original cinema release of Life of Brian the Monty Python team included a wonderful documentary spoof called Away From It All, which includes at one point the memorable line “Gondolas, gondolas and more ****ing gondolas”. Tuesday’s journey through Iceland could easily be titled “Waterfalls, waterfalls and more bloody waterfalls” 🙂

Don’t think I’m being churlish – they were actually quite different, and it was a natural effect of driving along the edge of the highlands between the Hofsjokull Glacier (the one in the middle) and the mass which is the giant volcano Hekla (with the smaller but more recently troublesome Eyarfjallajokull), that we’d pass where several rivers drain rapidly onto the coast.

We started off visiting Gullfoss (= “gold waterfall”) from the East side, which gave us quite a different perspective to the usual tourist view from the West. We waited ages for a shaft of sunlight to create a rainbow in the spray, gave up, and then just as we were leaving the sun came out. I was at the back of the line, and close enough to run back and get one shot! Score 1.

We then had a moderately long drive underneath a power line through a fairly empty rocky desert, but this was justified by Haifoss (= “high waterfall”), where twin waterfalls empty straight down about 1000ft into a narrow gorge. I used the famous “switch on live view, lie on your belly and lean out as far as you dare” method to capture the above shot. I was really in the zone, clicking away, and didn’t realise that the rest of the group had already gone back to the cars until I could hear Finn shouting for me. Just as I was leaving a shaft of sunlight created another rainbow. Score 2.

A short drive took us to Gljufurleitarfoss (= “I haven’t got a notion on this one waterfall” :)) which was a dramatic contrast to the very stark beauty of the first two, a real oasis. I had to check we hadn’t gone through a stargate or similar – this green, lush, calm valley really didn’t look like Iceland. I suppose the reason is the way it is sheltered almost all the way around by moderately sharp cliffs – in Britain it would almost certainly be Coombe or Cwm somthing.

Sadly after this it was back on the bare, rocky roads to our last stop, Dynkur (= “nor this one, but it probably isn’t -waterfall”), which is another large, powerful and wide waterfall like Gullfoss. The hike in and out was quite interesting through dense moss, ferns and blueberries quite unlike the sparse vegetation elsewhere. Then it was off to the hotel via a shortcut which involved taking the jeeps through a quite deep and fast moving river. We got some great shots, and Hawk announced that “he loves his job”. Excellent.

I’m writing this with the most wonderful rich dawn light outside the window. Sadly Hotel Highland is located mainly to service a big dam and hydroelectric power plant, and all I can see out of the window is some grass, a sheep, and a couple of power lines. Oh well…

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Our Guides

Our drivers/guides. Fiinn. the fater in the foreground, Hawk in the background.
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 23-08-2011 14:59 | ISO: 100 | Exp. bias: -2/3 EV | Exp. Time: 1/6s | Aperture: 16.0 | Focal Length: 44.0mm (~71.3mm) | Location: Háifoss | State/Province: South | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Meet our guides. I’m doing this trip with an Icelandic company called Nature Explorer, which is run by Haukur “Hawk” Parelius, in the background in this shot. He has several drivers, but always does the Fire and Ice trip himself, usually accompanied by his father Finnur “Finn” Frothason. I haven’t quite worked out why Finn (who’s originally Danish) uses an Icelandic patronimic, and Hawk who was born in Iceland, doesn’t!

Both are wonderful guides, with a great sense of fun, excellent English, and an encyclopaedic knowledge of Iceland and other subject matters. Highly recommended.

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A Day of Travails

Fire meets ice at Kerlingfjoll, Iceland
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 22-08-2011 12:59 | ISO: 100 | Exp. bias: 2/3 EV | Exp. Time: 1/80s | Aperture: 10.0 | Focal Length: 31.0mm (~50.2mm) | Location: BlákvĂ­sl | State/Province: South | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

You don’t realise quite how empty the interior of Iceland is, or just how much time you’re going to spend bouncing over unmade roads through deserts of rock and mud. It’s not surprising that NASA test their extra-terrestrial rovers here. Fortunately the scenery when you get to each location more than makes up for it.

We started Monday by driving up to Kerlingfjoll (which roughly translates as “Bitch Mountain” :)). This is an amazingly colourful geothermal centre reminiscent of The Artists’ Palette in Death Valley, only with ice, rain, snow and steam all mixed in! The only problem was that it was blowing a gale, tipping with rain and only just above freezing. I braved it with my new raincoat, Kata rainbag and cheap filter on the camera, and got some great shots. One of the rest of the party had a little Canon in a waterproof housing (like I use for snorkelling) which was maybe slightly OTT but worked well, and her husband had a rainbag like mine, but everyone else gave up on photography which was an enormous pity.

After lunch we travelled up to Hveravellir (“Hot Field”), to see another geothermal display, this time a mix of hot pools and small geysirs. On the way back we diverted up to the Langjokull glacier, at a point where the jeeps could actually drive up onto it. This was a brilliant experience.

Unfortunately at this point I realised that my main 15-85mm lens was starting to play up, and my photos from the glacier aren’t that great. I don’t know whether it’s the vibration, the moisture or just a fault which was waiting to happen, but I’m getting a nice soft focus at the top/left of the picture, whether I want it or not :(. Fortunately I also have the 17-85mm as a spare, so hopefully this won’t put too much of a dent in proceedings. Yesterday also saw the possible demise of one of the batteries for the 7D, but I won’t know until I’ve recharged and re-tested it.

I’m going to start building up a list of tips for a trip such as this, but a spare everything, a rain bag and a cheap filter you don’t mind wiping with anything to hand are all essential!

Hotel Geysir may look nice, and dinner was great, but the rooms are a bit chilly and there’s really nowhere to type on the PC, so I’ll stop here… More tomorrow.

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Please Don’t Shoot the Motorcyclists!

"Please don't shoot the motocyclists!" Road sign near Geysir, Iceland.
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 21-08-2011 17:17 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/50s | Aperture: 10.0 | Focal Length: 50.0mm (~81.0mm) | Location: Gullfoss | State/Province: South | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

´Nuff said…

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It Now Costs a Pound to Spend a Penny!

The big geysir Strokkur starts to erupt.
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 21-08-2011 17:58 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 8.0 | Focal Length: 40.0mm (~64.8mm) | Location: Skersli | State/Province: South | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Just a quick update today, as I’ve had a few computer problems and time is tight…

Yesterday we were picked up from the hotel in two enormous “superjeeps”, which started life as Nissan Patrols but now stand about 10ft tall, and headed out into the country. The day’s itinery focused on the well-known natural sites within a day from Reykjavik, so we started (via a trip over the mountains to see a geothermal power plant) with Thingvellir, which has both historic interest, as the site of Iceland’s parliament from the 10th century until the 19th, and also geological interest, because it’s where you can most visibly see the North American tectonic plate moving away from the Eurasian plate, at about 1cm/year.

After that we travelled up to the big waterfalls at Gulfoss. I decided to try and get a close-up, which meant descending into a large cloud of spray, but thanks to my Kata Rainbag for the camera, and an excellent North Face raincoat I’d picked up in Reykjavik, both camera and I stayed adequately dry, and I got some good shots. They need a bit of work to bring out the best, but hopefully I’ll post one before the end of the trip.

After that we took the scenic (i.e. dirt track) route back to Geysir, which gives its name to powerful host springs in languages the world over except, ironically, Icelandic! Actually this is a little disappointing if you’ve been to larger sites such as Yellowstone, but it’s well worth seeing if you’re here… We wandered up the path to the main geysir, Strokkur, and waited. Suddenly this dome appeared, and the geysir erupted. And guess who was standing in exactly the wrong place? No raincoat, no rain bag – I got absolutely soaked. Fortunately I managed to turn quickly enough so that I took most of it on my back, and no harm was done. When I realised what was happening I was immediately worried that I might be scalded, but the temperature was fine, like taking a nice warm shower with your clothes on. Well at least the shot was worth it.

If you’re puzzled by the title of this piece, let me explain… Before I came away I was reading my mother’s journal from her Iceland trip, in the early 90s. At that time none of these sites had any significant development for tourism, and she remarked several times how unspoilt and un-commercial they were. That  has changed. You can still visit the attractions free of charge, although I suspect the paths and car parks are a bit more obtrusive than when my parents came, but you are also encouraged to visit the visitor centre / restaurant / shop and, of course, use the facilities should you need to do so. At Geysir and Gulfoss these were free of charge, but at Thingvellir they were extracting a punitive 200 ISK (about £1.10) for the privilege. Adam, the other British person on the trip, looked at me and we both said almost simultaneously “that’s a pound to spend a penny”*. Blank stares from those with other financial contexts. Oh well.

* Explanation for the foreign, the young and the hard of thinking: before Britain changed to decimal coinage in 1971 the standard charge for a public toilet had been, for many years, one old penny, 1d. “Spending a penny” was a convenient and common euphamism. The expression still works, although mainly as a measure of long-term inflation.

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Reykjavik “Culture Night” – The Other Side of the Coin :)

The other side of the Reykjavik "Culture Night" Festival - the Pole Dancing competition!, Iceland 2011
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 20-08-2011 18:03 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/125s | Aperture: 7.1 | Focal Length: 35.0mm (~56.7mm) | Location: Adam Guesthouse | State/Province: Capital Region | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

And here’s some more of the flower of Iceland’s youth! Judging by the outfits Reykjavik has at least two pole dancing clubs in competition with one another. I would say it keeps them off the streets, but of course yesterday that wasn’t true. 🙂

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Reykjavik “Culture Night” – One Side of the Coin

Folk Singing at the Reykjavik Culture Night Festival, Iceland 2011
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 20-08-2011 15:03 | ISO: 100 | Exp. bias: -1 EV | Exp. Time: 1/200s | Aperture: 8.0 | Focal Length: 38.0mm (~61.6mm) | Location: Kringlan | State/Province: Capital Region | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I wanted to show the breadth of the “Culture Night”, and was torn between these three cute Icelandic maidens singing their very tuneful folk songs, and the pole dancing. I suspect in the interests of journalistic integrity I have to take a leaf from the BBC’s book and show both…

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Updates from Iceland…

The Harpa Concert Hall lit up for the Reykjavik Culture Night Festival, Iceland 2011
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 20-08-2011 22:55 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 25.0s | Aperture: 5.6 | Focal Length: 15.0mm (~24.3mm) | Location: Government Building | State/Province: Capital Region | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

From the Ministry of Odd Coincidences: I’ve been on four organised photography tours, and I’ve now been in the right place to witness marathons or “fun runs” on three of them. The latest was the annual Reykjavik Marathon. I wonder why this keeps occurring?

From the Health and Safety Executive: If you sit down at lunch and all the welds holding the seat to the chair legs suddenly fail, it isn’t necessarily because your wife is right and you’re overweight. It could simply be down to the fact that the chair has been out in one too many Icelandic storms and the restaurant should apologise to you instead of the other way around. The lesson: understand how to inspect a cracked weld for rust (and maybe lose a few pounds too! :)).

From the Department of Pointless Activities: If a restaurant has limited English reading matter, a two year old copy of Stuff really is probably worse than nothing. It’s quite scary how many of the new gadgets in that magazine have been, gone and already been replaced.

From the Icelandic Department of Culture (OK, they really exist, but why spoil a good format?): Reykjavik “Culture Night” is a fascinating thing to experience. Having seen the Marathon off this morning downtown Reykjavik was a bit dead, and I got a taxi over to the big shopping mall, and had lunch there. When I got back, Reykjavik was completely transformed, with almost the whole centre pedestrianised and every street corner sporting a burger/beer stand and live music. It looks like almost the whole Icelandic population has turned out, and I’m amazed that the country has that many musicians and PA systems.  It’s not even just music – one square was hosting a pole dancing competition! The only minor problem is that the area opposite my hotel has been given over to an Iron Maiden tribute band. They’re not without talent, but very loud…

I’m off now to sample some more of culture night. Hopefully I’ll be able to update you later with some pics of the fireworks.

… The remainder of Culture Night was a mixed bag. The big Jazz concert to start the Jazz festival was, to be as charitable as possible, “simply weird shit” (the uncharitable wouldn’t bother with “weird” :)).  However, once I gave up on that and went in search of a drink I found an amazing Christian blues band playing in the back of a tiny coffee house. The fireworks weren’t quite where everyone expected them, and by the time I’d moved and got the camera settings right I didn’t get many good shots. On the other hand, the lighting up of the Harpa concert building worked wonderfully, and I got a couple of decent shots, one of which is the image for today.

The guides arrive early Sunday, and then the landscape photography begins. Watch this space.

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Andrew’s Gone to Iceland – and Not Just for Fish Fingers!

The Hallgr�mskirkja and statue of Lief Eriksson in Reykjavik, Iceland
Camera: Canon EOS 550D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 19-08-2011 19:57 | ISO: 200 | Exp. bias: 1/3 EV | Exp. Time: 1/200s | Aperture: 11.0 | Focal Length: 26.0mm (~42.1mm) | Location: ĂŤslenska Ă“peran | State/Province: Capital Region | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Well my Iceland trip has finally come round – I just hope it rewards the wait. As many of you will know I originally tried to do a trip to Iceland last year, but was stymied by a combination of volcanoes and economic uncertainty, which meant that there were insufficient other takers. This year things looked better, but it still took a couple of months of emails with the tour leaders before things were settled.

The waiting continued at the airport. The check-in and gate check processes were both interminable, with long queues which between them chewed up over an hour. Now it’s ten minutes past departure time, and I’ve just watched the baggage handlers unload a plane load of frozen fish from our hold, and only just start to load our baggage, one item at a time. I thought the aviation world discovered palletised baggage and freight about 40 years ago? I can see this flight running at least an hour late, and to think I rushed lunch because of the check-in delays…

I’m sitting in a plane with a seat pitch which makes Michael O’Leary’s plans to offer standing accommodation on Ryanair look half reasonable, and I’ve just scratched the back of my iPad quite badly on a very ill-designed “seat pocket” with near zero capacity and an exposed screw head just inside. Iceland Express is definitely at the EasyJet end of the scale.

At least I’m getting better at beating unreasonable baggage constraints, even if I did have to walk through check-in like John Wayne due to the lens down each trouser leg! Also I’ve discovered that if you can lift your camera bag with one finger they assume it’s light and don’t bother to check the weight. At last the weightlifting comes in useful.

… The flight was uneventful if a bit boring. There was no in-flight entertainment, and the noise levels were a bit too high to watch any video on my iPad. Oh well, thank goodness for Kindle and Angry Birds 🙂

The road from Keflavik to Reykjavik is flat and straight, with nothing much going on either side, but there are tantalising glimpses of more promising terrain in the distance. What is interesting is that you can see sunlight, cloud, dry weather and rain patches in the same vista. I see what they mean about waiting 5 minutes if you don’t like the weather here.

… Reykjavik looks a lot as I expected, clean and Scandinavian, although there’s almost a North East USA feel to some of the road and larger building layouts. After I settled in at the hotel I wandered down to the town centre, and got a couple of shots including this rather nice one of the Hallgrimskirkja and the statue of Lief Eriksson in front of it.

The daily cycle is going to challenge an early bird like myself. Sunset is after 9, and sunrise about 5. I was just starting to stir this morning and was rudely awoken by a party coming down the street, presumably having just been chucked out of a night club!

Oh well, I didn’t come here to rest. I have a free day in Reykjavik today, and the tour proper starts tomorrow. I’m going to try and update at least once a day – connectivity doesn’t seem to be a big challenge like it was in Cuba – so please check back soon.

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Don’t Rush to Judgement

Worker at tobacco farm, Vinales Valley, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 18-11-2010 15:52 | ISO: 800 | Exp. bias: -1 EV | Exp. Time: 1/250s | Aperture: 9.0 | Focal Length: 76.0mm (~123.1mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

As soon as I’ve downloaded a shoot from my cameras, I do a quick scan of the in-camera JPEG files, and usually mark about half of the images for deletion. Those which are irrecoverable go straight to the wastebasket, the rest go into an “others” file from which they will only be retrieved in exceptional circumstances.

When I first reviewed my day’s shooting from around Vinales, I nearly gave this shot that treatment. It’s not the clearest portrait I’ve ever done, and the low-contrast of the original meant it didn’t look worth much effort.

However something made me keep it in the “to process” group, and I’m glad I did. The trick was a small crop, and a simple curves adjustment to make the smoke almost white against the woman’s face. The increased contrast makes all the difference.

I’m a great believer in getting shots almost right in camera, when I can. However sometimes the image is hidden for want of a few simple adjustments, as it was in this case. It’s a salutary lesson to me to not be too harsh with my initial filtering.

 

Iceland beckons, and I’m going to repeat the Cuba experiment and try and publish a daily photo blog of my trip. Expect to hear from me again later this week.

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Seeing in Black and White – Follow Up

From the Ministry of Odd Coincidences…

This evening I watched this week’s Horizon, which, by remarkable assonance with my blog, was on the topic of the perception of colour. The programme made it clear that colour perception varies widely and subject to personal and contextual forces. However, given my post this morning, I was most interested in the fact that colour perception is strongly linked to the vocabulary you have to describe colours and their differences. The Namibian tribe who have words to describe slightly different shades of green, but who lump blues and greens together under a single word, can see the former, but not a blue/green variation.

Now I’ve always had a very good physical ability to remember and match or discriminate colours, but when I first met my wife I couldn’t articulate this. To exploit my colour vision in conversations with her (such as answering “do you think this will match X?” :)) I learned a more powerful vocabulary, and in turn further developed my colour visualisation skills.

When I took up photography seriously a few years ago I became aware of the colour of light, but again really got on top if it when I learned appropriate vocabulary to describe lighting causes and effects.

So maybe my visualisation skills relate to my ability to describe (even internally) what I see or the resultant image I want. I can do this in colour because I have developed an effective colour vocabulary. I don’t “see” in monochrome because I don’t mentally describe scenes using monochrome terms, unless I’m forced to because it’s all shades of grey, or just a single colour.

The great photographers of the early twentieth century developed the vocabulary I need. Ansel Adams’ Zone System was designed for exactly this purpose, and in his writing, such as Examples he actively describes scenes using the zone terminology. I understand the theoretical concepts, but I haven’t developed the habit of using them as linguistic tools to describe a scene. Clearly I could train myself to do so, but I don’t want to lose my skill with colours as a result. The interesting challenge is whether I can become visually bilingual.

Location:Bookham Rd,,United Kingdom

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Street Life – Cuban Style…

Streetlife, Havanna, Cuba
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 15-11-2010 17:17 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/15s | Aperture: 10.0 | Focal Length: 38.0mm (~61.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Just a quick update on the shots from my Cuba trip last year. This scene made me giggle at the time, and the photo amused me again. Does it work for you?

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