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Category Archives: Photography
Normal Service Will Be Resumed–Honest!

| 1010 7D 2069 | Flowers at the Botanical Gardens, near Chania, Crete |
| Camera: Canon EOS 7D | Date: 08-10-2010 09:20 | ISO: 200 | Exp. Mode: Aperture priority | Exp. bias: 1 EV | Exp. Time: 1/80s | Aperture: 10.0 | Focal Length: 64.0mm | Lens: Canon EF-S 17-85mm f4-5.6 IS USM |
Apologies to regular readers of my blog for the delay since my last significant post. I’ve been very busy with a number of things: working overtime at National Grid, getting new consultancy contracts running, updating my Bibble plugin to work with the new version of the software, and generally battling the January blues… I started a post entitled “Reflections on 2011”, but it seems rather pointless now February’s arrived!
At least this morning I’ve managed to catch up slightly on my backlog of photo processing, and found this rather pretty shot from our trip to Crete in October 2010. I hope you enjoy it.
Normal service should be resumed in the near future. Here’s hoping!
Posted in Photography, Website & Blog
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Through a Glass, Darkly

| 0810 7D 1357 | Projection though a stained glass window, Basilica of the Holy Blood, Bruges |
| Camera: Canon EOS 7D | Date: 20-08-2010 13:17 | ISO: 800 | Exp. Mode: Aperture priority | Exp. bias: -1 EV | Exp. Time: 1/250s | Aperture: 10.0 | Focal Length: 59.0mm | Lens: Canon EF-S 17-85mm f4-5.6 IS USM |
I’m finally processing the shots from our trip to Bruges in 2010, and I found this one I particularly liked. It’s light projected through a stained glass window at the Basilica of the Holy Blood, onto one of the internal walls.
Posted in Photography, Travel
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Cuba Portfolio Now Online
| 1110 7D 3096 | Tobacco farmer, Vinales |
| Camera: Canon EOS 7D | Date: 18-11-2010 16:14 | ISO: 200 | Exp. Mode: Shutter priority | Exp. bias: 0 EV | Exp. Time: 1/250s | Aperture: 5.6 | Focal Length: 260.0mm |
I’ve finally managed to publish my photography portfolio from Cuba. Take a look and let me know what you think…
Apologies if you use the RSS feed for my album – this will be fixed in a day or two.
Posted in Cuba Travel Blog, Photography, Travel
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Ten Ways to Make Your iPad Work Effectively With Windows
If you’re one of those people who uses loads of Apple products, and is thinking of proposing Steve Jobs for canonisation, then you may be happy with how your iPad works, but if you’re trying to make it work effectively in a Windows-based environment you may have found shortcomings with the “out of the box” solutions.
It is perfectly possible to make the iPad play nicely as part of a professional Windows-based environment, but you do have to be prepared to grab the bull by the horns, dump most of the built-in apps (which are almost all pretty useless), and take control of both file management and communications via partner applications on the PC. This article presents some of my hard-won tips and recommendations on how to do this and get productive work out of the iPad’s great hardware.
Posted in Agile & Architecture, iPad, Photography, Thoughts on the World
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It’s Only Taken a Year…

| 1110 7D 3199 | Sheltering from the elements - Vinales, Cuba, November 2010 |
| Camera: Canon EOS 7D | Date: 18-11-2010 21:33 | ISO: 200 | Exp. Mode: Aperture priority | Exp. bias: -2/3 EV | Exp. Time: 1/250s | Aperture: 4.5 | Focal Length: 120.0mm | Lens: Canon EF 70-300mm f/4-5.6 IS USM |
I don’t know whether anyone else has this problem, but it can take me an inordinate amount of time to process photos from larger trips and events. Today is the anniversary of my return from my Cuba trip (as I’ve just been reminded by Breakfast News – it’s also the anniversary of the start of last Winter’s harsh weather). I finally finished processing the shots – last night!
In fairness to myself, I’ve also had a number of “event” shoots such as weddings which have taken priority at various times, but basically I now have a backlog of about 18 months worth of shots to sort out. Oh well!
All I have to do now is post the best to my main portfolio. Hopefully next week!
Posted in Cuba Travel Blog, Photography, Travel
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Something Fast, Something VERY Slow

| 1110 7D 3174 | Restful moggie - Vinales, Cuba |
| Camera: Canon EOS 7D | Date: 18-11-2010 20:18 | ISO: 200 | Exp. Mode: Aperture priority | Exp. bias: 0 EV | Exp. Time: 1/125s | Aperture: 10.0 | Focal Length: 50.0mm | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM |
After an inevitable delay while I set up my new PC, I’m finally back to sorting out some images. The new beast certainly does what I wanted it to. Processing an 18MP RAW file on the old laptop took up to 30s, now it’s less than 3!
I’m not a “cat person”. Whereas dogs are usually very docile around me cats are usually plain hostile, and even the friendlier ones usually make a bee-line for my scrotum with their claws… However, this moggie in Cuba wasn’t doing anyone any harm, and I liked both the “through the keyhole” effect and the restful colour palette in this shot. I hope it also lowers your pulse by a bpm or two.
Posted in Cuba Travel Blog, Photography
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Simply the Best!

| 0911 7D 9111 | Guests at the wedding of my friends Anna and Adam. Simply the best! |
| Camera: Canon EOS 7D | Date: 24-09-2011 22:30 | ISO: 400 | Exp. Mode: Program normal | Exp. bias: -2/3 EV | Exp. Time: 1/60s | Aperture: 5.6 | Focal Length: 68.0mm | Lens: Canon EF-S 17-85mm f4-5.6 IS USM |
Not a lot to say about this one – it just made me giggle when I was reviewing the photos from a wedding I attended last weekend. Enjoy
Posted in Humour, Photography
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That Shouldn’t Have Worked…

| 0811 7D 7952 | Mountain stream at Graenfjall, Iceland |
| Camera: Canon EOS 7D | Date: 26-08-2011 16:21 | ISO: 100 | Exp. Mode: Aperture priority | Exp. bias: 0 EV | Exp. Time: 1/5s | Aperture: 14.0 | Focal Length: 26.0mm | Latitude: N 63°58'58.33" | Longitude: W 18°46'28.05" | Altitude: 613 metres | Country: Iceland | Lens: Canon EF-S 17-85mm f4-5.6 IS USM |
There’s a lovely moment in the film Sahara where Pitt and Giordano are following a typically desperate plan in the hope that if they can kill the villain his men will just surrender and lay down their arms. When, to their surprise, this starts to happen they look at each other and say simultaneously “That shouldn’t have worked…”. This is the photographic equivalent.
There are two schools of thought on how you should photograph moving water. One approach is to use a fast shutter speed and “freeze” the motion. I’m convinced that this is the best approach for large waterfalls, fast rivers or large waves, and you’ll see it in many of my photographs. As long as there’s enough light then there’s no major technical challenge with that approach.
The opposing school of thought is that you use a very slow shutter speed (typically a large fraction of 1s) and show the water as a blur. This expresses the direction of motion, but personally I don’t think it expresses the force or the dynamics so well. However, as Iceland has almost as many waterfalls as Venice has gondolas (see “Waterfalls, Waterfalls…”) I decided that this was an ideal opportunity to experiment.
I’ve come to the conclusion that the slow shutter speed approach does work, but it works best for small features with complex flow patterns, but relatively low flow speed/force. I’ve also reached the conclusion that a lazy man will work harder to avoid work than to actually do the job!
Here’s the official, recommended method to get a shot like the above:
- Pre-visualise the result you want, ideally using a cardboard rectangle instead of actually looking through your camera’s viewfinder.
- Set up your tripod. The heavier this is the better. If the waterfall is a long way from the road be grateful for the exercise.
- Curse when you realise that to position the tripod correctly either it, or you, are going to get very wet.
- Turn off image stabilisation, and mount your camera on the tripod. Attach the remote release.
- Fine tune the camera and tripod position to get the composition right. Curse when more of your kit gets wet.
- Set the exposure to get a shutter speed of 1/4 to 1s. Start by selecting the lowest ISO and a small aperture (say f22). If this isn’t enough, attach a polariser. If this is still not enough, take out the Lee/Cokin filter kit, mount up the filter holder, and slide in your neutral density filter(s).
- Meter carefully. Typically the highlights will be very bright if there’s any direct sunlight, and automatic metering may either over-expose or under-expose depending on how much of the scene is bright water relative to the rest.
- Take the shot.
In fairness, this method works well, even if your photography costs $10 a shot and you don’t see the results until six weeks after leaving the location. However, here is the alternative Andrew Johnston Patent Digital Method:
- Wander over to the interesting waterfall, and decide that this is one you want to photograph with blurred movement.
- Realise that it’s a long walk back to the jeep, and you can’t be ****d to get your tripod. Anyway, where you want to stand it would only get wet…
- Set your camera to its lowest ISO, aperture priority and a high aperture. On an APS-C DSLR you probably don’t want to go much higher than f16 as diffraction effects start to kick in.
- Make sure image stabilisation is on. If you want to control reflections and highlights attach a polariser and get it set right.
- Take a quick shot to check exposure. Dial in exposure compensation as required.
- If the resulting shutter speed is in the region of 1/10s – 1/4s you’re probably OK. If it’s too low, just reduce the aperture. If it’s still too high, take the ND filter out of the filter pack.
- Realise that the Cokin filter holder is in your other camera bag, which is in the jeep. See point 2. So don’t worry about the holder.
- Hold your camera firmly in your right hand. Hold the filter in the left hand, in front of the lens.
- Fine tune the composition, breathe in, and take the shot. Check the sharpness of the static elements on the LCD. If they are sharp enough then you’re done, if not go to step 8 and try again.
OK, if I’d had my Cokin filter holder in my bag I would have screwed it onto the front of the lens, which would at least have allowed me to brace my camera with both hands. What’s interesting is that Image Stabilisation technology is good enough that you can get decent hand-held shots at this shutter speed, and immediate digital review allows you to check their sharpness.
Next week – how to induce temporary paralysis so you can hand-hold for 25s for fireworks!
Posted in Iceland Travel Blog, Photography
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Iceland Photography Tips – A Spare Everything!
| Steamed | "Steamed" - action shot of the author, by James Chambers |
| Resolution: 531 x 397 |
Iceland is a great place for photography, but you need to be properly prepared to get the best of it, and not come away disappointed.
First, unless you’re very good at research, navigation and off-road driving, you need a guide. Sure, you can get to the well-known sites a short drive from Reykjavik or along the coast road under your own steam, but you’ll miss many of the most stunning locations in the interior. However, if you want to spend serious time on your photography you need to be with a group, and guides, who understand your needs. I can’t praise highly enough the great service I had from first contact with Nature Explorer. Hawk and Finn are both great company, skilful drivers, knowledgeable and entertaining guides, and impressive photographers in their own right. Their administrative staff are also excellent, and their resilience to problems comforting. I’m very happy to recommend them.
Next, dump your preconceptions. Even short distances or intervals bring dramatic variation in scenery, weather and lighting. Well known sites may be quite crowded, or almost empty. A classic view may disappoint, and then half an hour later a less obvious subject may be portfolio material. Dedicated dawn-watchers may disagree, but in my view timing isn’t critical – “golden hour” extends well into the morning and from late afternoon, but more importantly the quality of your light is much more likely to be controlled by the weather than the hour. Iceland rewards being prepared more than missing breakfast and supper.
Protect your kit well, and carry spares for everything! Iceland is a harsh environment. You’ll be doing long distances on rough roads. The volcanic dust and ash gets everywhere, and is very abrasive. You will end up soaked by rain, waterfalls and geysirs (in my case, “all of the above”;)). The failure of my 15-85mm lens wasn’t the only hardware problem in our group, although the others were mainly more minor problems with things like batteries, filters, lens caps and retaining rings. Several cameras gained battle scars from knocks and falls. I also managed to destroy a pair of trousers and gave up on a faulty battery. Nature Explorer even had to resort to a spare super-jeep!
As a minimum, make sure you have a second camera body and a second “standard” lens (whatever that means for you). My cheaper Canon 17-85mm lens rescued my trip. Consider carrying three batteries for your main body in case one dies as happened to me. Also remember one of the hidden advantages of using mid-range Canon kit – someone else in the group may be able to help. You will end up shooting in wet or dusty conditions, so a Kata Rain Bag or similar, and cheap filters you don’t mind wiping with anything to hand are both essential!
Iceland is cold, but it’s not the temperature that gets you (for our trip it was consistently above freezing and up to 14C), it’s the wind. The answer is lots of layers. For me the combination of sweatshirt, microfibre jacket with detachable lining, warm hat and raincoat with hood was about right, but others might need even more. I can also recommend carrying a flask of coffee. I ended up buying one on the first day, and leaving it behind, and had to haggle with hoteliers a couple of times about filling it, but it was well worth the effort.
Deep pockets are useful in two different ways. In a practical sense they are a great solution to the ridiculous baggage limits airlines are progressively imposing. If you can shove a couple of lenses into your trousers and heavy batteries into your jacket then the baggage allowances become less of a problem.
In the metaphorical sense you need to be prepared for high prices – Iceland isn’t cheap, especially by the standards of say the USA or southern Europe. That said, by UK standards and given the current exchange rate it didn’t feel that bad. I will comment on the recommendation made by almost every web site and guide book to buy lots of booze at the incoming duty free store. I’m now convinced this is a con trick to get free beer for Icelanders. Unless you’re a real alky, don’t bother.
Don’t expect to get anything done on the go. I had visions of sitting in the jeeps reading, writing my blog on my iPad, or at least preparing for the next location, but despite Finn being a very smooth driver this was absolutely impossible – the roads are just too rough. Not for nothing does my map of Iceland have a road classification I have never seen before: “main road – unsurfaced”.
Be prepared for all photographic opportunities, and for lots of shooting. Although my Canon 7D got most use, the 550D also came into its own for wandering around Reykjavik, and I always had the S95 in my pocket for the unexpected. I shot at every focal length from 10mm to 300mm, and at every speed from 25s for the fireworks to 8 fps for the puffins in flight. I photographed landscapes, buildings, people and action. By the end of the trip I had exceeded my Cuba shooting total, having exposed around 2100 frames, with ~1150 (~30GB) retained for further processing after initial filtering. I used about 56GB of CF cards, plus a small amount on 2 8GB SD cards for the two smaller cameras.
There’s a saying “chance favours the prepared mind”. If that’s ever true, it’s true of photographing Iceland.
If you want to see more of my Iceland photography blog, or get a few specific location ideas, please go to www.andrewj.com/blog/iceland
Posted in Iceland Travel Blog, Photography, Travel
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Back to the Street

| 1110 7D 3753 | Woman keeping car safe inside in Trinidad, Cuba |
| Camera: Canon EOS 7D | Date: 21-11-2010 18:19 | ISO: 100 | Exp. Mode: Aperture priority | Exp. bias: 0 EV | Exp. Time: 1/15s | Aperture: 9.0 | Focal Length: 28.0mm | Latitude: N 21°48'15.24" | Longitude: W 79°59'5.37" | Country: Cuba | Lens: Canon EF-S 15-85mm f3.5-5.6 IS USM |
After a week of beautiful but desolate landscapes in Iceland, I fancied a bit of colour and vibrance from Cuba. This was the first shot in the list, and a bit intriguing. It’s definitely one way of keeping your car out of harm’s way!
Posted in Cuba Travel Blog, Photography, Travel
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