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The Beauty of Tuscany

Sunset over Montalceto
Camera: Panasonic DC-G9M2 | Date: 30-09-2024 18:16 | Resolution: 5827 x 3642 | ISO: 100 | Exp. bias: -66/100 EV | Exp. Time: 1/60s | Aperture: 6.3 | Focal Length: 21.0mm (~45.0mm) | Location: Montalceto | State/Province: Chiusure, Tuscany | See map | Lens: LUMIX G VARIO 12-35/F2.8II

I’ve been a bit delinquent regarding the blog, and I still have to write about the last couple of days in Tuscany. I’m working on a slightly more serious piece ruminating on the level of visible economic activity, but in the meantime I think the pictures from our third day there just speak for themselves!

View of The Belvedere from San Quirico d’Orcia (Show Details)

San Quirico d’Orcia (Show Details)

Abbey of Sant’Antimo (Show Details)

Abbey of Sant’Antimo (Show Details)

View from Torrenieri (Show Details)
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The World’s Second Worst Panorama 2024

The World's Second Worst Panorama 2024
Camera: SONY DSC-RX100M7 | Date: 02-10-2024 19:26 | Resolution: 19106 x 3528 | ISO: 3200 | Exp. bias: -0.3 EV | Exp. Time: 1/25s | Aperture: 5.6 | Focal Length: 9.0mm (~24.0mm)

Here’s my traditional group panorama for the 2024 Cinque Terre and Tuscany trip. From the left: Yours Truly, Grant, Elizma, Hildige, John, Buzz and Lee.

Remind me never to book any of my fellow travellers for a portrait shoot – these have to be the blurriest photos I’ve ever had to deal with, and I’ve done some of these almost in the dark!

Enjoy!

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(In)Correct Tripod Technique!

Who Needs a Drone?

With Apologies to My Photography Tutors

First, I’d like to apologise to all the authors, tutors, mentors and tour leaders who have tried to instil in me “correct” tripod technique. As they say, it’s not you, it’s me.I don’t particularly have a philosophical objection to the three legged beast, and you will catch me using one when the camera has genuinely got to stay in one place for a long time, for example videoing a wedding speech, or taking a time-lapse photo sequence. However I do prefer a more free-wheeling approach, and my discovery that the latest Panasonic Dual Image Stabilisation allows me to hand-hold a wide-angle shot for 2-3s, or an extreme telephoto for 1/5s, has only encouraged me to eschew support when not essential.I do actually own three of the things, but the large and relatively heavy Manfrotto has only been used on one single photo shoot. However, coupled with the laser level it has proven invaluable as a surveying tool for our kitchen refit and preparing for my new workshop. My medium-sized Gitzo is a solid, professional but lightweight device, my default for a “serious” tripod. However I suspect I’d scare the purists by pointing out the pistol-grip Manfrotto head – none of this fancy gear rubbish!

And then there’s the Frankentripod ™. (It’s great to have one search term which gets your website at the top of all the search engines, even if you have to make up a word to do it!) It’s the tripod I carry when I don’t want to carry a tripod, but feel I should, to show willing, or “just in case”. It does the job, most of the time, at very little cost in terms of luggage space or weight. I say “most of the time” because there are limitations – in Cinque Terre, for example, it wasn’t quite tall enough to clear some of the safety fences around the harbour in Manarola, but I found work-arounds.

The Frankentripod also turns out to be the ideal device for my new tripod technique, which I call “why get a drone when you have a tripod?” The technique is simple:

  1. Extend tripod to full length, legs together
  2. Put camera on tripod
  3. Flip screen out so you can see it from below
  4. Put camera on self-timer
  5. Start self-timer
  6. Raise camera above your head, to clear obstacles such as vegetation, tall people etc.
  7. Compose your shot by tilting the tripod as required
  8. Wait for 0s
  9. Bingo!

In the right situation this can be a game changer. For example, our views of Montisi from Castelmuzio were somewhat constrained by the fact that whoever was responsible for trimming the vegetation at the viewpoint was somewhat derelict in their duty. From head height the best wide shot was this, with some rather intrusive branches:

Montisi from Castelmuzio (Show Details)

However, the Frankentripod method got my camera up above the errant foliage, and produced this:

Montisi from Castelmuzio (Show Details)

The method does have some pre-requisites, and a couple of trust issues:

  1. Lightweight camera and tripod. This is not going to work with a Canon 1DS, 600mm lens and Uranium tripod, unless you take my instruction in point 5 very seriously!
  2. A flip-out or flip-down screen bright enough to be viewed from the other end of the tripod
  3. Image stabilisation, very good image stabilisation
  4. Trust that your camera is firmly attached. Otherwise this could become somewhat dangerous and expensive, although a long strap (shorter than yourself, obviously), tied to the tripod head, and a hard hat might provide some mitigation
  5. A steady hand and strong shoulders, otherwise ditto. Pump iron!
  6. A bit of skill to compose and then hold the composition in 10s, or whatever the timer is on your camera.

Or I could just buy a drone, Darling Wife!

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Welcome to Tuscany

Cappella di Vitaleta
Camera: Panasonic DC-G9M2 | Date: 29-09-2024 18:38 | Resolution: 6198 x 3874 | ISO: 320 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 6.3 | Focal Length: 12.0mm (~24.0mm) | Location: Cappella di Vitaleta | State/Province: Delle Fornaci, Tuscany | See map | Lens: LUMIX G VARIO 12-35/F2.8II

We took our leave of the Cinque Terre, and embarked on the long drive to Tuscany. This was punctuated by two interactions with our host at Cinque Terre, first when he discovered that one of the keys had not been handed back, and then when the same member of the party (who shall remain nameless to share his blushes) discovered that he had also left his passport behind in the room. Cue three days of intermittent but extensive research into the options for courier services between Italy’s tourist regions.

We arrived in time to dump our bags at the very nice Hotel Casanova in San Quirico D’Orcia, and then head out to what has become known globally as "The Gladiator Mansion", due to its use in the final scene of Gladiator. As I’ve just purchased the Blu-ray of that film to watch before the prequel is released next month, it will be interesting to compare how Sir Ridley captured it compared with my attempt. I do know that he probably paid a sufficient fee to not have a little red tractor parked outside the front, whereas I had to cunningly hide it behind the tip of a cypress tree.

Pienza, Gladiator Mansion (Show Details)

Our first full day in Tuscany dawned misty but with a fairly clear sky and we trooped literally next door into an olive grove which has an excellent view of another famous Tuscan location, The Belvedere. This is a popular dawn location, but I struggled to get an image I really liked. Once the sun is up you are shooting directly into it, so you either have to make your images somewhat before sunrise, with relatively little detail of The Belvedere itself, use a complicated arrangement of tripod and graduated filters, or adopt HDR techniques. I made the panorama below just before sunrise, it’s OK but not my best work.

View of The Belvedere (Show Details)

Fortunately this wasn’t an issue for the rest of the day, which was clear and strongly lit. Our morning shoot was around the picturesque village of Lucignano d’Asso, and we ended up at the wonderful Cappella di Vitaleta. I was walking somewhat slowly, and arrived only just in time to get about 3 minutes of great light before the sun finally set, and my efforts were rewarded again on the walk back to the van, when we looked back to see an intense but small sunset, and my long lens probably captured it best.

Lucignano d’Asso (Show Details)

Friendly Lion, Lucignano d’Asso (Show Details)

Sunset from the Cappella di Vitaleta (Show Details)
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What’s That Shiny Yellow Thing?

Riomaggiore sunset
Camera: Panasonic DC-G9M2 | Date: 27-09-2024 18:50 | Resolution: 11333 x 6025 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 8.0 | Focal Length: 16.0mm (~32.0mm) | Location: Riomaggiore | State/Province: Riomaggiore, Liguria | See map

We started day 2 by getting a train. There are essentially four ways of getting between the five towns which make up the Cinque Terre: you can walk along the cliff paths, go by boat, or get the excellent trains which run along or through the cliffs, roughly following the paths. Driving is very much the worst option as you have to drive up and down each steep valley, and parking is very limited. It’s also slow – Manorola to Riomaggiore is a 20 minute walk, less than 2 minutes by train, and a long drive of at least 20 minutes and 10 miles excluding parking and the walks into and out of town.

The only challenge with the train is that the timetable is somewhat erratic, as the same lines also serve Intercity traffic. Sometimes two local trains are minutes apart, at other times the wait can be over an hour.

The train took us to Venezza, town 4 of the 5, where we wandered down to the harbour to photograph waves breaking gently as the light rose through blue hour. However it soon became clear that we had another overcast day and no prospect of a photogenic sunrise.

Castello Doria, Venezza (Show Details)

We returned to Manarola to explore a little before lunch. The high path gives excellent panoramic views of the town, but I would have appreciated a bit more sunlight.

Manarola Panorama (Show Details)

Friday morning brought a new entry for the dysfunctional hotels blog. The shower cubicle was wide enough, but only deep enough to wet either my front or back, not both together. To complicate matters it included a large metal soap dispenser. To add injury to insult, while I was soaping myself I caught the dispenser with my head. This lifted the dispenser off the wall where it promptly fell onto my foot bruising my big toe. My injuries are not exactly life-threatening, but it’s a bit of an achievement bruising both head and big toe in one move.

Thursday night had been very stormy, with a strong wind. Our dawn shoot was back at Manarola Harbour, but dramatically different from the first, with waves breaking high over the rocks, breakwater and harbour edge.

Manarola – Stormy Waters! (Show Details)

When we got back from the harbour another storm had broken. Three delivery men were having a noisy argument bordering on punch-up outside our accommodation. We never did find out the cause but it took the arrival of the local policeman to calm things down.

We had feared another grey, stormy day but suddenly after breakfast the skies started to clear and a shiny yellow thing emerged. We took the opportunity to walk to Riomaggiore, the first of the Cinque Terre, on the wonderfully named Via Dell’Amore, a nicely surfaced cliff walk which has only recently reopened after a 12 year closure for re-engineering. Riomaggiore is very photogenic, but there’s a lot of up and down steep steps and slopes, not ideal for my grumbling hip and knees.

We returned to Manarola by train for lunch and a siesta, but then went back to Riomaggiore to watch the sunset (with real sun!). The great thing about Riomaggiore harbour is you have a choice of view only about 50m (and a few steps) apart. Lee and most of the team opted for shooting into the sunset, but I moved to the other side and concentrated on capturing the colourful buildings, and people, bathed in the orange glow. My motto for such circumstances: "Follow the Light".

We took dinner in Riomaggiore, but by the time all was said and done we had missed the 9.20 train, and the next wasn’t until 10.30pm. Most of the group decided to walk back, but I opted to wait for the train. A couple of nice glasses of Chianti at the railway bar went down well, and I then wandered over to the platform. A young lady sat down next to me and used a line I thought had gone out of fashion, the Italian equivalent of "have you got a light, kind sir", followed by an elaborate mime of looking for a lost lighter. Three possibilities: it was genuine, she was the local prostitute and the line had always worked, or she was a pickpocket, several of whom operate on the trains. Either way my "no sorry" plus a suggestion about rubbing two sticks together closed the conversation down!

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A Curse Manifests

Manarolo bay with a break in the clouds
Camera: Panasonic DC-G9M2 | Date: 25-09-2024 17:47 | Resolution: 5745 x 3591 | ISO: 100 | Exp. bias: -1 EV | Exp. Time: 1/100s | Aperture: 7.1 | Focal Length: 9.0mm (~18.0mm) | Lens: LEICA DG SUMMILUX 9/F1.7

The Italy 2024 Blog

I’m not sure I believe in curses as a general rule but I am starting to think that I have inadvertently offended a very particular deity and invoked their wrath. Every time I go on one of Lee Frost‘s photography workshops, there is some point on the first day where I am either wringing out clothes or emptying water out of a camera.

It was therefore of little surprise when a day before setting off to Pisa for a trip around the Cinque Terre and Tuscany, that Lee sent a WhatsApp message warning of a near-biblical weather forecast for the first few days. I replied flippantly that I had already packed my most waterproof clothes, but I could add a snorkel if required.

I was therefore pleasantly surprised when my trip was untroubled by rain, and the first full day dawned bright and sunny in Pisa. The other attendees gathered at Pisa airport also without apparent problems, and the only delay was inevitable Italian over-complication of the paperwork when Lee collected the minibus.

We had a pleasant drive to Manarolo, also in fair weather, and a delicious if slightly late lunch. Then Grant repaired to his room and opened his suitcase, to find every item soaking wet! There was no obvious cause, but some items were so wet they could be wrung out. While it had been raining heavily when he and John boarded the BA flight, the thorough wetness of his gear suggested that the case had not just been left in the rain, but somehow immersed.

After lunch we went down to the seafront, Grant wearing his only dry outfit. And the heavens opened, dousing all but myself, as I had returned to my room to collect something.

This is the most focused manifestation yet of the curse. I don’t understand how I have escaped, but "false sense of security" suggests itself. Hopefully Grant will dry out soon…

Manarolo high street, just after the storm
(Show Details)

Cloudy with a Chance of Meatballs

We had a late lunch, which for most of us of consisted of delicious but very large pizzas. I had a gorgonzola and truffle pizza which I failed to finish, very unusual.

The weather was less than ideal for capturing the traditional shot of Manarolo across the harbour, with a leaden overcast sky, and little prospect of a sunset. However very occasionally the sun did break through the clouds with a few well-placed beams of light, and working quickly we each captured a few well-lit images. As the alleged sunset came and went we were luckier with blue hour, less dependent on direct light, and we all came away with satisfactory shots of the town lit up in the gathering evening.

Manarolo blue hour
(Show Details)

I did make one astonishing discovery. I have become used to hand-holding the Panasonic G9ii (and its predecessor) for shots with exposure time of 1/5 or 1/4s, but I wasn’t even touching the surface of the possible. I have come to Italy with only a small tripod, incompatible with the relatively high railings of the cliff walk, and I decided to try hand-holding longer exposures. I managed a couple at well over 2s which are acceptably sharp, and captured several very sharp images, like the top one here, in the 1-2s range. Obviously this only works with wide angle lenses, but even so it’s quite remarkable.

We each stuck to a single course for dinner, but that turned out to be further enormous portions of delicious food, with no complaints about quality, but one or two concerns about quantity. I can see that managing my diet is going to be a challenge…

Manarolo blue hour – 2s hand-held image!
(Show Details)
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The World’s Worst Panorama 2024

The World's Worst Panorama 2024
Camera: SONY DSC-RX100M7 | Date: 22-02-2024 19:37 | Resolution: 20250 x 3496 | ISO: 3200 | Exp. bias: -0.3 EV | Exp. Time: 1/8s | Aperture: 4.0 | Focal Length: 9.0mm (~24.0mm)

As is traditional, here’s my rogue’s gallery from the Lee Frost Iceland Tour 2024. From the left: Philip, Chris, Chris, Andreas, Lee, Yours Truly, Ann, John and Geriant.

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Three Kirks and a Kirkufell!

Kirkjufell
Camera: Panasonic DC-G9M2 | Date: 21-02-2024 17:56 | Resolution: 14672 x 3967 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/80s | Aperture: 8.0 | Focal Length: 24.0mm (~48.0mm) | Location: Kirkjufellsfoss | State/Province: Grundarfjordur | See map

Ideally, don’t get a cold when you’re in Iceland. If you must, make sure you have enough of your preferred cold medication. If you’ve failed on that, then you really, really don’t want to discover it on Saturday morning. In Iceland’s smaller towns the pharmacies close over the weekend. We then discovered at 2pm on Monday that Vik’s is only open 9-1. At 9 on Tuesday we discovered that the Vik pharmacy don’t do any over the counter sales, and then at lunchtime we discovered in a larger pharmacy in Selfoss that none of them sell what we’d recognise as cold remedies!

Fortunately my own stock of lemsips lasted just long enough to get me through the worst, and the pharmacist in Selfoss took pity on me and sold me a couple of tablets "for a good night’s sleep" which I took on Tuesday night. I was asleep within minutes and 9 hours later I woke up feeling somewhat refreshed and ready for the day. Now all I need to find is an English translation of the Icelandic-only leaflet and find out just what’s in them!

Wednesday dawned cold and with snow falling steadily. We set off on the drive along the north of the Snaefellsnes peninsula, but what should have been our first stop at Kirkufell was abandoned because we couldn’t see the car park from the road. Lee wisely decided to cut our losses and drive the long way around the south of the peninsula, where the weather was a bit better, and we finally fetched up at Búðir church, which we photographed with snow driving in the foreground and enormous waves breaking for hundreds of yards behind the beach. Kirk 1.

Búðir church (Show Details)

The next stop was the small town of Arnarstapi where we got an excellent fish & chip lunch, and photographed interesting rock stacks around the harbour, and waves crashing through a natural arch a short distance away. We then proceeded to the pretty red-roofed church at Stóra-Hella. This works very well if there’s snow on the ground but clear skies, whereas we were trying to get our shots in driving snow. Characterful, but not quite the shots we imagined. Kirk 2.

In sharp contrast the next town, Enni, is home to a striking, modern and very geometrical church. I think it works well with a monochrome treatment. Kirk 3.

Enni church (Show Details)

A short distance up the road we passed a cliff covered in tumbling ice-falls. I asked to stop and got some wonderful images, but for some reason there were few other takers. All kirked-out?

Roadside ice at Búlandsgil (Show Details)

However the main event was still to come. We had completely circled Snæfellsjökull at the end of the peninsula, and worked our way back to Kirkufell, which was now clear and bathed in the light of the setting sun. There were countless images to be made, but the classic one of the mountain in the background and the waterfall in the fioreground worked very well when I was able to quickly grab a shot without too many other people in it.

Kirkjufellsfoss (Show Details)
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The Road North

View of Vik Sea Stacks from Loftsalir
Camera: Panasonic DC-G9M2 | Date: 20-02-2024 09:59 | Resolution: 5809 x 1936 | ISO: 125 | Exp. bias: -33/50 EV | Exp. Time: 1/160s | Aperture: 4.0 | Focal Length: 68.0mm (~148.0mm) | Location: Loftsalir | State/Province: Vik | See map | Lens: LUMIX G VARIO 35-100/F2.8

After a leisurely breakfast we hit the road for the long drive up to the Snaefellsnes peninsula, up on the Iceland’s North-West coast. Among a number of other attractions, this is home to the volcano Snæfellsjökull, famous as the point where Professor Otto Lidenbrock & co start their Journey to the Centre of the Earth.

First stop was the road to Dyrhólaey. On the drive in yesterday I had seen a great composition with the three Vik sea stacks framed on both sides by a combination of the mountains around Vik, and the edge of the island. It took a little finding, and my best shot was probably taken through the windscreen with the van momentarily stationary, but I not only found the composition, I was rewarded by a great sky including rolling clouds and breaking sunshine.

Next was the waterfall at Seljalandsfoss. I have seen this before, in Summer when it’s possible to walk behind the water. In winter that’s roped off for obvious safety reasons, but you can still get some great shots from the front, with the benefit in early Spring of much greater water flow. Images are all variations on a simple, obvious theme, but it’s worth the short stop to add one to your collection.

Seljalandsfoss (Show Details)

The drive into Reykjavik and out North was challenging due to the combination of frequent heavy rain showers, and occasionally settling snow. However we made it, including a lunch stop, to Borgarnes, beyond which the drive was again punctuated by snow showers, but also a couple of brief stops (brevity enforced by the inclement weather) to capture combinations of dramatic scenery and skies.

The Harbour at Stykkisholmur (Show Details)

We finally arrived at Stykkishólmur. The Foss Hotel is modern and spacious, but doesn’t offer a laundry service so I had to resort to hand-washing a couple of items I needed to tide me through to the end of the trip. Unimpressed.

On a positive note the dinner was excellent, the lamb one of the best meals I have had in some time.

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Inappropriate Footwear, and an Inaccurate Prediction

Skogafoss
Camera: Panasonic DC-G9M2 | Date: 19-02-2024 09:35 | Resolution: 14005 x 3658 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/50s | Aperture: 8.0 | Focal Length: 12.0mm (~24.0mm) | Location: Skógafoss | State/Province: Skogar | See map | Lens: LUMIX G VARIO 12-35/F2.8II

On Sunday we moved on from Höfn back towards Vik. I was still feeling fragile, but after a better night’s sleep somewhat improved, and I knew the day would be mainly a fairly steady drive.

We did make one photography stop, at the Svínafellsjökull Glacier. At one level this was very depressing. I visited in 2011, and I remember a short walk of maybe a minute or two, to a glacier towering above us. Now it’s a 10+ minute hike in, to a glacier which is at its leading edge some way below the viewpoint. It has obviously retreated at least 0.5km in the intervening 13 years, and maybe as much as 1km. There really is a case for tying all oil company executives to the front of glaciers at the start of spring, and explaining that if they are right about global warming, they won’t drown…

At another level it was quite hilarious. The path from the car park starts with about 100m of a steady moderate gradient, which was covered in sheet ice, in turn running with melt water. Those equipped with crampons (including all members of our group) just walked straight up on down the middle. Those in boots without crampons walked gingerly, occasionally on all fours, close to the path’s edge. And then there was this young oriental couple!

Inappropriate Footwear – Thanks to Andreas for the Image(Show Details)

The Hotel Vik is by some margin the worst of the trip (at least so far). The rooms are poky and so poorly lit you can’t see what you’re doing unless you get them to provide an additional lamp. Given what most residents will be doing the lack of either rails to hang damp clothing, or a boot puller is a complete mystery. To sit at the desk you have to make movement between the bathroom and bedroom areas impossible. There was obviously a competition and the architects who claimed to put stuff into the smallest possible space won the job, but it’s not a good one. (Interestingly it only scores 25 on the dysfunctional hotel rooms scheme. That’s high, but not excessive – the issue is more the cumulative effect of everything feeling a bit squeezed and cheap.)

To add insult to injury dinner is served after 7, but happy hour is 4-6. WTF?

In the morning I was almost back to my normal self. Our first stop was the waterfall at Skógafoss. Even though we arrived by about 8.30 the site was already quite full of other visitors. Most of my group resolved this by setting up tripods some distance back and shooting over their heads. I found a different solution, put the 9mm lens on the camera, and walked in front of the grockles to get a clean shot without them. It took a couple of goes to get one before the spray covered the filter, but it worked. Afterwards I felt sufficiently recovered to do the short walk to the high veiwpoint, and was rewarded by an opposing hillside lit by the rising sun in wonderful oranges and browns, with the river and top of the waterfall providing leading lines below. Shot of the day?

After that we headed back to the island of Dyrhólaey. Lee suggested that we might want to try and capture the intricate patterns of foam from waves breaking gently on the black beach. Right:

"You might want to try and capture the intricate patterns of foam from waves breaking gently on the black beach" (Show Details)

Once we’d tuned into the stormy sea (not accompanied by a significant local wind) I did manage to get a few different shots, but most involved catching very big waves either in front of, or breaking over, the other features.

After lunch we went down to the Black Beach. Again this rapidly became a game of catching the biggest most threatening looking waves breaking in front of or over the rocks. While doing so I was caught out by a rogue wave which charged up the beach and reached me at thigh level even though I was some distance from the average water position. Fortunately I kept my balance, didn’t fall over or drop the camera, and the combination of muck boots and over trousers kept almost all the water out. One sock was a bit damp, but that’s not too much to complain about when it could have been very much worse.

I had wondered why the flashing light at the entrance was only on amber. I looked up and in the intervening 5 minutes it had gone to red. Fair enough.

We gave up on the Black Beach and drove round to Vik beach, which is usually calmer. Not today. After a short session trying to catch the scariest-looking waves breaking in front of the sea stacks it started to rain, so we finally called it a day.

The Sea Stacks from Víkurfjara Black Sand Beach (Show Details)
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The Cold Gives Me a Cold

The Witches Hat, Snokksnes
Camera: Panasonic DC-G9M2 | Date: 16-02-2024 15:51 | Resolution: 5678 x 3549 | ISO: 200 | Exp. bias: 0.33 EV | Exp. Time: 1/60s | Aperture: 8.0 | Focal Length: 15.0mm (~32.0mm) | Location: Snokksnes, Hornsvík | State/Province: Hofn | See map | Lens: LUMIX G VARIO 12-35/F2.8II

The following day we moved on from Jökulsárlón to near Höfn, a relatively short drive but we stopped on the way to photograph wonderful light over the hills a mile or two back from the coast, despite the fact that we could only see thick cloud. We also stopped to photograph a cute little yellow house where Lee used to stay in years gone by, and a particularly photogenic group of Icelandic ponies.

Dramatic light on the road near Jokulsarlon (Show Details)

Yellow house at Fellsá (Show Details)

Icelandic Ponies (Show Details)

We checked in to the hotel quite early, as obviously this far up the coast they are not busy at this time of year. The other good piece of news is that Chris was finally reunited with his missing bag! (After "only" 5 days…)

We took lunch at the Kaffi Hornið. They’re interpretation of the Icelandic principle of "get at least this amount of money out of each tourist" is delicious fare, but portions at least twice the size they need to be. I had a steak sandwich, which was absolutely delicious, but looked suspiciously like a sliced cow between two pieces of bread.

After lunch we found the Höfn computer store, and I was finally equipped with a working mouse, which has transformed the work on my writing and images.

We then drove up to Stokksnes, a small peninsula in the shadow of Vestrahorn Mountain, the famous "witches hat" which extends over a black beach full of small black dunes, and also puddles which were just melting to give me some scope for reflections.

The Witches Hat, Snokksnes (Show Details)

Unfortunately by the end of the visit the cold was starting to catch up with me – I felt very weary and had a dreadful runny nose. I managed dinner, but then went to bed and slept soundly for many hours.

I woke up somewhat rested but still feeling rough, and gave the group breakfast and morning trip a miss. Fortunately this wasn’t a major issue, as the weather closed in and those who went out were battling rain showers and the like.

We again took lunch at the Kaffi Hornið. I tried to negotiate a smaller portion, but failed miserably. Fortunately the fish & chips was less enormous than some of the other options.

I spent the rest of the day alternating between rest (not completely comatose) and sleep (out for the count). I just hope that come tomorrow I will start to feel a bit more human again.

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No Sitting Down Time

Inside the Sapphire Ice Cave
Camera: Panasonic DC-G9M2 | Date: 15-02-2024 16:40 | Resolution: 5776 x 3610 | ISO: 800 | Exp. bias: -2 EV | Exp. Time: 1/13s | Aperture: 5.6 | Focal Length: 25.0mm (~54.0mm)

Day 3 started back at Jökulsárlón with another sunrise over the beach. Overnight some larger icebergs had reached the outlet and then beached, and the waves were somewhat higher than the previous day, providing for more dramatic images, but maybe less subtle ones.

Ice on the Diamond Beach (Show Details)

Just as the sun rose we noticed wonderful pink light on the hills behind the lagoon, so I made the short walk up from the beach to photograph in this new light. It was also interesting to see just how much the visible bergs had changed, with several large ones poised to leave the lagoon, and others having changed position noticeably since the previous evening.

Pink Ice! (Show Details)

The other point of interest was the force of the water flow under the bridge and through the lagoon’s outlet. This reverses twice a day and at high tide salt water literally pours into the lagoon, helping to melt the icebergs, then the flow reverses taking any loose ice out to the sea. It was by stopping that flow that the Bond team made the lagoon freeze for the car chase in Die Another Day, then they simply unblocked the outlet and normal service resumed.

Bridge Over the Outlet from the Lagoon (Show Details)

After a couple of hours of photography we were ready for coffee, but we again had to choose between the warmth of the cafe, and the use of a seat. I joked that when Lee said there would be limited down-time on the trip, I hadn’t realised he meant limited sitting down time.

Fortunately a resolution presented itself. Several of the group wanted to go back to Fjallasarlon. I joined them, but just went for an extended lunch in the warm, seated cafe at the new visitor centre.

Lee had planned an ice cave tour for the afternoon, but in the middle of lunch started getting messages that our tour had been usurped by a group of 56 school children, which would make serious photography impossible. After a bit of haggling we switched to an alternative cave and the trip was back on.

The drive out was entertaining, in a capable but very noisy and rough super jeep, followed by another long walk on ice to the cave entrance. Once inside we photographed a few "set piece" compositions, but did get a couple of promising images from each. However my expectation of a lengthy walk through a colourful cave went unfulfilled.

Entrance to the Sapphire Ice Cave (Show Details)

The drive out seemed even longer than the drive in, and we were late back to the hotel. Dinner was fine, but I was starting to feel very weary and departed early for bed.

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