Category Archives: Photography

Caldera Sunset Zen

"Caldera Sunset Zen" Oia, Santorini
Camera: Canon EOS 40D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 30-09-2009 16:12 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/125s | Aperture: 5.6 | Focal Length: 47.0mm (~76.2mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

I’m making good progress on sorting out my photos from last year’s Santorini trip, with the intention of getting them finished before the anniversary… 🙂

I was going to publish a series of the Caldera sunsets in weekly instalments. I may still do that, but processing this wonderfully peaceful image made a slight departure from the plan irresistible.

I call it “Caldera Sunset Zen”. Let me know if you like it.

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Caldera Sunset #1

Sunset over the Caldera, Santorini
Camera: Canon EOS 40D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 29-09-2009 16:46 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/400s | Aperture: 7.1 | Focal Length: 110.0mm (~178.4mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

I’m finally getting round to processing the shots from my Santorini trip – only about a year late! The sunsets over the Caldera really are quite amazing. Here’s one, and I’ll post a couple more over the next few weeks.

Also, if you’re interested, I’ve recently added more shots from Europe last year to my online album. Have a look and let me know what you think.

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I Don’t Want to Sound Complainin’

View from the end of Wollestraat, Bruges, at sunset
Camera: Canon EOS 7D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 20-08-2010 20:57 | ISO: 1600 | Exp. bias: -5/3 EV | Exp. Time: 1/4s | Aperture: 5.0 | Focal Length: 17.0mm (~27.5mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

After writing “What I Want From My Next DSLR” I finally bit the bullet and upgraded my two DSLRs. While they are basically superb cameras, one, my new Canon 7D, is badly let down by some very poor ergonomics. This article describes my findings so far, what the cameras do well, and the things about the 7D I really don’t like!

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Memo to Car Museum Curators – Give Them Space

The Motor Museum in Turin gives cars something rather unusual: space. This is the entrance hall, featuring a FIAT concept eco-car.
Camera: Canon EOS 40D | Date: 20-08-2009 10:28 | ISO: 200 | Exp. Time: 1/100s | Aperture: 11.0 | Focal Length: 17.0mm (~27.6mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

There are lots of great car museums in the world, and I’ve visited more than a few. However, the majority are difficult or impossible to photograph, unless you’re a “down in the details” sort of photographer, which I’m definitely not.

The honourable exception is the Museo Dell’Automobile “Carlo Biscaretti Di Ruffia” in Turin, Italy. Here the curators have given the cars something they almost never have in other museums: space. The result is a beautifully lit environment for the equally beautiful exhibits, and when I visited last year I managed to make several images I’m very happy with. Visit my portfolio, and see whether you agree.

(PS – according to their website, the Museo Dell’Automobile is currently closed for restoration works, so please check the website before you visit.)

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Hereinafter

We used to take the mickey out of Japanese user manuals for not being written very well. My favourite example was “engine not turning very round”, although sadly I suspect that may have been apocryphal.

Now, I think there’s a danger they are swinging the opposite way. Yesterday, in the manual for my new Canon 7D, I found a word I never expected to find in a camera user manual: “hereinafter”. Correctly used as well, but is this quite the language we expect of a user manual for the masses?

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Nice Palette

Front of the Grand Hotel Suisse, Montreux, Switzerland
Camera: Canon EOS 40D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 14-08-2009 18:12 | ISO: 200 | Exp. bias: 1/3 EV | Exp. Time: 1/1600s | Aperture: 6.3 | Focal Length: 110.0mm (~178.4mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

Here’s a picture from my Swiss trip last year. I was a little disappointed with my shots from Montreux – it’s such a compact town it’s very difficult to isolate the buildings and features from one another. However, I’m reasonably pleased with this one. The palette’s great: everything the same yellow and red, with the rest almost monochrome (I haven’t made any adjustments apart from a slight overall saturation boost). Of course, if I’d been taking a commercial shot with the hotel’s permission I’d have tried to get all the blinds deployed to the same length, but I didn’t have that control. Still, I think it’s balanced enough to work.

Let me know what you think.

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First Photo Blog Post

Another of my favourite subjects - sunset light on water
Camera: Canon EOS 40D | Date: 05-10-2009 16:27 | ISO: 200 | Exp. Time: 1/3200s | Aperture: 8.0 | Focal Length: 300.0mm (~486.5mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

Hi, welcome to my new photo blog. Here’s a shot taken on my trip to Santorini last year, a “grab shot” of a rather nice yacht scudding along in one of the island’s trademark sunsets. The triangular shapes at the bottom are actually the edge of a nearby roof, out of focus.

Let me know what you think.

Andrew

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IS Sometimes Doesn’t

Gordon Lewis at Shutterfinger recently posted bemoaning how Image Stabilisation technology doesn’t work in some circumstances, especially when the camera’s on a tripod. This has caused me a number of jagged fireworks pictures, and others, over the years. Regular readers will recall my suggestion in What I Want In My Next DSLR that it would be easy for camera design to include automatic detection of “tripod mode”, and simply turn IS off, or at least visually warn the user.

Camera manufacturers have made enormous strides in very difficult technology areas, but current DSLRs fall down in so many simple usability areas. Why?

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Lots of News

Quite a lot of news…

Migration of our web sites and email to the new hosting server is almost complete. See previous article/rant for some of my findings. After some initial frustration with my hosting provider (WebFusion) when I discovered the
limitations of their new Linux shared hosting services compared with the old one, I have to say a big “Thank You” for their efficiency in finding a better solution for me, and providing me with effective technical support to get it up and running.

If you do have any problems with our sites or email, let me know…

I’m currently developing a new blog, based on WordPress. This will make it easier to post “on the fly” than with the current solution, hand-carved from XML and ASP (now PHP).

When the new blog is running, I’m going to have a regular post for fans of my photography, so you can see what I’ve been working on. In the meantime, I’ve updated my gallery pages so they are a bit easier to navigate, bookmark and search.

And talking about my photography, I’ve recently been accepted by the Alamy stock agency. So please all rush at once and spend lots of money licensing my pictures for all those uses you’ve dreamed of but were too polite to mention 🙂

See you soon,

Andrew

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What I Want In My Next DSLR

What’s missing from the typical DSLR, anno 2010? What could be improved, using simple established technologies, to make the DSLR a better picture-taking device? And why don’t the major DSLR manufacturers do some of these things, which might help sales?

The modern DSLR is a great image making machine, and I don’t want to change it’s core paradigm. But as I use my cameras in different ways, I recognise a number of lost opportunities and frustrations which have yet to be addressed. Now is the time to divert a small fraction of that enormous engineering effort from the hunt for ever more megapixels to the development of software and mechanical features which will make the DSLR a more flexible and better-integrated photographer’s tool.

In this article, I suggest a round dozen ways in which DSLR manufacturers could easily improve the product, mostly through simple software or mechanical refinements, to ease the process of taking and processing photos.

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Review: Architectural Photography

Composition, Capture, and Digital Image Processing, By Adrian Schulz

A sandwich with not quite enough meat

This is a good, broad introduction to the field of architectural photography which will suit photographers with basic to intermediate skill levels. That said, the level of detail varies, and it will leave some readers wanting more.

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Categories: Photography and Reviews. Content Types: Book and Photography.
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Review: Photographic Multishot Techniques

Photographic Multishot Techniques: High Dynamic Range, Super-Resolution, Extended Depth of Field, Stitching, By Juergen Gulbins & Rainer Gulbins

Disappointing content, and too much Photoshop

This book should really be titled "Photographic Multishot Techniques with Photoshop CS3". Although it does touch on some other software (in particular a quite detailed look at PhotoAcute) you get the distinct impression that the authors are out of their comfort zone unless they can "do it in Photoshop".

This is a great shame, because multishot techniques such as panoramic stitching and HDR are areas in which smaller software vendors have frequently produced powerful, innovative, inexpensive software solutions. Also, it makes the book less relevant to anyone who cannot afford (or does not want to invest in) full-blown Photoshop CS3.

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Categories: Photography and Reviews. Content Types: Book and Photography.
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