Are We Becoming the Eloi? The Academic Version

Academic robot writing blog

Introduction

This is an appendix to a more complete article, see https://www.andrewj.com/blog/2026/are-we-becoming-the-eloi-the-academic-version/

I was recently bemoaning our increasing dependency on automation and our general inability to take charge and either fix or work around broken things, and I thought of the Eloi. In H G Well’s The Time Machine, published in 1895, he imagined a distant future human race who live an apparently idyllic existence, but who have lost any ability to help themselves, and are to some extent just farm animals for the Morlocks, who prey upon them. In some ways, we may be approaching the society Wells foresaw. At the same time I read another essay asserting that AI is ready to displace a large proportion of what we used to call “knowledge workers”. I decided to test the latter assertion by asking ChatGPT to draft an essay on “Are We Becoming the Eloi?”.

I fired up the free version of ChatGPT with the following prompt:

Write an essay of 1300-1400 words, on the subject “Are We Becoming the Eloi?” Take as reference the race of the Eloi in H G Wells’ The Time Machine. Compare current societal trends such as an increasing reliance on automation, increased distance between users and underlying technology (with a commensurate inability to act if the technology is not working) and the increased anxiety and mental health issues of younger generations. Write in a style similar to this article: https://www.andrewj.com/blog/2025/adjustable-architecture-and-minimising-waste/

The essay below is what resulted. It’s presented exactly as generated.

For various reasons, I then went on to generate a second version, with different stylistic guidelines, which I use in the full article. However some readers may want to compare the two versions of the essay, so I’m providing the first draft here.

Are We Becoming the Eloi?

In H.G. Wells’ The Time Machine, the Eloi occupy a distant future where humanity has, ostensibly, solved all material hardship. They laze in sunlit architecture, eat fruit, play, and live without work — carefree in their quotidian existence but frighteningly hollow in their capacities for curiosity and resilience. Over thousands of years of ease, they have devolved into a species that can barely fend for itself, dependent on the subterranean Morlocks for food, clothing, shelter, and even safety. Wells’ grotesque future serves as a caution against complacency, inequality, and the seductive illusions of technological progress. The question now is less about speculative evolution and more about whether we, in the twenty-first century, are sliding down that same evolutionary slope — into a kind of real-world Eloi-ness.

The Eloi and the Modern Soul

Wells’ Eloi are not merely idle; they lack intellectual curiosity, physical strength, and any meaningful connection to the systems that sustain them. They are the elegant unwashed, unaware that their comfort is the product of unseen labour — the Morlocks’. In The Time Machine, this absence of challenge corrodes their faculties, leaving them childlike and helpless. Their bodies, their minds, and their instincts have atrophied in the absence of need or struggle. This is a chilling image: not merely of laziness, but of degeneration in the philosophical sense — of potential atrophy where capability once lived. (Wikipedia)

At first glance, the parallels to twenty-first-century societies might seem hyperbolic. After all, few of us lack agency outright, and we remain painfully aware of the world’s injustices. Yet, when one looks closely at the interplay between technology and human behaviour today, the metaphor resonates with surprising precision.

Automation and the Loss of Agency

One of the prominent trends of our age is the exponential growth of automation. Machines and algorithms now perform tasks that once defined the substance of human labour: driving, diagnosing diseases, managing finances, even composing music. What was once the domain of specialised tradespeople or rigorous study is now routine output from digital systems. This explosion of automation brings efficiency and convenience — but also an attendant loss of direct engagement with the processes themselves.

Consider the average smartphone user: for most tasks, we never see the mechanics beneath the interface. We swipe, tap, ask an AI, and receive a result. If a system fails, many users are helpless — unable to perform even basic tasks without the intermediary of a screen or app. The analogy to the Eloi begins to crystallise: a population adept at consuming results but alienated from the meanings and processes that produce them. (Mental Health America)

This distance from the underlying systems is not merely a matter of convenience, but of cognitive consequence. The sociologist David Collingridge articulated a dilemma in technology governance: by the time the impact of a technology is evident, it has become so embedded that changing or controlling it becomes difficult. In effect, we trade agency for ease, and the psychological fallout of this trade — the sense that we are passengers rather than drivers — cannot be ignored. (Wikipedia)

Dependency and the Tech Ecosystem

This loss of agency is mirrored in how younger generations relate to technology. Studies from mental health research show that heavy reliance on digital devices and platforms is nearly ubiquitous among young people near adulthood, with a majority reporting a heavy dependence on technology for everyday functions — from social connection to information to entertainment. (Mental Health America)

Some research suggests this dependency is correlated with higher anxiety and emotional distress — not because technology causes mental illness in a simple, direct way, but because compulsive use, constant digital feedback loops, and the loss of control over habits and attention can amplify feelings of anxiety and instability. (Mental Health America)

Most strikingly, modern studies on adolescent screen use link addictive patterns of engagement — not merely hours spent but patterns of compulsive use — to emotional problems, suicidal ideation, and symptoms of anxiety and depression. These findings indicate not only psychological stress but an erosion of resilience and self-regulatory capabilities among youth deeply embedded in digital ecosystems. (The Guardian)

If Wells’ Eloi succumbed to ease and lost their capacities over generations, modern society — especially among young people — is showing hints of that same pattern in behavioural trends: from diminished abilities to persist without external stimuli, to emotional fragility when devices are absent, to a reliance on automated systems rather than independent problem-solving.

The Illusion of Comfort

But here the analogy must be sharpened rather than stretched: we have not (yet) become feeble, incapable hominids. We have, however, cultivated layers of comfort that insulate us from hardship in ways that could subtly reshape character and capability. For the Eloi, every challenge had been abolished by generations of ease; for us, many challenges have been outsourced to technologies that mediate nearly every aspect of life.

As digital assistants manage our calendars, AI tools draft our text, automated systems handle logistics, and apps adapt our environments, the experience of mastering the world recedes. We may gain time in one sphere, but we lose depth in another. Without necessity, struggle becomes optional — and without struggle, the psychological mechanisms that build resilience, critical thought, and emotional strength are underused.

A telling metaphor is our response to technological failure. When our internet goes down, many of us feel not irritation — but panic. A glitch in the GPS can leave us disoriented, not because we lack curiosity, but because we have surrendered our navigational instincts to silicon. This isn’t just convenience — it’s a surrender of agency. (vida.id)

The Mental Landscape of a Digitally Infused Generation

Psychological research suggests that this isn’t an entirely imagined concern. Longitudinal studies show increases in anxiety and depressive symptoms among adolescents in recent years, often concurrent with heavy digital device use and the pressures of online social ecosystems. (Mental Health America)

These associations aren’t simple causal chains — technology doesn’t create mental illness — but the context of addiction-like patterns, comparison-driven social media, and feedback loops tailored for maximum engagement has reshaped the emotional environment in which young people develop. In some respects, what we’re witnessing is not the loss of ability, but the erosion of confidence, presence, and internal grounding: psychological analogues to the Eloi’s loss of survival muscle.

Agency as Antidote

Yet the comparison to the Eloi also reminds us that sheer ease alone does not determine destiny; social context, economic structures, and deliberate choice matter enormously. Wells’ Eloi were isolated on the surface, dependent without awareness of their dependence. By contrast, we remain deeply aware of both the benefits and risks of our technologies.

We debate automation ethics, AI governance, digital addiction, and the dangers of data concentration. We ask whether curricula should teach resilience alongside computational thinking. The very existence of these debates suggests that we are not passive participants in our own evolution — a distinction the Eloi never had. In fiction, the Eloi don’t know what they don’t know. In reality, we are increasingly conscious of our dependencies, anxieties, and the psychological costs of technological integration.

Moreover, human agency is more than the ability to perform tasks. It is the capacity for reflection, for choosing how and why we use tools — and it’s this capacity that remains at the forefront of the discourse around technology, education, and societal development.

Conclusion: A Call to Avoid Eloi-ness

To be an Eloi is not simply to be comfortable; it is to be unaware of the foundations that sustain comfort. That unawareness is the true loss Wells warns against. In many ways, our contemporary moment is not yet that dystopia. We still think, we still worry, we still debate our tools and our futures.

But there is a risk that, without intentional engagement, that awareness could be lost. If we outsource too much of the work of thinking, acting, and navigating life to machines and algorithms, the subtle atrophy of resilience and self-direction could accelerate. Becoming the Eloi would not happen overnight — it is a generational drift, a quiet disengagement from the challenges that shape thought and character.

If we are to avoid that fate, the antidote lies not in rejecting technology, but in reclaiming agency: teaching skills not just of operation but of understanding; cultivating resilience alongside intelligence; and ensuring that the comforts of automation do not become the cocoon that dulls our capacities rather than enabling our potential.

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Evolution of an Image

Central image reprocessed with 2026 software
Camera: Canon EOS 40D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 28-04-2008 17:09 | Resolution: 2491 x 3737 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/40s | Aperture: 11.0 | Focal Length: 17.0mm (~27.6mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

My photography mentor, Bob Kiss, recently posted an image of his, taken in Tuscany, of a Tuscan field scene shot through a window, with the light carefully balanced so that you can clearly see both the exterior, and the interior around the window. It immediately reminded me of a not dissimilar shot I took many years ago, at the Fish Pot in Barbados.

While Bob’s shot is relatively recent, and took advantage of modern sensor technology and computational corrections, mine was taken using the Canon 40D. That was a 10 megapixel beast new in 2007, which offered what should charitably be described as a somewhat limited dynamic range, so I had to expose three bracketed shots, and combine them using HDR software. This was the result:

Original HDR image (Show Details)

The 40D was an APS-C format camera and at the time my best “normal” lens was the 17-85mm, equivalent of about 27mm at the wide end. This forced upon me a less than ideal high shooting position which generated a geometry with diverging verticals. Fortunately even in 2008 Photoshop could do a suitable geometric correction which at least straightened up the window and horizon:

Adjusted HDR Image (Show Details)

That’s not bad, but if you look carefully you can see that the image has a typical “early HDR” feel, with soft details, muddy colours, and noticeable coloured fringes along sharp edges courtesy of the 17-85mm’s significant chromatic aberration. Bob’s post therefore got me thinking about how my image might look with modern processing.

Fortunately I had kept the original RAW files, so it was the work of moments to open them up in Capture One. The latter immediately improves matters with its “HDR” shadow and highlight recovery, and allows me to work with just the central image of the bracketed set, so goodbye to composite HDR. Capture One also has correction for the lens’s chromatic aberrations, and allows me to apply the required geometric correction non-destructively. This is the output image:

Central image processed with Capture One (Show Details)

That’s a major step forward. However pixel peeping reveals that the image is still not as sharp as would be ideal, and despite being shot at ISO 200 has noticeable noise in the darker areas. There’s also the compositional issue of the power socket half visible behind my Pina Colada. Fortunately we can also pass the image through Topaz Photo AI. It volunteered sharpening, and I also applied its denoise technology. I then went into its “remove” function and highlighted the half socket. This is the result:

Central image reprocessed with 2026 software (Show Details)

I love the way this “pops”, and we’ve got rid of the compositional compromises. I’d be happy with this image if I took it today with a modern camera and much more expensive lens. Ideally I would actually have to hand a wider lens which would allow me to get the whole of the right shutter in shot, but I can live with it.

This is great news for cases like this, but it’s amazing news for cases where the old image can no longer be recreated, because the people or architecture have moved on. So if you have in your collection images of which you’re fond but which are technically limited, and you still have the RAW files, try reprocessing them. The results may be wonderful.

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The Unhelpful Amp-hour

Omni-charger

I spent much of the last few years working on a large company’s Net Zero project, within which a significant element of my role was trying to educate people to understand electrical power and emissions calculations.

It was hard enough training those without much scientific background to understand power in Watts, energy in Watt-hours, and their various standard multiples in SI units. At least the relationship between power and energy is a straightforward one.

However once we started talking about energy stored in and used from batteries, we encountered a whole new level of complexity. That’s because contrary to common sense, battery drain and capacity are almost always quoted not in Watts and Watt-Hours, but in Amps and Amp-Hours. Amp-hours (Ah) are a measure of the current flowing through a circuit, multiplied by (or, strictly, integrated over) time. If a steady current of 1 Amp flows for 1 hour, that’s one Amp-hour. If that circuit consuming 1A is powered by a battery marked 10Ah, then you know the battery should be able to power it for 10 hours.

So far so good. If you know the current drain, and everything runs at the same voltage, you can do these calculations easily. Older car electrics which all work at 12V are a standard example. Then there’s a great sequence in Apollo 13 where Ken Mattingly (played by Gary Sinise) sits in the simulator and experiments with sequences to wake up the stricken craft to find one which fits the capacity and the maximum current of the usable fuel cells, using just an ammeter.

The Amp-hour model breaks down

Unfortunately it all rapidly breaks down in our modern world of multiple battery technologies, with varying loads and voltages.

Here’s a simple example. I have a powerbank battery, which is marked 20Ah. I want to use it on a trip to recharge my drone batteries. According to Google the DJI Mini 3 Pro uses batteries with a 2453 mAh (≈ 2.5Ah) capacity. How many batteries can I recharge, and how long should it take?

You might think that the answer to the number of batteries is 20/2.5 = 8. But it’s not that, or anything remotely like it. That’s because the quoted Amp-hour figure is "at a certain voltage". Change the voltage and you change the Amp-hour capacity.

If you’re not sure about this, think about two AAA cells each with about 1Ah capacity. Wire them up in series and you get a voltage of 3V, but only 1Ah can flow (the same current flows simultaneously through both). Wire them in parallel with a switch between them, the output voltage is 1.5V but you’ll get 1Ah out of each in turn, so 2Ah in total.

The problem with the powerbank and drone batteries is they have different native voltages, and 1Ah therefore represents a different amount of power in each case.

OK, so I’ve convinced you that we should think about power/energy rather than current. Well Power = Voltage * Current, so that should be easy, right?

Sadly not. Google helpfully confirms that "the DJI Mini 3 Pro uses 7.38V Li-ion Intelligent Flight Batteries, with a maximum charge voltage of 8.5V". So what voltage should we use? 7.38V, 8.5V, something in between? Fortunately a bit more Googling confirms that that the batteries have an energy capacity of 18.1 Wh, so working backwards we get a voltage of 18.1 / 2.453 = 7.38, so that’s the right one, but you could easily get it wrong.

It gets even more confusing with the powerbank. They don’t sell exactly the same model any longer, but the closest replacement supports output voltages of 4.5V, 5V, 9V and 12V. At which of these voltages is the Ah figure quoted? It turns out to be none of them. Hidden away in the 2pt text in pale grey on the bottom of the battery is the capacity in energy terms, 74Wh. Working backwards, that tells us that the Ah figure is quoted at 74 / 20 = 3.7V, which isn’t actually an output voltage. In this case we’re entirely dependent on the battery manufacturer providing a Wh figure. In fairness to Romoss their newer adverts all do, but they still use the almost meaningless Ah number as the "hero" figure. Many other manufacturers don’t bother – I couldn’t find a Wh figure for any of a random sample on Amazon.

Now we have two energy figures in Wh, we can finally answer my first question. The ratio between powerbank capacity and drone battery capacity is 74 / 18 = 4.1. It’s not actually going to be that good, because charging one battery from another is nowhere near 100% efficient, but 3 charges might be achievable, and that’s what I saw in practice.

The "how long should it take" question is a bit more tricky, as we don’t know exactly what voltage the two batteries will negotiate over USB-C. 9V is closest to the 7.4V of the DJI batteries, and Romoss also usefully state that the powerbank can deliver 2.2A at that voltage. A full charge is 18Wh. 9V x 2.2A is about 20Wh, but let’s assume about 75% efficiency like with the capacity figures. That suggests a full charge time of just over an hour, again matching my experience.

Another example

Once you’re alert to all this you find other examples everywhere. I have a number of Wifi-enabled water detectors in the house. I noticed that immediately after putting in freshly-charged Duracell rechargeable batteries, they report a battery level of ~67%, and the batteries don’t last as long as expected. Why?

The answer is that 1.5V does not equal 1.5V. Well it does, but what different manufacturers and technologies deliver as a "1.5V" battery varies widely.

Out with my trusty AVO meter, like me in its 7th decade, and still running on its original battery. Impressive. Let’s look at 3 AA cells in my battery drawer:

  • Duracell NiMH rechargeable battery. Output 1.3V unloaded. Stated capacity 2500mAh @1.2V, so energy capacity 2.5 * 1.2 = 3Wh
  • Varta Longlife alkaline battery. Output 1.5V. Published capacity 2750mAh, so energy capacity 1.5 * 2.75 = 4.1Wh
  • Hixon Li-ion battery. Output 1.5V. Stated capacity 3500mAh, so energy capacity 1.5 * 3.5 = 5.25Wh

Clearly the combination of low voltage and low capacity of the NiMH batteries explains their relatively short life between charges. Unfortunately the Li-ion batteries are dramatically more expensive and I’ve had a few reliability issues, otherwise they’d solve a lot of problems.

Is the Amp-hour completely useless?

Current is easy to measure. Almost as soon as we’d realised that current flowing through a coil produces a magnetic field, we added a magnet and a spring and created a meter which could measure current. Add a resistor, and you could measure voltage. Add some diodes and a capacitor and you could do the same tricks with alternating current.

Power is much more difficult to measure directly. In reality most of the time we measure current and (if we don’t know it) voltage and do the multiplication sum.

If you’re working with a sealed system then current and Amp-hour figures may be good enough. As I noted above, generations of electricians have operated that way. For a lot of purposes I don’t care what the voltage of my phone’s battery is: I can see the current drain over time with an app like AccuBattery, and I can work out how that matches the battery’s capacity in Ah. However as soon as you have to interface with external elements (e.g. "how many times can my powerbank charge my phone?") this breaks down.

Unfortunately the market is following tradition, in an environment where the tradition is no longer applicable. Why do powerbank manufacturers think it’s acceptable to quote an Amp-hour capacity tied to a mysterious internal voltage which isn’t even one of the options on the output? As a start, let’s try to quote stored energy figures in Wh as well, but in time they should become the primary figure, with the Ah consigned to a secondary role.

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Just Get On The Train – Updated Again!

Motorcycle Bear Jumping Onto Train
Resolution: 2848 x 1600

Do you prefer drama where they talk about getting on a train, or where they actually have to do it? I’ve just updated my list of “getting on a train” films: https://www.andrewj.com/blog/2012/just-get-on-the-train/. Have a laugh, and see if you think I’ve missed any obvious ones…

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Review: A House of Dynamite

A House of Dynamite

Warning: contains spoilers.

I had been looking forward to Kathryn Bigelow’s new film for Netflix, A House of Dynamite. On the face of it this should be exactly our sort of film. Vantage Point, the 2008 film which shows an attempted assassination of an American President from multiple perspectives is a firm favourite. A House of Dynamite promised to be something not dissimilar in structure, with the twist of portraying the challenges of decision-making in the heat of an active nuclear strike.

The film promised to be story and character-focused and therefore ideally suited to Bigelow’s directorial style and the constraints of TV films with their limited budget for action, special effects and location. Unfortunately what results is a phenomenally boring plodding procedural in which the characters fail to behave in a professional manner as one hopes their real counterparts would do, and everything is left unresolved by a "non-ending".

Unlike Vantage Point which carries on past the shooting and explosion to complete the story, this film just stops, short of the missile’s impact. We never learn what happens next, or why. I understand that the writers and director were trying to focus on the challenges of making crucial decisions under extreme pressure and with limited information, but in reality those decisions would wait on at least confirming that a real bomb has exploded.

The story never proceeds past the first, lone missile. We don’t even know if it actually hits, or actually explodes when it does so. There is some discussion about the urgency of deciding on a retaliatory strategy, but given the uncertainties including who fired the missile and under what political or military orders one can’t help thinking that in reality one would wait until some of that uncertainty had been resolved. It’s shown that the US already has its planes and submarines ready to respond and waiting until more information was in place would not preclude a response if one were required.

There’s no real attempt to resolve the origin or purpose of the strike, which to my mind is critical to the response decision process. We’re told as a plot device that somehow US surveillance missed the actual launch, but surely it should be possible to trace the trajectory back? Can nothing be deduced from the flight path characteristics? Is there any useful signals or human intelligence?

To my mind the options include:

  1. Genuine first strike sanctioned by the regime of Russia, China or North Korea. This seems unlikely as there’s no obvious motive, and the characters don’t discuss any geopolitical context which might explain it. Also surely more than one missile would be launched, and there would surely be a more obvious attempt to disable the US ability to respond. Also destroying a major US city guarantees a massive response in the way a lesser or military target might not. Given the uncertainty about the origin, against whom do you respond? There’s literally no evidence for this option, and hence no justification for the "bomb everybody" response that the military characters are suggesting.
  2. Official but dummy strike to probe US capabilities, readiness and resolve. In this scenario the missile either destructs a few miles short of Chicago or makes a large but harmless splash in Lake Michigan. A lesser response is required, and you still need to work out against whom.
  3. Deliberate launch by terrorists or rogue elements acting independent of main regimes. We are shown the Russian foreign ministry desperately trying to say "it’s not us" and told China is saying something similar, which supports this option. Unlike in Crimson Tide or Hunter Killer there’s no background context such as a Russian insurgency to support this explanation. Again if this is the case it demands a more measured response, and you need to work out against whom.
  4. Accidental launch, due to either a human or technical failure. This is a horrible possibility. Yet again any response has to wait until you understand the outcome of the impact and the missile’s origin.

I don’t know how accurate a portrayal the film is of the process under which the president would make a decision about a response, but you can’t see even President Trump making a snap decision to simultaneously attack all America’s enemies and start WW3 without more information.

Some other plot devices are also not credible. The president is hurried onto Marine One, a large helicopter in perfect condition, but is accompanied only by the army officer with the nuclear football. What happens to the president’s assistants and advisers who were also at the basketball game and might be able to help analyse the situation?

The isolation of the president is enhanced by unrealistic comms issues. We’re shown one of the National Security Advisers joining the central call by video from a phone even as he’s running around Washington and going through security, but the president is restricted to a poor quality audio-only link from The Beast and Marine One. The vast White House machine is unable to patch calls together, so more junior characters have to take key calls and then relay to more senior characters third hand. Really?

A very surprising number of central characters behave in completely unprofessional ways, having breakdowns, focusing on personal considerations rather than their duties, even committing suicide. At one point Rebecca Ferguson’s character, who is in charge of the situation room, sends her deputy out to fetch personal mobile phones from their lockers. You think maybe she’s come up with a cunning solution to the problems with the White House phone system but no, she makes a personal call and he stands catatonic scrolling through pictures of his family. While it is certainly true that not everyone would live up to the expectations of their role, these people are chosen and trained to do so and you would hope more would get on with it.

This film is a complete waste of an opportunity and a strong cast. If I had paid to see it at the cinema I’d be wanting my money back. Fortunately it’s part of my Netflix subscription, which is currently otherwise good value, but it was still a frustrating waste of my time.

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Adjustable Architecture and Minimising Waste

Back to Normal
Camera: SONY DSC-RX100M7 | Date: 22-10-2025 15:14 | Resolution: 5322 x 3326 | ISO: 100 | Exp. bias: -0.7 EV | Exp. Time: 1/50s | Aperture: 5.0 | Focal Length: 12.3mm (~33.0mm)

Rescue, Don’t Replace

One of the things which attracted us to our house about 30 years ago was a great feature: what is known as a “Chinese Circle” in the courtyard end wall, which provides a view into, from and through the courtyard from both the house and the garden. We place sculptures so they are viewed through it, we light it at Christmas, it’s very much part of what makes our house.

Unfortunately a few years after we moved in, it became apparent that the original wall had not been built very strongly and was in some danger of collapse. Therefore about 25 years ago we had it rebuilt. We contracted a local builder who agreed a much stronger double-thickness structure, plus what we hoped were adequate, larger foundations.

While the wall itself was impressively strong, we’re on clay and over the years it became clear that with each cycle of wet and then hot weather the foundations were moving slightly. In recent years this accelerated, with the wall moving by several millimetres this summer and getting to the point where there was some risk of collapse. The wall itself was still stable and uncracked, it was just leaning into the garden, as a whole, by about 5°.

The Leaning Wall of Effingham (Show Details)

Knowing the wall was still stable I approached several subsidence specialists. They made it very clear they were not interested in such a small job, claiming that the simplest solution was to knock the wall down and rebuild it. We approached a reputable local builder who said very much the same thing: he was happy to provide a quote for rebuilding, at enormous cost, but when we pressed him for a quote to stabilise it he basically refused, by providing a quote effectively no different to the rebuild option.

Apart from the impact on our finances this just felt wrong and wasteful. Other things aside, a rebuild would require at least £1000 worth of new bricks, with the existing ones being disposed of as rubble. The wall was strong and undamaged apart from leaning. Even if it could not be fully righted, it would be acceptable to just stabilise and support it where it was. Why was no-one prepared to do that?

With another local builder Frances and I came up with the idea of creating two steel buttresses to stabilise the wall in place. We were quite keen on the option, but it became apparent that his steel fabricator was going to charge a fortune to make up the buttresses, and we’d pay a lot of money for an aesthetically questionable part solution.

Just as we were in danger of exhausting the local directories, we were introduced to friend of a friend Tomasz and his team of Polish builders. Initially he wanted to quote for a rebuild, but when pressed he agreed that it should be possible to jack the wall back nearly vertical, and then underpin it. The quote to do so wasn’t much more than half the rebuild option, he was able to start almost immediately, and we almost bit his hand off.

On the anointed day up turned a team of Polish chaps with shovels and a tiny digger, who proceeded to dig two deep trenches either side of the wall. I was a little afraid that it would collapse during this process but with strategically placed props and wooden supports it they managed to keep it all in place.

The first attempt at jacking used two steel props with contact points halfway up the wall. This quickly reduced the lean angle by about half, but we were concerned that the wall might crack at its base if the wall moved and the foundation didn’t. We were prepared to stabilise the wall at the new position, but the Polish guys went back to digging and created a new structure in which two smaller jacks could be used to twist the foundation itself.

The next challenge was finding the right jacks. They had one small hydraulic jack, pretty good, and a bunch of modern car jacks which were clearly not going to work. However I rummaged in the back of my garage and found a bottle jack rescued from an old Ford Transit in the 1970s which turned out to be exactly the right piece of equipment. Twenty minutes of careful jacking on the foundation twisted it with the wall intact, and we had a perfectly straight wall again.

My faith in the strength of the wall was fully vindicated – it didn’t crack or warp at all.

The rest of the process was straightforward albeit physically hard work, progressively digging by hand and pouring extended foundations which were wider and deeper than the old one.

We decided to cap off the new structure by building two brick buttresses on the garden side of the wall. While not strictly required because the wall is still uncracked and now vertical they enhance the look of it and make sure if there is any cracking right at the base of the wall it won’t compromise the solution. Tomasz procured 100 matching bricks, and I was given the task of coming up with a design for their use in the buttresses. My design used 98 of them. We also needed to cap off the top bricks, the dimples of which would otherwise collect water. I came up with the solution of creating porcelain tile caps, and then impressed the guys by getting out my own electric tile cutter, and making the required caps from a single yellow floor tile left over from our 2006 bathroom refit.

Brick Buttresses (Show Details)

Overall the process took an average of two men just over a week. The bill was under 2/3 of the cheapest rebuild quote. The excavated clay had to be removed from site, but otherwise there was zero waste, apart from two spare bricks!

The guys tidied up and disappeared, making good so well you’d never know they’d been there. The next day we watched an episode of “Grand Designs” in which the house was pre-fabricated 200 miles away from the plot, and moved as completed modules which were craned onto waiting foundations. Although the process was relatively painless, it was enormously expensive, and there were a few points where the prefabricated structure had to be hacked about with axes and chisels to accommodate unexpected service positions, which just felt wrong. Essentially the structure didn’t allow adjustment.

Good architecture should be accessible and adjustable. I’ve always believed in this for both the software I have designed in my professional career, and the hardware solutions I have developed for our living space. For example, I make sure that pipes and wires run in accessible spaces, and allow for change. However I’ve usually accepted that this might not be possible with the lower levels of physical architecture, the “Structure” layer of the Frank Duffy / Stewart Brand model.

Now I’m not so sure. We stuck to our guns, and we adjusted a brick wall!

 

With a big dziękuję to Tomasz, Rafal and Artur.

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Acceptable Update Strategies

Please wait
Resolution: 2848 x 1600

Excellent

Example: Microsoft Visual Studio. You finish your work, and when you exit from Visual Studio, it prompts you with “Updates are available, would you like to install them now?”. There are Yes and Cancel (= defer to next time) options.

Good

Examples: Idea IntelliJ, Topaz Photo. While you are working the program checks for updates in the background. If they are available it shows a subtle notification which does not get in the way of your work. When convenient, you click on the notification to start the installation process.

Also Good

Example: Windows Update. A background process detects available upgrades which are silently installed while you work. If they can be completed without interrupting usage, that’s done. If not they are deferred until either you choose to reboot the machine, or it can be done automatically when not in use.

Acceptable, Most of the Time

Example: Microsoft Office 365. A background process detects available upgrades, which are silently installed while you work. Occasionally there’s an annoying notification that Office needs to be closed down for a short period to complete installation, but you have the option to defer.

Wholly Unacceptable

Examples: most meeting and messaging apps. You go into the software just before your meeting. It looks for updates and if they are available starts to install them. There is no option to defer.

Why, just why?

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I Wuz There!

Andrew and Eagle

I don’t think anyone took a single photograph of me in Zimanga, apart from the group shot which I initiated, so I made damn’ sure that there were some photos of me in Mongolia. Fortunately not only did other members of the group oblige, but our excellent guides Oyu and Bayar also took copious record shots which they have shared. Enjoy!

Andrew and Eagle Hunter at Tolbo Nuur (Show Details)

Andrew and Eagle Hunter at Tolbo Nuur (Show Details)

Andrew on rockat Baga Gadzrïn Chuluu (Show Details)

Andrew at sunset at Baga Gadzrïn Chuluu (Show Details)

The group with eagle hunters (Show Details)
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The World’s Worst Panorama 2025

Mongolia Group Panorama
Resolution: 21595 x 2206

Here’s my now-obligatory group panorama for the 2025 Mongolia trip.

From the left: Vince, Oyu, Mike, Yours Truly, Denise, Marco, Bayar, Ebu, Yasmin, Ann, Lee, Sarah, Christian, Steph

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Thirsty Friday

Eagle hunter at Tolbo Nuur
Camera: Panasonic DC-G9M2 | Date: 01-08-2025 19:36 | Resolution: 5299 x 3312 | ISO: 100 | Exp. bias: -33/100 EV | Exp. Time: 1/160s | Aperture: 5.6 | Focal Length: 57.0mm (~134.0mm) | Location: Tolbo Nuur | State/Province: Chzhirgalantu-Sagsay-Somon, Baya | See map | Lens: LUMIX G VARIO 35-100/F2.8II

Friday starts with another late breakfast. One could get used to this. The group then divides, several electing to stay around the hotel for the morning, but I join a group who go across town to a viewpoint which is a good location for both still and drone photography.

Lee and Yasmin both fly their DJI Mavic drones, which are almost large enough to need a freight licence. They unpack them onto the mats, press “take off” and go. I launch my diminutive Mini 3 Pro, the size of a couple of packs of cigarettes, hoping for a similar low-friction experience, but no, I am apparently too close to the airport and need special permission!

Ebu, our guide who is a drone specialist, takes one look at the controller screen and just shakes his head, but he has reckoned without Andrew’s “dog with a bone” approach to being told something is not possible. It is an arcane process. I have to launch the drone and have it hovering to trigger the process, then I have to connect the controller to WiFi to fill in the registration, then I have to get a text on my phone, then I have to land the drone and disconnect WiFi for the authorisation to complete. By this time the drone’s battery is almost empty so I swap it out, take off and get the warning again, and have to repeat about 80% of the process…

To paraphrase Those Magnificent Men In Their Flying Machines: “Up, Down, No flying around…”

It is all worth the effort as Ebu then gives me a lesson on drone flying and I learn a few useful techniques. I get a couple of nice panoramas of the city, but in terms of the classic “pretty roofs” shot I think I prefer my shots from the incoming plane flight. Oh well.

Ulgii panorama (Show Details)

Flying into Ulgii Airport (Show Details)

Lunch is at a Turkish restaurant. They don’t have beer. Fair enough, maybe they are Muslims. But then we work down the drinks list, and discover neither do they have coke, fresh-brewed tea, or bottled water! There’s no explanation, and we just end up sending one of the drivers out for water and coke. Very odd.

I opt to walk back from the restaurant to the hotel via the main shopping square, but it’s not a great success. I do find one shop with “tourist” T-shirts but they are all ghastly, horrible designs and not good quality. I may have to manufacture my own.

From the hotel we head south of Ulgii on a good paved road which takes us almost the whole way to a pretty lake surrounded by mountains, Lake Tolbo. There we are joined again by several of the first group of eagle hunters, who do a bit more “riding dramatically through the water”, and then we all climb a rocky outcrop to get photos of them in evening light with the dramatic scenery behind them.

Eagle hunter at Tolbo Nuur (Show Details)

Eagle hunter at Tolbo Nuur (Show Details)

We watch a dramatic sunset, then head back on the relatively short drive to town.

Tolbo Nuur (Show Details)

At a different restaurant we hear a familiar refrain. No wine or beer, and we’re not allowed to bring any in. Apparently the local administration has decided that to fit with Muslim sensitivities Friday should be “dry”, alcohol free, like Sundays in Wales when I were a lad.

That’s fair enough, but things seem to have spiralled out of control and again we’re told they are now out of soft drinks and water. One of our drivers does the necessary, but this does seem like an odd consequence of the legislation. Either the restaurants are over-interpreting the rules as “no drinks”, or they are not managing things very well. Surely Friday arrives on a sufficiently predictable schedule that they could stock up?

Dinner is very tasty, but takes a long time to arrive, especially Yasmin’s pizza. That’s so late that it doesn’t all disappear, and I snaffle a couple of slices as an alternative to the execrable hotel breakfast. Back at the hotel I discover one last can of beer and head for the terrace, but sadly comms are down and no-one joins me. However it’s still a nice way to bid farewell to Ulgii.

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Cows to the Left of Me, Gers to the Right

Eagle hunting festival
Camera: Panasonic DC-G9M2 | Date: 31-07-2025 16:11 | Resolution: 5862 x 3908 | ISO: 800 | Exp. bias: 0 EV | Exp. Time: 1/400s | Aperture: 14.0 | Focal Length: 35.0mm (~70.0mm) | Location: Sagsay sum | State/Province: Uujim, Bayan-�lgii Province | See map | Lens: LUMIX G VARIO 35-100/F2.8II

Lee must be losing his grip. We have a morning off! Most of us lie in for a late breakfast around 9, then spend the morning pottering. I walk out to try and find some shops, but completely miss the main square although it’s only a few streets away. I do find one souvenir shop with very nice T-shirts, high quality with an attractive and properly printed design, but they only have them in small!

The services of the Makhsum Centre Hotel are, to be polite, a bit dodgy. Their breakfast has to be among the worst I have ever experienced, with bread which could be used as a construction material, and the two pairs of trousers I send to the laundry come back inside-out and rolled into a tight ball. The laundry ladies at the Heure Bleue Palais in Essaouira who not only pressed my underwear but put each pair into its own separate packet don’t have to worry about the competition.

After lunch we head up into the hills for our own private eagle hunting festival. This is a long-standing Kazakh tradition, in which the hunters tests the relative skills of themselves, their horses and their eagles through a series of events.

We do seem to have added one new event to the traditional set. First we meet up with some of the participants who engage in the new sport of "riding your horse with eagle through water for foreign photographers". All score well, but there is an active debate between the participants with cameras about positioning. First discussion is about choice of background, whether to have cows or gers in the background. We end up singing "Cows to the left of me, Gers to the right, here I am stuck in the middle with you!"

Eagle hunting festival (Show Details)

There’s also the question of how to frame the action. Most of the others are obsessed with getting a head-on shot, but I also revert to the sideways panning approach honed from polo and horse-boarding and get some great variations.

Eagle hunting festival (Show Details)

Up the hill, the festival is opened as traditional with a song, but we forgo the poetry competition, Just as well as I’m starting to wonder if we’re supposed to contribute, and if so how well "There was a young lady from Bude" will translate.

Eagle hunting festival opening ceremony (Show Details)

The first events are tests of the eagles, timing them flying from the top of the nearest ridge to their master’s hand, and then to a moving lure towed behind the horse. The only slight problem is that this early in the season most of the eagles are too well fed, and the group only have one who’s in the right state of hunger. However after performing 3 times and getting 3 treats she is also well fed and visibly getting a bit bored.

Eagle hunting festival (Show Details)

The other sports challenge the horses and riders, and are better populated. They include a form of horse-borne tug of war, and a competition to pick up small bags of money while galloping past them at speed. Both competitions are won by the reigning local champion, a handsome chap in a pink shirt channelling a cross between Jason Momoa as Khal Drogo in Game of Thrones, and Oded Fehr as Ardeth Bay in The Mummy. Predictably the ladies all go gooey.

Eagle hunting festival – tug of war (Show Details)

Eagle huting festival – picking up money (Show Details)

We engineer a further break with tradition by doing a whip-round and sending one of the drivers off to the village for beer. Excellent addition.

The eagle hunting festival may very well be the most intensive single shoot I’ve ever done. I captured 1330 images, around 57GB, but several of the team who left their cameras on high-speed mode are up at three or four times that number.

Eagle huting festival – picking up money (Show Details)

Once the sport is complete we have a series of portrait sessions, taking maximum advantage of the evening light, then it’s back to Ulgii for a late dinner. This is followed by a rather pleasant nightcap on the hotel’s roof terrace, using up the spare beer, plus a couple of bottles of wine for the ladies. Good day.

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A Long But Rewarding Day

Eagle Hunter in front of Mount Tsambagarav
Camera: Panasonic DC-G9M2 | Date: 30-07-2025 15:51 | Resolution: 5776 x 3610 | ISO: 100 | Exp. bias: -33/100 EV | Exp. Time: 1/250s | Aperture: 7.1 | Focal Length: 31.0mm (~62.0mm) | Location: Erget Gol | State/Province: Tsagaantüngi, Bayan-Ölgii Prov | See map | Lens: LUMIX G VARIO 12-35/F2.8II

We’re up before 4 to drive to the airport for the flight to Ulgii. Check-in and so on go very smoothly thanks to the experience of our guides, I’m not sure we would have navigated it without them. The airline collect about £3 in excess baggage fees from me (and from most of the participants) but there’s a stupid system where this has to be paid right at the other end of the departures area, with no useful signage, just the guides’ help. At least Argentinian Airlines put the lady with the till right next to the check-in desk, much better.

The opportunities for retail therapy in Ulaanbaatar Airport’s domestic departure lounge are, to say the least, somewhat limited, but I do manage to negotiate purchase of a packet latte and use of the hot water boiler. The resultant drink is as white as snow, despite the packet confirming that it is at least intended to include coffee, but it’s sweet, wet and warm. The flight is very smooth. As we near the end I get a good aerial shot of a snow-covered mountain, not realising its significance for the day’s activities.

Aerial view of Mount Tsambagarav(Show Details)

Some cities are pretty close up even if they look disorganised from a distance. Ulgii belies the obvious nominative determinism by looking quite pretty as you fly in, courtesy of a mosaic of pastel-coloured tin roofs, but once you’re driving through it the old, decayed Soviet-era buildings and the massive amounts of new construction are both very visible.

We check into our hotel, get a bite of breakfast, and then hit the road. We have a 2.5 hour drive south to meet a family of eagle hunters. Although nomadic, they are usually to be found in the shadow of Mount Tsambagarav, the same snow-covered (and very sacred) peak I had photographed from the plane.

Askhabyl Shaimurat, Eagle Hunter (Show Details)

We have lunch with the head of the family, Askhabyl Shaimurat, who answers our questions about their life and the culture of the eagle hunters, and then after lunch we alternate between a couple of portrait set-ups, and photographing a couple of the more active hunters doing action shots, riding through water with their eagles. As the sun goes down we all move up hill to capture our new friends in environmental portraits lit by the evening glow.

Eagle Hunter at Erget Gol (Show Details)

Eagle Hunter in front of Mount Tsambagarav (Show Details)

We wait until sundown, and then it’s another 2.5 hours back to the hotel, which we reach near midnight, Ulaanbaatar time. It’s been a very long and action packed day, but full of wonderful photographic opportunities with a great family.

Askhabyl Shaimurat, Eagle Hunter (Show Details)
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