Author Archives: Andrew

Enterprise Architecture Conference 2011 Day 3

Well the third day of EAC 2011 came and went. My talk went well. Despite the last minute scheduling change I got a decent audience, and once in front of real listeners managed to find my style and pace again. They seemed to appreciate it, but as none of the inveterate tweeters was in attendance I’ll have to wait for the feedback analysis to be sure.

This morning’s keynote was excellent, it’s just a shame that I had to leave early to set up for my own talk. It could have been subtitled “why ‘cloud’ means people trying to sell you stuff”, and was the most balanced discussion I have yet heard on cloud computing. The most interesting observation is that individual component reliability is very much subservient to scalability and “elasticity”, which has major implications for more critical applications.

The rest of the day’s presentations were a mixed bunch. Some were too academic, others very light on real content. The one exception was Mike Rosen talking about SOA case studies, which included both real successes and failures, and should be the yardstick for anyone looking to move to SOA.

One thing I have learned from this conference is a (arguably the) real purpose for Twitter. It’s a great way for a group engaged in a joint activity like this to have a shared background conversation. In many ways it’s the electronic reincarnation of the DeMarco/Lister red and green voting card system, but with wider and longer reach. It’s not without problems: it can be a distraction, some users can dominate with high volume, low value tweets and retweets, and Twitter’s search and the available clients (certainly on the iPad) are not optimised for hashtag-based operation. However, these are minor complaints.

The iPad makes a superb conference tool, and I was amazed by the number of them in use, for making notes, reviewing slides, and tweeting. Interestingly I think this trend will drive a move to standardise on PDF-format material: slides published this way worked very well, but some available only in PowerPoint format weren’t viewable.

My congratulations and thanks to the conference chairs and the IRM team for an excellent event. Time to start thinking about a topic for the next one…

– Posted using BlogPress from my iPad

Location:Falcon Rd,Wandsworth,United Kingdom

Posted in Agile & Architecture, iPad, Thoughts on the World | 1 Comment

No Plan B

I don’t think the reason why the British travel infrastructure copes so badly with problems is actually down to a fundamental lack of capability or investment. The real problem is that the operators lack sufficient planning, and/or imagination, and/or flexibility to shift their services to alternative patterns better matched to changing circumstances. The only “plan B” seems to be “run what’s left of plan A and apologise”.

Take, for example, South West Trains, who run commuter services to the South West of London. There are two main lines out from Waterloo via Guildford and Woking, but also a number of parallel minor lines, like the secondary line to Guildford which runs past my house.

When North Surrey got a foot of snow for the first time in 30 years in February 2009, it was clear that no trains were going to run on any of these lines for a couple of days, but only a relatively short stretch of the lines was blocked. It was still possible, for example, to get from Surbiton (about 10 miles nearer to London than my home) to Waterloo.

I had to attend a course in London, and the roads were becoming passable, so I dug the car out and drove to Surbiton. It rapidly became clear that everyone else had had the same idea. How had SWT reacted? By running the same four commuter services an hour from Surbiton. These were, of course, enormously overcrowded and slow. What about the other trains which would, for example, have usually been running the express services carrying the rest of the traffic? These were nowhere to be seen, presumably sat in a siding near Waterloo. Would it have been beyond the wit of man to press some of these into use as additional shuttle services to carry the excess traffic from those stations which were accessible? Apparently so.

Last night, I got caught again. I got to Waterloo at 10:30 pm to see a blank indicator board. The cause of the trouble was signalling problems in turn due to cable theft at Woking. Now I don’t blame the rail companies for that, and I hope the perpetrators are found, hung, drawn and transported to South Georgia, but I do think the train companies’ response is inadequate.

True to form, they had reverted to “what’s left of plan A”, running a tiny number of overcrowded and delayed services under manual signalling procedures. Now theoretically my line should not have been affected. Not only should I have been able to get home, but my line is perfectly capable of carrying some additional “relief” traffic, as it does when there is planned engineering work on the main lines. (About once a month the 8 commuter services per hour are joined by about 20 express and freight services, and when planned that seems to work fine.) With a bit of ingenuity you could even alert taxi drivers at the intermediate stops to the sudden need for their services, at profitable late night rates.

Is that what happened? I should coco. Instead not even the regular services to my home station appeared to be running. I ended up on one of the overcrowded trains to Surbiton, and finished my day with a £40 cab ride.

Why is this so difficult for the train companies to get right? In both of these cases there was no fundamental problem with the remaining infrastructure or rolling stock. In both cases they even have a model for the alternative schedule. For last night it’s in a file marked “Saturday service with engineering work at Woking”. Staff flexibility might be the problem, but that must be resolvable, maybe via higher overtime rates?

There’s also an architectural lesson here. I design computer systems and networks. My clients run national power networks. In both cases the customers expect those systems and networks to be resilient, and to cope with growing demand without wholesale replacement. It’s not always possible to justify dedicated “DR” capacity, so you have to get inventive with alternative configurations of the capacity you do have, and then run tests and introduce clever asset monitoring and management practices to make sure those configurations can be used safely.

If we can do it, why can’t the transport operators?

– Posted using BlogPress from my iPad

Location:Cobham,United Kingdom

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Enterprise Architecture Conference

Halfway through, and this is shaping up to be the best EAC I have attended for a while.

I was umming and aahing about whether to attend yesterday’s seminar sessions, and couldn’t make up my mind which to join. In the end I made up my mind about the morning session while having a cup of coffee on the way, when I recognised one of the speakers, Lawrence Helm, as having given an excellent presentation a couple of years ago on NASA’s knowledge management problems. This time he and his colleague Robert Stauffer were talking about NASA’s adoption of Capability Modelling, and how they have put it to use supporting some very high level decisions about NASA’s future shape.

This was another stimulating session, and really benefitted from the extra space from making it a half-day session. Lawrence and Robert actually ran out of time, which was probably a testament to the depth of the material and the discussions it engendered.

The principle of relating capabilities to strategic objectives was not new to me, although the NASA examples certainly were. What did surprise me was the level of detail required for capability definitions in that environment. For example, the launch capabilities relate specifically to certain target longitudes and temperature ranges, and could not be moved to a location outside those ranges (for example Korou or Baikonur) without re-engineering the rocket platforms.

The afternoon session was also a bit random, as I got confused between Mike Rosen’s half-day seminar and his separate one hour talk for which I had the slides. Not a problem, the half day session on case study methods was very educational. The example, of how Wells Fargo created a federated model to integrate their various systems under a common customer model was interesting, and plays nicely into my EAI talk tomorrow. Like a good sermon, I didn’t learn much new, but I felt thoroughly validated that Wells Fargo did what I would have recommended, and succeeded with it. We had a very robust discussion on the importance of stable service interfaces, so hopefully that will drum up some support for my talk.

You get a very good class of attendee at these sessions. Alec Sharp joined the NASA session, and John Zachman joined the afternoon session, although he didn’t participate much.

Thursday’s highlights have probably been the two keynotes: this morning on how different companies have developed different strategies to come through and out of the recession, and this afternoon on “how to think like a CEO” and get your messages across to senior managers. However, there was also an excellent talk this morning by David Tollow on how EA feeds management and planning of long term outsourcing deals, from the supplier’s viewpoint. Very relevant to many of us in the current day and age.

Just to make things interesting, Sally has asked me to swap slots with someone else tomorrow, so my talk which was carefully trimmed to the constraints of the last slot on Friday will now be at 10 am. This may or may not be a good thing.

Wish me luck!

– Posted using BlogPress from my iPad

Location:Portman Towers,Paddington,United Kingdom

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Practical Enterprise Integration

I’m speaking at the IRM Enterprise Architecture Conference 2011, in London next week. My topic is “Practical Enterprise Integration: Realising the Benefits of a Strong Canonical Architecture”. In the paper I discuss the evolution of an EAI environment at National Grid, and how over time some key decisions on the underlying architecture have delivered significant benefits.

I’ve just uploaded the slides to my website. You can download them here.

Unfortunately, I’ve been put into a real “graveyard slot”, right at the end of business on the Friday afternoon. And I thought Sally, the conference chair, was my friend! If you are attending, I would very much appreciate your support. If not, I’d appreciate your thoughts on this topic, as always.

See https://www.andrewj.com/publications/EAI%20Evolution%20Slides.pdf
Posted in Agile & Architecture, My Publications | Leave a comment

Review: Rocket to the Moon

So far this year I have failed to see Tom Hollander in “A Flea in Her Ear”, and Benedict Cumberbatch in “Frankenstein”. Last night I failed to see Keeley Hawes in “Rocket to the Moon” at The National. Oddly, whereas the first two failures were subject to clear apologies at the theatres, Ms Hawes’ disappearence wasn’t acknowledged at all.

However, even had she fulfilled her role, I would probably have come away feeling short-changed. Keeley Hawes was “the draw” on the advertising, with her image alone on all the posters, yet her character was on stage for less than ten minutes in over two hours. The lead role was that of Cleo Singer, played competently and enthusiastically by Jessica Raine, who I can only image is very frustrated at her marginalisation by the bigger name.

To emphasise the insult with injury, I didn’t care much for the play anyway. The plot can be summed up simply: “Frustrated dentist has short affair with air-headed assistant. Various other men try it on with her. Eventually the girl sees sense.”. Lots of angst, and I don’t do angst. Worse, the Depression-era New York setting was completely wasted. There were characters making lots of money, and others not making enough to survive, but this was mere background, like the Manhattan street sounds filtering in through the back window of the stark set.

This play was a wasted opportunity, and a poor use of a big name.

Categories: Reviews. Content Types: Theatre.
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Review: Don’t Stand So Close

A review of "The Eagle"

As a general rule, it’s good for an action photographer to get close to said action, but I’ve recently seen a few films that demonstrate there’s a limit. One key example was “The Eagle”. It’s a stirring tale, full of great human lessons, and a great romp through Roman Britain and Celtic Scotland. I liked the visual feel, even if some of the Celtic warriors looked more African than Scots, and counter to some reviews I enjoyed the performances of both leads, as I thought Channing Tatum’s calm portrayal of the Roman an interesting contrast with the more intense performance of Jamie Bell.

The area of concern, an unfortunate one for an action film, was the fight scenes. The camera was right in with the whirring blades, and this led to two problems. The first, which several reviewers have commented upon, was that it became impossible to follow the sequence of events, or the “big picture” view of the battle’s progress. You just couldn’t work out who had done what to whom. A key Roman character is killed in the final battle, yet neither Frances nor myself could work out when, or at whose hands. This stands in contrast to, say, Ridley Scott’s direction in “Gladiator”, when you are never in doubt about what has happened.

The other problem is more personal, and I don’t know how many people it affects. My brain obviously process visual information quite quickly, and at a certain point the world’s most popular optical illusion breaks down. If, say, a sword scythes across a large cinema screen in less than a second, I see it as a series of distinct jumps as my brain discerns the movement between successive frames. While at one level I follow movement, at another I’m distracted by “spotting the jumps”. This only happens in relatively extreme circumstances, with quick movements across large screens, but it’s consistent under those circumstances.

“The Eagle” is not the only film I’ve recently seen which demonstrated these problems. This excessive closeness to the action seems to be a developing trend. directors and cinematographers need to test their work by seeing whether someone sitting towards the front of a large cinema can follow it. If not, a step back might improve things considerably.

– Posted using BlogPress from my iPad

Location:Bookham Rd,,United Kingdom

Categories: Photography and Reviews. Content Types: Film.
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Watching The Wall Go Up

0511 S95 0159
Camera: Canon PowerShot S95 | Date: 17-05-2011 16:59 | ISO: 800 | Exp. bias: 0 EV | Exp. Time: 1/25s | Aperture: 4.9 | Focal Length: 22.5mm | Lens: Canon EF-S 10-22mm f/3.5-4.5 USM

Thanks to some generous colleagues and the last minute availability of a spare “hospitality” ticket, I was lucky enough to get into a sold-out Roger Waters concert based on Pink Floyd’s The Wall this week. It was a really great show, and prompts several different observations.

First: the concert itself. I can only think of superlatives to describe it. Essentially while the music played and described Pink’s increasing isolation, the Wall of the metaphor was progressively built up, in front of the main part of the stage. The Wall was then used as a screen on which a variety of projections were shown: some simple graphics, many derived from the original Gerald Scarfe illustrations for the album, and others illustrating some of the social and political philosophies behind the lyrics. The projection technology was amazingly sophisticated, being able to extend to individual bricks as they were inserted, so that there was no “spill” onto the background activities which had their own lighting and pyrotechnics.

The music and sound quality were simply superb. I have been to concerts at the O2 where the sound was a bit muddy, but that wasn’t a problem here: every note and word as clear as on the album, albeit with the variations which you’d expect in a live performance, by a slightly different group of musicians, 35 years on from the original.

This is also a “photography” post for two reasons. Firstly, it was refreshing and encouraging to attend a concert with a realistic, liberal attitude to photography, which was clearly presented in both notices and an announcement: attendees were welcome to take photos, but would they please ensure their cameras were set to “no flash”. It was slightly disappointing to see that a few audience members couldn’t follow this simple instruction, but overall it worked well.

I had taken my tiny Canon PowerShot S95 in my pocket, and I’m very pleased with the results. The above was taken from the back of the hall, at ISO 800, on a camera about the size of a cigarette packet. This isn’t the limit of the camera’s capability: I got some decent shots at ISO 1600, albeit applying quite aggressive noise reduction in my RAW processor, and the in-body image stabilisation seems to have worked down to about 1/8s. OK, my photos are not going to blow up to A2 or sell as fine art prints, but as memories of a great concert obtained without carrying my normal (and probably forbidden) heavyweight kit they are very encouraging.

Finally, I must confess a slightly ambivalent attitude regarding “corporate hospitality”. I wouldn’t have got to the concert if it was not for some generous colleagues at Accenture, and I’m extremely grateful to them for that generosity. But while the Accenture box was full, the next box along was empty, as were several others, with seats at a very popular event going completely wasted. As someone who only normally attends such events via “general admission”, this is enormously frustrating. I don’t know that there’s any real resolution, but it’s something event organisers really need to think about.

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Spring is Here!

A montage in the style of Eadweard Muybridge, developed at a dance masterclass with Chris Nash
Camera: Canon EOS 7D | Lens: EF-S15-85mm f/3.5-5.6 IS USM | Date: 07-05-2011 15:34 | Resolution: 5184 x 3456 | ISO: 100 | Exp. bias: 0 EV | Exp. Time: 1/125s | Aperture: 8.0 | Focal Length: 28.0mm (~45.4mm) | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM

One of my birthday presents was a dance photography masterclass, hosted at the Victoria and Albert museum and led by renowned dance photographer Chris Nash. This was a bit of a departure for my photography, although followers of my blog may remember I captured a couple of satisfactory shots from late night entertainment on my Cuba trip.

The above is a montage of three shots taken trying to capture Soledad doing an impressive flying leap. It’s my homage to the work of Eadweard Muybridge. I think it works, although it has reminded me why I try and develop my images directly in the RAW processor, with as little messing around in PhotoShop as I can manage.

Thanks to the V&A for hosting an excellent event, to Chris and his team for leading a very inspiring and educational course, and to Soledad and her companions for working very hard, tirelessly and without complaint, and presenting us with some wonderful movements and shapes to work with.

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One for the “Bucket List”

0311 7D 2169
Camera: Canon EOS 550D | Lens: EF-S17-85mm f/4-5.6 IS USM | Date: 25-03-2011 20:59 | ISO: 1600 | Exp. bias: -2/3 EV | Exp. Time: 1/60s | Aperture: 5.0 | Focal Length: 30.0mm (~48.6mm) | Lens: Canon EF-S 17-85mm f4-5.6 IS USM

As part of my 50th birthday celebrations I was privileged to go for dinner at Heston Blumenthal’s restaurant the Fat Duck in Bray. I don’t know what Frances did to get the reservation, but I suspect threats of physical violence were involved 🙂

It’s a remarkable experience: each course is carefully designed to stimulate the senses – not just taste, sight and smell, but in some cases touch and hearing too. For example the “fish course” was laid out on a layer of tapioca “sand” and egg white “foam”, and was enjoyed while listening to the sound of gently lapping waves provided from an MP3 player secreted in a conch shell.

The surprise and delight factor is very high: the aperitifs came in the form of meringue-like foam poached in liquid nitrogen, which were then consumed in a single bite evaporating in the mouth to leave you “steaming” like a slightly damp dragon. The “Mad Hatter’s Tea Party” included mock turtle soup creating by dissolving a gold watch in a cup of hot water.

The above shot shows the presentation of the jelly of quail, chicken liver parfait and truffle, which came on a bed of oak moss complete with dry ice “mist” gently wafting woodland smells over the table.

Heston’s ingenuity at capturing tastes and smells is remarkable. One of the sweet courses was a set of “whisky gums”, which successfully condensed the different tastes of five different Scotch and American whisk(e)ys into tiny gum sweets, ranging from a smooth Glenlivet to a fully peaty Laphroaig.

At the risk of being slightly coarse, I must share my favourite Heston quote. Something disagreed with several diners a couple of years ago, and the press interviewed some of those who had been affected. This included the boxing promoter Frank Warren. The hapless journalist asked the innocent question “did you notice anything unusual?”. His reply: “What a stupid question. It’s Heston bloody Blumenthal. It was all ****ing unusual!”

It’s not cheap, and getting a reservation is a challenge in its own right, but if you have the opportunity grab it with both hands and enjoy!

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Ask A P’liceman

I think it was Will Hay who popularised the notion of added value timekeeping and navigational services from the forces of law and order. This doesn’t always work.

On Barbados recently, we were trying without much success to find Fisher Ponds Great House, a widely-recommended ex plantation house, now dining experience. This was not well signposted, and although we knew we were probably less than a mile away, we were getting progressively more lost.

Deciding to swallow my male pride, I spotted a police car heading towards us, and flagged it down. My request for directions drew an unusual reply: “sorry sir, I’m looking for that myself”. 🙂

Fortunately at this point Tonto rode to the rescue, in the form of a young lad on a bicycle, who when asked did know the way. So I followed the lad, and the cop followed us. At least, he did up to the point where he saw a sign and took the initiative. We followed the youngster, who directed us to the proper gate and earned $2. We were amused to see the policeman waiting at the locked back gate.

So if you want to know the way, don’t ask a p’liceman – find a bright lad on a bike!

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Location:Beachy Head Dr,Bel Air,Barbados

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Review: The Eden Legacy

An Adventure That Will Rewrite History, By Will Adams

Cracking yarn, even if slightly derivative

At face value, this is very much a clone of a Clive Cussler story, right down to a hero who is also in the marine salvage / archaeology business, who gets tangled up in current crimes which tie into extraordinary historical discoveries. Like Clive Cussler’s novels, it’s also well-written with a level of detail which neither patronises nor overly challenges the reader.

Where it differs from Cussler is that most of the protagonists are troubled, damaged people, and Adams takes pains to explain their state of mind and how they arrived there. This makes a refreshing change from the two dimensional “supermen” heroes too common nowadays, but takes a little getting used to in an otherwise quite lightweight yarn.

Read the full review

Categories: Reviews. Content Types: Adventure, Book, and Fiction.
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Compact Camera Alienation?

Are compact and cellphone cameras fundamentally unsuited to a significant subset of the population?

I am short sighted. With an SLR I look through the viewfinder at an image focused at the optical equivalent of about 1m, maybe a bit less with “diopter adjustment” applied, so I can view it fairly easily regardless of whether I need my glasses for the scene or not. With a compact camera I hold it at my natural reading distance of about 40cm (a bit less than 18″), which is both optically comfortable and a good distance at which to hold and operate the camera. The same will be true for those with normal sight.

This is not true for those who are long sighted, which includes a majority of those in middle age or older. These people will be comfortable looking at longer-range subjects without glasses, but will need them for shorter-range subjects.

The SLR, or even an “electronic viewfinder” camera with diopter adjustment, should be fine. As long as the effective optical distance of the focusing screen is 1m or more it should be viewable with glasses off if that’s correct for the target scene, and because it’s viewed inside a dark “tunnel” the effective distance is not an issue.

But a compact camera can be a real challenge. The user has to either hold it inside their comfortable viewing distance, and accept a blurred image and other display data, or hold it so far away that both camera shake and incident light become issues, or try switching between glasses to view the camera and none for the scene itself. None of these is a good option. The result is a camera which is effectively unusable by that person.

I saw this in action myself yesterday. I was sitting in a restaurant with Frances, and she had a good view of a potential photo, but I didn’t. Thinking it would be easiest, I handed her my little Canon Powershot S95. Useless. Eventually I rummaged under the table for the “big lump” (Canon 7D and 15-85 lens, all 1.6kg of it ;)). No problem.

I do wonder if the move to fewer and fewer small cameras having optical viewfinders is a wise one, or if it will alienate a significant proportion of potential photographers.

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Posted in Photography, Thoughts on the World | 2 Comments