Category Archives: Italy 2024

The Beauty of Tuscany

Sunset over Montalceto
Camera: Panasonic DC-G9M2 | Date: 30-09-2024 18:16 | Resolution: 5827 x 3642 | ISO: 100 | Exp. bias: -66/100 EV | Exp. Time: 1/60s | Aperture: 6.3 | Focal Length: 21.0mm (~45.0mm) | Location: Montalceto | State/Province: Chiusure, Tuscany | See map | Lens: LUMIX G VARIO 12-35/F2.8II

I’ve been a bit delinquent regarding the blog, and I still have to write about the last couple of days in Tuscany. I’m working on a slightly more serious piece ruminating on the level of visible economic activity, but in the meantime I think the pictures from our third day there just speak for themselves!

View of The Belvedere from San Quirico d’Orcia (Show Details)

San Quirico d’Orcia (Show Details)

Abbey of Sant’Antimo (Show Details)

Abbey of Sant’Antimo (Show Details)

View from Torrenieri (Show Details)
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The World’s Second Worst Panorama 2024

The World's Second Worst Panorama 2024
Camera: SONY DSC-RX100M7 | Date: 02-10-2024 19:26 | Resolution: 19106 x 3528 | ISO: 3200 | Exp. bias: -0.3 EV | Exp. Time: 1/25s | Aperture: 5.6 | Focal Length: 9.0mm (~24.0mm)

Here’s my traditional group panorama for the 2024 Cinque Terre and Tuscany trip. From the left: Yours Truly, Grant, Elizma, Hildige, John, Buzz and Lee.

Remind me never to book any of my fellow travellers for a portrait shoot – these have to be the blurriest photos I’ve ever had to deal with, and I’ve done some of these almost in the dark!

Enjoy!

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(In)Correct Tripod Technique!

Who Needs a Drone?

With Apologies to My Photography Tutors

First, I’d like to apologise to all the authors, tutors, mentors and tour leaders who have tried to instil in me “correct” tripod technique. As they say, it’s not you, it’s me.I don’t particularly have a philosophical objection to the three legged beast, and you will catch me using one when the camera has genuinely got to stay in one place for a long time, for example videoing a wedding speech, or taking a time-lapse photo sequence. However I do prefer a more free-wheeling approach, and my discovery that the latest Panasonic Dual Image Stabilisation allows me to hand-hold a wide-angle shot for 2-3s, or an extreme telephoto for 1/5s, has only encouraged me to eschew support when not essential.I do actually own three of the things, but the large and relatively heavy Manfrotto has only been used on one single photo shoot. However, coupled with the laser level it has proven invaluable as a surveying tool for our kitchen refit and preparing for my new workshop. My medium-sized Gitzo is a solid, professional but lightweight device, my default for a “serious” tripod. However I suspect I’d scare the purists by pointing out the pistol-grip Manfrotto head – none of this fancy gear rubbish!

And then there’s the Frankentripod ™. (It’s great to have one search term which gets your website at the top of all the search engines, even if you have to make up a word to do it!) It’s the tripod I carry when I don’t want to carry a tripod, but feel I should, to show willing, or “just in case”. It does the job, most of the time, at very little cost in terms of luggage space or weight. I say “most of the time” because there are limitations – in Cinque Terre, for example, it wasn’t quite tall enough to clear some of the safety fences around the harbour in Manarola, but I found work-arounds.

The Frankentripod also turns out to be the ideal device for my new tripod technique, which I call “why get a drone when you have a tripod?” The technique is simple:

  1. Extend tripod to full length, legs together
  2. Put camera on tripod
  3. Flip screen out so you can see it from below
  4. Put camera on self-timer
  5. Start self-timer
  6. Raise camera above your head, to clear obstacles such as vegetation, tall people etc.
  7. Compose your shot by tilting the tripod as required
  8. Wait for 0s
  9. Bingo!

In the right situation this can be a game changer. For example, our views of Montisi from Castelmuzio were somewhat constrained by the fact that whoever was responsible for trimming the vegetation at the viewpoint was somewhat derelict in their duty. From head height the best wide shot was this, with some rather intrusive branches:

Montisi from Castelmuzio (Show Details)

However, the Frankentripod method got my camera up above the errant foliage, and produced this:

Montisi from Castelmuzio (Show Details)

The method does have some pre-requisites, and a couple of trust issues:

  1. Lightweight camera and tripod. This is not going to work with a Canon 1DS, 600mm lens and Uranium tripod, unless you take my instruction in point 5 very seriously!
  2. A flip-out or flip-down screen bright enough to be viewed from the other end of the tripod
  3. Image stabilisation, very good image stabilisation
  4. Trust that your camera is firmly attached. Otherwise this could become somewhat dangerous and expensive, although a long strap (shorter than yourself, obviously), tied to the tripod head, and a hard hat might provide some mitigation
  5. A steady hand and strong shoulders, otherwise ditto. Pump iron!
  6. A bit of skill to compose and then hold the composition in 10s, or whatever the timer is on your camera.

Or I could just buy a drone, Darling Wife!

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Welcome to Tuscany

Cappella di Vitaleta
Camera: Panasonic DC-G9M2 | Date: 29-09-2024 18:38 | Resolution: 6198 x 3874 | ISO: 320 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 6.3 | Focal Length: 12.0mm (~24.0mm) | Location: Cappella di Vitaleta | State/Province: Delle Fornaci, Tuscany | See map | Lens: LUMIX G VARIO 12-35/F2.8II

We took our leave of the Cinque Terre, and embarked on the long drive to Tuscany. This was punctuated by two interactions with our host at Cinque Terre, first when he discovered that one of the keys had not been handed back, and then when the same member of the party (who shall remain nameless to share his blushes) discovered that he had also left his passport behind in the room. Cue three days of intermittent but extensive research into the options for courier services between Italy’s tourist regions.

We arrived in time to dump our bags at the very nice Hotel Casanova in San Quirico D’Orcia, and then head out to what has become known globally as "The Gladiator Mansion", due to its use in the final scene of Gladiator. As I’ve just purchased the Blu-ray of that film to watch before the prequel is released next month, it will be interesting to compare how Sir Ridley captured it compared with my attempt. I do know that he probably paid a sufficient fee to not have a little red tractor parked outside the front, whereas I had to cunningly hide it behind the tip of a cypress tree.

Pienza, Gladiator Mansion (Show Details)

Our first full day in Tuscany dawned misty but with a fairly clear sky and we trooped literally next door into an olive grove which has an excellent view of another famous Tuscan location, The Belvedere. This is a popular dawn location, but I struggled to get an image I really liked. Once the sun is up you are shooting directly into it, so you either have to make your images somewhat before sunrise, with relatively little detail of The Belvedere itself, use a complicated arrangement of tripod and graduated filters, or adopt HDR techniques. I made the panorama below just before sunrise, it’s OK but not my best work.

View of The Belvedere (Show Details)

Fortunately this wasn’t an issue for the rest of the day, which was clear and strongly lit. Our morning shoot was around the picturesque village of Lucignano d’Asso, and we ended up at the wonderful Cappella di Vitaleta. I was walking somewhat slowly, and arrived only just in time to get about 3 minutes of great light before the sun finally set, and my efforts were rewarded again on the walk back to the van, when we looked back to see an intense but small sunset, and my long lens probably captured it best.

Lucignano d’Asso (Show Details)

Friendly Lion, Lucignano d’Asso (Show Details)

Sunset from the Cappella di Vitaleta (Show Details)
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What’s That Shiny Yellow Thing?

Riomaggiore sunset
Camera: Panasonic DC-G9M2 | Date: 27-09-2024 18:50 | Resolution: 11333 x 6025 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 8.0 | Focal Length: 16.0mm (~32.0mm) | Location: Riomaggiore | State/Province: Riomaggiore, Liguria | See map

We started day 2 by getting a train. There are essentially four ways of getting between the five towns which make up the Cinque Terre: you can walk along the cliff paths, go by boat, or get the excellent trains which run along or through the cliffs, roughly following the paths. Driving is very much the worst option as you have to drive up and down each steep valley, and parking is very limited. It’s also slow – Manorola to Riomaggiore is a 20 minute walk, less than 2 minutes by train, and a long drive of at least 20 minutes and 10 miles excluding parking and the walks into and out of town.

The only challenge with the train is that the timetable is somewhat erratic, as the same lines also serve Intercity traffic. Sometimes two local trains are minutes apart, at other times the wait can be over an hour.

The train took us to Venezza, town 4 of the 5, where we wandered down to the harbour to photograph waves breaking gently as the light rose through blue hour. However it soon became clear that we had another overcast day and no prospect of a photogenic sunrise.

Castello Doria, Venezza (Show Details)

We returned to Manarola to explore a little before lunch. The high path gives excellent panoramic views of the town, but I would have appreciated a bit more sunlight.

Manarola Panorama (Show Details)

Friday morning brought a new entry for the dysfunctional hotels blog. The shower cubicle was wide enough, but only deep enough to wet either my front or back, not both together. To complicate matters it included a large metal soap dispenser. To add injury to insult, while I was soaping myself I caught the dispenser with my head. This lifted the dispenser off the wall where it promptly fell onto my foot bruising my big toe. My injuries are not exactly life-threatening, but it’s a bit of an achievement bruising both head and big toe in one move.

Thursday night had been very stormy, with a strong wind. Our dawn shoot was back at Manarola Harbour, but dramatically different from the first, with waves breaking high over the rocks, breakwater and harbour edge.

Manarola – Stormy Waters! (Show Details)

When we got back from the harbour another storm had broken. Three delivery men were having a noisy argument bordering on punch-up outside our accommodation. We never did find out the cause but it took the arrival of the local policeman to calm things down.

We had feared another grey, stormy day but suddenly after breakfast the skies started to clear and a shiny yellow thing emerged. We took the opportunity to walk to Riomaggiore, the first of the Cinque Terre, on the wonderfully named Via Dell’Amore, a nicely surfaced cliff walk which has only recently reopened after a 12 year closure for re-engineering. Riomaggiore is very photogenic, but there’s a lot of up and down steep steps and slopes, not ideal for my grumbling hip and knees.

We returned to Manarola by train for lunch and a siesta, but then went back to Riomaggiore to watch the sunset (with real sun!). The great thing about Riomaggiore harbour is you have a choice of view only about 50m (and a few steps) apart. Lee and most of the team opted for shooting into the sunset, but I moved to the other side and concentrated on capturing the colourful buildings, and people, bathed in the orange glow. My motto for such circumstances: "Follow the Light".

We took dinner in Riomaggiore, but by the time all was said and done we had missed the 9.20 train, and the next wasn’t until 10.30pm. Most of the group decided to walk back, but I opted to wait for the train. A couple of nice glasses of Chianti at the railway bar went down well, and I then wandered over to the platform. A young lady sat down next to me and used a line I thought had gone out of fashion, the Italian equivalent of "have you got a light, kind sir", followed by an elaborate mime of looking for a lost lighter. Three possibilities: it was genuine, she was the local prostitute and the line had always worked, or she was a pickpocket, several of whom operate on the trains. Either way my "no sorry" plus a suggestion about rubbing two sticks together closed the conversation down!

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A Curse Manifests

Manarolo bay with a break in the clouds
Camera: Panasonic DC-G9M2 | Date: 25-09-2024 17:47 | Resolution: 5745 x 3591 | ISO: 100 | Exp. bias: -1 EV | Exp. Time: 1/100s | Aperture: 7.1 | Focal Length: 9.0mm (~18.0mm) | Lens: LEICA DG SUMMILUX 9/F1.7

The Italy 2024 Blog

I’m not sure I believe in curses as a general rule but I am starting to think that I have inadvertently offended a very particular deity and invoked their wrath. Every time I go on one of Lee Frost‘s photography workshops, there is some point on the first day where I am either wringing out clothes or emptying water out of a camera.

It was therefore of little surprise when a day before setting off to Pisa for a trip around the Cinque Terre and Tuscany, that Lee sent a WhatsApp message warning of a near-biblical weather forecast for the first few days. I replied flippantly that I had already packed my most waterproof clothes, but I could add a snorkel if required.

I was therefore pleasantly surprised when my trip was untroubled by rain, and the first full day dawned bright and sunny in Pisa. The other attendees gathered at Pisa airport also without apparent problems, and the only delay was inevitable Italian over-complication of the paperwork when Lee collected the minibus.

We had a pleasant drive to Manarolo, also in fair weather, and a delicious if slightly late lunch. Then Grant repaired to his room and opened his suitcase, to find every item soaking wet! There was no obvious cause, but some items were so wet they could be wrung out. While it had been raining heavily when he and John boarded the BA flight, the thorough wetness of his gear suggested that the case had not just been left in the rain, but somehow immersed.

After lunch we went down to the seafront, Grant wearing his only dry outfit. And the heavens opened, dousing all but myself, as I had returned to my room to collect something.

This is the most focused manifestation yet of the curse. I don’t understand how I have escaped, but "false sense of security" suggests itself. Hopefully Grant will dry out soon…

Manarolo high street, just after the storm
(Show Details)

Cloudy with a Chance of Meatballs

We had a late lunch, which for most of us of consisted of delicious but very large pizzas. I had a gorgonzola and truffle pizza which I failed to finish, very unusual.

The weather was less than ideal for capturing the traditional shot of Manarolo across the harbour, with a leaden overcast sky, and little prospect of a sunset. However very occasionally the sun did break through the clouds with a few well-placed beams of light, and working quickly we each captured a few well-lit images. As the alleged sunset came and went we were luckier with blue hour, less dependent on direct light, and we all came away with satisfactory shots of the town lit up in the gathering evening.

Manarolo blue hour
(Show Details)

I did make one astonishing discovery. I have become used to hand-holding the Panasonic G9ii (and its predecessor) for shots with exposure time of 1/5 or 1/4s, but I wasn’t even touching the surface of the possible. I have come to Italy with only a small tripod, incompatible with the relatively high railings of the cliff walk, and I decided to try hand-holding longer exposures. I managed a couple at well over 2s which are acceptably sharp, and captured several very sharp images, like the top one here, in the 1-2s range. Obviously this only works with wide angle lenses, but even so it’s quite remarkable.

We each stuck to a single course for dinner, but that turned out to be further enormous portions of delicious food, with no complaints about quality, but one or two concerns about quantity. I can see that managing my diet is going to be a challenge…

Manarolo blue hour – 2s hand-held image!
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