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Monthly Archives: May 2010
What I Want In My Next DSLR
What’s missing from the typical DSLR, anno 2010? What could be improved, using simple established technologies, to make the DSLR a better picture-taking device? And why don’t the major DSLR manufacturers do some of these things, which might help sales?
The modern DSLR is a great image making machine, and I don’t want to change it’s core paradigm. But as I use my cameras in different ways, I recognise a number of lost opportunities and frustrations which have yet to be addressed. Now is the time to divert a small fraction of that enormous engineering effort from the hunt for ever more megapixels to the development of software and mechanical features which will make the DSLR a more flexible and better-integrated photographer’s tool.
In this article, I suggest a round dozen ways in which DSLR manufacturers could easily improve the product, mostly through simple software or mechanical refinements, to ease the process of taking and processing photos.
Review: Superfreakonomics
Global Cooling, Patriotic Prostitutes, and Why Suicide Bombers Should Buy Life Insurance, By Steven D. Levitt and Stephen J. Dubner
Fascinating, fun, and more depth than the first book
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This book is a worthy, and in my view a better, successor to the original "Freakonomics". I found the original book fascinating, but ultimately frustrating because after good beginnings it lost its way and felt light on content. The second book avoids that problem, keeping the thought provoking analysis and insights coming all the way. The new book has a very broad scope – trying to understand the economics and human psychology which drive aspects of human existence as disparate as female oppression and prostitution, terrorism, effective medical treatment, altruism, vehicle safety, and global problems such as climate change. |
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Review: Architectural Photography
Composition, Capture, and Digital Image Processing, By Adrian Schulz
A sandwich with not quite enough meat
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This is a good, broad introduction to the field of architectural photography which will suit photographers with basic to intermediate skill levels. That said, the level of detail varies, and it will leave some readers wanting more. |
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