Category Archives: Zimanga Travel Blog

Eating the Elephant (The Tail-Piece)

Cheetah yawning, Zaminga
Camera: Panasonic DC-G9M2 | Date: 12-06-2025 07:36 | Resolution: 5315 x 3322 | ISO: 160 | Exp. bias: 0 EV | Exp. Time: 1/320s | Aperture: 7.1 | Focal Length: 146.0mm (~292.0mm) | Location: Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LEICA DG 100-400/F4.0-6.3

It’s instructive to look back on my Zimanga trip, to review what worked, and what I might have done differently. If you’re planning a photo safari, you might find the following useful.

Firstly, I can’t praise strongly enough the owners and staff of Zimanga (https://zimanga.com/). The vision to dedicate 7000 hectares of land to a game reserve specifically set up for photographers has paid dividends. I know our group all enjoyed it thoroughly, and Lee is having no difficulty selling his trips a couple of years ahead, thanks in part to a lot of repeat business! The staff are all charming, knowledgeable and helpful, and go out of their way to make you feel welcome. Highly recommended.

I was very pleased with my kit choices. I agonised a bit about spending the money to supplement my perfectly good 100-300mm lens (200mm-600m equivalent) with a used Panasonic 100-400mm, but it paid off well. I regularly used both the extra reach (especially on the smaller birds) and the feature to limit focus to >5m (vital for shooting from behind glass but not implemented on the 100-300). I did experience the common complaint that the zoom control is a bit stiff and slow, so it may not work so well for sports, but for this trip it was ideal.

Of the 1220 shots I have retained on the PC for further processing, over 80% were shot with that lens. Around 15% were shot with the 35-100mm f/2.8, and almost all the remainder, only about 4%, with the 12-35mm f/2.8. I always carry spares, but I could have done this trip perfectly easily with just the three lenses, and I could have lived with the tiny kit lens for the "normal zoom".

Cheetahs playing, Zaminga (Show Details)

My last-minute decision to trade in my old Panasonic GX8 for a used G9 also worked well. Because of the time pressure I just used the Wex Photographic used camera service for both the purchase and the trade-in, but it went like clockwork for a net cost under £150. Wex didn’t want the spare GX8 batteries but they sold almost immediately on eBay bringing the net cost under £100. For that I got a more modern camera which is similar enough to the G9 mark II you can switch quickly back and forth between them.

Don’t underestimate the number of shots you’ll take, or the storage requirement. My previous records were about 3300 shots over three weeks in the Desert Southwest of the USA, and 2900 shot over two weeks in Namibia (which combined wildlife, landscape and human subjects). In effectively 8 days in South Africa I took 6194 shots, and filled around 300GB of fast SD cards. After filtering I deleted about 100GB and moved over 130GB to my "unused image" archive disk, but I still have ~50GB (1220 images) to process further.

The tail piece, Zaminga (Show Details)

The other things you need are patience, and luck. Even with hides carefully designed to attract the animals, and dedicated guides constantly sharing information about what’s where, there was a lot of sitting around waiting, or driving across the reserve only to find the subjects had moved on. If you want the predictability of knowing for certain what you’ll see in a certain session, then maybe a trip to Longleat is in order!

I suspect that I lack the patience to do a lot of wildlife photography. I certainly missed a couple of hide shots because I was doing something else when the animal appeared. So be it.

Even with that caveat, I came away with a good collection of images, with some of which I’m extremely pleased. This was a very successful trip, and I can recommend it should you get the opportunity.

Elephant, eating, Zaminga (Show Details)
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The Need for (Shutter) Speed?

Flying in
Camera: Panasonic DC-G9M2 | Date: 17-06-2025 07:09 | Resolution: 1788 x 1788 | ISO: 640 | Exp. bias: -33/100 EV | Exp. Time: 1/320s | Aperture: 5.6 | Focal Length: 150.0mm (~300.0mm) | Location: Scavenger Hide, Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LEICA DG 100-400/F4.0-6.3

Over the past few weeks I’ve had the same conversation at least four times: before my trip to South Africa, at least twice while I was on my safari, and also after sharing my images for review. It starts like this:

Experienced Wildlife Photographer: "You need to use a shutter speed of at least 1/2000 s"

Me: "Why?"

EWP: "Because you have to, to get sharp images"

Me: "Why?"

EWP: "Because"

OK, in reality I don’t channel my inner toddler quite so directly, nor am I claiming to know better than the various EWPs. They do have some valid reasons, but I think that there’s also an element of "received wisdom" hiding very real technical and artistic options. The repeating nature of the discussion and my relative success with other strategies suggests that there is scope for more analysis. This is my take on that.

The technical decisions come down to minimising the risk of "missing the shot" – capturing an interesting subject, but the resulting image being of low quality, typically, but not necessarily, with unacceptable motion blur.

There are two sources of motion blur. The first is unintentional camera movement. In the olden days of film and non-stabilised lenses the golden rule was that the shutter speed should be at least equal to the focal length in mm, e.g. 1/800s if your telephoto lens is equivalent to 800mm. But it’s different now. A lot still depends on the photographer’s abilities and the physical size and weight of the camera and lens, but with modern image stabilisation most photographers should improve on that rule by 4 stops (a factor of 16), so should be able to hand-hold the 800mm lens at 1/50s. With the lightest mirrorless kit another factor of 4 or so might be possible. Shooting at medium speeds such as 1/250s really should not be an issue.

This does assume your own platform is stable. If it is moving, for example a boat, then you will need a higher speed, but again unless it’s pitching wildly in a storm you might get away with less than you expect.

The other source of motion blur is subject movement. Even a static subject may twitch, or may have the wind ruffling its fur. However the real challenge is an active subject engaged in deliberate motion. If you want to freeze that motion the required shutter speed increases as the subject size decreases. If you are trying to freeze small birds in motion then you really do need shutter speeds up well over 1/1000s, but that’s just not true with an elephant, where 1/100s will work almost every time.

Playful baby elephant, Zaminga (Show Details)

You might be surprised how far you can go with medium-sized subjects and still freeze the motion acceptably. The picture above is a tawny vulture in flight, captured at 1/320s.

Even smaller and fast-moving subjects may work at lower shutter speeds than you think. My "Kingfisher rising" shot is "only" 1/1000s. I do wish I had used a higher frame rate to get a greater choice of positions especially on the downward arc, but I’m not unhappy with the shutter speed.

Kingfisher rising, Lagoon Hide, Zaminga (Show Details)

In the interest of not missing the shot you might be tempted to dial in a high shutter speed and have done with it, but of course there’s no free lunch. Unless light levels are very high, such a high shutter speed means using a higher ISO, going to a wider aperture, or both. Very high ISOs result in very noisy images, which may end up "soft" as a side-effect of noise removal. Using a large aperture on a long lens results in a very shallow depth of field, and your shot may end up soft because you missed focus. Either way you miss the shot anyway, whereas a different exposure compromise might deliver a clean and accurately-focused image with some amount of motion blur.

That’s the technical choice.

The artistic choices relate to your priorities for the image, and how you want to portray motion. My first priority is that most of the subject needs to be in good focus. I’m not a great fan of images where a tiny sliver is in focus and everything else is a blur, including much of the subject. (The classic example is a wildlife portrait where the eyes are in focus but the end of the nose isn’t. Not only don’t I particularly like the result if done well, but it will result in a bad image if focus is even slightly off.)

This means that I tend to ensure I’m working at moderate apertures. I get some benefit from the effective doubling of depth of field with Micro Four Thirds (MFT), but I rarely work at less than f/5.6. Occasionally this does leave a messy background sharper than ideal, but I would rather err on the side of caution, at least for the first shot.

Next, I try to avoid very high ISO values. With modern Panasonic MFT cameras ISO 1600 will work reliably and produce usable images even without much post-processing. ISO 3200 is fairly reliable, but all images need post-processing with Topaz Photo AI or similar to denoise and sharpen them. ISO 6400 and above tends not to work for "portfolio"-quality images. Admittedly in this case the smaller sensor is a disadvantage and full-frame cameras should get comparable images a stop higher on ISO, but sufficiently noise-free images above ISO 10,000 or so are going to be a matter of luck.

The received wisdom appears to be "get the shutter speed, accept the noise", but I know I can live with an image with some motion blur more easily than one with massive amounts of noise.

Then there’s the question of whether I actually want to show motion or not. If a lion is lyin’ there and happens to twitch its nose at the wrong microsecond I get a blurred shot, and that’s a fail. However if it’s doing something more dynamic, I quite like to show that.

My first influence is my love of equestrian sports as a photographic subject. My objective is often a panning shot in which the subject horse and rider are sharp, but the background is intentionally blurred to show the motion. If there’s some blurring of the horses’ hooves, polo mallets or the ball, that’s fine, as long as they are recognisable, and I think it adds to the dynamic nature of the picture. Practice has taught me that the best shutter speed to achieve this is around 1/250s.

Polo at 1/250s (Show Details)

I also like to photograph concerts and human sporting events. If these are at night, or indoors, then I’m constrained to the event lighting which imposes a relatively slow shutter speed. Again, similar judgements apply. I want the subject clearly recognisable, but if, for example, their hands are moving rapidly, then that’s acceptable. Consider the following image: to freeze the drummer’s hands I would have had to use a shutter speed up around 1/1000s and that simply was not available, but I’m very happy with the rest of him, sharp at just 1/40s. His hands appeared to us as a blur anyway, and that’s what I’ve captured.

Third World at Barbados Reggae Festival 2023 (Show Details)

So how does this apply to wildlife photography? Here’s a picture of a lioness running at 1/250s. That speed was to some extent imposed by very low dawn light, and also she started moving just after we arrived at her location and my camera was on settings from a previous subject. However I think it works. Yes, there’s some motion blur of parts of her body as well as the background, but to my mind that expresses how fast she was moving. A "frozen" shot at 1/2000s, had it been possible (it wasn’t) would not have communicated that.

Running lioness, Zaminga (Show Details)

Of course, you can take this a lot further, and that’s a pure artistic choice. For example, Richard Bernabe has a wonderful image of a moving herd of impala at 1/20s (See here). With wildlife I probably wouldn’t go that far, but I have experimented with dance and fashion subjects, so never say never.

Venice Carnevale, 2009 (Show Details)

Modern kit allows us to work at higher speeds than would ever have historically been possible. Modern software such as Topaz Photo AI cleans up and sharpens images which might previously have been deemed inadequate, and I certainly make active use of it – several of the shots on this page have benefitted from at least noise reduction and basic sharpening. It’s certainly possible to "cheat" some of the technical limitations in a way which has not previously been available. However, to paraphrase the famous quote from Jurassic Park, "you were so occupied with whether you could produce a very sharp image, you didn’t think whether you should".

For my part if I am trying to freeze the movement of small, fast animals I will use a faster speed. If I’m looking for artistic blur then I’ll use a very slow one. Most of the time I’ll stick with something in the range 1/50 to 1/500s, and embrace rather than eliminate subject motion.

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The Zimanga 2025 Group Photo

Photo Adventures at Zimanga, 2025
Camera: Panasonic DC-G9M2 | Date: 18-06-2025 10:18 | Resolution: 4862 x 3039 | ISO: 800 | Exp. bias: 0 EV | Exp. Time: 1/1000s | Aperture: 10.0 | Focal Length: 12.0mm (~24.0mm) | Lens: LUMIX G VARIO 12-35/F2.8II

Although my "group panoramas" are a tradition, I am on this occasion frustrated, as on every night there’s less than half of group at dinner, between night hide slots and three of us staying at The Homestead, a separate accommodation block a few minutes’ drive away, with its own catering arrangements.

In the end Ann and I persuade everyone to line up for a group shot taken after breakfast on the last full day. Back row, from the left: David, Yasmin, Mark, Lee, Issa, Ann, Ray. Front row: yours truly, Mike, John, Martin, Ali, Sue, Colin, Chris.

1/10 to Lee, who could have shuffled along to the left to fill in the gap!

Technical Note

Regular readers will recognise two recurring scenarios regarding my relationship to tripods:

  • I have a tripod, but it gets used for a purpose definitely not listed on the manufacturer’s website
  • I have no tripod, and have to improvise camera support using an object to hand

This is a good example of the latter. Camera placed on the edge of the pool, pointing at the sofa, flip-out screen pointing up so I can check composition, albeit upside down (ground glass screen and cloth, anyone?) To adjust the yaw angle, fork from dining table wedged under the camera body providing exactly the right angle of inclination.

Personally I think all this nonsense about tripods is overblown.

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Cutting It Fine

Running lioness, Zaminga
Camera: Panasonic DC-G9M2 | Date: 19-06-2025 07:21 | Resolution: 4470 x 2794 | ISO: 1250 | Exp. bias: -1 EV | Exp. Time: 1/250s | Aperture: 8.0 | Focal Length: 110.0mm (~220.0mm) | Location: Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LEICA DG 100-400/F4.0-6.3

The Zimanga team insist on doing a final pre-breakfast game drive. While I appreciate the "value for money" focus, I am fretting slightly about whether that then makes the timing for the rest of the day a bit tight. It all seems to be based on "it’s a 3 hour drive back to the airport" when the drive up, which was slightly shorter, took a bit over 4…

The game drive starts as a bit of a bust. We spend an hour driving around with absolutely nothing to show for it, not even a few zebra or buffalo. However there’s then a message on the radio that the female lions have been spotted near the river. We head down there, and find the two lionesses wandering around and playing. They suddenly run across our field of view, but before our group has had time to sort out the right lens and settings, and I’m lucky to get a couple of decent "grab shots".

Lionesses, Zaminga (Show Details)

After that the lionesses cross the river and disappear into the bush. We are happy we’ve ticked another encounter off the list, and return to the lodge.

I decide the best plan is to finish my packing, then have breakfast, and return to my room for a quick shower before setting off on the return journey. Well we all know what they say about the best laid plans. The first two steps work well, but I get back to my room, disrobe, and then find that while I was at breakfast a very keen maid has been in and taken away all the towels! Foiled again!

Final formalities complete at 10am we board the jeeps for the final time to drive to the gate, and board the bus back to Durban. At the half-way point I ask the guide whether we’re on time, and there’s a slightly embarrassed pause. Apparently a medium-sized bus towing a trailer with the luggage is limited to 100 kph, and the "three hours to the airport" figure is based on a normal car. So it is going to be tight.

Even though the roads are clear and we only have one very brief comfort stop, we arrive with less than an hour to our flights to Johannesburg, and have to almost run through check-in and security. The flight itself is fine, although much busier than the one I came out on.

Once at Jo’burg there’s more confusion. Some of those affected by the BA cancellation are getting contradictory information about flight times and terminals. Mark and I are on the same Virgin flight back to London, but have different flight times printed on our documentation, so I end up with an extra couple of hours for "retail opportunities", and have to re-arrange my taxi. Finally, as usual I end on a bus to get to the terminal at Heathrow. At least I’m back safe and sound.

It’s nice to go travelling, but it’s nice to come home.

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A Day of Drama

Rhino family, Zaminga
Camera: Panasonic DC-G9 | Date: 18-06-2025 15:43 | Resolution: 4320 x 2700 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/1000s | Aperture: 5.0 | Focal Length: 38.0mm | Location: Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LUMIX G VARIO 35-100/F2.8II

Next morning I present myself slightly early so we can go to the Tamboti hide and collect a justifiably-smug Colin and John, ready for our morning session in the Lagoon Hide. I’m keen to practice my new skill with the pre-capture facility, but there’s relatively little activity and we’re also shooting straight into the rising sun, so it’s somewhat less rewarding than the afternoon session.

Nonetheless I manage to get a good sequence of a kingfisher diving and then re-emerging from the lagoon. 20 frames per second isn’t actually fast enough to get all the detail of the dive – in one frame the kingfisher is well above the water, the next under it, but my timing is perfect for a key point on the rising part of its arc.

Kingfisher rising, Lagoon Hide, Zaminga (Show Details)

Jealous of Colin and John’s success, several of the group, having previously demurred from a final overnight session, are vying for the Tamboti hide for the last night. We avert a "free and frank exchange of views"*, but it does become slightly heated before a consensus emerges.

*[British Civil Service euphemisms for the vigour of a meeting:
"Candid dialogue" = We talked but we don’t agree on anything and we were unable to communicate.
"Beneficial dialogue" = At least we’re sitting down and talking. That’s an improvement.
"Free exchange of views" = There was shouting.
"Frank exchange of views” = There was a lot of shouting and punches were thrown.
"Direct exchange of views" = I hope the cleaners can get the blood out of the carpet.]

Early in the afternoon a Giraffe visits the contested hide, but not much else happens. I’m glad I didn’t feel inclined to fight for the slots.

I spend the morning catching up with images, but also manage to get some nice shots of the Zimanga lodge.

Lunch is calmer, up to the point where those members of the group scheduled on Thursday’s British Airways flight receive notice of its cancellation, and the various arcane and lengthy alternative routes being proposed to get them back to Blighty. I recall my own frustration dealing with a cancelled BA flight a few years ago, and sympathise, but there’s not much else I can do.

Our afternoon game drive is a chance to try and find a few subjects we haven’t get tracked down. First, we find a female cheetah who seems perfectly happy for us to approach on foot to within a few metres, although she’s essentially having an afternoon nap, and not putting on a show.

Female cheetah, Zaminga (Show Details)

We then drive along the river, and get treated to a relaxed rhino family including a cute youngster, and some majestic impalas, plus we finally get pictures of a zebra facing the camera, visually separated from the pack, and not covered in mud.

Baby Rhino, Zaminga (Show Details)

Impala, Zaminga (Show Details)

As we’re headed back to the lodge Ty takes an unexpected turn, and we’re delivered to a table set up in the middle of the reserve, and treated to a sundowner of drinks and copious quantities of rather wonderful ostrich kebabs. The only challenge is that we’re then taken back to the lodge and presented with a T-bone steak for dinner!

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I Invoke the Dragon Gods

Tawny eagle and black-winged kite, Zaminga
Camera: Panasonic DC-G9M2 | Date: 17-06-2025 15:42 | Resolution: 4804 x 3002 | ISO: 160 | Exp. bias: -33/100 EV | Exp. Time: 1/1600s | Aperture: 5.4 | Focal Length: 250.0mm (~500.0mm) | Location: Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LEICA DG 100-400/F4.0-6.3

After the frustrations and ultimate disappointment of the previous night hide session, I demur from another and after lunch wave goodbye to John and Colin before joining another group, with Calvin as guide, for an afternoon game drive.

I Discover Pre-capture

Although it’s targeted as "anything you’ve missed so far", the drive turns into a birding session, which is a great opportunity to exercise the newly-discovered pre-capture capabilities of my camera. In action photography, especially sports and wildlife, there’s a common challenge of anticipating the action, for example a bird taking off, so you capture it. Typically if you wait until you can see something happening, it’s too late. Over the years an awful lot of film and digital images have been wasted, left empty while the bird has, literally, already flown.

The latest generation of higher-spec cameras resolves this with "pre-capture". If you sit with a high frame rate selected, your subject in focus and the shutter halfway down, as well as updating the viewfinder display the camera is writing images to a rolling buffer. When you finally press the shutter all the way, it starts by writing the last half a second or so of images while it continues to capture new images in real time. After the event you should have a sequence including the peak of the action.

This does come at a cost. There’s a lot of processing going on, and if the action is delayed long enough you can see the battery’s reserves running down as you watch. If you use the feature regularly it uses a lot of storage, and that storage needs to be fast unless you want a significant delay before the camera is usable again. The Panasonic G9ii again delivers benefits from its smaller sensor: most full-frame peers need very fast CF Express cards and are still JPEG-only at higher frame rates. The G9ii delivers RAW+JPEG at up to 60 fps, although I opt for 20fps which gives me a maximum burst of about 8s, and works acceptably with inexpensive cards like the Lexar Silver Pro V60 series.

The other challenge is that if your subject is patient enough then your supporting hand and your trigger finger get very tired. One of the "must have" shots from a trip like this is a lilac-breasted roller taking off, but a couple of us on the drive don’t yet have it. Calvin spots one sitting in a bush and manoeuvres the jeep close to it. Knowing that it’s not usually long before the bird takes flight, we sight up on it and wait.

And wait.

And wait.

We appear to have found either the most chilled, or the most full, or the laziest roller on the continent. After over 15 minutes it still hasn’t taken flight, although there is enough movement to confirm it’s still alive. We try everything to provoke a controlled take-off. We cough. We clap. Calvin turns on the engine. Calvin turns on the engine and moves the jeep a few feet towards the tree. Nothing.

Finally, when we’re taking it in turns to rest our hands, the bird suddenly flies. I’m lucky – I have just refocused after a short break, and I get a couple of wonderful shots of it in flight.

Lilac-breasted roller in flight, Zaminga
(Show Details)

Once we’ve got a couple more shots of less-chilled rollers, we move on the corner of the male cheetahs’ domain, where a tawny eagle is sitting in one of the dead trees. We get a couple of good static shots, and suddenly all hell breaks loose when a black-winged kite, a fraction of its size, starts angrily "buzzing" it, flying close with beak open and claws out, so the eagle is forced to cower and then squawk back. We can only guess at the cause: maybe the kite has a nest nearby and is pre-emptively defending its young? We manage to photograph about half a dozen passes, then the kite gives up, and after a few minutes the puzzled eagle flutters away.

Tawny eagle and black-winged kite, Zaminga
(Show Details)

The last target of the afternoon is the bee-eaters. These tiny, colourful insect-eating birds have a highly complex social structure based around a communal nest in a cliff facing the river. They are very skittish, moving quickly together at any perceived threat, which might be as little as one of use, 30m away, moving a camera too quickly. However with a bit of patience we each get some good shots.

Bee eaters, Zaminga
(Show Details)

I mentioned how storage-hungry pre-capture is. I have done whole tours and come back with around 32GB of images. This afternoon, across about two dozen sequences, I capture more than that in less than two hours.

I Invoke the Dragon Gods

By dinnertime Colin and John have reported moderate success from the Tamboti hide. After dinner, in a somewhat drunken state, for a joke I get onto ChatGPT and generate and share a picture of a dragon at the watering hole.

Dragon at the watering hole
(Show Details)

About an hour later Colin and John post a picture of three elephants at the watering hole, followed by reports of a couple more visits. This is without question the best overnight experience for the whole trip. I’m mildly peeved I didn’t partake, but also suspicious that if I had been there my impatience might have jinxed things. Congratulations, but don’t forget that I invoked the dragon gods to bring you luck!

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The Scavenger Hide

Adjusting the pecking order, Scavenger Hide, Zaminga
Camera: Panasonic DC-G9M2 | Date: 17-06-2025 07:26 | Resolution: 4637 x 2898 | ISO: 640 | Exp. bias: -33/100 EV | Exp. Time: 1/800s | Aperture: 4.0 | Focal Length: 100.0mm (~200.0mm) | Location: Scavenger Hide, Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LEICA DG 100-400/F4.0-6.3

The next morning we head off for our (in my case, at least) long-awaited session at The Scavenger’s Hill Hide. As the name suggests, this is designed to attract the reserve’s less glamourous occupants, those who depend on the kills of others. The hide is designed with two large metal grills just below our sight line, under which the staff have trapped meat and offal which can be clawed or pecked to extract chunks of food.

We arrive just before dawn, but the sky is lightening well before there’s any activity. As this is not typical we wonder for a while if there’s been some mistake, such as no food being put out, but after a while things get going, albeit slowly.

Pied Crows, Scavenger Hide, Zaminga (Show Details)

First to arrive are a few pied crows, followed soon by a Marabou stork. This scruffy fellow is much larger than the other birds, and it quickly becomes apparent that he’s a real bully. He could easily monopolise one of the grills and leave the other to the smaller birds, but instead he seems to want total control of both, hopping between them to scare off any bird who has dared to try his luck at the opposite grill. As a serious peck from his long, sharp beak would be fatal for a smaller bird, the others put up with this behaviour, but instead play a game of hopping to the other grill each time he moves.

Marabou Stork at the Scavenger Hide, Zaminga (Show Details)

Things really get going with the arrival of the white-backed vultures. While not conventionally pretty – none is going to win a beauty contest with a lilac-breasted roller – I think they have their own sort of elegance, with a majestic cloak of feathers.

White-backed Vultures at the Scavenger Hide, Zaminga (Show Details)

Static appearance aside, the vultures also entertain with a variety of behaviours. There is a very real and literal "pecking order" at the hide. Top is the marabou stork, courtesy of its size and bullying behaviour. Next are a handful of the vultures who get prime access to the grills, and only have to dramatically spread their wings to get others to back down.

Wing display by vulture, Scavenger Hide, Zaminga (Show Details)

Vulture stalking, Scavenger Hide, Zaminga (Show Details)

Then there’s the jostling between the other groups, which regularly results in one hopping into the air to drive his rivals away. Finally there are the crows, who readily give way to the vultures although one or two are occasionally prepared to retaliate. In reality they feed mainly by waiting for a squabble between larger birds and then stealing the prize during the confusion.

Challenging a vulture, Scavenger Hide, Zaminga (Show Details)

Pied crow, Scavenger Hide, Zaminga (Show Details)

Even though activity tails off well before we’re collected, there’s arguably more "action" in the peak hour or so than we’ve seen over the rest of the week. The early morning golden light is wonderful, and the subject suits my style and equipment, benefitting from the extra reach and depth of field I get with micro four-thirds. We’re also helped by the somewhat lower than usual attendance: the common complaint about the scavenger hide is that the field is too crowded making subject separation a challenge, we don’t seem to have that issue.

A thoroughly excellent experience.

Flying in (Show Details)
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In Which Andrew Meets Many Heffalumps

Baby elephant, Zaminga
Camera: Panasonic DC-G9 | Date: 16-06-2025 08:07 | Resolution: 3193 x 3193 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/160s | Aperture: 5.6 | Focal Length: 35.0mm | Location: Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LUMIX G VARIO 35-100/F2.8II

With our search for elephants still not fully resolved, and Frances confirming she wants me to come back with evidence of at least one baby elephant, we give Tyrone a fairly straightforward directive for the morning game drive: "find us some more elephants". We set out towards the south-west of the reserve, where the elephants are known to congregate, cross the river and drive to a reservoir in that corner.

A road runs along the top of the dam which forms the reservoir, providing views of both the far shore, and the scrubland below the dam. The shore is bathed in wonderful warm early morning light, and I abandon my long lenses to make a panorama, "Absence of Elephant". (Although, as any scientist or detective knows, absence of evidence is not evidence of absence…)

Absence of Elephant, Zimanga (Show Details)

So far we have little evidence of elephants, although there is some activity hidden in the scrub below the dam, with an occasional trumpet or fleeting glimpse of a trunk reaching up through the trees, but not what we came for. However a couple of giraffes wander along the shore, reflected in the water, providing an unexpectedly graceful subject.

Giraffe at the waterside, Zaminga (Show Details)

An eagle-eyed member of my group spots some elephantine movement on the far hillside, followed quickly by confirmation from another vehicle which has a different angle. A group of elephants are headed down the hill. We quickly move back up the track and get some shots of the group moving along the path, followed by them crossing the track just in front of our vehicles.

Elephant family, Zaminga (Show Details)

The group consists of about three older females, a juvenile, and a baby estimated to be about 4 months old. As our drivers carefully manoeuvre the vehicles to extend the interaction the baby expresses his puzzlement by giving one of the jeeps a playful nudge. Anyone old enough to remember the famous "Blue Peter" scene with John Noakes and a baby elephant will know how firm such a nudge can be!

Playful baby elephant, Zaminga (Show Details)

The guides need to train the elephants out of such behaviour, so baby is recipient of a series of "bad dog" shouts and gestures. These in turn upset Mum, who approaches our jeep, but when the appropriate gesture is made she immediately calms down, so clearly the training sticks fairly readily.

The group moves away, but not before I’ve managed to get a couple of nice portraits of mother and baby. On our way back up the hill we watch a large bull who have also emerged from the scrub and is happily engaged eating a large, spiky bush.

Elephants done. Tick.

For our afternoon drive we fancy something a bit different, and set out towards the main lake to do some hippo spotting. On the way we encounter a group of zebras who almost seem to be taking direction:

In a line! (Show Details)

Our first encounter at the lake, ironically, is with the same bull elephant we observed in the morning, standing quietly on the road in front of us, plus we get occasional views of a mother and older juvenile below the track. Like buses, elephants. Grr.

At the lake we spend a bit of time observing the hippos. Although Zaminga has a substantial number of them the challenge, which I had not appreciated, is that hippos are actually more closely related to whales than the other pachyderms, and spend a lot of time not just in but also under the water. This helps protect their skin, which burns easily, and allows them to graze on underwater plants as well as those along the water’s edge, but it does make photography more tricky. However we do get shots of one having a splendid yawn.

Hippo, Zaminga (Show Details)

Our drive back is slightly hair-raising, as Tyrone’s usual route back from that side of the lake is waterlogged thanks to the recent rains, and the jeep loses traction. As he tries to work it free the vehicle starts to cant sideways at an alarming angle. In an enclosed SUV, or even one of Zaminga’s regular vehicles, this would be less of an issue but we are in the "photo vehicle" designed to enable lower-level shots, and you sit "on" rather than "in" it, with little to hold on to. Eventually we manage to reverse out and take the long way round, but not without a bit of drama.

We’re not expecting much from the remainder of the drive, but the best has arguably been left for last. As we’re driving past the cheetahs’ domain Ty spots a serval, a small but long-bodied wildcat about the same as a smaller domestic one. These animals are solitary, usually nocturnal, and actively avoid interaction with larger ones, so it’s extremely unusual to see one. We get a couple of shots of the serval moving, and then follow it to where it’s hiding from us.

Serval, Zaminga (Show Details)

We get a few more photos, but it’s evident that the animal knows it’s being hunted, doesn’t understand it’s just for images, and is finding it all quite stressful, so we leave it be and head back to the lodge, with an unexpected encounter under the belt.

Serval hiding, Zaminga
(Show Details)
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The First Great Heffalump Hunt

Lion, Inactive, Zaminga
Camera: Panasonic DC-G9 | Date: 15-06-2025 07:29 | Resolution: 5199 x 3249 | ISO: 1000 | Exp. bias: -33/50 EV | Exp. Time: 1/250s | Aperture: 8.0 | Focal Length: 100.0mm | Location: Zaminga | State/Province: Thembalethu, KwaZulu-Natal | See map | Lens: LUMIX G VARIO 35-100/F2.8II

Despite the short guest appearances on previous days, our hunt for elephants remains unfinished business. Zimanga has about 40, and it should in theory be relatively easy to find them, so that’s the initial focus of our morning game drive. We cross the river to the southern section of the reserve and find some evidence: broken trees and recent spoor on the road. After driving around for a bit we eventually see a large bull moving through the trees, and Tyrone manages to get ahead on a parallel route so that our paths cross in a large clearing. The elephant doesn’t want to hang around, but is happy to pass close to the jeep, so at least we get some good photos.

Bull elephant on the prowl, Zaminga (Show Details)

The search for a larger group, ideally with some youngsters, continues.

We abandon the hunt because a message comes in over the radio that the three male lions may be actively hunting. We hurry back across the reserve to the designated spot and find them. It’s very evident that the dominant male has eaten recently. The other two are less obviously full, and do seem to be following a group of wildebeest, but not with great urgency. The drive turns into a procession where the lions move a few yards up the track and then lie down for a bit. Then after a few minutes they rouse themselves to move a few yards more, and we follow until they need another rest.

There’s a brief flurry of excitement when two of the trio go off on a short side trip, and the other gets anxious until they are reunited. Initial nuzzling is supplemented by annoyed growling, but they quickly get back into their walk and rest routine.

I though I’d lost you, are you pleased to see me? (Show Details)

Yes, but I’m really annoyed, don’t do it again! (Show Details)

In places the light is wonderful for portraits, but it’s not exactly edge of the seat stuff. Bloody cats…

Lion, Inactive, Zaminga (Show Details)

On the way back to breakfast we see a variety of birds and herbivores. The afternoon and night are spent at the Tamboti hide, but to limited avail. Most of the night there’s no activity, plus as one of our party, who shall be nameless, snores like a jet taking off I get very little sleep.

Sod’s law, as I’m making a cup of coffee in the morning a rhino drops by, but by the time I’m at the front of the hide with camera ready he’s wandered off. Bugger!

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A Bit More Action

Cheetah after a kill, Zaminga
Camera: Panasonic DC-G9 | Date: 14-06-2025 08:07 | Resolution: 3917 x 2448 | ISO: 200 | Exp. bias: -33/100 EV | Exp. Time: 1/500s | Aperture: 4.5 | Focal Length: 93.0mm | Location: Zaminga | State/Province: Thembalethu, uMkhanyakude, KwaZu | See map | Lens: LUMIX G VARIO 35-100/F2.8II

The 4th day of our stay at Zimanga delivers where the previous day did not. We start with another game drive, again aiming to track down the reserve’s male lions. Almost immediately there’s a confirmed sighting, and we head to the specified location just as the sun rises and bathes the area in golden light. Zimanga has three relatively young males, brothers, the result of a swap for an older male to increase the pride’s genetic diversity. All three of these magnificent but still developing animals are present and correct.

Zaminga (Show Details)

That said, they don’t really deliver on the "bit more action". Ultimately, these are cats. Cats like lying down not doing much if they can get away with it, and the three males are obviously sufficiently relaxed and well fed that they don’t need to do much more. We get various shots of them lying down looking regal, and head off.

The alternative attraction is provided by the two male cheetahs. They have taken down a young zebra, and are busy stuffing as much of it as possible into themselves before leaving it to the scavengers. This is very much the "nature red in tooth and claw" bit of the safari.

What is interesting is the process reveals a surprising lack of problem-solving intelligence. The left flank and legs have been stripped, and the torso is already open. Both cheetahs are clearly very full, and you’d think that they would prioritise the high-value parts of what remains, before it’s time to leave the kill to others.

Cheetahs sharing a kill, Zaminga (Show Details)

Nope, they crunch through the ribs to extract morsels of meat. They pick at the offal, before repeatedly remembering that they don’t like it. They work together to try and extract remaining fragments of meat on the left-hand flank. They don’t think of flipping the carcass over and eating the meat on its right side.

Once again I’m surprised by how relaxed cheetahs are around humans. Our guides allow us to get out of the jeeps and walk around, maintaining about a 3m minimum distance but not much more, and the cheetahs take little or no interest. Try that with a lion or tiger…

Zebras Swinging By, Zaminga (Show Details)

In the afternoon we visit the Lagoon Hide, a semi-submerged hide in the centre of a man-made lagoon, which is itself on one edge of a natural lake. This is an excellent location from which to observe water fowl. We watch various water fowl plodding around to find bits of food (although a small heron dives and takes a whole fish, which is impressive).

Lagoon Hide, Zaminga (Show Details)

This one made me laugh. For some reason I’ve got the line "We’ll Walk Down the Avenue" from "Couple of Swells" going through my head…

Lagoon Hide, Zaminga (Show Details)

Another good day’s shooting.

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Absence of Elephant

Absence of Elephant, Zimanga
Camera: Panasonic DC-G9 | Date: 16-06-2025 07:22 | Resolution: 10242 x 3414 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/400s | Aperture: 8.0 | Focal Length: 24.0mm | Lens: LUMIX G VARIO 12-35/F2.8II

You don’t have to shoot Zimanga at 800mm!

I call this “Absence of Elephant”. £4M please! (If Peter Lik can get away with it, why can’t I?)

Oh, and about 5 minutes after shooting this scene, it disgorged a herd of about 10 elephants who were happy to wander past us and be photographed. There’s probably a deep and meaningful message somewhere about looking for hidden details, but I’m not sure my brain is up to it.

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Bird-Dogging, To Hyphenate Or Not To Hyphenate?

Safari in the Mist, Zaminga
Camera: Panasonic DC-G9M2 | Date: 13-06-2025 06:10 | Resolution: 5672 x 3545 | ISO: 1600 | Exp. bias: -33/100 EV | Exp. Time: 0.3s | Aperture: 7.1 | Focal Length: 12.0mm (~24.0mm) | Location: Zaminga | State/Province: Thembalethu, uMkhanyakude, KwaZu | See map | Lens: LUMIX G VARIO 12-35/F2.8II

Day 3 dawns with a borderline white-out: thick mist filling the valley under heavy low cloud, and it appears to be even colder than the previous day. The drive is somewhat hairy, and also almost a wash-out: we find the cheetahs but they are asleep, and we find a small group of rhino, but they move away and clearly regard our jeep as an intrusion. Tyrone takes some time trying to find a reported male lion, but to no avail. One water buffalo is a bit more cooperative.

Water Buffalo, Zaminga (Show Details)

That’s about it for mammals. We fare slightly better with birds, getting good shots of several larger birds sitting in trees, but overall there’s not a great deal to show, emphasising just how much patience and luck contribute to wildlife photography.

African White-Backed Vulture, Zaminga (Show Details)

Tawny Eagle, Zaminga (Show Details)

Our afternoon and evening activity is another night hide session. No sooner are we settled in than it becomes apparent that this is the local avian dogging site. First a pair of Blacksmith Lapwings do a complex mirroring dance culminating in mating, and to make sure they do it again.

Blacksmith Lapwings, Zaminga (Show Details)

The Lapwings are replaced by a pair of small Three Banded Plovers, whose courtship ritual is less complex but completes with even more enthusiastic consummation. They fly away and, we think, return shortly for a second performance, but this ends with the appearance of a second male and a brief territorial squabble, so it’s also possible the lady is concurrently entertaining two suitors.

Three Banded Plovers, Zaminga (Show Details)

After that we are visited by a pair of Woolly-Necked Storks, who plod around for a bit, but if this is their courtship ritual it climaxes elsewhere.

About 10pm I am just getting off to sleep and Colin awakes me with the news that there’s an elephant near the hide. His night sight, honed by years of sailing, has spotted the large beast moving through the trees well beyond the reach of the hide’s lights. Eventually I tune in to where he is, and can follow by using my camera as essentially a night vision scope. Eventually he emerges from the trees, and I manage to get a couple of shots – handheld at 200mm and for 0.4s, using ISO 6400. It only works because elephants don’t move fast, and even so the hit rate is pretty low. My pics aren’t going to win any prizes, but after a slow evening they are still a reward in themselves, especially as that’s the last action of the night.

Elephant some distance from the M’Godi Hide, Zaminga (Show Details)

Maybe I need to channel my inner Peter Lik, produce a vast panorama entitled "Absence of Elephant" and see if someone will give me £4M for it.

And if you don’t understand the title of this piece, I suggest you Google both versions! Just use private browsing mode…

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