Author Archives: Andrew

Back to Italy!

Sunset on the Piazza Vecchio, Bergamo
Camera: Panasonic DMC-GH2 | Date: 31-08-2013 17:17 | Resolution: 5111 x 3195 | ISO: 160 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 11.0 | Focal Length: 14.0mm | Location: Excelsior San Marco Hotel | State/Province: Lombardy | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

For 2013 we’ve come back to Northern Italy. It’s a place we both love. Frances has long harboured a desire to visit Verona, and I wanted to revisit the Dolomites through which I took a fleeting drive many years ago, so we built both into a short loop from Milan.

Photographically this is an experiment, as for the first time for about 6 years I’m travelling without my full-sized Canon camera. Unfortunately the new Panasonic GX7 didn’t turn up in time, so the primary tool will be my existing micro four thirds GH2, with the Canon 550D as backup.

Day 1

Travel from Heathrow to Milan works flawlessly, a good start. Hire car is an Alfa Romeo Giulietta, with a 2l turbo diesel engine, which should be fun.

Short drive to Bergamo, and found hotel after minor panic. Parking in square behind hotel behind big doors in shopping arcade, just like in The Italian Job.

After settling into the hotel, we went to explore the old town of Bergamo Alto, (= “high”). There’s a funicular railway to the main town, and a second one which I thought went down the other side. Wrong. It’s a long way to the top of the hill on foot! However, had wonderful meal in restaurant recommended by our friends Pauline and Filece (who happens to be an Italian restauranteur).

Note to self: just because restaurant has Pizzeria in name doesn’t mean it is not posh and I shouldn’t arrive soaked after walking a mile up a steep hill!

Food: 9/10
Hotel: 10/10
Map reading of funicular railway: 1/10

Day 2

Further exploration of Bergamo. The low town is mainly big Lombardy bank offices and modern shops but worth a wander. Hotel Capello d’Oro is right in the centre. Bergamo Alto is the real tourist centre. We had a great lunch at the cafe run by the Bergamo micro brewery – excellent stouts and bitters completely contra to normal expectations of Italy.

We did all the normal tourist sights, then headed back to the hotel for a quiet coffee break. After that we headed out for dinner, to find the main square setting up for a big festival. Dinner, a club sandwich, was a bit disappointing, but the free rock concert was very good, we enjoyed watching the glamorous Italian ladies, and I got another pint of the local brew. Very good ice cream too.

Bergamo really is the home of beautiful people. We followed one young couple with three very young children, she in a spotless white linen dress, he in beige trousers and pale green polo shirt matching his suede shoes. I don’t have toddlers, but if I did I would probably go around in a level 4 hazmat suit, visor down.

Note to Italian musicians: pop music really does work better in English.

Beer: 9/10
Music: 7/10
Tourist stuff: 7/10
Fashion: 10/10

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Balloon Fiestas – The Awards

Lift off of the mass ascension at the Bristol Balloon Fiesta 2013
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 10-08-2013 19:16 | Resolution: 3076 x 4613 | ISO: 200 | Exp. bias: 2/3 EV | Exp. Time: 1/80s | Aperture: 8.0 | Focal Length: 42.0mm (~68.0mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

We are becoming quite the connoisseurs of balloon fiestas (unless fiesta is its own plural :)). Following on from Northampton 2008 (0 balloons) and Albuquerque 2012 (over 500 balloons) we’ve now added Britain’s biggest festival on Bristol, which featured a great balloon display this weekend, including a mass ascent on Saturday night of more than 100 balloons.

Bristol’s economic model is interesting. It’s a “free” festival, which means in practice that they have to pack in lots of punters eating lots of burgers and taking lots of rides on the funfair to break even on costs. The result was a relatively crowded and sparsely entertained afternoon, but capped by first a very exciting mass ascension, and then, when the balloons returned, by a beautifully choreographed synchronised inflation and evening glow set to a great soundtrack.

Balloon fiestas are all different, and to articulate the differences, here are our Balloon Fiesta Awards.

Best Mass Ascension: Albuquerque 2012. 500 balloons and we were part of it!

Best Entertainment (No Balloons): Northampton 2008. I don’t know whether they were expecting problems with the star attractions, but the organisers in Northampton put on an excellent day’s entertainment regardless, with stunt riders, motorcycle display teams, and an attempt on the YMCA mass singing record! Bristol was about aerial displays, but very patchy. The non-appearance of the spitfires left a big hole in the afternoon’s events. Interestingly the Albuquerque model is completely different – it’s about the balloons, and everything essentially shuts down after the morning events, and restarts for the evening about 4pm.

Best Balloon Packing: Bristol 2013. We couldn’t believe how many balloons inflated simultaneously from such a tiny field. I was a bit scared to see the baskets of balloons just taking off scraping across the canopies of those still inflating, but no obvious damage was done.

Best Traffic Management: Albuquerque 2012. The Albuquerque police took traffic management very seriously, closing or re-routing feeder roads onto and off the freeway, and the car parks were well marshalled going as well as coming. From the last bang of the fireworks to our hotel room on the other side of the city – 25 minutes!

Worst Traffic Management: Bristol 2013. The Bristol police and organisers did not make such a good job of it. We spent two hours waiting to exit the car park… From the last bang of the fireworks to a (closer) hotel – 2.5 hours!

Best Weather for a Mass Ascension: Albuquerque 2012. Sunny, warm, and a blue sky to provide a nice backdrop to the photos.

Worst Weather for a Mass Ascension: Albuquerque 2012. OK, the balloons didn’t actually fly on the Thursday. Balloons and wind don’t mix. Propane tanks and lightning strikes really, really don’t mix!

Best Night Glow: Bristol 2013: Credit where it’s due – this was superbly done. The balloons were inflated in synchronisation to music, and then the burns to light the balloons were also synchronised with the soundtrack. Brilliant.

They were all fun, and I recommend the experience wholeheartedly, but every experience will be different.

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Capturing the Setting Sun

Angel Peak, New Mexico. HDR panorama from 15 originals.
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 04-10-2012 18:48 | Resolution: 5184 x 3456 | ISO: 800 | Exp. bias: -4 EV | Exp. Time: 1/320s | Aperture: 10.0 | Focal Length: 28.0mm (~45.4mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve been catching up with some of the outstanding shots from our USA trip in 2012. One of the most successful days of the whole trip in photographic terms started in the fascinating Bisti Badlands, and ended on a short rim drive opposite Angel Peak. The scenery there would be stunning in many conditions, but we were treated to a dramatic sunset, with the sky on fire in certain directions.

Unfortunately, however, the best sky colour was opposite to the most dramatic scenery, which raised a dilemma about what to capture, and how. Most of the shots of the sunset itself are very nice, but have a relatively boring foreground. I’ve ended up favouring a couple of compromises.

The top shot is composed from 15 original frames, processed first in Capture One, then converted in Photomatix to 5 HDR images which were in turn stitched together in Pano Tools Assembler. The dynamic range across the scene was very high, and unfortunately the most interesting areas of the scene, the sunset and Angel Peak itself, are quite widely separated with the intermediate area somewhat less interesting. Although I’ve gone for a fairly “natural” look I’m not sure it doesn’t still look a bit “processed”.

The other compromise is a more traditional one. I call the image below “Tree on Fire”. It’s lit by the setting sun, but there’s not much colour in the sky. My first attempt at this, immediately after the trip, wasn’t very satisfactory as I ended up with a very oversaturated image which had insufficient detail and areas of blank colour. Re-processing in Capture One with its excellent highlight recovery I’ve managed to keep the deep red colour but get the detail of the tree back. A tighter crop than my first go has also improved matters. I’m now quite fond of this one.


Let me know what you think.

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World War Z – One from the Ministry of Strange Coincidences…

I’ve just posted my review of World War Z – The Book. In it, I liken the book to a science fiction version of “The World At War”. Now here’s the real oddity – the book of The World at War was written by Mark Arnold-Forster. The new film is directed by Marc Forster. Co-incidence, or what???

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Review: World War Z – The Book

An Oral History of the Zombie War, By Max Brooks

"The World At War" with Zombies!

Christopher Tookey’s review of World War Z the movie made me decide two things simultaneously: I did not want to spend £20 on going to see the film, but I did want to read the book. Having done so, I’m very glad I did.

The book takes the simple concept of “a plague of zombies”, and tries to tell the story of a modern, global human struggle to first survive and then fight back and retake the world. To do this the author, Max Brooks, adopts the unusual but highly effective device of a series of interviews with key witnesses: soldiers, survivors, leaders, administrators and political or social commentators.

The book is as much about the socio-economic upheaval of such a happening as it is about how zombies behave. Given the concept of “flesh eating zombie”, the emerging story then reflects a very modern understanding of virology, military capabilities, human behaviour and geopolitics.

The interview-based structure really resonated with me, although initially I was slightly puzzled why. Then the penny dropped. This is “The World at War”, adapted for science fiction. I am a great fan of that 1970s epic documentary, told largely through interviews with soldiers, survivors, leaders… The author doesn’t explicitly acknowledge that influence, but once you see it, it’s obvious.

I haven’t seen the film yet, but based on the trailer and reviews it sounds like the screenwriters have thrown away this wonderful structure in favour of a much more simplistic linear narrative focused on a few central characters. If so, that’s an enormous shame.

For an intelligent, inspiring tale which will keep you turning the pages you won’t do much better.

Categories: Reviews and Thoughts on the World. Content Types: Adventure, Book, Fiction, and Science Fiction.
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Canon EOS 70D: Cynical, Substantial or Stepping Stone?

I am trying to work out what to make of the announcement of Canon’s new 70D. For those of you who haven’t caught up yet, Canon have finally, after four years, upgraded their APS-C sensor technology, yesterday announcing their new “prosumer” model. This will have a 20.2 MP sensor, whose main achievement is innovative autofocus technology in live view or movie mode.

In optical viewfinder mode the camera will fall back to an autofocus scheme based on (but slightly downgraded from) the 7D, and the announcements have been oddly quiet on the topics of image quality and dynamic range, arguably weak spots of the current 18MP sensors.

Now part of me says that any improvement is welcome. I had started mentally drafting a blog post worrying about whether Canon had effectively abandoned the middle ground – at least I don’t have to complete that. I had been waiting for a real upgrade to my 7D and 550D for so long I almost ordered the new camera as a reflex action. And the combination of a feature set similar to the 7D in a smaller and lighter chassis might hit a sweet spot for me in practical terms.

But apart from being lighter and newer, I’m not convinced the camera has anything to offer me. In terms of feature set, it’s still definitely a downgrade from the 7D, and a poor successor to the 40D and 50D. The new autofocus will probably be brilliant for video, but of limited value in the types of photography for which I use the 7D.

I don’t do much video, and on the rare occasion that I might my tool of choice is probably the Panasonic GH2. I do use Live View, but only really to extend my reach (e.g. shooting over crowds), for “sneaky shots” and the occasional tricky manual focus task. 90% or more of my 7D shots are through the viewfinder, ensuring visibility in all lights, and stability down to very low shutter speeds. I suspect the vast majority of stills photographers using Canon DSLRs are similar.

The new generation of Canon cameras may therefore be at best a “stopgap” upgrade, particularly if image quality is no better than now. However, I’m not completely despondent. I think the camera is actually something else altogether – it’s actually a “stepping stone” to something completely different.

Canon have “form” in this area. The 50D was a similar “stepping stone” between the excellent but relatively low-res 40D and the 7D/60D (high resolution, split by functionality). The 70D looks suspiciously like enabling technology for a whole new generation of Canon cameras.

The cameras I think, and really hope, will emerge will look like this:

  • An electronic viewfinder fully replacing the optical one
  • Body shape and size similar to the 7D/70D (which works very well), but hopefully much lighter because of all the moving parts which can be dumped. There will also be at least an XXXD version with its familar control set
  • APS-C sensor, hopefully with a step up in image quality and dynamic range from the 7D’s sensor
  • EF-S lens mount, so we can carry on with all the existing Canon glass

It’s important that the “full size” version is “full functionality” with dual axis level, multiple custom settings, built-in GPS etc. (7D replacement). If necessary for marketing purposes there can be a “reduced functionality” version like the 60D as well.

In other words, I’m now really waiting for something which looks like an APS-C, EF-S mount GH2/OMD. If they’d announced that yesterday I would have bought it sight unseen.

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Iceland Album Now Online!

0811 7D 6859
Camera: Canon EOS 7D | Date: 21-08-2011 16:56 | ISO: 200 | Exp. Time: 1/160s | Aperture: 10.0 | Focal Length: 28.0mm (~45.4mm) | Latitude: N 64°19'34.82" | Longitude: W 20°7'28.19" | Altitude: 218 metres | Location: Gullfoss | See map | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve finally posted my complete album from the 2011 Iceland Trip! Please look inside and let me know what you think…

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A Delightful Little Surprise

Waterfalls at Veldivnathraun, Iceland
Camera: Canon PowerShot S95 | Date: 24-08-2011 19:02 | Resolution: 3648 x 2736 | ISO: 200 | Exp. bias: -1/3 EV | Exp. Time: 1/1000s | Aperture: 3.2 | Focal Length: 10.7mm | Location: Hrafntinnuhraun | State/Province: South | See map | Lens: Canon EF-S 10-22mm f/3.5-4.5 USM

I’ve just finished processing the photographs from my 2011 trip to Iceland! I’ll get the best up on my site over the next week or so. At least I’ve avoided the second anniversary of the trip…

There was a wonderful little twist in the tail. I was processing the last few shots, most of which were taken on my Canon 7D, and the very last were a couple of shots taken walking away from one of our locations, when the sun suddenly hit the waterfalls just right. I assumed that these were also from the 7D, but the filename and data tell a different story. These were taken on my diminutive Canon S95. Not bad, huh?

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Improved Capture

Fisherman casting net on Gibb's Beach, Barbados. Developed with Capture One 7
Camera: Canon EOS 40D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 23-04-2008 21:58 | Resolution: 3233 x 2155 | ISO: 200 | Exp. bias: -2 EV | Exp. Time: 1/40s | Aperture: 20.0 | Focal Length: 17.0mm (~27.6mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Following on from the last post, I thought I’d pop up an example to highlight the improvements possible through just the right choice and use of software. The picture above was taken back in 2008, on my old Canon 40D. As soon as I’d taken it I knew that I had a great latent image, but the very high dynamic range was a real struggle. The original in-camera JPEG is long gone, but the following version with no adjustments shows the problem: the sun and its reflections are completely blown out, and the automatic metering has substantially under-exposed the darker parts of the scene:

My original development using Bibble 4 was a partial success. I could recover some of the colour in the sky (although obviously not the sun itself), and I could reveal some of the shadow detail, although the fisherman himself was never much more than a very dark silhouette. However, this was at the cost of substantial colour noise in the mid-tones, such as the breaking waves, and some very odd banding around the sun:

Onscreen this image works fairly well, but I could never get a satisfactory print, and it was rejected for stock use because as a thumbnail it just looks like a dark splodge. Successive versions of Bibble didn’t do much better, so much so that I’ve kept the Bibble 4 version as the best compromise.

Enter Capture One, and with relatively little effort I get the results shown at the top. I much prefer this version: you can see some detail even in the darkest area of the fisherman’s body, and the overall feel is not so markedly “low key”. There’s also very little noise. I haven’t tried printing it yet, but I suspect there won’t be many problems.

Oddly when I showed these to Frances she still preferred the Bibble version, because she felt it portrayed the mood better. However, I’m definitely going for the Capture One version. Which do you prefer?

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What’s More Important: Hardware or Software?

Eric Clapton at the Royal Albert Hall - May 2013
Camera: Canon PowerShot S95 | Date: 17-05-2013 21:55 | Resolution: 2498 x 1405 | ISO: 800 | Exp. bias: 0 EV | Exp. Time: 1/50s | Aperture: 4.9 | Focal Length: 22.5mm | Lens: Canon EF-S 10-22mm f/3.5-4.5 USM

We live, as some of you might have noticed, in a digital age. The displacement of older technologies by digital versions has been accompanied and largely enabled by rapid, substantial advances in technology. Yet a couple of recent experiences suggest to me that we may be reaching a point in many areas where further hardware change is of less importance than improvements to the supporting software.

This has most clearly been brought home to me in respect of cameras. My older, larger, cameras and lenses work by delivering high quality optics coupled with relatively straightforward processing of the captured image from the sensor. The newer, smaller cameras make some dramatic compromises on optical accuracy, and then correct the errors in software. This works surprisingly well, but introduces the challenge that if you want to shoot in RAW format and develop the shots yourself, you need RAW processing software capable of reproducing the same, or better, corrections.

That’s been a problem for me, as the software I was using (the former Bibble, now Aftershot Pro) didn’t have adequate support for my new Panasonic GH2 and its diminutive lenses. Also new owners Corel seem to be determined to kill the software through negligence, which makes the prospect of improvements unlikely. (That’s another story, to follow…)

This week I got a bit disheartened, fearing that I was becoming “locked out” of both new cameras and fully developing my work with the GH2, and finally bit the bullet. I didn’t buy a new camera, I started evaluating alternative RAW processors. After a couple of false starts I have settled on Capture One from Phase One. The results so far are very promising: it not only corrects the distortions of my Micro Four Thirds lenses, but it delivers silky smooth output from my larger Canons at ISO 3200, and does a remarkable job of highlight recovery. The shot above was taken at ISO 800 from the back of the Royal Albert Hall with my tiny Canon S95. (BTW, Eric Clapton was excellent!)

But the big surprise has been applying Capture One to some of my older images. The following was taken on our 2007 visit to the Southwest USA, using my original Canon 350D. I was never really happy with the Bibble version, which struggled both to recover the blown highlights and to pull some usable shadow detail without excessive noise. The difference using Capture One is dramatic. It’s almost like revisiting the scene with a new camera.

Getting back to the original topic of this post, I’ve also seen the same software-led effect elsewhere. Support for a proper stylus aside, there’s not much in hardware terms between an iPad and my 10″ Galaxy Note, and some might prefer the Apple hardware. However the dramatic differences in software capabilities are a real differentiator. (See my various reports for details.)

I don’t want to belittle the impressive work of digital hardware engineers, and we’ll continue to take the benefits of further advances, but we need to recognise that the efforts of frequently unsung software engineers may be just as, or sometimes even more key to the hardware’s exploitation.

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Back to the ‘Fray

Monochrome HDR shot of the "Ugly Pond" and stormy sky beyond
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 24-08-2011 10:43 | ISO: 100 | Exp. Time: 1/250s | Aperture: 10.0 | Focal Length: 30.0mm (~48.6mm) | Location: Einbúi | State/Province: South | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

Oh well… The annual pilgrimage to the sun has come and gone, and it’s back to the ´fray. (I assume that “fray” is a contraction of “affray” – is that correct?)

Updates to my web site are almost complete. As a salutary lesson to others in a similar position, what I had hoped would be a few weeks’ work turned into something which chewed up most of my “development” time for over three months. However I now have a site which works well on almost all devices (although there are a couple of outstanding oddities and the style sheets still need tweaking for phones with relatively low resolution screens, such as older iPhones). I’m hoping my “lessons learned” will make interesting reading to anyone with a similar challenge, and I’m also confident that future changes will be easier to achieve.

I’m also hoping to get back to blogging on other topics, which have been neglected a bit in recent times. If you have any preference on topics then please let me know.

Most of my recent posts have been book reviews, and I thought the blog needed a picture at the top, hence the above. I’ve been processing some outstanding photos from my Iceland trip, and I was rather taken with this one, which is another HDR monochrome development from three originals processed using Photomatix. What do you think?

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Review: El Dorado Blues

By Shaun Morey

Another enjoyable romp

Like the predecessor novel, Wahoo Rhapsody, this is an enjoyable romp which charges on at an impressive pace. As a complete antidote to all the “Templar Treasure” novels of recent years, while this does feature a long-buried fabled treasure, which is located and dug up in the first few pages. That’s when the trouble starts…

Thereafter the story becomes a tale of rich and unscrupulous dealers and collectors trying to get control of the treasure, with a few reasonably honest characters caught in the middle. It’s neither a very long story nor a very complicated one, but it’s quite fun.

I liked the new unpleasant characters, and welcomed the return of the same “good guys” from Wahoo Rhapsody. I just hope Morey has done his legal homework creating a wealthy collector with an ill-fitting toupee called Ronald Stump!

My only complaint about the first book was that it felt a bit too obviously a copy of a Carl Hiaasen, and there’s still some truth in that criticism. In particular Atticus Fish does feel like an echo of Hiassen’s character Skink. However, that’s a minor complaint, and I look forward to the next book in the series.

Categories: Reviews. Content Types: Book, Crime / mystery, Fiction, and Humour.
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