USA 2012 – Technical Review

Fireworks at the Albuquerque Balloon Fiesta 2012. (Genuine single exposure - only slight crop and exposure adjustments applied.)
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 13-10-2012 20:05 | ISO: 200 | Exp. bias: -2/3 EV | Exp. Time: 8.0s | Aperture: 11.0 | Focal Length: 22.0mm (~35.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Or, “What Worked and What Didn’t”

As usual, I tried to take a few notes regarding the more “technical” aspects of our holiday, which may be useful to others planning a similar trip.

One spectacular success was having Laurent Matres’ Photographing the Southwest in Kindle format, with a synced copy on my Galaxy Note phone. On our previous Arizona/Utah trip I missed a couple of the “best shots” because I didn’t refer to Matres’ notes, and at other times we did follow his directions but it was a bit painful lugging quite a heavy book around. The Kindle version solved both those problems, and the Galaxy Note is sufficiently large to be quickly readable, and to render the book’s images clearly and attractively.

It was definitely the right decision for us to hire a convertible. I drive a drop-top in the UK, and we both loved buzzing around with the sun on our faces and the wind in our hair (well, OK, that’s maybe more one for Frances to comment on… :)). However, we seemed to be in a tiny minority driving a soft-top in New Mexico and Colorado, and the rental choice was not good. I’m not sure of the reason, whether the locals are afraid of getting too much sun in the Summer or insufficient weather protection in the Winter, but of course that doesn’t stop us in wet, windy Britain…

We eventually went to Dollar (whereas my first choice would usually be Hertz), and got a Ford Mustang. I can’t fault Dollar’s friendly, efficient service, and would use them again. I can find some fault with the latest-model Mustang, which seems to have definitely regressed compared with the versions I previously drove in the mid-naughties. In particular luggage space seemed to be smaller than I remember, there was very little in-cabin storage, and the CD player wouldn’t play files in WMA format, which put paid to a lot of our music. However, the worst failing was a weird speedometer display cramming an optimistically large speed range into the top half of a small dial, with the result that it can’t be read to an accuracy better than about 5 mph. That doesn’t fit well in a country where a 5 mph error is often enough to earn a speeding ticket. Useless.

Complaints aside, the Mustang did the job, and helped bring us back with a decent tan.

Another trick which worked again was raiding a Radio Shack on the first day and purchasing a can of compressed air. The worst equipment challenge in the American SouthWest is dust, and being able to blow everything clean each day is a real boon. Now all I have to do is find out if I can do the same in Morocco this year…

Cameras

Including our phones we took five cameras this year, which may seem excessive, but each found a genuine use playing to its strengths, and justified its place in the luggage. As usual, the real workhorse was the Canon 7D. Out of a total of about 2050 exposures,1652 (or over 80%) were on the big beast. I have eventually mastered its ergonomic shortcomings, and extensive practice means that its operation is now quite intuitive. I know and can confidently predict its results, which are still better than those from the Panasonic GH2. OK, it’s still an enormous lump and the 15-85mm lens is not the sharpest optical tool, but it works.

The Canon 550D’s main role is as a backup body, offering the same sensor and lens compatibility as the 7D for half the price and weight. However, it came into its own for our balloon trip, where I wanted to carry a lightweight kit which still supported my beloved 70-300mm IS lens. The 550D, 70-300 and 17-85 did the job beautifully. As a result the 550D took 221 shots.

We also carried the Panasonic GH2 and its three lenses. Its main role was as Frances’ camera when she wanted to take her own shots, but I also used it as a lightweight “carry and forget” camera to have with me during shopping trips, evening sorties and similar. It has to be admitted that the 550D and a single zoom lens could also do this, but with less ultimate flexibility and at a higher weight. Having the GH2 along also provided further redundancy should my Canon long or wide zooms pack up, always a consideration given last year’s two lens failures. We took 172 shots on the GH2.

On a less positive note GH2 battery life is not good. A charge is genuinely only good for about 100 shots, and to add injury to insult Panasonic now effectively prevent the use of anything other than their own full price batteries, at £50 a pop or higher. Neither Canon suffers either limitation. It’s not a critical problem, but does place some boundaries on the Panasonic’s role.

We both took a few shots on our phones as well (I took 4 on the Galaxy Note), mainly of things we wanted to share immediately with specific friends. However, I certainly wouldn’t advocate one practice I saw – a lady whose husband was having the “trip of a lifetime” in the cab of the Silverton-Durango railroad, and she was trying to capture his arrival using just the camera on an iPad!

The Gitzo tripod paid its fare with the low light photography at the balloon fiesta, but otherwise saw very little action. I rely more and more on the combination of modern cameras’ performance at medium-high ISO, and the effective combination of my steady hand and Image Stabilisation. As the Americans say, “your mileage may vary”, but I now just assume that I will work hand-held if the sun is up or I need to move around.

Given the extremely photogenic subjects, and a lot of fairly friendly lighting, my hit rate was pretty high, especially for the more static subjects. After an initial edit I still have about 1200 frames worth processing, and I expect to end up with about 200 worth showing to someone else. Cutting this down to about 100 which find their way to my blog and tablet may be a challenge.

Overall a wonderful trip, and very successful source for photography. Roll on the next one!

 

A very Happy New Year, and all the best for 2013!

 

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Why the Galaxy Note is a Better Business Tool than the iPad

It seems barely believable that I’ve had the 10″ Galaxy Note in my hands for just four weeks. Like its smaller brother it just feels “right”, in a way the iPad failed to achieve in two years. It’s already delivering value, at a point at which the iPad was just frustrating me.

About a year ago I wrote a piece entitled “Ten Ways to Make Your iPad Work Effectively With Windows”. That was to some extent a tale of frustrations, apologies and work-arounds, and it’s time to contrast how the Android option delivers for business users in a heterogeneous environment.

Continue reading

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The Back of Beyond

"The Back of Beyond" - scene from the Fjallabak region, Iceland
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 24-08-2011 10:48 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 11.0 | Focal Length: 80.0mm (~129.6mm) | Location: Einbúi | State/Province: South | See map | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

I haven’t posted any photos since the end of our USA trip, but I have, finally, got back to sorting out my Iceland photos from last year. I thought, therefore, I would share this shot with you. It’s from an un-named spot in the Fjallabak region. Fjallabak (pronounced fiat-la-back) means “back of the mountains”, which is delightfully literal in this case.

I love the various circular swirls which are a recurring feature in this image. I’m not sure whether they all have a common geological cause.

I also did an HDR version of a similar shot, which brought out more of the sky detail but reduced the nice smooth feel of the mountain shapes. However, the black and white conversion looks quite dramatic, and with a slightly different crop works quite well:


I need to do a bit more work on the HDR version – at full resolution there’s a bit of odd “banding” in the sky – but I think it looks promising.

Which do you prefer?

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Secret State – A Review

We’ve just finished watching Secret State, Channel 4’s latest attempt to capture the conspiracy thriller crown. It was good, but it could have been so much better. Edge of Darkness is safe for another few years…

There were some touches of genius. The plot, based on A Very English Coup cleverly wove in all our current bogeymen in a bang up to date tale featuring drone warfare, Islamic terrorists, toxic bankers, careless and callous petrochemical companies, electronic surveillance and the rest. Technology was exploited to help tell the tale, not as an end in itself. I also admired some of the direction, especially those scenes which placed Charles Dance’s Machiavellian character deliberately lurking in the background.

But ultimately it was all a bit unsatisfying. I’ve identified several reasons why, but the main reason was simply that it was too rushed. There’s clearly an optimum length for a conspiracy thriller on TV, and it’s about 6 hours run time. Edge of Darkness was 6 hour-long episodes, and so was State of Play. The first series of Homeland, was 10 episodes of about 40 minutes each (about 6.5 hours). There’s an upper limit as well: at around 8 hours Hunted was just too bloody complicated, and while a series of 24 runs much longer, at about 17 hours, they religiously change villains and threats twice a day, so we’re back to roughly the 6 hours duration for each “segment”.

By contrast, Secret State ran for less than 3 hours (ignoring adverts and the now mandatory review and preview segments), and it just wasn’t enough to properly develop the story. Instead of slowly developing understanding, you had key plot elements revealed as almost throw-away sound bites. Watching an off-air recording with Channel 4’s longer-than-American commercial breaks just increased the frustration.

In Edge of Darkness there’s a fascinating scene in which three senior policemen are waiting in a hospital for news of a suspect who chose to throw himself out of a window rather than face arrest. It runs for about 2 minutes, but the suspect’s condition, the police officers’ frustration, and the growing despair of the central character are all communicated with almost no dialogue. They act. Secret State had no time for such luxuries.

Secret State also had precious little time for character development. The central characters were all wonderfully cast, but most went nowhere – we learned nothing about them as people and little about their drivers, beliefs and agendas. Most also behaved true to the initial impression, rather than surprising us with unexpected heroism or villainy. Apart from the brilliant opening episode Charles Dance was particularly under-used.

I’m not convinced you need “Previously” segments in a four episode show. If you can’t follow something for four weeks, that’s a rather poor lookout. However it’s the “Next time” segments which really wound me up. These were full of spoilers, and totally un-necessary when the drama was already sufficiently suspenseful to make sure viewers returned. Surely the time would have been better devoted to addressing at least some of the hurried treatment?

A conspiracy thriller doesn’t need a happy ending, but it does need a satisfactory one, in which the dispositions of the main parties and issues is clearly portrayed. Secret State failed in this, with a hurried ending which left a lot of questions unanswered.

By contrast, the BBC’s best effort this year, Line of Duty followed the rules, and while it had a few annoying plot and character flaws, it ended up more satisfactory than the better plotted Secret State.

And finally, Of . It may be just coincidence, it may be the sincerest form of flattery, or an attempt to gain praise by association, but I’ve noticed that the best conspiracy thrillers all seem to have three word titles with a common middle word. I await State of Secrets or Secrets of State with anticipation – remember, you read it here first.

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Just Get on the Train!

I have decided that there are essentially two types of film or play, those which are about whether to get on the train, and those which are about how to get on the train. I don’t really like the former, but I love the latter.

OK, I know that not all films and plays involve trains, but enough do that this is a surprisingly powerful classification system.

A couple of years ago we went to see a performance of Chekhov’s Three Sisters. While I may be oversimplifying things slightly, most of the second act is the sisters talking about getting on a train. I forget the details, I think one wants to move away from the family to Moscow. I can’t even remember whether she actually gets on the train or not. Despite the fact that it was a good performance by several famous British actors, many of whose other work I love, I was bored out of my skull. Frances and I were both so affected by this, that we now have an in-joke reaction to any mention of Chekhov where one of us immediately says “just get on the —— train”.

But then I realised just how many of our favourite films do involve someone getting on a train. The key difference is that there is never any debate whatsoever about the need to do so. The challenge is how.

You may have to drive your Audi off a bridge (Transporter 3), jump from a helicopter (Under Siege 2, Broken Arrow, Unstoppable), shoot lots of bad guys first (3.10 to Yuma), jump from a camel (Sahara), talk the bad guys down (Pelham 123), jump from a car (Unstoppable, Octopussy), quietly murder some of the good guys (From Russia with Love), jump from another train (Unstoppable again, Indiana Jones and the Temple of Doom, Paddington 2, The Lone Ranger), hide in a mailbag (Live and Let Die), jump from a motorbike (Skyfall, Indiana Jones and the Dial of Destiny), run several Manhattan blocks and jump through the subway roof (Die Hard with a Vengeance), beam in (repeatedly) using a time machine (Source Code), jump from a horse (The Lone Ranger), claw into the back of the carriage with a Caterpillar digger (Skyfall again), jump from a hover-board (Back to the Future 3), couple up a car transporter (Fast Five), try and do a retinal scan from outside while the train is moving at speed, and you’re not really tall enough to reach the scanner (Mission Impossible 4), jump from a zipline tethered to the nearest alp (Captain America), lay the track as you go (The Wrong Trousers), jump into a boxcar while shackled to several other members of a chain gang (O Brother, Where Art Thou?), sneak onboard after clinging to the undercarriage (Octopussy again), jump from the subway platform (Safe, Captain Marvel, Skyfall yet again…), swing a ladder from another train (The Lone Ranger), extend a telescopic ladder from another train (Paddington 2), lasso the train while chasing it in a pump handcar (Due South, All the Queen’s Horses), jump from a bridge with a wolf in your arms (ditto), use your magnetic super-powers to latch onto the train as it goes past (X-Men Days of Future Past), leap between mine cars (Journey to the Centre of the Earth), sneak in inside a mine car full of explosive (A View to a Kill), jump from the platform of a picturesque station (Enigma), ride your motorbike off a mountain and then speed-fly with a parachute onto the train (Mission Impossible Dead Reckoning), sneak into a train with the Turkish Nationalist Army (The Water Diviner!).

If you’re undead, you might just jump from trees alongside the track (Abraham Lincoln, Vampire Hunter), but that’s really a getting off the train film, a completely separate genre. You get the picture, and I haven’t mentioned Speed, Batman Begins, UnknownGoldeneye, The Rock

So do you like stories about talking about getting on a train? Or those about doing it?

 

(Published June 2011, updated November 2012, July 2014, September 2014, August 2016, January 2017, April 2018, July 2018, September 2018, March 2019, January 2020, May 2020, June 2020, January 2021, January 2022, December 2023 as the list grows…)

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Keeping Current

One of the great frustrations with the iPad was that although it should have been a great blogging tool, between the limitations of available software and input processes, it just wasn’t. (See An Ideal Blogging Platform for my reflections after a couple of months of iPad ownership.)

The 10″ Note addresses all of those weaknesses, and may well become not only a primary content consumption device but also a primary platform for content creation. The available software is just better: I am writing this with the free WordPress apply for Android which just works, where the iPad version was very frustrating. Text input is quick with SwiftKey, I can multi-task with Chrome to look up previous posts, and I can easily find and add content from other sources, always a challenge in iOS land. This post has taken about 20 minutes, entirely on the Note.

I’d also like to bring your attention to a great app from Google called Currents. This takes RSS or similar feeds and turns them dynamically into an attractive “on-line magazine”. It works brilliantly with photo-rich feeds such as the photography blogs I read. Here’s what it does with “Thoughts on the World”:

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I didn’t have to do anything with my existing feed to get this result. Currents doesn’t work in every case – if a blog starts every post with the same boring advert then it doesn’t have much to work with – but the hit rate is quite high. It is could also do with a way to mark items as read, which is a major omission. However overall Google seem to have another hit, and currently it’s free.

Blogs away!

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Time to Change My Tablets

As the iPad had reached 2 years old, without ever really ceasing to be a regular source of frustration, and as I’ve been very impressed with the Galaxy Note phone, last week I bit the bullet and purchased the iPad’s replacement, a 10″ Galaxy Note.

This wasn’t a trivial act as the 10″ Note is so new that the spec I wanted isn’t yet directly available in the UK. However I went to Buyspry.com of Maryland via eBay, who shipped a 32GB device to me via DHL, and between the two of them I had it in my hands in 4 days. Very impressive.

Setup was also remarkably pain-free. I switched it on, provided a few credentials, and it sat for about half an hour downloading and installing all the apps already on my 5″ Note. About 90% needed no further attention.

So I’m back to an intermediate computing device with a proper multi-tasking operating system with a shared, visible filing system. Hurrah! It has a proper fine-tipped, pressure-sensitive stylus, not a banana. Hurrah! Connect it to a PC and the filing system is just there as part of the PC’s storage. Hurrah! I can choose an intelligent, input mechanism and it works for all applications, in my case the almost psychic SwiftKey. Hurrah Hurrah!

I do prefer Android as an operating system. It’s great having an “active desktop” (to steal the Microsoft term) ?on which I can intelligently organise my applications with the mix of active information feeds. Multi-tasking is so much more 2012. And many of the applications are much more powerful. Yesterday I copied a Word document to the tablet, opened it in TextMaker, SoftMaker’s Word clone, viewed it exactly as on the PC, and marked it up using 100% Word compatible markup operations. Try that on your iPad!

Dislikes? Not many so far. The storage is slightly disappointing, only matching the iPad despite buying the maximum spec and a large micro SD card. However, I expect to waste a lot less on multiple unmanageable copies of files, and the Moore’s Law benefits have reflected instead into a much lower price. The proprietary USB connector is an Apple copy too far – why not just a standard mini-Based or micro-B? And that’s about it.

There are a few software challenges: I’m not sure I’ve found the ideal Twitter client, video player or image viewer yet, but I have functional solutions and the machine has only been in my hands a week. Solving those problems on the iPad took me about 8 months. In a couple of “edge” cases the iPad had a good “kitchen sink” multi-purpose app which will require a slightly more complex solution on the Note, but I can live with that.

So far so good. I’ll keep you posted.

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Bye, Bye, Albuquerque

Up, Up and Away! (Photo from pictage.com)
Resolution: 4501 x 3001

Day 15

Cold night. Perfect storm of badly fitted hotel windows, unusably noisy heater and no spare blanket. I haven’t been that cold since a night in the lodge at the top of the Tioga Pass. The Best Western Rio Grande Inn is definitely a notch down from the others on this trip.
However everything was forgiven when we drove to the airport with the sky full of balloons again.

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Evening Glow

Evening Glow
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 13-10-2012 19:15 | ISO: 1600 | Exp. bias: -2/3 EV | Exp. Time: 0.6s | Aperture: 9.0 | Focal Length: 38.0mm (~61.6mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM
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Up, Up and Away!

Balloons above Albuquerque
Camera: Canon EOS 550D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 13-10-2012 07:45 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/640s | Aperture: 8.0 | Focal Length: 80.0mm (~129.6mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

Day 13

4.30 start for the Balloon Fiesta! Sleep punctuated by police sirens (understandable in a large city) and train whistles (nope).

We’d just got settled at the park, and Albuquerque had the most dramatic thunderstorm. Balloons and wind don’t mix well, and lightning and propane are worse. No ballooning today. Fingers crossed for tomorrow.

Went to see Taken 2 in the afternoon – great film, but shades of wet holidays in Brighton.

To compensate for lack of balloons, had dinner at posh restaurant including Saganaki, a Greek dish which involves pouring Bacardi over Kasseri cheese and setting fire to it at the table. Excellent.

Photography 0/10
Ballooning 0/10
Shopping 2/10 (had to buy a case for all the other shopping)
Food 8/10

Day 14

Finally, the weather was in our favour, and today was a great success. Our balloon flight got airborne as part of the “mass ascension”. At the risk of using tired superlatives this was simply magical. I have done balloon flights before, and they are always fun, but nothing can compare with being part of over 500 hot air balloons lifting off together.

The Albuquerque setting is wonderful, with mountains and desert around as well as the town and river below you, and the photography opportunities were almost unlimited. The other great thing about Albuquerque is that when you land the locals all know the drill and are only too keen to help.

We have, however, discovered the nadir of New Mexican cuisine. The donut burger is a four-layered concoction of donut, burger, cheese and another donut. Neither of us was brave enough to try one.

Come the evening, come the evening glow, where the balloons are all inflated on the ground and lit from within using their burners, with a moderate degree of synchronisation. We were also entertained by a very good rock covers band, and the evening was capped off by an excellent firework display which had all 100,000 attendees ooh-ing and ah-ing like children.

We were impressed by the traffic management coming out, the Albuquerque police using all available roads inventively and getting us from car park to the other side of the city in 25 minutes.

Balloons 11/10
Photography 9/10
Food 4/10

 

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Back to Albuquerque

The Church of St. Francis at Rachos do Taos
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 11-10-2012 11:49 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/160s | Aperture: 11.0 | Focal Length: 24.0mm (~38.9mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Day 12

Looking for hairdryer in Taos hotel found secret stash of MORE pillows!!!

After a couple of hours browsing in Taos we set off for Santa Fe via the famous “High Road to Taos”. First stop, the church of San Francisco di Asis in Ranchos do Taos. This is just as pretty as in the photos of Ansel Adams and Georgia O’Keefe, a natural target for artists of all persuasions.

The drive along the High Road was very enjoyable in bright sunshine. However our lunch target of Truchas turned out to be a bit disappointing with about 50 art galleries and no diner. The next town down the road, Chimayo, is only slightly better. They say that “man cannot live by bread alone”, but “art alone” doesn’t do it for me either.

We were also rather disappointed by a sign to “watch for roadside activity”, but apparently the artists can’t stretch to a bit of performance art.

The Santuario de Chimayo is a bit odd. At the risk of being slightly offensive the term “Catholic Voodoo” came to mind. I suspect this is best reserved for devout Catholics, but left us feeling a bit uncomfortable.

We also managed a quick stop in Santa Fe, but the historic centre is very busy and very expensive, and a bit of an anti-climax after the much more accessible towns we’d visited earlier.

Photography 7/10
Shopping 5/10
No large animals, despite promising “Elk Crossing” signs…

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The Road to Taos

Taos Pueblo
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 10-10-2012 15:56 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/50s | Aperture: 10.0 | Focal Length: 24.0mm (~38.9mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

Day 11

Up at dawn to try and get golden hour light on the dunes – they are in shadow themselves in the evening. Lodge has world’s most powerful tap in world’s smallest basin. Oh well…

Irish contingent dressed in balaclava got it right – photography OK but it was bloody cold! However it does have to be admitted that walking on sand-dunes at 8,000 ft is not ideal exercise for an overweight bloke with dodgy knees.

Boring drive down to Taos, but the town and especially the Indian Pueblo really make up for it. The Pueblo is still lived in, but they also allow visitors and photography for personal use.

Nice dinner at Taos’ posh fine dining restaurant.

Note re Fonda Hotel Taos – to double size of room simply remove 4 super-sized leopard print cushions and 6 spare pillows!

Photography 8/10
Food 8/10
Large animal count 26 (by 10 am)

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