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An Unloved Park?

Corn Dollie, Gatlinburg, TN
Camera: Panasonic DMC-GX7 | Date: 26-09-2014 17:44 | Resolution: 2909 x 4364 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/200s | Aperture: 5.0 | Focal Length: 14.0mm | Location: Baskins Creek | State/Province: Tennessee | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Day 7

A slightly frustrating day. Great Smoky Mountains National Park is the most visited of the American parks, but in some ways it feels like the least loved. We are shocked by fresh graffiti in what may well still be consecrated chapels, and some very poor traffic management decisions result in miles of backed-up traffic around the Cades Cove loop road for no good cause.

On our way out the next day we see a young woman openly sprawling her name on a rock at a viewpoint. Astonishing.

Maybe because the park lacks a natural centre it’s more difficult to create a real park culture, but the Parks Service could help themselves by charging for access, which would help create some sense of value, and by providing better explanatory information at the points of interest.

Food follows a similar pattern to yesterday. Frances observes that the Tennesseeans seem to have endless ingenuity in increasing the calorific value of food, while minimising its nutritional content.

We have a quiet end to the day, with an hour by the pool, followed by dinner, coffee and a moonshine tasting! However it’s interesting to observe that the roads through Gatlinburg are now completely gridlocked with traffic leaving the park and arriving in the town. One of the shop owners cheerfully explains that they seem to have pulled off a unique trick, thanks to their climate, and the summer season doesn’t really end until after Christmas. If anything October is their busiest month. This contrasts sharply with Britain, where Christmas begins in September, or the typical ski town which shuts down between the last walkers leaving and the snow arriving.

One thing which is charming is the way every shop and common area in Gatlinburg is beautifully decorated with a “fall” display of corn dollies, pumpkins and wreaths of corn and leaves. Frances is so inspired we purchase our own corn dolly and wreath to try and create the look at Coppertrees.

The trick to Gatlinburg is wandering right through to the back of each alley. This process locates the best food and a great coffee shop which serves cream cakes and a proper latte.

Tenessee has proved a very friendly place. The streets of Gatlinburg may be full of bikers and rednecks, but with everyone eating ice cream and making an effort to be friendly it works.

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Into the Mountains

Panorama from 4 Infrared originals - original colours. Taken from the car park below Clingman's Dome
Camera: Panasonic DMC-GF3 | Date: 26-09-2014 10:48 | Resolution: 1920 x 1280 | ISO: 160 | Exp. bias: 0 EV | Exp. Time: 1/2000s | Aperture: 5.6 | Focal Length: 12.0mm (~24.0mm) | Lens: LUMIX G VARIO 12-35/F2.8

Day 5

After last night’s “oh bugger” moment we establish that the “right” Lynchburg is only about 60 miles south of Nashville and therefore a manageable diversion. The drive down is very pleasant, and the tour interesting, although our guide has a very thick accent and also assumes we understand the basics of the whiskey-making process, either of which might be a challenge for other attendees. The most impressive aspect is the sheer industrial scale of production tucked into a tiny site in Tennessee.

Through the remainder of the day Tennessee proves itself a bit odd. First although Moore County houses one of the world’s most famous distilleries, they never quite got around to repealing Prohibition, so you can’t actually buy a drink. Our long drive over to the mountains goes quite smoothly, except halfway across there’s a change of time zone, and we lose an hour mid-state.

The gateway area for the Great Smoky Mountains National Park doesn’t resemble any other park gateway we’ve seen. Pigeon Forge at the bottom of the hill is like a mini Las Vegas. Frances is in shock at the concept of “The Hatfields and McCoys Dinner Experience – What All the Fuss Was About”. Bad taste or what? Gatlinburg at the top of the hill is marginally less tacky, but still more like Blackpool than Moab. The difference is probably that this is one of the Eastern USA’s main ski areas, but it’s not Cortina D’Ampezzo either!

Dinner holds another surprise, when the waiter refuses to serve me a beer without my passport. There wasn’t evidence of much ID checking in Beale Street Memphis or the Nashville Broadway. Explaining to him that I was old enough to drink beer before he was born doesn’t work. Fortunately Frances does have her passport and buys the beer for me, but he makes a big thing of checking the passport’s “expiration date”. Now it may be just me, but I fail to see the logic here. If Frances was old enough to drink beer when an ID was valid, she will presumably still be old enough if it has expired, that’s how time tends to work. I suppose there’s a small risk she is a Time Lord who has regenerated as a youngster like Matt Smith, but that’s a bit of an edge case…

The mountains beckon.

Day 6

A great night’s sleep, with the gentle rush of the river a soothing influence. We forgo the free breakfast at the hotel in favour of a much nicer one at Shoneys. We end up sharing a steak, eggs, bacon, sausage and toast, which seems to be the most reliable protein-centric option.

Then we’re off into the park. Fears of overwhelming traffic rapidly prove unfounded, and other users are never in the way on the roads or at stops. In addition everyone is very friendly and welcoming.

On a less positive note the park itself is a bit underwhelming essentially just a nice large green space with a high road through the middle, and nothing to compare with the genuine wonders of the more famous parks of the American West. We are a few weeks early for true Autumn colour and I might be making a different statement seeing the colour at its height.

Lunch is taken on the North side of the park, at Cherokee which is almost exactly what we expected Gatlinburg to be, a small quiet park gateway town. I have trout from the river, Frances has steak again.

In the afternoon we do a loop which purports to be a nature trail, but serves much better as a route between old dwellings near Gatlinburg. It’s lovely to see all the old homesteads, but sobering to think what a tough life they represent.

Then into town where we find a nice “back alley” bar with excellent sandwiches, nice beer (and no nonsense about ID) and yet more live music, this time a couple singing country classics. I have a pork sandwich with crisps which have been freshly re-fried. Gorgeous, but God knows what their calorific content is. Frances has steak, again. There’s no problem getting something to eat in Tennessee, but you do run the risk of too much of a good thing, and not enough variety overall.

The infrared-converted Panasonic GF3 comes into its own photographing the “smoky” mist which give the mountains their name, rendering it by default as a dramatic “sunset” picture, as above. This is probably my favourite version, but it also works well with the red and blue channels swapped to create a deep blue sky, or as a high contrast black and white version.

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Goodbye Dr. Love

John Holt at the Barbados Reggae Festival, 2014
Camera: Panasonic DMC-GX7 | Date: 26-04-2014 04:14 | Resolution: 3424 x 3424 | ISO: 3200 | Exp. bias: -66/100 EV | Exp. Time: 1/100s | Aperture: 5.6 | Focal Length: 300.0mm | Lens: LUMIX G VARIO 100-300/F4.0-5.6

I was very sad this morning to hear of the passing of the great reggae singer, John Holt. Help Me Make It Through The Night is very possibly my favourite reggae love song, and the contrast between his sweet voice and the electric brass section always sends shivers down my spine. We were lucky enough to see John perform several times at the Barbados Reggae Festival, most recently this April, by which time he was probably already ill, but it took nothing from his performance. A great musician, who will be sadly missed.

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Music from Every Orifice, and a Sudden Realisation!

Songstress at the Listening Room, Nashville
Camera: Panasonic DMC-GX7 | Date: 24-09-2014 18:14 | Resolution: 3424 x 3424 | ISO: 3200 | Exp. bias: 0 EV | Exp. Time: 1/25s | Aperture: 5.6 | Focal Length: 46.0mm | Location: The District | State/Province: Tennessee | See map | Lens: LUMIX G VARIO 35-100/F2.8

Day 4

It’s a long but leafy drive from Memphis to Nashville, a bit like a 200-mile long tree lined avenue, but with bigger trucks! The road is misleadingly uniform, so it’s a surprise how different the two cities are. Nashville feels hotter (despite being higher and further north) and has a much more prosperous appearance.

Lunch is an alleged “prime rib sandwich”, basically a complete prime rib with two wonderful pieces of fried bread. Then we visit another fabric shop, which has by far the largest selection of fabric prints either of us have ever seen in one place.

Fabric shopping complete, it’s a short drive to the “music district”. Nashville must have more live music venues than London, and they are all within about half a mile. There’s literally music coming out of every orifice. We take afternoon drinks on the rooftop of the Hard Rock Cafe with a bunch of madmen who are prepared to attempt anything from Johnny Cash to Whitesnake, although they have to read the lyrics of Brown Eyed Girl off a phone. Dinner is with three charming young ladies playing their own country songs.

In the middle of dinner one of the songs is about whiskey, and I realise to my horror that I’ve been heading to the wrong Lynchburg for the Jack Daniels tour. Fortunately the mistake is recoverable just at this point, so tomorrow will be a slightly different route to the one we originally planned!

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‘Nuff Said

No comment...
Camera: Panasonic DMC-GX7 | Date: 22-09-2014 19:42 | Resolution: 3527 x 1411 | ISO: 3200 | Exp. bias: 0 EV | Exp. Time: 1/80s | Aperture: 5.0 | Focal Length: 59.0mm | Location: Beale Street National Historic | State/Province: Tennessee | See map | Lens: LUMIX G VARIO 35-100/F2.8
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An Historic Day

A target rich environment! Custom car on Beale St, Memphis
Camera: Panasonic DMC-GX7 | Date: 23-09-2014 19:38 | ISO: 3200 | Exp. Time: 1/15s | Aperture: 5.6 | Focal Length: 12.0mm | Location: Beale Street National Historic | State/Province: Tennessee | See map | Lens: LUMIX G VARIO 12-35/F2.8

Day 3

The drawback of being a stone’s throw from the airport is somewhat curtailed sleep as the flights start at about 4.30. Oh well…

First stop is a fabric shop on the outskirts where Frances buys some tassles, and we find by accident a flag shop where we manage to replace several of our older flags. Then we drive back to the centre via Summer Avenue which suddenly within one block transitions from tired commercial properties to very expensive-looking leafy suburbs.

In the centre we get coffee at the old and very elegant Peabody Hotel, whose central lounge fountain has been home to a bunch of ducks since an incident involving drunk hunters in the 1930s. The amount of duck merchandise is staggering, and their “walk of fame” outside has the stars’ names picked out with webbed footprints.

We decide to walk up to Sun Studios, and spend half an hour in the tiny recording room where so many great careers got started. The seven block walk in each direction probably just about cancels out the chocolate duck served with coffee. Then it’s back to the waterfront restaurant for a catfish sandwich for lunch – Memphis is seriously bad for the waistline!

The Cotton Museum is mis-named. It should be The Cotton and Blues Museum. It’s the only place in Memphis where we see an acknowledgement that it took musicians from Kent and Surrey to break down the barriers and make blues a universally-accessible artform.

A walk along a very quiet historic Main Street brings us to the Civil Rights Museum, which is closed. However we don’t have to go in to appreciate its location – the Lorraine Motel where Martin Luther King met his untimely end. So much for the promise about no more graves!

In general Memphis seems to be trying to quietly forget the days of discrimination, which seems a bit disingenuous, but maybe that’s what is required for a society to heal.

Dinner is taken at B B King’s Café, with a very good blues band who manage to make even Bill Withers songs sound like Cream. Throughout the meal Frances is occasionally squeaking as old cars turn into the pedestrian Beale Street, and we come out to a custom car show which fills the street for three blocks. Another “target rich environment”.

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Jumpin’

Beale St. Illuminations, Memphis
Camera: Panasonic DMC-GX7 | Date: 22-09-2014 19:35 | Resolution: 2562 x 3416 | ISO: 500 | Exp. bias: -66/100 EV | Exp. Time: 1/80s | Aperture: 8.0 | Focal Length: 39.0mm | Location: Beale Street National Historic | State/Province: Tennessee | See map | Lens: LUMIX G VARIO 35-100/F2.8

Day 2

Another early start, but thanks to jet lag it’s not a major issue. Reagan National Airport turns out to be an architectural gem, and I get some great shots of the main hall. Operationally it’s not at quite the same level and US Airways first have a very confusing check-in process, then load us onto a bus which spends about half an hour circling the tarmac before delivering us to a very small plane. At least we’re well looked after by the lone stewardess, and promptly delivered to Memphis to start our tour in earnest.

Picking up the car proves slightly harder work than usual, but we are rewarded with a very dramatic Mustang convertible in powder blue. Annoyingly Ford have changed the shape of the boot yet again, so it is now physically impossible to fit two suitcases, and we will be doing the whole trip with one on the back seat. At least the hotel is only about 5 minutes drive and easily located.

After lunch the first target is Graceland. This proves to be rather smaller than expected and much less tacky than feared. Given Elvis’ slightly odd choices of decor and gadgets “elegant” may not be quite the right word, but neither is it completely wrong. You are left with the impression of a good man who liked his cars and gadgets but was otherwise of relatively simple tastes, and maybe just found the stress of constant performing a bit too much to cope with.

The Meditation Garden existed as such even before Elvis’ death, another indication of his sensibilities. Today it houses his grave and those of his parents and grandmother. I promise Frances “no more graves”, but some promises are harder to keep.

We haven’t really tuned into the rest of Memphis, but the lady at the Graceland tourist desk gives us directions to somewhere called Beale Street. The route involves driving along the recently renovated waterfront of the Mississippi River, and it’s great to see Ole Man River in reality after a lifetime of reading about it. We then walk into a wall of sound, with music of every sort coming out of every door. Beale Street turns out to be very much the tourist hub of Memphis, with lots of interesting shops, great signage, and all that music. In photography terms it’s what they call a “target rich environment”.

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Back in the USA!

View from Arlington National Cemetary, with the Washington Monument in the background
Camera: Panasonic DMC-GX7 | Date: 21-09-2014 17:31 | Resolution: 3233 x 3233 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/320s | Aperture: 8.0 | Focal Length: 23.0mm | Location: John F Kennedy Tomb | State/Province: Virginia | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

We had a trip to the USA in late September and early October, which was highly enjoyable and produced a few interesting photos. Here’s what happened…

 

Day 1

Up early for flight to Washington. Everything goes smoothly apart from a delay getting away from Heathrow, however the pilots manage to make about half up on the flight. We arrive early enough to get on the DC Metro for a quick trip to Arlington Cemetery. The Metro proves to be straightforward, but a bit slow and infrequent on a Sunday.

At the Cemetery we focus on the graves of the Kennedy family, with a poignant reminder of their achievements. We also manage a quick walk to the top of the hill from where you can see the Lincoln and Washington Monuments, the Capitol and the Pentagon in one relatively narrow view, which emphasises the relatively small scale of the city.

Back in Alexandria we find a pleasant and tasty Mexican meal, which we manage to eat outside with no meteorological issues, but having to dodge falling beech nuts. Back to the hotel and early to bed (US time, it’s about 2 am UK time).

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Looking Down Dark Alleys…

An alley in the Marrakech Medina
Camera: Panasonic DMC-GX7 | Date: 12-11-2013 10:11 | Resolution: 3086 x 4114 | ISO: 250 | Exp. bias: -33/100 EV | Exp. Time: 1/60s | Aperture: 8.0 | Focal Length: 29.0mm | Location: Museum of Marrakech | See map | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

I’m finally getting round to the first pass (!) on my Morocco photos. Work, my app development and the slow release of Capture One support for the Panasonic GX7 have all got in the way.

Here’s one from our second day in the Medina. We spent a lot of time peering down dark alleys, waiting to see if we could catch someone walking through a patch of light. It’s rather like shooting in a slot canyon – the position and the nature of the light changes incredibly quickly, and within about 10 minutes this light had disappeared. However while the light was right our patience was rewarded by the appearance of this nice Moroccan lady.

I continue to be amazed by the image quality of the GX7, and how Capture One handles it. Without adjustment this was almost a two-tone image of blown highlights and black shadows. Just using the “HDR” sliders of Capture One fully recovered almost all the highlight areas, and brought the detail in the shadows up to a level I like. That’s about all that was required.

More as they emerge from the shadows.

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Morocco – Did I Need Two Camera Systems?

Blacksmith at work, Marrakech
Camera: Panasonic DMC-GX7 | Date: 11-11-2013 15:29 | Resolution: 4592 x 3064 | ISO: 1600 | Exp. bias: -1 EV | Exp. Time: 1/40s | Aperture: 8.0 | Focal Length: 35.0mm (~72.0mm) | Lens: LUMIX G VARIO PZ 14-42/F3.5-5.6

Here’s the list of the main kit I took to Morocco:

  • Canon 7D body
  • Canon 550D body
  • Canon lenses: 15-85mm,  17-85mm, 70-300mm, 10-22mm (The 550D and 17-85 were basically “spares”, although both got a small amount of use.)
  • Panasonic GX7 body
  • Panasonic lenses:14-42mm (power zoom), 14-42mm (kit lens, spare),  45-175mm, 100-300mm
  • Olympus lenses: 12mm f/2, 9-18mm
  • Gitzo GT1540 tripod with Gitzo ball head
  • Around 96GB each of SD cards and CF cards
  • Three battery chargers and one or two spare batteries for each camera
  • Polarising filters in each of the following sizes, and protective UV filters in almost all: 37mm, 46mm, 52mm, 58mm, 67mm, 72mm, 77mm
  • Lens hoods for most, but not all of the lenses
  • Remotes for both systems, including an intervalometer for the Canons (ironically the GX7 has one built in) and an adapter cable because the Canons have different connectors
  • Shoulder bag for around town and tiny bag for GX7 as well as my large backpack for travelling and the desert trip

While I liked the flexibility of this selection, I would be the first to admit that it meant carrying more than ideal in terms of both weight and value. It’s also almost in danger of becoming my standard kit for any trip, which is vaguely ridiculous. However it’s not obvious how or even whether I should pare it down for a future similar trip.

Firstly, apart from the spare Micro Four Thirds normal zoom, each lens and all three bodies saw real use (although I could realistically have substituted either of the others for the only outing of the 550D and 17-85mm lens). However following my experiences in Cuba and Iceland I wouldn’t forego carrying a spare body for the “main” camera and a spare mid-range zoom, although by carrying two different “systems” I doubled up both elements on this trip.

I don’t think there’s a single shot I took with either Canon I couldn’t have taken with the GX7, but that might not have been true if there was more fast action, and I might have got one or two shots I missed if I had had the 7D with its fast performance and 6X standard zoom ready in my hand. The Canon lenses are definitely a bit more resistant to flare, but in most cases I didn’t find that an insuperable problem with the MFT kit. Whether the Panasonic batteries would have lasted the desert trip and frozen night shoots is an unknown, but the third party batteries for the Canon weren’t great either.

Conversely I definitely got several shots on the GX7 which exploited the GX7’s unobtrusive nature, silent operation, the wide aperture of the Olympus f/2 lens or the remarkable reach of my new 100-300mm lens. These I might not have got with the Canon.

As I’ve said before, the Panasonic GX7 is the ideal camera for wandering around in towns, or exploring cramped interiors like those of the older buildings in Morocco. I’ve read other reviews which liken it to a smaller Leica rangefinder, and if that’s true then I finally “get” the rangefinder aesthetic. Where it scores over other such cameras is that it is not limited to one mode, but moves seamlessly from point and shoot (composing on the rear display), or “twin lens reflex” (using the same panel tilted), through rangefinder and on to a high performance shooting mode best described as “mini DSLR”. I find myself increasingly using all those modes, whereas with my previous cameras live view has been only for situations where I genuinely can’t reach the viewfinder.

I also find myself using the multiple aspect ratios as a positive composition aid, and the live preview as a visual exposure guide in a way I have not done before.

The sheer physical size has an impact on subjects. In our financial argument with the snake charmers one of them went through our group saying “you have big camera, you have big camera…”. He got to me, raised his finger, and stopped dead. Something similar happened a couple of times.

Could I have managed with just the Canon kit? Probably, but I would have had to work harder, both physically and to get what I wanted from some of the subjects.

Could I have managed with just the Panasonic (with my GH2 as “spare body”)? Yes, but I would have been a lot more nervous about the desert trip. I happily sat on camel back with the 7D bouncing in the saddle. At one point I dropped the 7D in the sand from several feet up, but just dusted it off and carried on. That might have been a more serious incident with the smaller cameras.

The solution might be to extend my micro four thirds kit with a weatherproof lens and body, such as the Panasonic GH3 and 12-35mm lens. Morocco wasn’t that hard on kit, although I didn’t know this beforehand, and that pairing would have managed fine in the desert.

Unfortunately the harshness of a location is something which is hard to predict on a first visit: Iceland was much harder on equipment and even some of my heavyweight Canon gear did not survive – the wear on smaller cameras would probably have been unacceptable.

The alternative view (although it’s from Kirk Tuck, a man who changes his cameras almost as often as I change my socks) is that we just accept that the cost of smaller, lighter kit is that we wear it out more quickly, and that this fits with the gradual obsolescence due to technical advances. While I partly buy this argument, I’m not keen to completely wreck and write off equipment, and it brings the risk of a trip where both the primary and spare equipment die before the end. That would be a real disaster.

So for now I have moved one step closer to travelling light (or at least light-er). For trips to “easy” destinations I may be prepared to go MFT-only. For more physically challenging locations, if there will be a lot of fast action, or if I need the visual impact of a “big” camera I take the Canons. For trips with a mix of both, I remain a beast of burden.

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Morocco – What Worked and What Didn’t

Berber at prayer, Erg Chebbi
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 17-11-2013 15:50 | Resolution: 4700 x 2938 | ISO: 200 | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 8.0 | Focal Length: 300.0mm (~486.0mm) | See map | Lens: Canon EF 70-300mm f/4-5.6 IS USM

As a tail piece to my Morocco blog, and as a service to anyone else considering a photo trip there, here are a few notes on what worked, what didn’t, and how you might increase your own chance of a successful outcome.

What Worked…

This was the second trip I have done with Lee Frost of Photo Adventures (who also ran my Cuba expedition). He works hard to make sure you have a good time, with a balanced itinerary which gets you and your camera in front of lots of great subjects with a good chance of decent light. He’s also a fun and inspiring group leader and tutor. You just have to learn that he will always want “just one more shot” when the customers have all had their fill! Highly recommended.

Lee partners with someone who manages the local logistics, and on this occasion it was his regular co-leader in Morocco, Carolyn Hunt of Journeys Elite. Carolyn is a specialist in tailor-made Moroccan trips, and this reflected in faultless arrangements plus the ability to smoothly handle minor problems and variations. She was also a fun member of the group, and as a photographer in her own right understood our requirements well. Another strong recommendation.

Plumbing and toilets! I had some concern that toilet facilities might be a challenge, but completely needlessly. The Moroccans have a simple system that pretty much every cafe, hotel or other roadside stop has toilets which are freely available to use for a small donation from non-customers. Pretty much without exception these were in good order and spotlessly clean, often well above the standard of the British equivalent. (However, see note about showers in the “didn’t” section…)

The roads were all pretty good, well surfaced and with a capacity reasonably matched to the traffic (although I accept that I was seeing this in the low season). However it has to be observed that Moroccan drivers have a nasty habit of not worrying about which side of the road they use until an impact is imminent, and cyclists and moped riders are as much a menace as anywhere. While I would have been fairly comfortable driving outside Marrakech, I couldn’t have coped with either the poor signage in the larger towns, frequently only in Arabic, or the amazingly frequent speed traps and police checkpoints. Fortunately we had an excellent driver, Mohammed, who took all this in his stride, and was always happy to help in any way.

Morocco has very good telecoms services. My mobile worked everywhere, even in the middle of the desert. There was also free Wifi at almost every stop, although the speed varied substantially (and was not obviously correlated to distance from a major centre). I did have an odd problem that I couldn’t reliably send mail via my own SMTP server, but webmail worked fine.

It makes a welcome change to report that all my camera kit worked reliably and survived, although my Canon gear is going to need a very careful clean after the desert trek (and see note below about batteries).

I’m extremely pleased with the Panasonic GX7. This is the perfect camera for wandering around towns, whether they are packed or abandoned, and for taking high quality photos without the visible and audible imposition of a full-sized DSLR. It also makes brilliant high definition video, even in minimal light. At its limits it may not quite match the speed or the stabilisation of the Canon 7D, but I was not often left wanting. I do need to confirm its higher-ISO capabilities when Capture One support arrives, but the initial indications are good.

I’m also very pleased with the Panasonic Lumix 100-300mm lens. This fist-sized lens is pin-sharp and can pull details out of scenes which would demand major cropping with even huge lenses on full frame or APS-C cameras. It also stabilises well to cope in quite limited light. I now have hand held shots of the Moon filling half the frame, revealing detail which my eyes alone have never seen.

All that said, my Canons also had a key role. It was absolutely the right choice to take the 7D into the desert, where its heavier build and better sealing reduced worries substantially. If your trip covers a similar range you may also need a composite solution. I also used every lens except the “emergency spare” Panasonic 14-42mm zoom. I’m going to write a separate blog about how I might do a similar trip with a single camera system.

Much of the photography was in dark alleys or “open interiors”. This is very similar to outdoor photography in slot canyons and similar locations. Light is often best in the middle of the day, but changes rapidly. Inside the Kasbahs it takes on wonderful warm colours after being reflected from different surfaces. However overall light levels will often be low, and be prepared for very high dynamic ranges if you have a mixture of direct and indirect light. I got good use from my wide angle fast prime lens (f/2, 24mm-e), and took HDR bracket sets in several cases.

Morocco is dusty, and even out of the desert keeping optics clean is a challenge. My solution is a sacrificial UV filter for every lens, which I am prepared to replace after the trip. First indications are that I will have to do so for the two “standard zooms”, but the others will survive for another day. I have noticed a little vignetting on shots taken with the Canon 15-85mm when I had both UV and polarising filters in place, but this should be fairly easy to fix in the RAW processing, and it looks like the other lenses were fine. I also followed Lee’s suggestion to wrap cameras and lenses in plastic bags for the desert trip. There’s no way to tell how necessary this was, but it seems like a sensible precaution.

The food was a little repetitive and had a very high bread content (which I like but is not good for my waistline). However it was usually fresh, well cooked and tasty.

Cerberus, my invention to support multiple charging points from a single socket and cable worked very well, although I have realised that it can be further developed to also power my laptop from the same source. I have found a suitable C8 adapter for £3 on eBay, which will improve things further for the next trip.

For Geologging I now use Ultra GPS Logger by Holger Kasten. I have worked with the developer to optimise this excellent piece of software, and the results from this trip seem to be very effective.

French really is the best language with which to interact with the Moroccans. It helps to have the standard pleasantries in Arabic (yes, no, thank you etc.), and you occasionally find someone with usable English, but French is the right solution. Unfortunately mine was very rusty, and only started to work effectively at the end of the trip, but c’est la vie…

What Didn’t…

My precautions against the Caliph’s Revenge were ineffective. I avoided salads, kept my hands clean, drank only bottled water, and still suffered. My companions were fine. Go figure…

Showers – this is maybe slightly unkind, as every hotel had a device which produced a spray of water, usually at a reasonable temperature. Unfortunately almost without exception the mount on the wall was either absent, broken or, in an impressive display by the most expensive hotel, mounted so high that it both restricted the flow and ensured that what did come out flooded the entire room!

The haggling associated with some activities was unpleasant. It left a bad taste in the mouth to have a good shooting session and then end it with an argument about money. It doesn’t help that in the more popular areas some tourists and photographers are being more generous, which is pushing expectations up. Strangely this seemed to be much less of an issue south of the Atlas – whether this was due to a difference in culture or just less tourism is hard to judge.

If possible, try and agree a price for everything beforehand, and be prepared to walk away if the price is not right. I was successful in getting the price I wanted for all my souvenir purchases by this tactic.

Photographically I only had one problem. Both my spare Canon 7D battery and one I borrowed from Lee died very quickly in the cold of the desert nights. It might be significant that they were both cheap 3rd party ones – original Canon batteries and my Panasonic batteries for the GX7 seemed to fare better.

While you don’t go on a photographic holiday to lie in every morning, it would be nice to get the odd opportunity, and Lee usually obliges. However Morocco didn’t – 24×7 cockerels, mezzuins calling at 5 am and sub-zero temperatures all made their contribution! Oh well…

Conclusion

Morocco is an inspiring feast for the eyes, and a great photographic destination. With some planning, basic preparations and sensible precautions it’s not a hard one either. Enjoy it.

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First Attempt at a Star Trail

Star Trail over Erg Chebbi, Morocco (stacked from 32 originals of 2 mins duration)
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 18-11-2013 03:19 | Resolution: 5184 x 3456 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 120.0s | Aperture: 4.0 | Focal Length: 20.0mm (~32.4mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

I’ve tried processing my star trail shots from Morocco, and the results are better than I expected. The above is from my first night in the Erg Chebbi. With a full moon the foreground is perhaps a bit overexposed, but otherwise this has worked quite well. I was slightly off on my aim, but at least I got the pole star (just) in shot!

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