Monthly Archives: July 2011

Website and Email Back

Apologies to anyone who has had a problem with my website or sending me email over the last few days. I had a rogue backup process which was carefully filling the disk with old backups! Thanks to Webfusion Support for fixing things so efficiently.

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Turning Points

A regular correspondent of mine just posed an interesting question: “The Web has significantly evolved over the past 15 years. What have been the major milestones in the web’s evolution either in business or technology?”

 

That’s quite a big question… 🙂  I didn’t have time for a detailed answer, but came up with the following main “turning points”:

  • 1996-7: The “ubiquitous web” becomes useful. This was the point at which someone with an average PC and dial-up connection could perform real tasks as well as or better than going to a traditional intermediary, e.g. for booking holidays.
  • c2003: Composite applications and services start to become a reality (e.g. Amazon marketplaces). This required a number of technological advances (RSS, web services), but also a shift from human-computer to computer-computer interactions. I was never completely convinced about “web 2.0”, but in hindsight I suppose this was what it meant.
  • c2005: The web becomes “the main way of doing things” for things like banking, tax & interactions with the government. Before that date I was often frustrated either by not being able to use the web, or frustrated because of the services’ limitations. Since that sort of date I’ve only had to perform a handful of such transactions by other means, and they’ve usually been a disaster!
  • c2009-10: The web starts to deliver on the mobile “information everywhere” vision, as per things like Bill Gates’ The Road Ahead. It’s the confluence of decent large-screen hardware, standards-based services and well-designed apps. Put it another way – this was the point at which the computing in Star Trek, the Next Generation started to look out of date, just as the original series did by 1987.

I’m aware that this is very focused on practical, e-commerce type uses. I’m not personally convinced that social networking represents a watershed in itself, rather than another exploitation dimension, which probably has a very similar set of milestones. The same is probably true of several other content / application areas.

What do you think? Have I nailed it, or have I missed a big one?

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…And Then Three Come Along All At Once

Jon Lord and Rick Wakeman perform "It's not as big as it was" at Superjam 2011
Camera: Canon PowerShot S95 | Date: 08-07-2011 23:03 | ISO: 800 | Exp. bias: -2 EV | Exp. Time: 1/40s | Aperture: 4.9 | Focal Length: 22.5mm | Location: Upper Rissington | State/Province: England | See map | Lens: Canon EF-S 10-22mm f/3.5-4.5 USM

Reflections on an excellent Summer for live music

I understand why buses come in threes. If you’re interested, it’s simply because the one at the front does most of the picking up and setting down, and the others just catch up. However, I don’t understand why live music appears to work the same way.

We normally manage at least a couple of “big” concerts each year, but we didn’t find much to inspire us in the whole of 2010. Then suddenly the famine turned to feast, and between the beginning of March and the end of July I’ll have managed a total of nine live music events! These have really covered the range: from reggae to rock, from a tiny dinner jazz gathering with two musicians to the extravagant production of Roger Waters The Wall, and from classic rock acts to classical violin.

By very weird coincidence having never seen any of the classic American rock bands apart from Chicago, we then added four more scalps in three weeks. Journey, Foreigner and Styx (see this post) were followed in short order by Toto, at the much better venue of the Hammersmith Apollo. This was an excellent concert, and the youngsters now fronting up Journey would do well to go and view the older masters at work. All the great hits, good interaction with the audience and each other, and a decent sound mix. That’s how it should be done.

However, the best of the lot, heading rapidly for a place in my all time top ten, was also one of the oddest. Superjam 2011 at the Royal Albert Hall last week was a charity concert in aid of Great Ormond Street Children’s Hospital. The organiser is one Jackie Paice, wife of Ian, so naturally the music revolved around Deep Purple and their friends. And what a bunch of reprobates turned up…

After a lengthy charity auction (where those of us in the cheap seats got to have a distant look at the sort of people who can splash out 20 grand in a good cause) the music got going at about 9.30. The first act set the tone for the evening, with Newton Faulkener doing a version of Bohemian Rhapsody, complete with the complicated bits, as a solo with just an acoustic guitar. Various guests followed, each doing their own party piece, typically a tribute to another great musician, alongside one of their own works. Joe Bonamassa did a great version of BB King’s The Thrill is Gone, and Gary Brooker turned up with Good Golly Miss Molly, followed, of course by Whiter Shade of Pale, which I certainly never expected to hear live by the original singer.

At this point there were still two Hammond organs and a big bank of synthesisers sitting unused on the stage, but that was about to be rectified. First by Jon Lord, who after a rocky first number then produced a spine-tingling version of Sarabande, with the both talented and attractive young violinist Anna Phoebe, and then an ethereal version of his ballad Pictured Within. Jon handed over to Rick Wakeman, who amused us with variations on Eleanor Rigby in the style of Prokofiev, as only he can, and then brought Jon Lord back on for a duet for Hammond organ and synths. This work, composed for the concert, was humorously about two old men comparing their “organs”, with the wonderful title It’s Not As Big As It Was :). Finally everyone came back on stage for the first half finale, Life On Mars, which Rick Wakeman apparently co-wrote with David Bowie.

After a short break, the second half started with Bill Bailey doing a very funny, but very odd, act with a six-neck guitar (!), followed by an even odder, even funnier medley of rock anthems in the style of Chas and Dave. At last Deep Purple took the stage, and belted through several of their classics. They were characteristically generous to the younger musicians, including Joe Bonamassa coming on guest guitarist on Maybe I’m A Leo.

But they left the best till last. The finale was Deep Purple doing Smoke On The Water – “nothing new there” I hear you say, but wait … – with Bill Bailey out front playing the infamous riff – on a set of cow bells! Musically spot on, and very possibly the funniest live music performance I have every seen. 😀

Maybe this wasn’t the most polished set of performances ever, and maybe the sound quality up in the back row of “the gods” wasn’t the greatest, but who cares? The music was stirring, the evident friendships and goodwill heartwarming, and I laughed like a drain. If there’s a better way to raise some money for a good cause I’m not sure I’ve experienced it.

Location:Bicester,United Kingdom

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What’s in a Name?

I just had a bit of a scare. An app which tracks my Twitter activity informed me that “DignitasLtd” had started following me. Of course, I immediately thought of the Swiss clinic, and wondered what they knew that my doctor wasn’t telling me…

A little research later, and it transpires that @DignitasLtd is the Twitter handle of a software consultancy in the West Midlands. I haven’t confirmed it yet, but I suspect it may be someone I work with, or have worked with, at National Grid.

Panic over, but I wonder who else has this problem. Is there an @BadLuckAndTrouble or an @DeathAndDestruction out there?

– Posted using BlogPress from my iPad

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Image Stabilisation – Know Your Limits?

Ceiling detail from the Teatro Tomas Terry, Cienfuegos, Cuba
Camera: Canon EOS 7D | Lens: EF70-300mm f/4-5.6 IS USM | Date: 20-11-2010 17:48 | ISO: 800 | Exp. bias: -2/3 EV | Exp. Time: 1/13s | Aperture: 5.0 | Focal Length: 140.0mm (~226.8mm) | Lens: Canon EF 70-300mm f/4-5.6 IS USM

I’ve blogged previously on the other merits of Canon’s wonderful EF 70-300mm f/4-5.6 IS USM lens, but not really its image stabilisation characteristics. This shot from Cuba shows how good the lens is in that respect. The above is an interior detail from the Teatro Tomas Terry in Cuba, shot handheld in very low available light, at 140mm and with a 1/13s shutter speed. I’m very happy with its sharpness. Some of this may be down to my own steadiness, but it does seem that I can genuinely go to speeds 10 times slower than the traditional “1 over the focal length” rule. I’d be interested to hear what other people have found with similar lenses.

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Low Cost Geotagging Using Bibble

I decided a while ago that it would be useful to “geotag” my photographs, i.e. to automatically record the location from which each is taken and add that to each images’s metadata. As my next photographic trip is to Iceland and I rate my chance of correctly remembering and spelling all the Icelandic names as about 0%, this could be very useful.

I looked at commercial solutions, but they have several drawbacks, including the need to carry at least one more gadget, and some questions about how they would fit with my photographic workflow. Then I realised that I could achieve a similar result using just my new mobile phone and some low-cost software which can integrate neatly with my Bibble-based workflow. Read how my solution works in this article.

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