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Absence of Elephant

Absence of Elephant, Zimanga
Camera: Panasonic DC-G9 | Date: 16-06-2025 07:22 | Resolution: 10242 x 3414 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/400s | Aperture: 8.0 | Focal Length: 24.0mm | Lens: LUMIX G VARIO 12-35/F2.8II

You don’t have to shoot Zimanga at 800mm!

I call this “Absence of Elephant”. £4M please! (If Peter Lik can get away with it, why can’t I?)

Oh, and about 5 minutes after shooting this scene, it disgorged a herd of about 10 elephants who were happy to wander past us and be photographed. There’s probably a deep and meaningful message somewhere about looking for hidden details, but I’m not sure my brain is up to it.

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Bird-Dogging, To Hyphenate Or Not To Hyphenate?

Safari in the Mist, Zaminga
Camera: Panasonic DC-G9M2 | Date: 13-06-2025 06:10 | Resolution: 5672 x 3545 | ISO: 1600 | Exp. bias: -33/100 EV | Exp. Time: 0.3s | Aperture: 7.1 | Focal Length: 12.0mm (~24.0mm) | Location: Zaminga | State/Province: Thembalethu, uMkhanyakude, KwaZu | See map | Lens: LUMIX G VARIO 12-35/F2.8II

Day 3 dawns with a borderline white-out: thick mist filling the valley under heavy low cloud, and it appears to be even colder than the previous day. The drive is somewhat hairy, and also almost a wash-out: we find the cheetahs but they are asleep, and we find a small group of rhino, but they move away and clearly regard our jeep as an intrusion. Tyrone takes some time trying to find a reported male lion, but to no avail. One water buffalo is a bit more cooperative.

Water Buffalo, Zaminga (Show Details)

That’s about it for mammals. We fare slightly better with birds, getting good shots of several larger birds sitting in trees, but overall there’s not a great deal to show, emphasising just how much patience and luck contribute to wildlife photography.

African White-Backed Vulture, Zaminga (Show Details)

Tawny Eagle, Zaminga (Show Details)

Our afternoon and evening activity is another night hide session. No sooner are we settled in than it becomes apparent that this is the local avian dogging site. First a pair of Blacksmith Lapwings do a complex mirroring dance culminating in mating, and to make sure they do it again.

Blacksmith Lapwings, Zaminga (Show Details)

The Lapwings are replaced by a pair of small Three Banded Plovers, whose courtship ritual is less complex but completes with even more enthusiastic consummation. They fly away and, we think, return shortly for a second performance, but this ends with the appearance of a second male and a brief territorial squabble, so it’s also possible the lady is concurrently entertaining two suitors.

Three Banded Plovers, Zaminga (Show Details)

After that we are visited by a pair of Woolly-Necked Storks, who plod around for a bit, but if this is their courtship ritual it climaxes elsewhere.

About 10pm I am just getting off to sleep and Colin awakes me with the news that there’s an elephant near the hide. His night sight, honed by years of sailing, has spotted the large beast moving through the trees well beyond the reach of the hide’s lights. Eventually I tune in to where he is, and can follow by using my camera as essentially a night vision scope. Eventually he emerges from the trees, and I manage to get a couple of shots – handheld at 200mm and for 0.4s, using ISO 6400. It only works because elephants don’t move fast, and even so the hit rate is pretty low. My pics aren’t going to win any prizes, but after a slow evening they are still a reward in themselves, especially as that’s the last action of the night.

Elephant some distance from the M’Godi Hide, Zaminga (Show Details)

Maybe I need to channel my inner Peter Lik, produce a vast panorama entitled "Absence of Elephant" and see if someone will give me £4M for it.

And if you don’t understand the title of this piece, I suggest you Google both versions! Just use private browsing mode…

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Fun at the Bird Bath Hide

Poor bathing etiquette. Bejhane Hide, Zaminga
Camera: Panasonic DC-G9M2 | Date: 12-06-2025 14:41 | Resolution: 5781 x 3613 | ISO: 400 | Exp. bias: -33/100 EV | Exp. Time: 1/400s | Aperture: 7.1 | Focal Length: 167.0mm (~334.0mm) | Location: Bejhane Hide, Zaminga | State/Province: Thembalethu, uMkhanyakude, KwaZu | See map | Lens: LEICA DG 100-400/F4.0-6.3

The afternoon of day 2 is spent at a hide officially called Bhejane, but in practice known to everyone as "The Bird Bath", because it attracts a wide variety of small birds who come to both eat the bird seed, and bathe.

However it’s not without its larger visitors. As we arrive we notice a much a full sized bull elephant loitering behind the hide. We get a couple of shots on the way in, and he does eventually wander past the hide window, but doesn’t stop to drink or pause long enough for photos.

Receding elephant at the Bejhane Hide, Zaminga (Show Details)

Later in the afternoon we’re visited by a small group of warthogs, who do stop for a quick drink.

Warthogs at the Bejhane Hide, Zaminga (Show Details)

The real attraction, however, is dozens of small birds, of numerous colorful species, feeding, drinking and bathing. They are endlessly entertaining, and very photogenic.

Southern cordonbleu. Bejhane Hide, Zaminga (Show Details)

Pink throated twinspot. Bejhane Hide, Zaminga (Show Details)

About halfway through our session the available bird seed starts to run dry, so Lee thinks it would be a good idea to spread some more. However he manages to overdo it, so the ground looks suspiciously like it has severe dandruff, and some emergency gardening is called for. Fortunately no-one records this embarrassing event. Oh wait, I did!

Emergency gardening! Bejhane Hide, Zaminga (Show Details)

Back to the birds… I’ve found a brilliant little app called Merlin Bird ID. You simply select a picture of a bird with approximate location, and it tells you the species and some supporting info. Just in case you thought I had magically become an ornithologist!

Village Weaver. Bejhane Hide, Zaminga (Show Details)

Common Waxbill. Bejhane Hide, Zaminga (Show Details)
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Amazing Zimanga

Cheetahs grooming
Camera: Panasonic DC-G9M2 | Date: 12-06-2025 07:38 | Resolution: 5477 x 2191 | ISO: 250 | Exp. bias: 0 EV | Exp. Time: 1/400s | Aperture: 7.1 | Focal Length: 173.0mm (~346.0mm) | Lens: LEICA DG 100-400/F4.0-6.3

We head north to Zimanga, the first South African game reserve designed specifically for photographers. Located in KwaZulu Natal, not far south of the Mozambique border, this is a private game reserve of 7000 hectares (about 18000 acres), which is in turn part of a larger estate with sugar cane production. The name Zimanga was chosen to sound suitably African, but it’s also an anagram of "Amazing". We wait to see how well that’s justified

The rather boring more than 3 hour drive north from Durban is eased by our guide Mohammed filling us in on South African history and geography, and also by an unscheduled stop while they wrangle three enormous wind turbine blades across the highway.

Once we’re off the road it takes the best part of the 1/2 hour to drive across the reserve to the lodge. At a quick pre-lunch briefing we discover that Colin, John and I will be in the night hide, so after lunch and a quick freshen up we head out to the hide. Personally I could have done with being eased into the process a bit more, but to give each group a fair crack at each activity and location we don’t have that luxury.

The night hide is very well equipped with a kitchen, flushing toilet, beds, electricity and WiFi, as well as shooting chairs and tripods in front of an enormous glass window, fronting onto a watering hole just below our eye level. However despite all the concessions Zimanga makes to your comfort, sitting in the night hide is very boring. You have to be quiet, and can’t use screens or any other lights near the window.

Nothing happens for most of the night. A jackal walks through a couple of times but outside the range of the lights, and that’s about it. We fail miserably to follow the advice to sleep in shifts, and by the small hours we all doze off in the chairs. It’s quite possible that a unicorn visited the watering hole between 2 and 4 am and we all missed it.

Fortunately our patience is rewarded, and shortly after we wake up around 5 am the watering hole is visited by a very majestic water buffalo.

Water buffalo at the watering hole (Show Details)

Dawn Game Drive 1

At 6 we’re collected by our guide Tyrone, for a dawn game drive. My first realisation is how badly I have underestimated the cold. Packing, my uppermost thought was "Africa" not "winter", and I was also thrown by the instruction to avoid bright colours, which eliminated most of my wardrobe. As a result I am woefully underdressed for the back of an open jeep in ambient temperature just above freezing.

All this is forgotten when Tyrone and the other guides converge on a pair of adult male cheetahs. The pair are brothers and live and work together. They are perfectly happy with humans watching on foot as long as we observe a safe minimum distance. They pose for us, play, groom each other and mark their territory in stunning dawn light, and many exposures are made.

Cheetah at sunrise (Show Details)

After leaving the cheetahs each group takes a separate route back to the lodge. On the way we find buffalo, various birds, and a group of rhino with a youngster, who seem quite relaxed to have us come close in the jeep.

Brown-hooded kingfisher (Show Details)

After an excellent breakfast we have the morning to ourselves for ablutions, image editing, and the chance to catch up on missed sleep.

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Safari Shakedown

Wolves at Longleat
Camera: Panasonic DC-G9M2 | Date: 29-05-2025 11:44 | Resolution: 5112 x 3195 | ISO: 800 | Exp. bias: 0 EV | Exp. Time: 1/800s | Aperture: 5.1 | Focal Length: 200.0mm (~400.0mm) | Lens: LEICA DG 100-400/F4.0-6.3

After what seems like a long gap (including retirement and an operation) but was in fact only about 9 months, I’m back on my travels. This time I’m in South Africa, on safari. A group led by Lee Frost will be taking over Zimanga, a private game reserve north of Durban, for a week. If all goes according to plan we’ll see lots of different African wildlife, and come back with copious quantities of memory cards filled with stunning images. Fingers well and truly crossed.

One of the challenges of relatively short photographic trips is that it’s very easy to spend the first couple of days “coming up to speed” and getting back into the groove of taking varying and artistic but technically correct photos. Worst case you may find that you have forgotten how to drive your equipment, especially if some of it is relatively new to you, but it’s not uncommon to find that you are missing opportunities simply because you’re not seeing them and reacting quickly enough. Between some equipment changes, the technical challenges of wildlife  photography, and the fact that I had done very little photography over the winter, I felt this was a real risk for me.

We therefore decided that I should do a couple of “warm up” exercises in the weeks coming up to the trip. In terms of physical preparation I decided to invest in a second-hand Panasonic 100-400mm lens, for some extra reach, and swapped my old Panasonic GX8 for a used G9, to better accompany my G9ii main body and enable swapping backwards and forwards between the two bodies rather than constantly changing lenses. To make this work I also had to rethink bags, but found in my collection an old Lowepro shoulder bag which is comfortably large enough to hold the two bodies side by side.

So now all I had to do was check and familiarise myself with some new equipment, get used to a new way of working, and tune back in to photographing animals. Easy…

Shakedown 1 – Longleat

Frances came up with the brilliant idea of a day at Longleat, photographing their big cats, so I signed up for the “Big Cat Photography Experience”. This turned out to be a great kit shakedown (even the old model 100-400mm lens is brilliant as long as you haven’t accidentally switched stabilisation or autofocus off, GRR) and good for getting my eye in. I’m very pleased with some of the results, but may need to put some tape over the new lens’ controls.

Not African, but definitely a big cat (Show Details)

As well as the requisite lions and tigers we also saw wolves, Bactrian camels and African cattle.

Not African or a cat, but the 100-400mm lens definitely works (Show Details)

It has to be said that the Longleat staff were absolutely superb. The Big Cat Experience is limited to a handful of attendees, and in my case I had a whole seat row to myself so I could shoot out of both sides of the vehicle. The guide was both very knowledgeable about the animals, but also about the needs of photographers and was happy to reposition our vehicle, off road if necessary, to get the best shots. We were also able have the windows down to avoid internal reflections, not allowed if you’re driving yourself. Away from the big cats, the staff also went out of their way to make sure Frances was appropriately occupied on a tour of the house. 10/10.

Shakedown 2 – London Concours

Independent of my safari, we’d also booked to attend the London Concours, a supercar “show and tell” at the Honourable Artillery Company grounds in central London. As my “new to me” G9 hadn’t turned up before the Longleat trip, I decided to use the concours as a test bed for the G9, accompanied by the cheaper and smaller lenses which work both as my “social” kit and as spares for the larger lenses if any should fail on location.

The only issue was the inclement weather, but between showers I added Jaguars, Bulls and Prancing Horses to the score. No kit issues, but it reminded me that while the G9 may be less ultimately capable than the Mark II, it’s actually a nicer handling piece of kit, and not much of a compromise 90% or more of the time.

Jaugar! (Show Details)

Bulls and Prancing Horses (Show Details)

Shakedown 3 – The Hidden Forest

The trip finally arrives.

As is usual, I travelled out a day early so I could recover a bit before getting cracking. My flight out was fairly uneventful, but with some interesting contrasts. Heathrow T3 now has the integrated scanners, so you don’t have to take half your luggage out of your bags at security, but the process is anything but! It took about 20 minutes to process a queue of less than 10 people. My new metal hip didn’t set anything off, but the hanky & wipes in my trouser pocket did… By contrast in Johannesburg I had to collect and recheck my baggage (quick and painless), and then joined a security queue at least 100 long. I was prepared for a long wait, but the staff were very efficient and after no more than 15 minutes I was through the check into domestic departures. Heathrow take note…

After an excellent brunch of a Wagu burger and red ale at the “Airport Craft Brewery” (also 10/10), my second flight was also uneventful, but somehow managed to shave 25 minutes off a scheduled 1h10, so I had a bit of a wait while the taxi arrived. Eventually I arrived at the hotel in Ballito, and had dinner with the other early arrivals, Sue and Chris. Sue said we should try and find something to photograph on our first morning, and came up with the excellent suggestion of the local primate sanctuary, formerly “Monkeyland” but now the more elegant “Hidden Forest”.

Good choice. We had a guide who was not only friendly and knowledgeable but had the requisite eagle eyes to spot a tiny monkey up a tree 20m away, and got to see a number of species. With low light levels it was technically tricky, but I’m pleased with some of my results.

Lemur in the branches (Show Details)

There was one sad little aspect. The Hidden Forest is a rescue sanctuary, populated mainly with monkeys and lemurs who have been rescued from the pet trade. One of these was a tiny capuchin monkey who followed us around the whole time, mewing like a cat and taking every opportunity to lie, submissive, in front of our group, waiting to be picked up and petted. He’s clearly an ex-pet who appreciates human company, but now he’s in the sanctuary that’s not allowed. Hopefully over time he’ll adjust and fit in with his fellow capuchins.

Sad capuchin ex-pet (Show Details)

Tomorrow we’re off to Zimanga and the safari proper begins!

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The Beauty of Tuscany

Sunset over Montalceto
Camera: Panasonic DC-G9M2 | Date: 30-09-2024 18:16 | Resolution: 5827 x 3642 | ISO: 100 | Exp. bias: -66/100 EV | Exp. Time: 1/60s | Aperture: 6.3 | Focal Length: 21.0mm (~45.0mm) | Location: Montalceto | State/Province: Chiusure, Tuscany | See map | Lens: LUMIX G VARIO 12-35/F2.8II

I’ve been a bit delinquent regarding the blog, and I still have to write about the last couple of days in Tuscany. I’m working on a slightly more serious piece ruminating on the level of visible economic activity, but in the meantime I think the pictures from our third day there just speak for themselves!

View of The Belvedere from San Quirico d’Orcia (Show Details)

San Quirico d’Orcia (Show Details)

Abbey of Sant’Antimo (Show Details)

Abbey of Sant’Antimo (Show Details)

View from Torrenieri (Show Details)
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The World’s Second Worst Panorama 2024

The World's Second Worst Panorama 2024
Camera: SONY DSC-RX100M7 | Date: 02-10-2024 19:26 | Resolution: 19106 x 3528 | ISO: 3200 | Exp. bias: -0.3 EV | Exp. Time: 1/25s | Aperture: 5.6 | Focal Length: 9.0mm (~24.0mm)

Here’s my traditional group panorama for the 2024 Cinque Terre and Tuscany trip. From the left: Yours Truly, Grant, Elizma, Hildige, John, Buzz and Lee.

Remind me never to book any of my fellow travellers for a portrait shoot – these have to be the blurriest photos I’ve ever had to deal with, and I’ve done some of these almost in the dark!

Enjoy!

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(In)Correct Tripod Technique!

Who Needs a Drone?

With Apologies to My Photography Tutors

First, I’d like to apologise to all the authors, tutors, mentors and tour leaders who have tried to instil in me “correct” tripod technique. As they say, it’s not you, it’s me.I don’t particularly have a philosophical objection to the three legged beast, and you will catch me using one when the camera has genuinely got to stay in one place for a long time, for example videoing a wedding speech, or taking a time-lapse photo sequence. However I do prefer a more free-wheeling approach, and my discovery that the latest Panasonic Dual Image Stabilisation allows me to hand-hold a wide-angle shot for 2-3s, or an extreme telephoto for 1/5s, has only encouraged me to eschew support when not essential.I do actually own three of the things, but the large and relatively heavy Manfrotto has only been used on one single photo shoot. However, coupled with the laser level it has proven invaluable as a surveying tool for our kitchen refit and preparing for my new workshop. My medium-sized Gitzo is a solid, professional but lightweight device, my default for a “serious” tripod. However I suspect I’d scare the purists by pointing out the pistol-grip Manfrotto head – none of this fancy gear rubbish!

And then there’s the Frankentripod ™. (It’s great to have one search term which gets your website at the top of all the search engines, even if you have to make up a word to do it!) It’s the tripod I carry when I don’t want to carry a tripod, but feel I should, to show willing, or “just in case”. It does the job, most of the time, at very little cost in terms of luggage space or weight. I say “most of the time” because there are limitations – in Cinque Terre, for example, it wasn’t quite tall enough to clear some of the safety fences around the harbour in Manarola, but I found work-arounds.

The Frankentripod also turns out to be the ideal device for my new tripod technique, which I call “why get a drone when you have a tripod?” The technique is simple:

  1. Extend tripod to full length, legs together
  2. Put camera on tripod
  3. Flip screen out so you can see it from below
  4. Put camera on self-timer
  5. Start self-timer
  6. Raise camera above your head, to clear obstacles such as vegetation, tall people etc.
  7. Compose your shot by tilting the tripod as required
  8. Wait for 0s
  9. Bingo!

In the right situation this can be a game changer. For example, our views of Montisi from Castelmuzio were somewhat constrained by the fact that whoever was responsible for trimming the vegetation at the viewpoint was somewhat derelict in their duty. From head height the best wide shot was this, with some rather intrusive branches:

Montisi from Castelmuzio (Show Details)

However, the Frankentripod method got my camera up above the errant foliage, and produced this:

Montisi from Castelmuzio (Show Details)

The method does have some pre-requisites, and a couple of trust issues:

  1. Lightweight camera and tripod. This is not going to work with a Canon 1DS, 600mm lens and Uranium tripod, unless you take my instruction in point 5 very seriously!
  2. A flip-out or flip-down screen bright enough to be viewed from the other end of the tripod
  3. Image stabilisation, very good image stabilisation
  4. Trust that your camera is firmly attached. Otherwise this could become somewhat dangerous and expensive, although a long strap (shorter than yourself, obviously), tied to the tripod head, and a hard hat might provide some mitigation
  5. A steady hand and strong shoulders, otherwise ditto. Pump iron!
  6. A bit of skill to compose and then hold the composition in 10s, or whatever the timer is on your camera.

Or I could just buy a drone, Darling Wife!

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Welcome to Tuscany

Cappella di Vitaleta
Camera: Panasonic DC-G9M2 | Date: 29-09-2024 18:38 | Resolution: 6198 x 3874 | ISO: 320 | Exp. bias: 0 EV | Exp. Time: 1/60s | Aperture: 6.3 | Focal Length: 12.0mm (~24.0mm) | Location: Cappella di Vitaleta | State/Province: Delle Fornaci, Tuscany | See map | Lens: LUMIX G VARIO 12-35/F2.8II

We took our leave of the Cinque Terre, and embarked on the long drive to Tuscany. This was punctuated by two interactions with our host at Cinque Terre, first when he discovered that one of the keys had not been handed back, and then when the same member of the party (who shall remain nameless to share his blushes) discovered that he had also left his passport behind in the room. Cue three days of intermittent but extensive research into the options for courier services between Italy’s tourist regions.

We arrived in time to dump our bags at the very nice Hotel Casanova in San Quirico D’Orcia, and then head out to what has become known globally as "The Gladiator Mansion", due to its use in the final scene of Gladiator. As I’ve just purchased the Blu-ray of that film to watch before the prequel is released next month, it will be interesting to compare how Sir Ridley captured it compared with my attempt. I do know that he probably paid a sufficient fee to not have a little red tractor parked outside the front, whereas I had to cunningly hide it behind the tip of a cypress tree.

Pienza, Gladiator Mansion (Show Details)

Our first full day in Tuscany dawned misty but with a fairly clear sky and we trooped literally next door into an olive grove which has an excellent view of another famous Tuscan location, The Belvedere. This is a popular dawn location, but I struggled to get an image I really liked. Once the sun is up you are shooting directly into it, so you either have to make your images somewhat before sunrise, with relatively little detail of The Belvedere itself, use a complicated arrangement of tripod and graduated filters, or adopt HDR techniques. I made the panorama below just before sunrise, it’s OK but not my best work.

View of The Belvedere (Show Details)

Fortunately this wasn’t an issue for the rest of the day, which was clear and strongly lit. Our morning shoot was around the picturesque village of Lucignano d’Asso, and we ended up at the wonderful Cappella di Vitaleta. I was walking somewhat slowly, and arrived only just in time to get about 3 minutes of great light before the sun finally set, and my efforts were rewarded again on the walk back to the van, when we looked back to see an intense but small sunset, and my long lens probably captured it best.

Lucignano d’Asso (Show Details)

Friendly Lion, Lucignano d’Asso (Show Details)

Sunset from the Cappella di Vitaleta (Show Details)
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What’s That Shiny Yellow Thing?

Riomaggiore sunset
Camera: Panasonic DC-G9M2 | Date: 27-09-2024 18:50 | Resolution: 11333 x 6025 | ISO: 400 | Exp. bias: 0 EV | Exp. Time: 1/100s | Aperture: 8.0 | Focal Length: 16.0mm (~32.0mm) | Location: Riomaggiore | State/Province: Riomaggiore, Liguria | See map

We started day 2 by getting a train. There are essentially four ways of getting between the five towns which make up the Cinque Terre: you can walk along the cliff paths, go by boat, or get the excellent trains which run along or through the cliffs, roughly following the paths. Driving is very much the worst option as you have to drive up and down each steep valley, and parking is very limited. It’s also slow – Manorola to Riomaggiore is a 20 minute walk, less than 2 minutes by train, and a long drive of at least 20 minutes and 10 miles excluding parking and the walks into and out of town.

The only challenge with the train is that the timetable is somewhat erratic, as the same lines also serve Intercity traffic. Sometimes two local trains are minutes apart, at other times the wait can be over an hour.

The train took us to Venezza, town 4 of the 5, where we wandered down to the harbour to photograph waves breaking gently as the light rose through blue hour. However it soon became clear that we had another overcast day and no prospect of a photogenic sunrise.

Castello Doria, Venezza (Show Details)

We returned to Manarola to explore a little before lunch. The high path gives excellent panoramic views of the town, but I would have appreciated a bit more sunlight.

Manarola Panorama (Show Details)

Friday morning brought a new entry for the dysfunctional hotels blog. The shower cubicle was wide enough, but only deep enough to wet either my front or back, not both together. To complicate matters it included a large metal soap dispenser. To add injury to insult, while I was soaping myself I caught the dispenser with my head. This lifted the dispenser off the wall where it promptly fell onto my foot bruising my big toe. My injuries are not exactly life-threatening, but it’s a bit of an achievement bruising both head and big toe in one move.

Thursday night had been very stormy, with a strong wind. Our dawn shoot was back at Manarola Harbour, but dramatically different from the first, with waves breaking high over the rocks, breakwater and harbour edge.

Manarola – Stormy Waters! (Show Details)

When we got back from the harbour another storm had broken. Three delivery men were having a noisy argument bordering on punch-up outside our accommodation. We never did find out the cause but it took the arrival of the local policeman to calm things down.

We had feared another grey, stormy day but suddenly after breakfast the skies started to clear and a shiny yellow thing emerged. We took the opportunity to walk to Riomaggiore, the first of the Cinque Terre, on the wonderfully named Via Dell’Amore, a nicely surfaced cliff walk which has only recently reopened after a 12 year closure for re-engineering. Riomaggiore is very photogenic, but there’s a lot of up and down steep steps and slopes, not ideal for my grumbling hip and knees.

We returned to Manarola by train for lunch and a siesta, but then went back to Riomaggiore to watch the sunset (with real sun!). The great thing about Riomaggiore harbour is you have a choice of view only about 50m (and a few steps) apart. Lee and most of the team opted for shooting into the sunset, but I moved to the other side and concentrated on capturing the colourful buildings, and people, bathed in the orange glow. My motto for such circumstances: "Follow the Light".

We took dinner in Riomaggiore, but by the time all was said and done we had missed the 9.20 train, and the next wasn’t until 10.30pm. Most of the group decided to walk back, but I opted to wait for the train. A couple of nice glasses of Chianti at the railway bar went down well, and I then wandered over to the platform. A young lady sat down next to me and used a line I thought had gone out of fashion, the Italian equivalent of "have you got a light, kind sir", followed by an elaborate mime of looking for a lost lighter. Three possibilities: it was genuine, she was the local prostitute and the line had always worked, or she was a pickpocket, several of whom operate on the trains. Either way my "no sorry" plus a suggestion about rubbing two sticks together closed the conversation down!

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A Curse Manifests

Manarolo bay with a break in the clouds
Camera: Panasonic DC-G9M2 | Date: 25-09-2024 17:47 | Resolution: 5745 x 3591 | ISO: 100 | Exp. bias: -1 EV | Exp. Time: 1/100s | Aperture: 7.1 | Focal Length: 9.0mm (~18.0mm) | Lens: LEICA DG SUMMILUX 9/F1.7

The Italy 2024 Blog

I’m not sure I believe in curses as a general rule but I am starting to think that I have inadvertently offended a very particular deity and invoked their wrath. Every time I go on one of Lee Frost‘s photography workshops, there is some point on the first day where I am either wringing out clothes or emptying water out of a camera.

It was therefore of little surprise when a day before setting off to Pisa for a trip around the Cinque Terre and Tuscany, that Lee sent a WhatsApp message warning of a near-biblical weather forecast for the first few days. I replied flippantly that I had already packed my most waterproof clothes, but I could add a snorkel if required.

I was therefore pleasantly surprised when my trip was untroubled by rain, and the first full day dawned bright and sunny in Pisa. The other attendees gathered at Pisa airport also without apparent problems, and the only delay was inevitable Italian over-complication of the paperwork when Lee collected the minibus.

We had a pleasant drive to Manarolo, also in fair weather, and a delicious if slightly late lunch. Then Grant repaired to his room and opened his suitcase, to find every item soaking wet! There was no obvious cause, but some items were so wet they could be wrung out. While it had been raining heavily when he and John boarded the BA flight, the thorough wetness of his gear suggested that the case had not just been left in the rain, but somehow immersed.

After lunch we went down to the seafront, Grant wearing his only dry outfit. And the heavens opened, dousing all but myself, as I had returned to my room to collect something.

This is the most focused manifestation yet of the curse. I don’t understand how I have escaped, but "false sense of security" suggests itself. Hopefully Grant will dry out soon…

Manarolo high street, just after the storm
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Cloudy with a Chance of Meatballs

We had a late lunch, which for most of us of consisted of delicious but very large pizzas. I had a gorgonzola and truffle pizza which I failed to finish, very unusual.

The weather was less than ideal for capturing the traditional shot of Manarolo across the harbour, with a leaden overcast sky, and little prospect of a sunset. However very occasionally the sun did break through the clouds with a few well-placed beams of light, and working quickly we each captured a few well-lit images. As the alleged sunset came and went we were luckier with blue hour, less dependent on direct light, and we all came away with satisfactory shots of the town lit up in the gathering evening.

Manarolo blue hour
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I did make one astonishing discovery. I have become used to hand-holding the Panasonic G9ii (and its predecessor) for shots with exposure time of 1/5 or 1/4s, but I wasn’t even touching the surface of the possible. I have come to Italy with only a small tripod, incompatible with the relatively high railings of the cliff walk, and I decided to try hand-holding longer exposures. I managed a couple at well over 2s which are acceptably sharp, and captured several very sharp images, like the top one here, in the 1-2s range. Obviously this only works with wide angle lenses, but even so it’s quite remarkable.

We each stuck to a single course for dinner, but that turned out to be further enormous portions of delicious food, with no complaints about quality, but one or two concerns about quantity. I can see that managing my diet is going to be a challenge…

Manarolo blue hour – 2s hand-held image!
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The World’s Worst Panorama 2024

The World's Worst Panorama 2024
Camera: SONY DSC-RX100M7 | Date: 22-02-2024 19:37 | Resolution: 20250 x 3496 | ISO: 3200 | Exp. bias: -0.3 EV | Exp. Time: 1/8s | Aperture: 4.0 | Focal Length: 9.0mm (~24.0mm)

As is traditional, here’s my rogue’s gallery from the Lee Frost Iceland Tour 2024. From the left: Philip, Chris, Chris, Andreas, Lee, Yours Truly, Ann, John and Geriant.

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